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Даосизм

Zhuangzi

莊子 · 莊周 · 南華真人

ок. 369 до н. э. – ок. 286 до н. э.Историчность оспаривается

Китайский мыслитель IV в. до н. э., уроженец Мэн в царстве Сун; почти всё, что мы о нём знаем, известно из книги, носящей его имя. Семь внутренних глав «Чжуан-цзы» с достаточным основанием приписывают ему самому; остальные созданы учениками и более поздними школами. Притчами, юмором и парадоксами он расшатывал уверенность конфуцианцев и моистов и предлагал свободное странствие в согласии с непрестанным превращением вещей. Вместе с Лао-цзы он — литературный основатель даосизма.

трудов
34трудов
изданий
117изданий
цитат
9цитат
видео
12видео
изображений
5изображений
Zhuangzi en el álbum de retratos de soberanos sabios y ministros virtuosos

Zhuangzi en el álbum de retratos de soberanos sabios y ministros virtuosos · Public domain

Своими словами

«The universe and I came into being together; and I, and everything therein, are One.»

Zhuangzi, cap. 2 «Qiwu lun» (trad. inglesa de Giles, 1889; la española es propia, del chino)

Главная мысль

Free and easy wandering (xiaoyao you): Title of the first chapter and emblem of the whole book.

Биография

4 мин чтения

Перевод с испанского оригинала, выполненный с помощью ИИ; ожидает проверки носителем языка.

Человек за книгой

О Чжуан Чжоу, которого традиция называет Чжуан-цзы, «учитель Чжуан», древняя историография сохранила один-единственный абзац. Его написал Сыма Цянь около 94 г. до н. э. в 63-й главе своих «Исторических записок» и в нескольких строках сказал главное: что он был уроженцем Мэн в маленьком царстве Сун; что служил чиновником в местном «лаковом саду»; что жил во времена вана Хуэя из Лян и вана Сюаня из Ци, то есть во второй половине IV в. до н. э. Обычно приводимые даты, около 369–286 гг. до н. э., — современная реконструкция на основе этих синхронизмов; ни в одном древнем источнике их нет.

Историк добавляет, что он написал «более ста тысяч слов», большей частью в форме иносказаний, и что в таких главах, как «Старый рыбак», «Разбойник Чжи» и «Взламывая сундуки», высмеивал учеников Конфуция, чтобы возвеличить учение Лао-цзы. Завершает сообщение анекдот: ван Вэй из Чу предложил ему пост первого министра, а он отказался, сравнив себя с жертвенным быком, которого годами откармливают и наряжают лишь затем, чтобы заколоть. Ирония в том, что три главы, которые Сыма Цянь приводит как написанные им, современная критика относит к самым поздним в книге.

Книга многих рук

«Чжуан-цзы», который мы читаем, — не тот, что знал Сыма Цянь. Каталог императорской библиотеки Хань упоминает версию в пятидесяти двух главах; около 300 г. н. э. комментатор Го Сян сократил её до тридцати трёх, исключив то, что считал подложными добавлениями, и лишь его редакция дошла до нас полностью. Го Сян установил и деление на три части: семь внутренних глав, пятнадцать внешних и одиннадцать смешанных. В 742 г. танский император Сюань-цзун пожаловал Чжуан Чжоу титул «Истинный человек из Наньхуа», и книга стала называться «Истинный канон Наньхуа».

Филология XX века подтвердила то, о чём догадывались уже древние комментаторы. А. Ч. Грэм различил в своде несколько голосов: внутренние главы, которые можно приписать Чжуан Чжоу; главы его ближайших последователей; «примитивистскую» группу, превозносящую жизнь до цивилизации; «янчжуистскую», сосредоточенную на сбережении собственной жизни; и «синкретический» пласт ханьской эпохи, к которому относится заключительная глава «Поднебесная» — первый обзор китайских философских школ. Лю Сяогань лингвистическими доводами отстаивал бо́льшую древность внутреннего ядра, а Эстер Кляйн напомнила, что нет доказательств того, что это ядро имело хождение как единое целое до Хань. Поэтому осторожность требует говорить скорее о мысли внутренних глав, чем об учении одного человека.

Портрет, нарисованный учениками

Анекдоты, прославившие этого персонажа, почти все происходят из внешних и смешанных глав: бедный Чжуан-цзы предстаёт перед правителем в залатанной одежде и в подвязанных верёвками башмаках и отвечает, что это бедность, а не нищета; удит рыбу на реке Пу и отпускает послов из Чу со словами, что предпочитает, подобно живой черепахе, волочить хвост по грязи; после смерти жены поёт, ударяя в таз; а на смертном одре отказывается от пышных похорон, потому что небо и земля для него достаточный гроб. Это школьные предания, сложенные для того, чтобы проиллюстрировать определённое отношение к жизни; их биографическая ценность сомнительна, но как портрет идеала они бесценны.

Среди этих сцен выделяется его дружба с Хуэй Ши, или Хуэй-цзы, логиком из школы имён и министром в царстве Вэй. На мосту через реку Хао они спорят, можно ли знать радость рыб; спорят о бесполезном дереве и о слишком большой тыкве; а когда Хуэй-цзы не стало, Чжуан-цзы, проходя мимо его могилы, останавливается и рассказывает историю о каменщике из Ин, который мог проявить своё искусство лишь с напарником, стоявшим не шелохнувшись: с тех пор как умер его собеседник, говорит он, ему не с кем больше разговаривать. Заключительная глава книги перечисляет парадоксы Хуэй-цзы, что подтверждает историчность этой фигуры.

Чему учат внутренние главы

Первая глава открывается огромной рыбой Кунь, которая превращается в птицу Пэн и летит к южному океану, а цикада и горлица смеются над такими усилиями. С первой страницы книга играет масштабами и показывает относительность точек зрения. Вторая глава, «О равенстве вещей», — самое насыщенное её философское сочинение: каждая школа утверждает «это так» и отрицает то, что утверждает другая, но «это» и «то» зависят от места, откуда говоришь; мудрец не принимает ничью сторону, а становится в «ось Пути», откуда противоположности высвечивают друг друга, не уничтожаясь. Глава завершается сном о бабочке.

Следующие главы переносят это прозрение в практическую жизнь. Повар Дин разделывает быков, и его нож за девятнадцать лет не затупился, потому что он следует естественным промежуткам в теле животного; Конфуций учит своего ученика Янь Хуэя «посту сердца», который опустошает ум, чтобы в нём мог поселиться Путь; проходят калеки, горбуны и наказанные преступники, чья внутренняя полнота обезоруживает власть имущих; описывается «истинный человек» древности, который не любил жизнь и не ненавидел смерть, и практика «сидения в забытьи». Последняя внутренняя глава заканчивается смертью Хуньдуня, Хаоса, которому друзья просверлили семь отверстий, чтобы он стал похож на других.

Огромное наследие

Влияние книги заметно уже в «Хуайнань-цзы», во II в. до н. э. Она была в центре «учения о сокровенном» (сюаньсюэ) III–IV вв., дала словарь первым переводчикам буддизма и питала дух чань, позднее дзэн. Такие поэты, как Тао Юаньмин, Ли Бо или Су Ши, обращались к ней как к классике внутренней свободы, а даосская религия включила её в свой канон.

На Западе перевод Герберта Джайлза 1889 года удостоился восторженной рецензии Оскара Уайльда, увидевшего в китайском мудреце беспощадного критика филантропии и государственного управления; Джеймс Легг опубликовал книгу в 1891 году в серии «Священные книги Востока», Мартин Бубер переложил её на немецкий в 1910-м, а Леон Вигер — на французский в 1913-м. Томас Мертон в 1965 году пересказал её в вольных переложениях, а Борхес сделал сон о бабочке одним из центральных образов своей литературы. На испанский её перевели иезуит Кармело Элордуй в 1967 году и Иньяки Пресиадо, издавший в 1996 году полный перевод всех тридцати трёх глав; внутренние главы существуют также в переводе Пилар Гонсалес Эспанья и Жан-Клода Пастора-Феррера.

Источники: Sima Qian. Shiji (Memorias históricas), juan 63, «Laozi Han Fei liezhuan», noticia sobre Zhuang Zhou. c. 94 a. C. Ed. Zhonghua shuju, Pekín, 1959. · Graham, A. C. (trad.). Chuang-tzŭ: The Seven Inner Chapters and Other Writings from the Book Chuang-tzŭ. Londres: George Allen & Unwin, 1981 (reimpr. Hackett, 2001, como Chuang-tzu: The Inner Chapters). ISBN 9780042990101. · Watson, Burton (trad.). The Complete Works of Zhuangzi. Nueva York: Columbia University Press, 2013 (1.ª ed. The Complete Works of Chuang Tzu, 1968). ISBN 9780231164740. · Ziporyn, Brook (trad.). Zhuangzi: The Essential Writings, with Selections from Traditional Commentaries. Indianápolis: Hackett, 2009. ISBN 9780872209114. · Roth, Harold D. «Chuang tzu 莊子». En Michael Loewe (ed.), Early Chinese Texts: A Bibliographical Guide. Berkeley: Society for the Study of Early China / Institute of East Asian Studies, 1993, pp. 56–66.

Хронология

Жизнь год за годом

Каждая точка — документированное событие. Нажмите, чтобы прочитать о нём, с источником и степенью достоверности.

  1. ок. 369 до н. э.

    Birth (conventional date)

    Modern date inferred from the Shiji's synchronisms, which make him a contemporary of King Hui of Liang and King Xuan of Qi. No ancient source gives the year. Years BCE are expressed as negative numbers.

    Предание

  2. ок. 340 до н. э.

    Official of the lacquer garden

    According to Sima Qian, Zhuang Zhou held a minor post as official of the "lacquer garden" (qiyuan) of Meng. When and for how long is unknown; the date is merely indicative.

    Вероятно

  3. ок. 335 до н. э.

    Refuses to become minister of Chu

    The Shiji relates that King Wei of Chu (r. c. 339–329 BCE) offered him wealth and the post of chief minister, and that he refused with the parable of the sacrificial ox. Chapter 17 of the Zhuangzi gives another version, that of the sacred tortoise that would rather drag its tail in the mud.

    Предание

  4. ок. 310 до н. э.

    Death of his friend Huizi

    Hui Shi, logician and minister to King Hui of Wei, was his favourite interlocutor. Chapter 24 relates Zhuangzi's visit to his grave and the parable of the mason of Ying. The date of Hui Shi's death is approximate.

    Предание

  5. ок. 286 до н. э.

    Death (conventional date)

    Approximate modern date; Wikidata records -288. Chapter 32 of the Zhuangzi relates that, close to death, he refused a lavish burial; it is a school narrative, not a testimony.

    Предание

  6. ок. 139 до н. э.

    Influence on the Huainanzi

    Liu An presents the Huainanzi at the Han court, which incorporates ideas and passages parallel to the Zhuangzi: the first extensive literary reception of the work.

    Документировано

  7. ок. 94 до н. э.

    Sima Qian writes his notice

    In chapter 63 of the Shiji, Sima Qian devotes to Zhuang Zhou the only ancient biographical note that survives.

    Документировано

  8. ок. 111

    The Han catalogue records 52 chapters

    The "Yiwen zhi" of the Hanshu, based on the catalogue of Liu Xiang and Liu Xin, records a Zhuangzi in 52 chapters (pian).

    Документировано

  9. ок. 300

    Guo Xiang's 33-chapter recension

    Guo Xiang (c. 252–312) reduces the text to 33 chapters, divides it into inner, outer and miscellaneous and writes a commentary. Every surviving complete copy derives from his edition.

    Документировано

  10. 742

    Title of "True Man of Nanhua"

    Emperor Xuanzong of the Tang grants Zhuang Zhou the title Nanhua zhenren and elevates the book to Nanhua zhenjing, "True Classic of Nanhua".

    Документировано

  11. 1889

    First complete English translation

    Herbert A. Giles publishes Chuang Tzŭ: Mystic, Moralist, and Social Reformer (Quaritch). Oscar Wilde reviews it in The Speaker in February 1890.

    Документировано

  12. 1891

    Legge in the Sacred Books of the East

    James Legge includes the complete Zhuangzi in The Texts of Taoism (SBE XXXIX–XL).

    Документировано

  13. 1910

    Martin Buber translates Zhuangzi

    Buber publishes Reden und Gleichnisse des Tschuang-Tse with Insel, a selection that spreads the book in the German-speaking world.

    Документировано

  14. 1965

    Thomas Merton's The Way of Chuang Tzu

    The Trappist monk publishes free versions of passages from the Zhuangzi, bringing the book to Christian and contemplative readers.

    Документировано

Труды

Главные труды

Труды, без которых не понять это наследие.

Zhuangzi (Chuang Tzu). The True Classic of Nanhua — Zhuangzi

Позднейший сборник · ок. 250 до н. э.

Zhuangzi (Chuang Tzu). The True Classic of Nanhua

莊子 (南華真經)

One of the two founding classics of Daoism and one of the summits of Chinese prose. In some sixty-five thousand characters it alternates fables, dialogues, aphorisms and paradoxical arguments with a humour rare in ancient literature. Its protagonists are giant birds, craftsmen, cripples, bandits, a Confucius sometimes mocked and sometimes turned into a Daoist mouthpiece, and Zhuangzi himself arguing with his friend Huizi. Its central teaching is that points of view are relative, that life and death are part of a ceaseless transformation and that freedom lies in wandering unfettered in harmony with the Way.

18 изданий

Традиционная атрибуция · ок. 300 до н. э.

Zhuangzi, ch. 1: "Free and Easy Wandering" (Xiaoyao you)

《莊子·逍遙遊》

It opens with the fish Kun turning into the bird Peng and flying to the southern ocean while the cicada and dove mock its effort. It plays with scales of size and time to relativise viewpoints, presents the perfect man "without self", Xu You refusing the empire, and ends with the dialogues with Huizi on the giant gourd and the useless tree.

Нет в продаже Посмотреть книгу

3 издания

Традиционная атрибуция · ок. 300 до н. э.

Zhuangzi, ch. 2: "Discussion on Making All Things Equal" (Qiwu lun)

《莊子·齊物論》

The densest philosophical chapter of the book. Ziqi of Nanguo has "lost himself" and hears the piping of heaven; the schools entangle themselves in asserting "this is" and "this is not"; the sage settles at the pivot of the Way and lets things take their course. It contains the fable of the monkeys and "three in the morning", the dialogue of penumbra and shadow, and the butterfly dream.

Нет в продаже Посмотреть книгу

3 издания

Все труды (34)

Все произведения (34) в библиотеке

Изречения

Изречения, найденные в конкретном труде. Каждое сопровождается указанием происхождения и степени надёжности.

The universe and I came into being together; and I, and everything therein, are One.

天地與我並生,而萬物與我為一。

ПровереноZhuangzi, cap. 2 «Qiwu lun» (trad. inglesa de Giles, 1889; la española es propia, del chino)

1 / 9
Апокрифические изречения и изречения спорной атрибуции (2)
  • «"Flow with whatever may happen and let your mind be free: stay centred by accepting whatever you are doing. This is the ultimate."»

    It circulates online as a literal quotation from Zhuangzi. It is a free modern paraphrase of a sentence in chapter 4 (乘物以遊心,託不得已以養中,至矣: "let your mind wander by riding on things, entrust yourself to the unavoidable to nourish your centre: that is the highest"), part of Confucius's counsel to the Duke of She. It matches no recognisable published translation.

  • «"Happiness is the absence of the striving for happiness."»

    A self-help line attributed to Zhuangzi. It distantly echoes chapter 18 (an outer chapter, not his work), which says 至樂無樂, "supreme happiness is having no happiness" or "not seeking it"; the popular wording is not a translation.

Последние слова

Традиционная атрибуция

«"With Heaven and Earth for my coffin and shell; with the sun, moon, and stars as my burial regalia; and with all creation to escort me to the grave,—are not my funeral paraphernalia ready to hand?" […] "Above ground I shall be food for kites; below I shall be food for mole-crickets and ants. Why rob one to feed the other?"»

吾以天地為棺槨,以日月為連璧,星辰為珠璣,萬物為齎送。吾葬具豈不備邪?何以加此!……在上為烏鳶食,在下為螻蟻食,奪彼與此,何其偏也!

Scene from chapter 32, "Lie Yukou", one of the miscellaneous chapters written by the later school: the disciples want to give him a lavish burial and he refuses; when they fear crows will devour his body, he answers with the second sentence. It is not an eyewitness account but an exemplary tale; no other ancient source describes his death. The English is Giles's (1889); the Spanish is our own, from the Chinese.

Источник: Giles, Herbert A. (trad.). Chuang Tzŭ: Mystic, Moralist, and Social Reformer. Londres: Bernard Quaritch, 1889. Texto íntegro en Wikisource (por capítulos) y en Project Gutenberg n.º 59709.

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Двенадцать великих вопросов человечества и то, что позволяют на них ответить эти тексты, со ссылками. Мы никогда не вкладываем слова в чужие уста.

  • Что такое Абсолют? Существует ли Бог?

    The Dao has reality but no form: it can be pointed to, not defined

    НеименуемоеСказано прямо

    In the inner chapters, the only ones scholars attribute with good grounds to Zhuang Zhou, the Dao is not a personal god. Chapter 6, «The Great and Venerable Teacher», describes it as something that has reality and signs but lacks action and form; it can be transmitted but not possessed, and it precedes heaven and earth. Chapter 2 asks whether there is a «true lord» governing body and mind, and concludes that, although it seems to act, no trace of it can be found. When the book speaks of the «Maker of things», it does so as an image of the process of transformation, not of a being that wills or judges. The ultimate can be pointed to, but every definition fixes it in one point of view; hence the text prefers parable, paradox and irony to concepts.

    Сравнить этот вопрос с другими учителями
  • Кто я? Существует ли истинное «я»?

    «I have lost myself»: the perfect man has no self and transforms with things

    Постоянного «я» нетСказано прямо

    The inner chapters of the Zhuangzi return again and again to the dissolution of the self. Chapter 1 states that the perfect man has no self. Chapter 2 opens with Nanguo Ziqi who, seated like a withered tree, declares that he has lost himself, and closes with the butterfly dream, where Zhou no longer knows whether he is a man who dreamt of being a butterfly or a butterfly dreaming of being a man; the passage from one to the other is called the transformation of things. In chapter 6, Yan Hui attains sitting and forgetting: he lets go of body and knowledge and joins the great thoroughfare. The self here is not a substance but a provisional form in the course of change; clinging to it, and to its judgements of this and not-this, is what binds.

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  • Почему мы страдаем?

    We suffer by resisting transformation: accepting it unties the bond

    Жажда и привязанностьСказано прямо

    In the inner chapters, suffering arises above all from resisting the course of things. In chapter 3, at Lao Dan's death, Qin Shi reproaches those who weep without measure for fleeing from heaven: the master came when it was his time and left following the order; whoever accepts the moment and settles into the order lets neither grief nor joy enter. The ancients called this being untied by the Lord. Chapter 6 repeats the idea with the four friends who receive illness and death as transformations. To this resistance are added the disputes of chapter 2: attachment to a point of view, to what each calls «this» and «not this», shuts one into a perspective and sets people against one another.

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  • Что происходит после смерти?

    What comes is unknown, but death is another transformation to welcome

    Молчание или сдержанностьСказано прямо

    The inner chapters treat death with a serenity that does not depend on knowing what comes afterwards. In chapter 2, the story of Lady Li, who wept on being taken to the palace and later regretted her tears, serves to ask how one knows that the dead do not regret having clung to life. In chapter 6, the Great Clod burdens us with a form, wearies us with life, eases us with old age and rests us with death; therefore what makes life good will make death good. When Zilai lies dying, his friend wonders whether the Creator will turn him into a rat's liver or an insect's leg. Zhuangzi neither affirms personal survival nor denies it: he accepts transformation and laughs at those who weep.

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  • Как достигается освобождение или спасение?

    Fast the heart, sit and forget: wander freely in step with the Dao

    Через добродетель и гармониюСказано прямо

    The inner chapters speak not of salvation but of free and easy wandering, the title of chapter 1. That state is reached by emptying oneself, not by accumulating. In chapter 4, Confucius teaches Yan Hui the fasting of the heart: listening not with the ears but with the heart, and not with the heart but with the breath, which is empty and receives things. In chapter 6, Yan Hui forgets benevolence, righteousness, rites and music, and at last sits and forgets until he joins the great thoroughfare. In chapter 3, Cook Ding carves the ox without blunting his knife because he follows the natural joints. To be freed is to keep pace with the course of things with the spontaneity of one who has stopped forcing them.

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  • Нужен ли учитель?

    Teachers guide, but the great teacher is the Dao, and disciples may surpass them

    Полезен, но не обязателенСледует из учения

    The inner chapters are full of teachers, but none is untouchable. In chapter 4, Confucius, turned into a Daoist spokesman, guides Yan Hui towards the fasting of the heart; in chapter 6, the same Yan Hui attains sitting and forgetting, and Confucius asks to be allowed to follow him. Tradition thus appears inverted: the disciple can go further than the master. The title of chapter 6, «The Great and Venerable Teacher», ultimately refers to the Dao itself. And chapter 2 warns against the most insidious teacher: the already formed heart, that of one's own prejudices, which each person takes as guide. Teachers help one to empty oneself, but the work of forgetting belongs to each and no one can do it for another.

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  • Реален ли мир?

    Everything ceaselessly transforms; the ten thousand beings are one with me

    Природный порядок в измененииСказано прямо

    For the inner chapters, the real is the ceaseless course of transformation. Chapter 2 holds that distinctions between this and that depend on point of view; seen from the pivot of the Dao, things are equalised, and heaven and earth were born together with me, and the ten thousand beings are one with me. The same chapter ends with the butterfly dream: between Zhou and the butterfly there must be some difference, and this is called the transformation of things. The world is not an illusion: differences exist, but they are not fixed. Chapter 6 shows its characters receiving illness and death as stages of that same process. Wisdom consists in keeping pace with it, not in halting it.

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  • Что такое любовь?

    Great benevolence is not benevolent: better to forget each other in rivers and lakes

    То, что появляется, когда «я» прекращаетсяСказано прямо

    Zhuangzi distrusts love turned into a virtue to be cultivated and displayed, the benevolence (ren) of the Confucians. In chapter 2 he states that great benevolence is not benevolent: affection that proclaims itself has already lost something. In chapter 6 he offers a memorable image: when the spring dries up, the fish are left on land and moisten one another with their breath and spittle, but it would be better to forget one another in the rivers and lakes. The same chapter tells how four men become friends on discovering that they share the acceptance of life and death: they look at one another, smile, and there is no disagreement in their hearts. True bonding neither strains nor claims; it appears when no one turns it into a merit of their own.

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  • Свободны ли мы или всё предопределено?

    Accepting what cannot be changed as fate is the height of virtue

    Судьба и ответственностьСказано прямо

    The inner chapters often speak of destiny (ming). In chapter 4, Confucius advises an anxious envoy that knowing what cannot be helped and accepting it calmly as destiny is the height of virtue. In chapter 6, Zisang, sick and poor, searches for who has brought him to that state and finds no one, neither his parents, nor heaven, nor earth: «it is destiny», he concludes. But this acceptance is not passivity. In the same chapters, freedom appears as unfettered wandering within what is given: Cook Ding moves with ease between the ox's joints, and the sage uses his mind like a mirror that responds without retaining. Responsibility consists in not adding resistance to the inevitable.

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  • Зачем медитировать или молиться?

    Fast the heart and forget: empty oneself, not accumulate techniques

    Медитация — не техникаСказано прямо

    The inner chapters describe two states that later tradition would turn into methods but which in the text are rather ways of emptying oneself. In chapter 4, Yan Hui proposes to Confucius a series of strategies to reform a cruel ruler; Confucius rejects them all and teaches him the fasting of the heart: listening not with the ears but with the heart, and not with the heart but with the breath, which is empty and receives things. In chapter 6, Yan Hui forgets benevolence, righteousness, rites and music, and at last sits and forgets: he lets go of body and knowledge and joins the great thoroughfare. What is practised is unlearning. The sage uses the mind like a mirror, which responds and does not retain.

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  • Может ли разум познать предельное?

    Pursuing the limitless with the limited is perilous; all knowing is perspective

    Мысль ограниченаСказано прямо

    The inner chapters are a sustained critique of the pretension to know. Chapter 3 opens by warning that life has a limit and knowledge does not, and that pursuing the limitless with the limited is perilous. Chapter 2 shows that the disputes between Confucians and Mohists depend on point of view: each affirms what the other denies, and there is no neutral arbiter. When Nie Que asks Wang Ni whether he knows what all agree on, Wang Ni answers with questions: how can I know that what I call knowing is not ignorance? But Zhuangzi does not scorn all knowledge: Cook Ding and other craftsmen possess a know-how that does not fit into words. What reasoning does not reach is reached in skill and ease.

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  • Уйти от мира или преобразить его?

    Roam the world of men without being harmed: the usefulness of the useless

    Созерцание в действииСказано прямо

    The inner chapters propose neither fleeing the world nor reforming it. Chapter 4, «In the World of Men», deals precisely with how to live among dangerous rulers: Confucius dissuades Yan Hui from going to correct the lord of Wei with principles, and teaches him the fasting of the heart so as to enter his cage without being moved by renown. The same chapter ends with the song of the madman of Chu: all know the usefulness of the useful and none that of the useless; the tree that is no good for timber lives to old age. Chapter 1 tells how Xu You refused the empire Yao offered him. The sage neither retires to a monastery nor seeks office: he lives among others with the ease of Cook Ding.

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Созвучия и противоречия

Созвучия и противоречия

Рассчитаны вопрос за вопросом на основе позиций. Причина каждого совпадения или расхождения — по нажатию.

Предания и рассказы

Предания и рассказы

Устная традицияs. IV a. C. (redacción)

The butterfly dream

At the end of the second chapter, the most philosophical of the inner set, Zhuang Zhou relates in the first person that he once dreamed he was a butterfly fluttering happily, unaware that he was Zhou. On waking he found himself Zhou again, startled, and no longer knew whether he was Zhou who had dreamed of being a butterfly or a butterfly dreaming of being Zhou. The story closes with a decisive sentence: between Zhou and the butterfly "there must be a difference", and this is called "the transformation of things". The scene is not a biographical anecdote but a parable composed to close a chapter devoted to showing that all distinctions depend on a point of view. That is why it has been read in opposite ways: as scepticism about reality, as an affirmation that each state is complete while it lasts, or as a celebration of passing from one form to another. Herbert Giles translated it in 1889 speaking of "metempsychosis"; Borges included it in his Anthology of Fantastic Literature and made it an emblem of doubt about identity.

Происхождение рассказа: Zhuangzi, ch. 2 (inner), final passage. It is a literary first-person parable, attributable to the oldest core of the book; there is no way of knowing whether it reflects a real dream.

Источник: Giles, Herbert A. (trad.). Chuang Tzŭ: Mystic, Moralist, and Social Reformer. Londres: Bernard Quaritch, 1889. Texto íntegro en Wikisource (por capítulos) y en Project Gutenberg n.º 59709.

Устная традицияs. IV a. C. (redacción)

Cook Ding and the ox

Cook Ding carves an ox before Lord Wenhui. Every movement of his hand, shoulder, foot and knee, every hiss of flesh coming apart, follows the rhythm of a dance. The lord marvels at such skill, and the cook corrects him: what he loves is the Way, which goes beyond technique. At first he saw only whole oxen; after three years he no longer saw them so; now he works with his spirit and not his eyes, following the natural joints, hollows and interstices, never touching a tendon or a bone. A good cook changes his blade every year because he cuts; an ordinary one every month because he hacks. His has lasted nineteen years and looks freshly sharpened, because he inserts what has no thickness into what has room. Even so, at a difficult knot he stops, looks carefully and moves slowly. The lord concludes that he has learned how to nourish life. The parable became the Chinese model of mastery turned spontaneous.

Происхождение рассказа: Zhuangzi, ch. 3 (inner). A literary fable; the identification of Lord Wenhui with King Hui of Liang comes from the commentators.

Источник: Giles, Herbert A. (trad.). Chuang Tzŭ: Mystic, Moralist, and Social Reformer. Londres: Bernard Quaritch, 1889. Texto íntegro en Wikisource (por capítulos) y en Project Gutenberg n.º 59709.

Устная традицияc. 339–329 a. C. (según el Shiji)

The tortoise in the mud and the sacrificial ox

Zhuangzi is fishing in the river Pu when two high officials of the King of Chu arrive to entrust him with the government of the kingdom. Without turning his head, he asks them: in Chu there is a sacred tortoise dead three thousand years, which the king keeps wrapped in silk in a chest in his ancestral temple; would that tortoise rather be dead and venerated, or alive and dragging its tail in the mud? The envoys reply: alive. "Go away," says Zhuangzi, "I too will drag my tail in the mud." Sima Qian records another version: King Wei of Chu offers him a thousand pieces of gold and the post of chief minister, and Zhuangzi reminds him of the sacrificial ox, fattened for years and draped in embroidery to enter the temple, which at that moment would like to be an abandoned piglet and no longer can. He would rather amuse himself in a filthy ditch than be bound by a ruler. Both versions sustain the image of Zhuangzi as the sage who refuses power.

Происхождение рассказа: The tortoise version is in ch. 17 (outer) and the ox version in ch. 32 (miscellaneous) and in Shiji 63, which adopts it as a biographical fact. The agreement of sources does not make it documented: Sima Qian draws on the book itself.

Источник: Sima Qian. Shiji (Memorias históricas), juan 63, «Laozi Han Fei liezhuan», noticia sobre Zhuang Zhou. c. 94 a. C. Ed. Zhonghua shuju, Pekín, 1959.

Устная традицияs. IV a. C. (escena); s. III a. C. (redacción probable)

The joy of the fish

Zhuangzi and Huizi are strolling on the bridge over the river Hao. "See how the fish swim about, calm and at ease," says Zhuangzi: "that is the joy of fish." Huizi, a logician by trade, objects: "You are not a fish; how do you know the fish are happy?" Zhuangzi replies: "You are not me; how do you know I don't know the fish are happy?" Huizi presses the argument: "I am not you, so I don't know what you know; you are not a fish, so you don't know what a fish feels: the reasoning is complete." Zhuangzi goes back to the start: "You asked me 'how' I know, which already assumed that I knew. I know it from here, from above the Hao." For centuries the dialogue has fed discussions on knowledge of other minds, on whether Zhuangzi wins with a pun —Chinese an means both "how" and "from where"— and on the difference between knowledge by argument and situated knowledge, from shared experience.

Происхождение рассказа: Zhuangzi, ch. 17 (outer), last passage. A school composition; Hui Shi is a historical figure, but the dialogue is literary.

Источник: Giles, Herbert A. (trad.). Chuang Tzŭ: Mystic, Moralist, and Social Reformer. Londres: Bernard Quaritch, 1889. Texto íntegro en Wikisource (por capítulos) y en Project Gutenberg n.º 59709.

Устная традицияs. IV a. C. (escena)

The bowl and his wife's death

When Zhuangzi's wife dies, Huizi comes to offer condolences and finds him sitting on the ground with his legs spread, drumming on a bowl and singing. Scandalised, he reproaches him: you lived with her, she raised your children, she grew old at your side; not weeping would be bad enough, but singing and drumming on a bowl? Zhuangzi answers that at first he too felt the loss. But then he reflected on her origin: in the beginning she had no life, not even form or breath; in the indistinct confusion something changed and there was breath, breath changed and there was form, form changed and there was life; now it has changed again and reached death, as spring, autumn, winter and summer follow one another. She rests in peace in the great dwelling, and if he went on wailing he would show that he did not understand destiny. So he stopped. The scene is Daoism's classic text on mourning and the acceptance of death as transformation.

Происхождение рассказа: Zhuangzi, ch. 18 (outer). There is no other source on Zhuangzi's wife; the scene is exemplary and comes from the school.

Источник: Giles, Herbert A. (trad.). Chuang Tzŭ: Mystic, Moralist, and Social Reformer. Londres: Bernard Quaritch, 1889. Texto íntegro en Wikisource (por capítulos) y en Project Gutenberg n.º 59709.

Устная традицияc. 310 a. C. (escena)

At Huizi's grave: the mason of Ying

On his way to a burial, Zhuangzi passes Huizi's grave and turns to his companions. He tells how a man of Ying had on the tip of his nose a smear of plaster as thin as a fly's wing and asked a mason, Master Shi, to remove it. The mason whirled his adze with a whoosh and the smear vanished without grazing the nose, while the man of Ying stood unmoved. Prince Yuan of Song, hearing of it, summoned the mason to repeat the feat on him. "I used to be able to," the mason replied, "but my partner died long ago." Zhuangzi concludes: "Since Master Hui died, I too have had no partner; I have no one to talk to." It is the book's most affectionate page towards its great dialectical adversary, and a reflection on friendship as a condition of thought: the skill of one needs the unmoving trust of the other.

Происхождение рассказа: Zhuangzi, ch. 24 (miscellaneous). A school narrative presupposing that Huizi died before Zhuangzi.

Источник: Giles, Herbert A. (trad.). Chuang Tzŭ: Mystic, Moralist, and Social Reformer. Londres: Bernard Quaritch, 1889. Texto íntegro en Wikisource (por capítulos) y en Project Gutenberg n.º 59709.

Устная традицияs. IV a. C. (redacción)

The death of Hundun

The ruler of the Southern Sea was called Shu, "Sudden"; the ruler of the Northern Sea, Hu, "Abrupt"; the ruler of the centre, Hundun, "Chaos" or "Formless". Shu and Hu often met in Hundun's lands, and he treated them very generously. They wanted to repay him and said: "All men have seven openings for seeing, hearing, eating and breathing; he alone has none. Let us bore some for him." Each day they bored one, and on the seventh day Hundun died. With this fable of just a few lines the last of the inner chapters ends. It is one of the most commented images of the tradition: praise of the undifferentiated against the mania for giving form, a critique of kindness that imposes its own measures and, for many readers, a warning about the civilisation that destroys what it claims to improve.

Происхождение рассказа: Zhuangzi, ch. 7 (inner), final passage. A literary mythological fable.

Источник: Giles, Herbert A. (trad.). Chuang Tzŭ: Mystic, Moralist, and Social Reformer. Londres: Bernard Quaritch, 1889. Texto íntegro en Wikisource (por capítulos) y en Project Gutenberg n.º 59709.

Учение

Учение

Понятия, на которых строится мысль учителя, объяснённые в их контексте.

Free and easy wandering (xiaoyao you)xiaoyao-you
Title of the first chapter and emblem of the whole book. Xiaoyao designates a carefree, aimless movement, and you wandering or roaming. The chapter illustrates it with the bird Peng, which needs ninety thousand li of wind to rise, and with the cicada laughing at it from its branch: both depend on something, one on the immense wind and the other on the nearby tree. Not even Liezi, who rides the wind, is wholly free, for he still depends on it. Full freedom belongs to whoever "rides the truth of heaven and earth" and depends on nothing; therefore "the perfect man has no self, the spiritual man has no merit and the sage has no name". It is not a flight from the world but a way of being in it without being trapped by goals, uses or reputations.

Inner chapters, above all ch. 1; taken up by the Learning of the Mysterious (Guo Xiang) as "each thing content in its own nature".

Источник: Ziporyn, Brook (trad.). Zhuangzi: The Essential Writings, with Selections from Traditional Commentaries. Indianápolis: Hackett, 2009. ISBN 9780872209114.

Equalising things (qiwu)qiwu
The second chapter, Qiwu lun, can be read as "discourse on the equality of things" or as "equalising the discourses on things". It starts from the disputes between Confucians and Mohists: each school calls "this" (shi) what the other calls "not-this" (fei). Zhuangzi shows that such valuations depend on the speaker's position, just as "this" and "that" depend on where one stands. He denies not distinctions but their absolute character. The sage "illuminates by heaven", stands at the "pivot of the Way" (daoshu), at the centre of a circle from which he can respond to each perspective without being imprisoned by any, and practises the "adaptive this" (yinshi). Interpreters debate whether this is scepticism, relativism or a perspectivism that grants each viewpoint local validity.

Chapter 2 (inner), in critical dialogue with Mohist logic and with Hui Shi.

Источник: Hansen, Chad. «Zhuangzi». En Edward N. Zalta (ed.), The Stanford Encyclopedia of Philosophy. Publicado el 17-12-2014; revisión sustancial del 24-03-2024.

The transformation of things (wuhua)wuhua
The expression that closes the butterfly dream: between Zhou and the butterfly there is a difference, and the passage from one to the other is "the transformation of things". The Zhuangzi conceives the world as a ceaseless flow in which every being is a passing phase of a larger process. In chapter 6 the sick Zilai, close to death, wonders what the great Maker-Transformer will turn him into: perhaps a rat's liver or an insect's leg, and he does not resist. The ethical consequence is serenity before death: if life and death belong to the same transformation, clinging to one particular form is as absurd as metal insisting on becoming a famous sword. The idea recurs in chapter 18, with the wife's death and a chain of metamorphoses of beings.

Chapters 2 and 6 (inner) and 18 (outer).

Источник: Graham, A. C. (trad.). Chuang-tzŭ: The Seven Inner Chapters and Other Writings from the Book Chuang-tzŭ. Londres: George Allen & Unwin, 1981 (reimpr. Hackett, 2001, como Chuang-tzu: The Inner Chapters). ISBN 9780042990101.

Fasting of the heart (xinzhai)xinzhai
In chapter 4 Yan Hui announces to Confucius that he will go and reform the young, cruel lord of Wei. Confucius, here a Daoist mouthpiece, warns him he will fail as long as he acts from his own plans, and prescribes the "fasting of the heart" (or mind, xin). It is not abstaining from wine and meat, as in ritual fasting, but unifying the will: listening not with the ears but with the heart, and not with the heart but with qi, the breath. The ear stops at what it hears and the mind at what fits it, but qi is empty and waits for things; the Way gathers in emptiness. That emptiness is the fasting of the heart. Yan Hui then understands that before the instruction he "was full of Hui", and now there is no Hui. It is one of the earliest Chinese descriptions of an inner discipline of emptying.

Chapter 4 (inner); a forerunner of Daoist meditative practices and of their Chan reading.

Источник: Ziporyn, Brook (trad.). Zhuangzi: The Essential Writings, with Selections from Traditional Commentaries. Indianápolis: Hackett, 2009. ISBN 9780872209114.

Sitting and forgetting (zuowang)zuowang
In chapter 6 Yan Hui tells Confucius of his progress: first he has forgotten benevolence and righteousness; then rites and music. Confucius says it is not enough. At last Yan Hui announces that he "sits and forgets". Confucius, disconcerted, asks what that means, and he answers: I let limbs and body fall away, dismiss the sharpness of the senses and intelligence, separate from form, cast off knowledge and become one with the Great Thoroughfare; this I call sitting and forgetting. Confucius, the roles of master reversed, asks to become his disciple. The passage, with its sequence of ever more radical forgettings, inspired a whole treatise in later Daoism (Sima Chengzhen's Zuowang lun, 8th century) and is a constant reference in the dialogue between Daoism and Chan Buddhism.

Chapter 6 (inner).

Источник: Graham, A. C. (trad.). Chuang-tzŭ: The Seven Inner Chapters and Other Writings from the Book Chuang-tzŭ. Londres: George Allen & Unwin, 1981 (reimpr. Hackett, 2001, como Chuang-tzu: The Inner Chapters). ISBN 9780042990101.

The usefulness of the useless (wuyong zhi yong)wuyong-zhi-yong
A motif running through the book from the first chapter, where Huizi complains of a tree so twisted no carpenter wants it, and Zhuangzi tells him to plant it in the field of nothingness and lie in its shade: no one will cut it down. In chapter 4 a sacred oak appears in a dream to Carpenter Shi to explain that it has grown old precisely by being good for nothing; the hunchback Shu escapes conscription and receives alms. Chapter 20 qualifies the lesson: a tree is saved by being useless, but the goose that cannot cackle is the one killed for dinner; Zhuangzi says he places himself "between the useful and the useless". The idea criticises measuring all value by its service to power and defends a space of life that escapes instrumentalisation.

Chapters 1 and 4 (inner) and 20 (outer).

Источник: Watson, Burton (trad.). The Complete Works of Zhuangzi. Nueva York: Columbia University Press, 2013 (1.ª ed. The Complete Works of Chuang Tzu, 1968). ISBN 9780231164740.

Goblet words and imputed words (zhiyan, yuyan)zhiyan
Chapter 27, a late preface, describes the book's way of writing. Nine words in ten are yuyan, "words lodged in another": they are put in the mouths of characters —Confucius, Laozi, the Yellow Emperor, animals, cripples— because nobody believes someone who praises himself. Seven in ten are chongyan, "weighty words", attributed to respected elders. And zhiyan, "goblet words", spill out every day and adapt to everything, like a ritual vessel that tips over when full and rights itself when empty: a language that fixes no positions but adapts to the situation. This theory explains the paradoxical, humorous and polyphonic character of the Zhuangzi and its distrust of language, which culminates in the image of the fish trap forgotten once the fish is caught.

Chapters 27 and 26 (miscellaneous), applied to the whole book.

Источник: Ziporyn, Brook (trad.). Zhuangzi: The Essential Writings, with Selections from Traditional Commentaries. Indianápolis: Hackett, 2009. ISBN 9780872209114.

Видео

Видео

Записи, интервью и документальные фильмы. Видео воспроизводятся с YouTube; здесь они не хранятся.

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Галерея

Галерея

Изображения с проверенной лицензией. Каждое сохраняет своё авторство и атрибуцию.

Рукописи

Рукописи

Рукописные свидетельства и древние тексты, с указанием хранителя и условий доступа.

  • ZH · Caracteres chinos (escritura regular) · Copias de época Tang (ss. VII–VIII)

    莊子 (fragmentos de Dunhuang)

    Сохранившийся список
    Fragmentos manuscritos que cubren aproximadamente doce capítulos de la edición de Guo Xiang
    Хранитель
    British Library (Londres) y Bibliothèque nationale de France (París), entre otras colecciones
  • ZH · Caracteres chinos · Periodo Muromachi según la fuente consultada (datación pendiente de confirmar)

    莊子 (高山寺本)

    Сохранившийся список
    Manuscrito con siete secciones completas de los capítulos exteriores y misceláneos, emparentado con la edición comentada de Cheng Xuanying (s. VII)
    Хранитель
    Kōzan-ji (Kioto)
  • ZH · Caracteres chinos (impresión xilográfica) · Dinastía Song (s. XIII según la ficha de Commons)

    莊子 (edición Song, 宋刊本)

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    Edición impresa; la imagen conocida reproduce el comienzo del capítulo 19, «Dasheng»
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    Оцифровка
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Связи

Связи

Влияния, ученичество и близость взглядов. Документированная связь отличается от сходства, выявленного путём анализа.

  • Испытал влияние

    Laozi

    Sima Qian states that Zhuang Zhou's doctrine "goes back in essence to the words of Laozi". In the book itself, Lao Dan appears as Confucius's teacher in several outer chapters; chapter 33 presents them as distinct currents.

    Документированная связь

  • Расходился во взглядах с

    Confucius

    According to the Shiji, Zhuang Zhou attacked Confucius's disciples. In the book, Confucius is sometimes mocked and sometimes a mouthpiece for Daoist ideas (chs. 4 and 6).

    Документированная связь

  • Встречался с

    Hui Shi (Huizi)

    Friend and dialectical adversary; protagonist of several dialogues in the book (chs. 1, 5, 17, 18, 24), and his paradoxes are listed in chapter 33. The relationship is documented only by the Zhuangzi itself.

    Документированная связь

  • Повлиял на

    Martin Buber

    Buber published Reden und Gleichnisse des Tschuang-Tse in 1910, a translated selection with an afterword on the teaching of the Tao.

    Документированная связь

  • Повлиял на

    Thomas Merton

    Merton published The Way of Chuang Tzu in 1965, free versions based on existing translations.

    Документированная связь

  • Идеи, близкие к

    Huineng

    The Zhuangzi's critique of language, praise of spontaneity and paradoxical humour are part of the Chinese background of Chan; the relation is one of affinity, not documented direct influence.

    Сходство, выявленное путём анализа

  • Идеи, близкие к

    Dōgen

    Both think of reality as ceaseless transformation and distrust fixed concepts; an affinity noted by modern interpreters, not documented influence.

    Сходство, выявленное путём анализа

  • Идеи, близкие к

    Heraclitus

    A frequent comparison: the flux of all things and the unity of opposites. No historical contact.

    Сходство, выявленное путём анализа

  • Идеи, близкие к

    Diogenes of Sinope

    The refusal of power, chosen poverty and mockery of conventions bring the literary figure of Zhuangzi close to the Greek Cynic. No historical contact.

    Сходство, выявленное путём анализа

Источники

Источники

Библиография и каталоги, использованные для этой статьи.

  1. Wikidata, entidad Q47739 «Zhuang Zhou» (P31=Q5; 98 enlaces entre wikis; nombre nativo 莊子; nacimiento -369, muerte -288 con precisión de año). Entidad del libro: Q1074987 «Zhuangzi».
  2. Sima Qian. Shiji (Memorias históricas), juan 63, «Laozi Han Fei liezhuan», noticia sobre Zhuang Zhou. c. 94 a. C. Ed. Zhonghua shuju, Pekín, 1959.
  3. Graham, A. C. (trad.). Chuang-tzŭ: The Seven Inner Chapters and Other Writings from the Book Chuang-tzŭ. Londres: George Allen & Unwin, 1981 (reimpr. Hackett, 2001, como Chuang-tzu: The Inner Chapters). ISBN 9780042990101.
  4. Watson, Burton (trad.). The Complete Works of Zhuangzi. Nueva York: Columbia University Press, 2013 (1.ª ed. The Complete Works of Chuang Tzu, 1968). ISBN 9780231164740.
  5. Ziporyn, Brook (trad.). Zhuangzi: The Essential Writings, with Selections from Traditional Commentaries. Indianápolis: Hackett, 2009. ISBN 9780872209114.
  6. Hansen, Chad. «Zhuangzi». En Edward N. Zalta (ed.), The Stanford Encyclopedia of Philosophy. Publicado el 17-12-2014; revisión sustancial del 24-03-2024.
  7. Roth, Harold D. «Chuang tzu 莊子». En Michael Loewe (ed.), Early Chinese Texts: A Bibliographical Guide. Berkeley: Society for the Study of Early China / Institute of East Asian Studies, 1993, pp. 56–66.
  8. Liu Xiaogan. Classifying the Zhuangzi Chapters. Trad. de William E. Savage. Ann Arbor: Center for Chinese Studies, University of Michigan, 1994 (Michigan Monographs in Chinese Studies, 65).
  9. Klein, Esther. «Were there "Inner Chapters" in the Warring States? A New Examination of Evidence about the Zhuangzi». T'oung Pao 96, n.º 4/5 (2010): 299–369. doi:10.1163/156853210X546825.
  10. Giles, Herbert A. (trad.). Chuang Tzŭ: Mystic, Moralist, and Social Reformer. Londres: Bernard Quaritch, 1889. Texto íntegro en Wikisource (por capítulos) y en Project Gutenberg n.º 59709.
  11. Legge, James (trad.). The Texts of Taoism, partes I–II (The Writings of Kwang-ze). Sacred Books of the East, vols. XXXIX–XL. Oxford: Clarendon Press, 1891.
  12. Wieger, Léon (trad.). Les Pères du système taoïste: Lao-tzeu, Lie-tzeu, Tchoang-tzeu. Hien-hien: Imprimerie de Hien-hien, 1913. «Œuvre de Tchoang-tzeu» en Wikisource francés, por capítulos y en texto completo.
  13. 莊子 (recensión de Guo Xiang en 33 capítulos), texto chino en Wikisource, con índice de capítulos interiores, exteriores y misceláneos.
  14. Wikipedia en inglés. «Zhuangzi (book)», secciones «Textual history» y «Manuscripts» (Fuyang, Zhangjiashan, Dunhuang, manuscrito del Kōzan-ji). Consultado el 25-10-2026; usado solo como orientación y contrastado con Roth (1993).
  15. Ban Gu. Hanshu (Libro de los Han), juan 30, «Yiwen zhi» (catálogo bibliográfico), entrada «莊子五十二篇». c. 111 d. C.
  16. Mair, Victor H. (trad.). Wandering on the Way: Early Taoist Tales and Parables of Chuang Tzu. Nueva York: Bantam Books, 1994. ISBN 9780553374063.
  17. Billeter, Jean François. Leçons sur Tchouang-tseu. París: Allia, 2002. ISBN 9782844850805.
  18. Buber, Martin. Reden und Gleichnisse des Tschuang-Tse. Leipzig: Insel, 1910.
  19. Wilde, Oscar. «A Chinese Sage» (reseña de la traducción de Giles). The Speaker, 8 de febrero de 1890.
  20. Merton, Thomas. The Way of Chuang Tzu. Nueva York: New Directions, 1965 (reed. 2010, ISBN 9780811218511).
  21. Borges, Jorge Luis; Ocampo, Silvina; Bioy Casares, Adolfo (eds.). Antología de la literatura fantástica. Buenos Aires: Sudamericana, 1940 (incluye «Sueño de Chuang Tzu», en versión de los antólogos a partir de Giles).
  22. Editorial Kairós. Ficha de «Zhuang Zi. Maestro Chuang Tsé», trad. de Iñaki Preciado Idoeta (col. Clásicos), ISBN 9788472453357.
  23. Open Library: Elorduy, Carmelo (trad.), Chuang-Tzu: literato, filósofo y místico taoísta, Manila, East Asian Pastoral Institute, 1967; y Lao Tse, Chuang Tzu, Dos grandes maestros del taoísmo, ed. de Carmelo Elorduy, Madrid, Editora Nacional, 1977 (ISBN 9788427603912).
  24. Editorial Trotta. Ficha de «Los capítulos interiores de Zhuang Zi», trad. de Pilar González España y Jean Claude Pastor-Ferrer (col. Pliegos de Oriente), ISBN 9788481642391.
Правообладатель
Obra en dominio público; cada traducción moderna pertenece a su traductor o editorial

Ожидает подтверждения

То, что в этой статье пока не удалось установить. Мы предпочитаем сказать об этом, а не заполнять пробел.

  • Fechas de nacimiento y muerte (c. 369–286 a. C.) convencionales: no constan en ninguna fuente antigua; Wikidata da -369 y -288.
  • Sala de lectura: la traducción de James Legge (SBE XXXIX–XL, 1891) no está transcrita en Wikisource ni en Gutenberg como texto limpio separado; solo hay escaneos del volumen completo.
  • Sala de lectura: no hay traducción española del Zhuangzi en dominio público localizada en línea.
  • Manuscritos: confirmar con bibliografía especializada los fragmentos Han de Fuyang (Shuanggudui) y Zhangjiashan que menciona la bibliografía divulgativa, y la datación y la condición de Tesoro Nacional del manuscrito del Kōzan-ji (la fuente consultada lo sitúa en el periodo Muromachi). No se han incorporado como datos firmes.
  • Clasificación de los capítulos según Graham: verificada en líneas generales (interiores, escuela de Zhuangzi 17–22, primitivista 8–11, yangista 28–31, sincretista 12–15 y 33); la adscripción del capítulo 16 queda abierta.
  • Ediciones: ISBN de la traducción rusa de V. V. Maliavin y de ediciones en árabe e hindi no verificados; la edición de Elorduy de 1967 (Manila) consta en Open Library sin ISBN.
  • Vídeos: no se ha localizado una conferencia universitaria en español específica sobre Zhuangzi en canal institucional; se incluye la lectura de su traductora.
  • Comprobar en la colección del Museo Nacional del Palacio la datación del álbum 聖君賢臣全身像冊 (imagen principal).

Исследовано 2026-10-25