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Hindouisme · Yoga · Tradition védique · Sâmkhya

Kapila

कपिल

Figure légendaire

Sage de la tradition indienne à qui l'on attribue la fondation du Sâmkhya, le dualisme de la conscience (puruṣa) et de la nature (prakṛti) qui sert de fondement métaphysique au Yoga. Aucune œuvre de lui n'a été conservée : le plus ancien texte de l'école est la Sāṃkhya Kārikā d'Īśvarakṛṣṇa (IVe-Ve siècle), et les Sāṃkhya Sūtra qui portent son nom datent des XIVe-XVe siècles. Les Purāṇa en firent une incarnation de Viṣṇu et le maître de sa mère Devahūti ; l'épopée, l'ascète qui consuma les fils de Sagara.

œuvres
13œuvres
éditions
22éditions
citations
6citations
vidéos
14vidéos
images
5images
Kapila, sabio védico (pintura de la Company School)

Kapila, sabio védico (pintura de la Company School) · Public domain

Dans ses propres mots

«Well, the complete cessation of pain, [which is] of three kinds, is the complete end of man.»

Sāṃkhya Sūtra I.1 (obra atribuida, s. XIV–XV); trad. inglesa de Ballantyne (1885, dominio público); versión española del investigador.

Son idée centrale

Puruṣa (witnessing consciousness): In Sāṃkhya, puruṣa is pure consciousness: it does not act, change or produce anything and has no qualities; it merely witnesses.

Biographie

6 min de lecture

Traduction assistée à partir de l'original espagnol, en attente de relecture par un traducteur natif.

Un nom au seuil de la philosophie

Peu de noms de l'Inde ancienne portent un tel poids avec si peu de biographie. Pour la tradition, Kapila est le « premier sage » (ādividvān), celui qui révéla le Sâmkhya, la plus ancienne des écoles philosophiques brahmaniques parvenues à se constituer en système ; pour l'histoire critique, il est avant tout une autorité invoquée par des textes bien postérieurs à lui. Aucune œuvre ne peut lui être attribuée avec certitude, sa vie n'a pas de date ni sa mort de lieu, et le nom lui-même — qui signifie en sanskrit « fauve », « roussâtre » — désigne dans la littérature indienne plusieurs figures distinctes. Ce que l'on peut raconter de lui est donc l'histoire d'une mémoire : comment une école, un culte et une géographie sacrée ont peu à peu donné corps à un nom.

Les premières traces

Le passage le plus ancien que l'on invoque d'ordinaire est un vers de la Śvetāśvatara Upaniṣad (5.2), qui parle d'un « voyant roux » (ṛṣiṃ prasūtaṃ kapilam) engendré au commencement et nourri de connaissances. La philologie moderne doute qu'il s'agisse d'une personne : Larson et Bhattacharya y lisent une épithète du principe cosmique Hiraṇyagarbha, et dès le VIIIe siècle Śaṅkara faisait observer que le texte mentionne « le simple nom » sans préciser de quel Kapila il s'agit. Le Mahābhārata, en revanche, est explicite : dans le Mokṣadharma, la section du Śāntiparvan consacrée à la délivrance, Kapila est le sage suprême qui proclama le Sâmkhya, comme Hiraṇyagarbha est celui du Yoga, et on le voit débattre avec l'ascète Syūmaraśmi de la valeur du sacrifice védique face au renoncement et à la non-violence.

Le maître d'Āsuri

La lignée de transmission que l'école reconnut comme la sienne fut fixée dans la Sāṃkhya Kārikā d'Īśvarakṛṣṇa, composée vers les IVe-Ve siècles et qui est, à proprement parler, le plus ancien texte conservé du Sâmkhya classique. Ses dernières strophes déclarent que le sage transmit par compassion cette doctrine purificatrice à Āsuri, qu'Āsuri l'enseigna à Pañcaśikha et que celui-ci la répandit largement, jusqu'à ce qu'Īśvarakṛṣṇa la résume en strophes de mètre āryā. Le commentaire du Yoga (Yoga-bhāṣya) cite un fragment attribué à Pañcaśikha où Kapila est « le Premier Connaissant » qui, assumant par compassion un esprit créé, exposa la doctrine à Āsuri, désireux de savoir. Dans cette formule se trouve déjà l'ambiguïté qui accompagnera toujours Kapila : maître humain et, en même temps, figure cosmique qui enseigne à l'aube d'un cycle du monde.

Ce qu'enseignait le Sâmkhya

Le système qu'on lui attribue est un dualisme rigoureux. D'un côté, le puruṣa, la conscience pure, multiple, inactive, simple témoin ; de l'autre, la prakṛti, la nature primordiale, une et dynamique, tissée de trois qualités (guṇa) — sattva, rajas et tamas — dont l'équilibre, en se rompant, déploie par évolution les principes (tattva) du monde : l'intellect, le sens du moi, le mental, les sens, les éléments subtils et les éléments grossiers. La souffrance naît de la confusion du témoin avec ce qu'il contemple ; la délivrance (kaivalya, « isolement ») vient avec la connaissance discriminante qui les sépare. Le premier aphorisme des Sāṃkhya Sūtra le résume avec une sobriété presque médicale : la cessation complète des trois sortes de douleur est la fin suprême de l'homme. Sur ce fondement s'est édifié le Yoga de Patañjali, dont le cadre métaphysique est, pour l'essentiel, celui du Sâmkhya.

Un livre tardif sous son nom

Les textes qui portent aujourd'hui le nom de Kapila sont très postérieurs à toute date raisonnable qu'on puisse lui assigner. Les Sāṃkhya Sūtra, appelés aussi Sāṃkhya-pravacana Sūtra — un peu plus de cinq cents aphorismes répartis en six livres —, n'apparaissent pas dans l'exposé du Sâmkhya que Mādhava rédigea au XIVe siècle à partir de la Kārikā, et leurs premiers commentateurs connus sont Aniruddha et Vijñānabhikṣu, ce dernier de la seconde moitié du XVIe siècle. Garbe les tenait déjà pour très tardifs, et Larson et Bhattacharya les situent vers les XIVe-XVe siècles. Plus incertaine est la date du Tattva Samāsa, bref catalogue de principes que Max Müller jugeait très ancien et que la critique ultérieure tient lui aussi pour tardif dans la forme où il nous est parvenu. Aucune de ces deux œuvres ne peut se lire comme la parole de Kapila : elles sont la mémoire scolaire d'un enseignement qu'on lui attribuait.

L'avatar et la mère

Dans la littérature dévotionnelle, Kapila devint une forme de Viṣṇu. Le Bhāgavata Purāṇa le compte parmi les incarnations du dieu — la cinquième, seigneur des parfaits, qui enseigna à Āsuri le Sâmkhya perdu avec le temps — et lui consacre dans son livre III un long récit : fils du sage Kardama et de Devahūti, fille de Manu, Kapila instruit sa mère, après que l'époux de celle-ci s'est retiré dans la vie ascétique, d'un Sâmkhya théiste où la connaissance des principes culmine dans la dévotion à Dieu. C'est une strate distincte de la tradition, composée probablement vers les IXe-Xe siècles, qui fait du philosophe du dualisme un maître de bhakti. La Bhagavad-Gītā avait annoncé cette sanctification : parmi les parfaits, dit Kṛṣṇa, il est le sage Kapila.

Le sage qui consuma les fils de Sagara

Un autre courant narratif, celui de l'épopée, fit de Kapila un ascète redoutable. Selon le Rāmāyaṇa et le Mahābhārata, les soixante mille fils du roi Sagara, partis à la recherche du cheval d'un sacrifice, creusèrent la terre jusqu'à le trouver auprès de Kapila, qu'ils prirent pour le voleur ; le sage les réduisit en cendres, et seule la descente du Gange, obtenue des générations plus tard par l'ascèse de Bhagīratha, devait purifier leurs restes. De ce récit est né le pèlerinage de Gaṅgāsāgar, à l'embouchure du Gange, où un temple de Kapila accueille chaque janvier des foules immenses. Śaṅkara tira parti de ce dédoublement pour refuser au Sâmkhya toute autorité védique : la tradition, écrivit-il, connaît « un autre Kapila », celui qui consuma les fils de Sagara.

Kapilavastu et autres héritages

La tradition bouddhique rattache le nom de Kapilavastu, la cité des Śākya où grandit Siddhārtha Gautama, à l'ermitage d'un sage Kapila : c'est ce que raconte Aśvaghoṣa dans le premier chant du Saundarananda. Il s'agit d'une étymologie populaire, d'une valeur historique incertaine, qui en dit plus sur le prestige du nom que sur la géographie ancienne. Le jaïnisme connaît lui aussi un Kapila, auteur des « Strophes de Kapila » de l'Uttarādhyayana, mais c'est une autre figure. Cette prolifération d'homonymes, de généalogies incompatibles — fils de Brahmā, de Kardama, de Kaśyapa — et de lieux sacrés est le trait le plus caractéristique de sa postérité.

Une autorité sans texte

Il reste une autorité sans œuvre. Vivekananda l'appela en 1897 le plus grand nom, peut-être, de l'histoire de l'Inde dans le domaine psychologique et philosophique, et les savants modernes, plus sobres, reconnaissent dans le Sâmkhya la première grande tentative indienne de penser la nature comme un processus causal sans recourir à un dieu créateur : les Sūtra eux-mêmes refusent d'admettre un Seigneur « parce qu'il n'est pas prouvé ». Kapila est le nom que l'Inde a donné à l'origine de cette tentative ; le reste — ses paroles, son siècle, son visage — appartient à la légende ou au silence.

Sources: Larson, Gerald James y Ram Shankar Bhattacharya (eds.). Sāṃkhya: A Dualist Tradition in Indian Philosophy. Encyclopedia of Indian Philosophies, vol. IV. Princeton: Princeton University Press / Delhi: Motilal Banarsidass, 1987. · Larson, Gerald James. Classical Sāṃkhya: An Interpretation of its History and Meaning. Delhi: Motilal Banarsidass, 1969; 2.ª ed. revisada, 1979 (ISBN 9788120805033). · Jacobsen, Knut A. Kapila, Founder of Sāṃkhya and Avatāra of Viṣṇu: With a Translation of Kapilāsurisaṃvāda. Nueva Delhi: Munshiram Manoharlal, 2008 (ISBN 9788121511940). · Ballantyne, James Robert (trad.). The Sánkhya Aphorisms of Kapila, with Illustrative Extracts from the Commentaries. 3.ª ed., ed. Fitzedward Hall. Londres: Trübner & Co., 1885 (Trübner's Oriental Series). Texto consultado en el OCR de Internet Archive. · Colebrooke, Henry Thomas (trad.) y Horace Hayman Wilson (trad. y coment.). The Sánkhya Káriká, or Memorial Verses on the Sánkhya Philosophy, by Íswara Krishna; also the Bháshya or Commentary of Gaurapáda. Oxford: Oriental Translation Fund, 1837. Estrofas LXIX–LXXI y comentario de Wilson, pp. 188–191.

Chronologie

La vie, année après année

Chaque point est un événement documenté. Cliquez pour le lire, avec sa source et son degré de certitude.

  1. IVe siècle av. J.-C.

    A “reddish seer” in the Śvetāśvatara Upaniṣad

    Verse 5.2 mentions a ṛṣi kapila begotten in the beginning. The Upaniṣad’s date is uncertain (last centuries BCE) and scholars doubt that the word names a person rather than an epithet of Hiraṇyagarbha.

    Contesté

  2. v. 200 av. J.-C. – 400

    Kapila, proclaimer of Sāṃkhya in the Mahābhārata

    The Mokṣadharma of the Śāntiparvan presents him as the supreme sage who taught Sāṃkhya and records his dialogues with Āsuri and Syūmaraśmi. The epic took shape between c. 300 BCE and 400 CE; the dating of these sections is approximate.

    Probable

  3. Ie siècle

    Kapilavastu, city of the sage Kapila

    Aśvaghoṣa relates in the Saundarananda (canto I) that the Śākya princes founded their city beside the hermitage of Kapila Gautama and named it Kapilavastu. It is a folk etymology.

    Tradition

  4. v. 350 – 450

    The Sāṃkhya Kārikā fixes the line Kapila–Āsuri–Pañcaśikha

    Īśvarakṛṣṇa composes the oldest surviving text of classical Sāṃkhya; stanzas 69–71 ascribe the doctrine to the “sage” who taught it to Āsuri. Before 569 Paramārtha translated it into Chinese with a commentary.

    Probable

  5. v. 400

    The “First Knower” in the Yoga-bhāṣya

    The commentary on the Yogasūtra (I.25) quotes a fragment of Pañcaśikha: the First Knower, assuming a created mind out of compassion, declared the doctrine to Āsuri.

    Probable

  6. VIIIe siècle

    Śaṅkara distinguishes “another Kapila”

    In the Brahmasūtra-bhāṣya (II.1.1) Śaṅkara denies Vedic authority to Kapila’s smṛti and recalls that tradition knows another Kapila, the one who burned the sons of Sagara.

    Documenté

  7. v. 900

    Kapila, avatar of Viṣṇu and teacher of Devahūti

    The Bhāgavata Purāṇa (I.3.10 and III.24–33) counts him as Viṣṇu’s fifth incarnation and narrates his teaching of a devotional Sāṃkhya to his mother. The Purāṇa’s date is debated (c. 9th–10th centuries).

    Contesté

  8. v. 1400 – 1500

    The Sāṃkhya Sūtra

    The aphorisms that tradition calls the “sūtras of Kapila” are fixed. Larson and Bhattacharya place them around the 14th–15th centuries; their earliest known commentator is Aniruddha.

    Probable

  9. 1837

    First European translation of the Kārikā

    Colebrooke and Wilson publish the Sāṃkhya Kārikā with Gauḍapāda’s commentary in Oxford; Wilson summarises the traditions about Kapila.

    Documenté

  10. 1852

    Ballantyne translates the Sāṃkhya Sūtra

    James R. Ballantyne publishes in India his English version of the aphorisms with extracts from the commentaries; the third edition, revised by Fitzedward Hall, appears in London in 1885.

    Documenté

  11. 1897

    Vivekananda praises Kapila

    In a lecture in Calcutta he calls him perhaps the greatest name in Indian history in psychology and philosophy.

    Documenté

Œuvres

Œuvres essentielles

Les œuvres sans lesquelles on ne comprend pas son héritage.

Sāṃkhya Sūtra (Sāṃkhya-pravacana Sūtra) — Kapila

Attribution traditionnelle · v. 1400

Sāṃkhya Sūtra (Sāṃkhya-pravacana Sūtra)

सांख्यसूत्र (साङ्ख्यप्रवचनसूत्र)

Some five hundred aphorisms (527 in the Wikisource numbering; editions vary by one or two) in six books: the first sets out the doctrine and the theory of knowledge, the second and third the evolution of nature and the means of liberation, the fourth a series of illustrative parables, the fifth refutes rival schools and the sixth recapitulates. It defends the dualism of puruṣa and prakṛti, the pre-existence of the effect in its cause and the impossibility of proving the existence of a Lord (I.92). It was commented on by Aniruddha (c. 1500), Vijñānabhikṣu (second half of the 16th century), who read it in a theistic and Vedāntic key, and Mahādeva Vedāntin.

6 éditions

Kapila’s teaching to Devahūti (Kapila-gītā, Bhāgavata Purāṇa III.25–33) — Kapila

Attribution traditionnelle · v. 900

Kapila’s teaching to Devahūti (Kapila-gītā, Bhāgavata Purāṇa III.25–33)

कपिलगीता (भागवतपुराण ३.२५–३३)

Nine chapters in which Kapila, presented as an incarnation of Viṣṇu, answers his mother Devahūti, who asks him to free her from attachment to the body and to “mine”. He expounds the Sāṃkhya principles, nature and puruṣa, the practice of yoga and meditation on the divine form, the kinds of devotion according to the three qualities, the cycle of transmigration and the fate of those who live for pleasure. Its thesis is that the mind bound to the qualities enslaves and the mind fixed on God liberates. It ends with Devahūti’s liberation.

4 éditions

Attribution traditionnelle

Tattva Samāsa

तत्त्वसमास (तत्त्वसमाससूत्र)

A very brief list of some twenty-two to twenty-five statements that enumerates, without argument, the categories of the system: the eight “producers” (nature, intellect, the sense of self and the five subtle elements), the sixteen modifications, puruṣa, the three qualities, the processes of manifestation and dissolution, the dispositions of the intellect, the forms of error and of perfection, and liberation. It works as a mnemonic index of the doctrine, and its meaning depends entirely on the accompanying commentary.

Non disponible Voir le livre

3 éditions

Citations

Citations localisées dans une œuvre précise. Chacune porte sa provenance et son degré de fiabilité.

Well, the complete cessation of pain, [which is] of three kinds, is the complete end of man.

atha trividhaduḥkhātyantanivṛttir atyantapuruṣārthaḥ

VérifiéeSāṃkhya Sūtra I.1 (obra atribuida, s. XIV–XV); trad. inglesa de Ballantyne (1885, dominio público); versión española del investigador.

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Dernières paroles

Il n'existe aucun témoignage vérifiable de ses dernières paroles.

There is no record of Kapila’s last words: he is a legendary figure without a documented biography, and the traditional sources do not narrate his death.

Interroger

Ce que répond son œuvre

Douze grandes questions de l'humanité et ce que ses textes permettent d'y répondre, références à l'appui. Nous ne lui prêtons jamais de paroles.

  • Qu'est-ce que l'Absolu ? Dieu existe-t-il ?

    The existence of a Lord is not proven: there are consciousnesses and nature

    Pas de Dieu créateurIl le dit expressément

    The Sāṃkhya tradition that goes back to Kapila explains reality by two uncreated principles: consciousness (puruṣa), plural, inactive and witnessing, and primordial nature (prakṛti), single, unconscious and active, from which everything else proceeds. It needs no creator God: nature unfolds by itself for the sake of the consciousnesses, as milk flows for the calf. The Sāṃkhya Sūtras that bear his name dismiss the theistic objection with a terse formula, «because the existence of a Lord is not proven» (1.92), and in book V they examine and reject the arguments for a governor of the world. The ultimate is not a being to be worshipped but pure consciousness, which has never been mixed with what it beholds.

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  • Qui suis-je ? Existe-t-il un vrai soi ?

    The «I» is a product of nature; the witnessing consciousness is not

    L'ego est une construction de la penséeIl le dit expressément

    In Sāṃkhya, everything we usually call «I» —thinking, deciding, feeling, saying «this is mine»— belongs to nature (prakṛti). The sense of I (ahaṃkāra) is one of its products: it arises from the intellect and gives rise to the mind and the senses. The true self is something else: puruṣa, pure consciousness that does not act or change and merely witnesses, illumining these processes without mixing with them. The fundamental illusion is to ascribe the states of the mind to oneself, and liberating knowledge is formulated as a triple negation: «I am not, nothing is mine, there is no I» (Sāṃkhya Kārikā, verse 64). Unlike non-dual Vedānta, the puruṣas are many, one for each conscious being, and none merges into a common Absolute.

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  • Pourquoi souffrons-nous ?

    The threefold pain arises from not distinguishing consciousness from nature

    L'ignorance de ce que nous sommesIl le dit expressément

    Sāṃkhya begins with pain. The Sāṃkhya Sūtras open by declaring that the complete cessation of pain, which is of three kinds, is the complete end of man (1.1): the pain that arises from oneself, that which comes from other beings and that which proceeds from supernatural forces. Neither ordinary remedies nor Vedic rites remove it, because their effect is temporary. Its cause is lack of discrimination (aviveka): consciousness, which merely witnesses, ascribes to itself the states of nature, in which the quality rajas is activity and pain. As long as puruṣa believes itself the one who suffers, suffering belongs to it; when it recognises that it was never mind or body, nature ceases to act with respect to it.

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  • Que se passe-t-il après la mort ?

    The subtle body transmigrates, not consciousness, until discrimination

    Renaissance selon le karmaIl le dit expressément

    The Sāṃkhya tradition accepts rebirth, but explains it with technical precision. What passes from one body to another is the subtle body (liṅga), made up of intellect, the sense of I, mind, senses and subtle elements, which carries acquired dispositions as an actor changes roles (Kārikā, verses 40–42). Consciousness, puruṣa, never transmigrates: strictly speaking, says verse 62, no puruṣa is bound, liberated or wanders from life to life; it is nature that transmigrates, is bound and is freed. When discriminating knowledge matures, the body continues for a time by inertia, like the potter's wheel that keeps turning after the hand is withdrawn (verse 67), and at its fall comes final isolation (kaivalya).

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  • Comment atteint-on la libération ou le salut ?

    Through discrimination between consciousness and nature, which leaves the witness alone

    Par la connaissance directeIl le dit expressément

    Sāṃkhya is above all a path of knowledge. Since neither ordinary remedies nor Vedic rites end the threefold pain, only discriminating knowledge (viveka) achieves it: understanding that puruṣa is not nature nor any of its products. The Kārikā sums it up in the formula «I am not, nothing is mine, there is no I» (verse 64). The Sāṃkhya Sūtras illustrate it with the parable of the king's son raised among hunters, who knows himself a prince only when someone tells him: discrimination arises from teaching about the truth (4.1). Its purpose fulfilled, nature withdraws like the dancer who has finished her dance (3.69), and consciousness remains in kaivalya, isolated and free from all experience.

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  • Faut-il un maître ?

    Discrimination arises from teaching, like the prince unaware he is one

    Utile mais pas indispensableCela se déduit de sa doctrine

    Sāṃkhya grants teaching a decisive role but does not turn it into submission to a person. The Sāṃkhya Sūtras open their fourth book with the parable of the king's son, raised among humble people, who knows himself a prince only when someone reveals his origin: likewise, discrimination between consciousness and nature arises from teaching about the truth (4.1). The school also preserves a lineage of transmission: the Sāṃkhya Kārikā relates that the sage Kapila compassionately imparted this doctrine to Āsuri, he to Pañcaśikha, and from him it spread (verse 70). But taught knowledge must become one's own discernment, and Kapila himself is for the tradition the «first knower», born already with wisdom.

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  • Le monde est-il réel ?

    The world is real: nature unfolding from three qualities

    Un ordre naturel en transformationIl le dit expressément

    For Sāṃkhya the world is neither an illusion nor a divine creation, but the real transformation of primordial nature (prakṛti). Its theory of causation holds that the effect pre-exists in the cause —the oil in the sesame seed, the pot in the clay— so that nothing arises from nothing: the universe is the manifestation of what was latent, and dissolution is its return to that state (Kārikā, verse 9). Nature unfolds in twenty-four principles, from intellect to the gross elements, and its diversity is explained by the varying proportion of three qualities: sattva, rajas and tamas. Unconscious yet ordered, it acts with a purpose: to offer consciousness experience and, afterwards, the discrimination that frees it.

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  • Qu'est-ce que l'amour ?

    Sāṃkhya is silent; the Bhāgavata's Kapila makes attachment to saints a door

    Ne s'est pas prononcé

    The Sāṃkhya tradition has no doctrine of love. Its theme is the separation of consciousness from nature, and affection appears in it as one more modification of the mind, which belongs to prakṛti and binds as long as consciousness ascribes it to itself. It is otherwise with the Kapila of the Bhāgavata Purāṇa, an avatar of Viṣṇu, who in his teaching to his mother Devahūti says that the mind is the cause of bondage and liberation: attached to the qualities it binds, enamoured of the supreme Person it frees (3.25.15); and that attachment, the unageing chain of the soul, when placed in the saints is the open door to liberation (3.25.20). But that is the voice of a later devotional figure, not of Sāṃkhya.

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  • Sommes-nous libres ou tout est-il déterminé ?

    Nature acts; consciousness only seems an agent through proximity

    Il n'y a pas d'agentIl le dit expressément

    In Sāṃkhya action is real, but it does not belong to whom we think. All doing —deciding, desiring, moving the body— is the activity of nature, of its three qualities and of the instruments it produces: intellect, sense of I, mind and senses. Consciousness (puruṣa) is by essence inactive, witnessing and indifferent; through its union with nature, says the Kārikā, the unconscious seems conscious and, although the agent is nature, consciousness seems to be the one who acts (verse 20). The merits, demerits and dispositions that condition each new life reside in the intellect, not in puruṣa. To be liberated is not to conquer free will, but to recognise that the witness was never the author of anything.

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  • Pourquoi méditer ou prier ?

    Meditating in order to discern: seeing that consciousness is not the mind

    Voir la réalité telle qu'elle estIl le dit expressément

    The Sāṃkhya tradition knows no prayer, since there is no Lord to address, but it does know meditation. The Sāṃkhya Sūtras, in their third book, define it as the means that removes attachment and list a stable and comfortable posture and the performance of one's own duties among its conditions; Patañjali's Yoga, which adopts Sāṃkhya metaphysics, develops these techniques in detail. But in Sāṃkhya meditation serves a knowledge: the discernment (viveka) that puruṣa is not nature nor any of its products. The Kārikā says that through the repeated practice of the true principles there arises a complete, pure and unerring knowledge: «I am not, nothing is mine, there is no I» (verse 64).

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  • La raison peut-elle connaître l'ultime ?

    Perception, inference and testimony: reason reaches the unmanifest

    L'Écriture et le raisonnementIl le dit expressément

    Sāṃkhya is probably the most rationalist of the classical Indian schools. It admits three means of knowledge: perception, inference and reliable testimony, which includes revelation (Kārikā, verses 4–6). But it gives inference a decisive role: what is not perceived —unmanifest nature, consciousness— is known by reasoning, and the existence of puruṣa is proven because every aggregate exists for another and someone must experience. With the same tool the Sāṃkhya Sūtras deny that a Lord is proven (1.92). Revelation is accepted, but its ritual part is criticised, which the Kārikā judges impure and ineffective (verse 2). The ultimate, liberating discrimination, is a knowledge that ripens with practice, not a leap beyond reason.

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  • Se retirer du monde ou le transformer ?

    Detachment and isolation: the goal is for nature to cease acting

    Se retirer pour trouverCela se déduit de sa doctrine

    Sāṃkhya offers no programme for the world, because its goal is the isolation (kaivalya) of consciousness from nature. The path runs through detachment (vairāgya) and renunciation: the Sāṃkhya Sūtras illustrate in their fourth book, with a series of parables, the wisdom of living without hopes, without distracting company and without accumulating, like the courtesan Piṅgalā, who was happy once she stopped expecting. The Kārikā warns that not even the Vedic rites, which promise better worlds, free from pain (verse 2). Life in the world is not condemned, but it is regarded as a field of experiences that consciousness, once satisfied, leaves behind, like the spectator who has already seen the dance (verse 59).

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Anecdotes et récits

Anecdotes et récits

Récit hagiographiquetiempo mítico

The sixty thousand sons of Sagara

King Sagara, of the solar dynasty of Ayodhyā, was performing the great horse sacrifice when the animal vanished. His sixty thousand sons searched the earth without finding it and ended up digging down to the nether regions, where they found it grazing beside an ascetic absorbed in meditation. Convinced he was the thief, they rushed at him with weapons and shouts. The sage was Kapila —in the Rāmāyaṇa, Vāsudeva who had taken his form— and, raising his gaze, he reduced all the attackers to ashes. Aṃśumat, Sagara’s grandson, humbly recovered the horse and learned that only the waters of the heavenly Ganges could purify his uncles’ ashes. Generations later, Bhagīratha’s austerities obtained the river’s descent from heaven, its fall checked by Śiva’s hair, and he led it to the ocean, where the waters touched the remains. The Gaṅgāsāgar pilgrimage, on Sagar Island, commemorates the place of the encounter and venerates Kapila there.

Origine du récit: An epic narrative of the Rāmāyaṇa (Bālakāṇḍa) and the Mahābhārata (Āraṇyakaparvan), taken up by the Bhāgavata Purāṇa (IX.8). Wilson (1837) already noted that the Rāmāyaṇa identifies this Kapila with Vāsudeva; Śaṅkara (8th c.) distinguished him from the founder of Sāṃkhya. The link with Gaṅgāsāgar is a pilgrimage tradition studied by Jacobsen (2013).

Source: Colebrooke, Henry Thomas (trad.) y Horace Hayman Wilson (trad. y coment.). The Sánkhya Káriká, or Memorial Verses on the Sánkhya Philosophy, by Íswara Krishna; also the Bháshya or Commentary of Gaurapáda. Oxford: Oriental Translation Fund, 1837. Estrofas LXIX–LXXI y comentario de Wilson, pp. 188–191.

Récit hagiographiquetiempo mítico

The mother who asked to be set free

The Bhāgavata Purāṇa relates that Devahūti, daughter of the first Manu, had served her husband, the ascetic Kardama, for years, and that after the birth of their son Kapila he withdrew to the forest. Alone, Devahūti turned to her son, whom she recognised as a divine incarnation, and confessed her weariness: she had lived for the senses and could not free herself from the notions of “I” and “mine”. Kapila answered with a long teaching that fills nine chapters: the analysis of the principles of nature, the distinction between nature and spirit, the practice of yoga, meditation on the form of Viṣṇu and disinterested devotion as the highest path. When the instruction was complete, the son departed towards the north-east, and Devahūti, following his words, attained liberation at the very site of the hermitage. Tradition identifies that place with the Bindu Sarovar tank at Siddhpur (Gujarat), where rites for deceased mothers are still performed.

Origine du récit: Bhāgavata Purāṇa III.21–33, a devotional text of debated date (c. 9th–10th centuries). Burnouf (1840) already noted that this story is not found elsewhere and turns Kapila into a form of Bhagavat. The identification with Siddhpur is a pilgrimage tradition studied by Jacobsen (2013).

Source: Burnouf, Eugène (trad.). Le Bhâgavata Purâna, ou Histoire poétique de Krĭchṇa, tome premier. París: Imprimerie royale, 1840. Libros I–III; prefacio sobre el relato de Kapila y Devahūti; I.3.10 (Kapila, quinta encarnación).

Tradition oraletiempo épico

The sage and the sacrificial cow

In the Mokṣadharma of the Mahābhārata, Bhīṣma recounts an ancient conversation to Yudhiṣṭhira. Kapila saw a cow being led to sacrifice and felt pity for the animal, censuring a religion that sought heaven at the cost of another’s suffering. The sage Syūmaraśmi, who had entered the cow’s body, confronted him and defended the Vedic rites: if the Vedas prescribe them, by what authority does an ascetic condemn them? The ensuing dialogue sets two ideals of life against each other, that of the sacrificer and householder and that of the renouncer seeking knowledge, and Kapila argues for non-violence and renunciation as the way to liberation. The episode is one of the texts in which tradition fixed the image of Kapila as a critic of blood sacrifice and a teacher of detachment.

Origine du récit: Mahābhārata, Śāntiparvan (Mokṣadharma), the episode called Gokapilīya in the Poona critical edition. It is a didactic epic narrative, not a historical testimony. Kapila’s exact exclamation varies among translations; the content is summarised here without quoting it.

Source: The Mahābhārata. Edición crítica, vols. 13–16: Śāntiparvan, ed. S. K. Belvalkar. Poona: Bhandarkar Oriental Research Institute, 1949–1966 (Mokṣadharma; diálogos de Kapila con Syūmaraśmi y con Āsuri; XII.337.60 sobre Kapila como proclamador del Sāṃkhya).

Tradition orales. XIV–XVI (texto y comentario)

The prince raised by a forester

The fourth book of the Sāṃkhya Sūtra opens with a series of parables, the first being that of the king’s son. According to Vijñānabhikṣu’s commentary, a prince born under an unlucky star was expelled from the city and raised by a forester, so that he grew up convinced he was one of them. A minister, learning that he was alive, went to find him and said: “You are not a forester; you are a king’s son.” The young man at once abandoned the idea of his humble condition and took up his royal nature. So, the aphorism explains, the soul that believes itself to be nature recovers its true condition as soon as it receives instruction about the truth. It is one of the most widespread images of the Indian pedagogy of awakening, reappearing with variations in Vedānta.

Origine du récit: Sāṃkhya Sūtra IV.1 (a text ascribed to Kapila, 14th–15th c.) and Vijñānabhikṣu’s commentary (16th c.), in Ballantyne’s translation (1885), pp. 284–285. It is a didactic parable, not an episode in Kapila’s life.

Source: Ballantyne, James Robert (trad.). The Sánkhya Aphorisms of Kapila, with Illustrative Extracts from the Commentaries. 3.ª ed., ed. Fitzedward Hall. Londres: Trübner & Co., 1885 (Trübner's Oriental Series). Texto consultado en el OCR de Internet Archive.

Documentés. VIII

Śaṅkara and “the other Kapila”

Commenting on the Brahmasūtra, Śaṅkara had to answer a serious objection: if tradition reveres Kapila as a perfected sage and the Śvetāśvatara Upaniṣad seems to praise his knowledge, should his doctrine —which makes unconscious nature the cause of the world— not be accepted? His answer was twofold. First, human traditions contradict one another and only Vedic revelation can decide; second, the Upaniṣadic passage gives the bare name of Kapila without saying which one is meant, “and we meet in tradition with another Kapila, viz. the one who burned the sons of Sagara”. With that philological move, the great master of Advaita separated the founder of Sāṃkhya from the sage revered by the epic and denied him scriptural authority. It is the first documented testimony that the name Kapila already denoted different figures.

Origine du récit: Brahmasūtra-bhāṣya II.1.1, in Thibaut’s translation (SBE 34, 1890), checked against the OCR of the volume. Śaṅkara’s date (c. 8th century) is the usual scholarly one.

Source: Thibaut, George (trad.). The Vedânta-Sûtras with the Commentary by Sankarâkârya, parte I. Oxford: Clarendon Press, 1890 (Sacred Books of the East 34). Brahmasūtra-bhāṣya II.1.1, sobre la «smṛti de Kapila».

Récit hagiographiquetiempo legendario (texto del s. I–II)

Kapilavastu, the city beside the hermitage

The Buddhist poet Aśvaghoṣa opens his Saundarananda with the founding of the Buddha’s homeland. Some exiled princes of the house of Ikṣvāku took refuge on the slopes of the Himalaya beside the hermitage of a sage called Kapila Gautama, who welcomed and taught them. When they prospered and founded a city there, they gave it the sage’s name: Kapilavastu, “the dwelling of Kapila”. There, generations later, Siddhārtha Gautama would be born. The story explains at once the city’s name and the Gautama clan name of the Śākyas, and links the origin of Buddhism with a figure of Brahmanical asceticism. Historians read it as a folk etymology: it does not prove that the founder of Sāṃkhya lived there, nor even that Aśvaghoṣa’s Kapila is the same person.

Origine du récit: Aśvaghoṣa, Saundarananda, canto I (1st–2nd c. CE), ed. and trans. E. H. Johnston. An aetiological story; the Pali tradition preserves other versions of the origin of the Śākyas.

Source: Johnston, E. H. (ed. y trad.). The Saundarananda of Aśvaghoṣa. Oxford University Press / Panjab University, 1928 (texto) y 1932 (traducción). Canto I, sobre la fundación de Kapilavastu junto a la ermita del sabio Kapila Gautama.

Récit hagiographiqueépoca de Prasenajit (s. VI–V a. C., según el relato)

The other Kapila: two gold coins

The Jain canon preserves the “Verses of Kapila” (Uttarādhyayana, lecture VIII), and its commentary tells the story of their author, who has nothing to do with the founder of Sāṃkhya. Kapila, son of a Brahmin of Kauśāmbī, was studying at Śrāvastī and fell in love with a servant girl. To buy her ornaments for a festival he set out before dawn to claim the two gold coins a merchant gave to whoever greeted him first, but the guard arrested him and brought him before King Prasenajit. Moved by his candour, the king offered him whatever he asked. Kapila withdrew to the garden to think, and the more he thought the more the sum rose, until it reached ten thousand millions. Then he understood: “The more you get, the more you want.” He tore out his hair, became a monk and, according to the story, later converted a band of five hundred robbers with his songs.

Origine du récit: Jain commentary on Uttarādhyayana VIII, summarised by Hermann Jacobi in his translation (SBE 45, 1895, p. 31, note 1); verse 17 is the one the story places in Kapila’s mouth before the king. It is included to dispel the homonymy: this is another Kapila.

Source: Jacobi, Hermann (trad.). Gaina Sûtras, parte II: The Uttarâdhyayana Sûtra, The Sûtrakritâṅga Sûtra. Oxford: Clarendon Press, 1895 (Sacred Books of the East 45). Lección VIII, «Kapila's Verses», con la nota sobre el relato del comentario.

Enseignements

Enseignements

Les notions qui structurent sa pensée, expliquées dans leur contexte.

Puruṣa (witnessing consciousness)purusha
In Sāṃkhya, puruṣa is pure consciousness: it does not act, change or produce anything and has no qualities; it merely witnesses. Unlike the ātman of non-dual Vedānta it is not single: there are as many puruṣas as conscious beings, and the Kārikā argues this from the diversity of births, deaths and experiences. Everything we usually call “mind” —thinking, deciding, feeling, saying “I”— in fact belongs to nature; puruṣa only illuminates these processes like a light that does not mix with what it lights. The fundamental illusion consists in ascribing the states of the mind to oneself, and liberation in recognising that the witness was never bound. The Sūtra affirm its existence because nothing proves the contrary and because nature as a whole exists “for another”.

It is one of the two irreducible principles of Sāṃkhya and the point at which it diverges most from Vedānta, which affirms a single consciousness. Patañjali’s Yoga inherits the notion (as draṣṭṛ, “the seer”).

Source: Larson, Gerald James. Classical Sāṃkhya: An Interpretation of its History and Meaning. Delhi: Motilal Banarsidass, 1969; 2.ª ed. revisada, 1979 (ISBN 9788120805033).

Prakṛti (primordial nature)prakriti
Prakṛti is the single material cause of everything that exists apart from consciousness: the physical world, but also intellect, the sense of self and mind. In its unmanifest state (avyakta) it is a perfect equilibrium of three qualities; when that balance is disturbed by the proximity of puruṣa, nature unfolds in an ordered series of principles, from intellect (buddhi or mahat) down to the gross elements. It is unconscious yet active, and Sāṃkhya ascribes a purpose to it: it acts for the sake of puruṣa, first by offering it experience and then the discrimination that frees it. The classical image is that of the dancer who performs before a spectator and withdraws once she has been seen: its end accomplished, its activity towards him ceases.

The theory of prakṛti was adopted by Yoga, by much of Purāṇic cosmology and by Āyurvedic medicine, although Vedānta reinterpreted it as the power (māyā) of a single Brahman.

Source: Larson, Gerald James. Classical Sāṃkhya: An Interpretation of its History and Meaning. Delhi: Motilal Banarsidass, 1969; 2.ª ed. revisada, 1979 (ISBN 9788120805033).

The three qualities (guṇa)gunas
Nature is made of three qualities or strands: sattva, which is luminosity, lightness and pleasure; rajas, which is activity, impulse and pain; and tamas, which is heaviness, inertia and dullness. They are not properties of things but their ultimate constituents, and their varying proportion explains the diversity of the world and of mental states. They dominate and support one another like the oil, wick and flame of a lamp, which though distinct produce light together, in the Kārikā’s comparison. The doctrine passed into the Bhagavad Gītā, which classifies faith, food, sacrifice or knowledge according to the qualities, and the Bhāgavata applies it to the forms of devotion. Its influence on Indian thought, from ethics to medicine, can hardly be exaggerated.

The guṇas already appear in the epic and are systematised in the Kārikā (stanzas 12–13). They are one of the notions most widely shared among Indian schools.

Source: Colebrooke, Henry Thomas (trad.) y Horace Hayman Wilson (trad. y coment.). The Sánkhya Káriká, or Memorial Verses on the Sánkhya Philosophy, by Íswara Krishna; also the Bháshya or Commentary of Gaurapáda. Oxford: Oriental Translation Fund, 1837. Estrofas LXIX–LXXI y comentario de Wilson, pp. 188–191.

The twenty-five principles (tattva)tattvas
Sāṃkhya —whose name is related to saṃkhyā, “enumeration”— describes reality by means of twenty-five principles. The first is unmanifest nature; from it arises the intellect (buddhi), the faculty of decision; from the intellect, the sense of self (ahaṃkāra); from this, on one side the mind (manas), the five senses of knowledge and the five of action, and on the other the five subtle elements (tanmātra: sound, touch, form, taste and smell), from which the five gross elements arise (ether, air, fire, water and earth). These are twenty-four principles of nature, to which puruṣa is added, outside the series. The scheme is not a chronological cosmogony but an analysis of experience: it shows how consciousness becomes wrapped in a chain of instruments it takes as its own.

The list of twenty-five principles is the classical form fixed in the Kārikā; in the epic there are different counts (twenty-six or seventeen), a sign of a doctrine still in formation. The Tattva Samāsa is essentially an index of these categories.

Source: Larson, Gerald James y Ram Shankar Bhattacharya (eds.). Sāṃkhya: A Dualist Tradition in Indian Philosophy. Encyclopedia of Indian Philosophies, vol. IV. Princeton: Princeton University Press / Delhi: Motilal Banarsidass, 1987.

Satkāryavāda (the effect pre-exists in the cause)satkaryavada
Sāṃkhya’s theory of causation holds that the effect already exists in its cause before it becomes manifest: the oil is in the sesame seed, the pot in the clay. The Kārikā (stanza 9) argues thus: what does not exist cannot be produced, every effect requires a specific material cause, not everything arises from everything, a cause produces only what it is capable of, and the effect shares the nature of the cause. It follows that the world is not a creation from nothing but the manifestation of what was latent in primordial nature, and that dissolution is its return to that state. The doctrine set Sāṃkhya against the Buddhists and Nyāya-Vaiśeṣika, who held that the effect is something new, and it was adopted and transformed by Vedānta.

It is one of the logical pillars of the system and the reason why Sāṃkhya can dispense with a creator god. The Sāṃkhya Sūtra defend it in book I.

Source: Colebrooke, Henry Thomas (trad.) y Horace Hayman Wilson (trad. y coment.). The Sánkhya Káriká, or Memorial Verses on the Sánkhya Philosophy, by Íswara Krishna; also the Bháshya or Commentary of Gaurapáda. Oxford: Oriental Translation Fund, 1837. Estrofas LXIX–LXXI y comentario de Wilson, pp. 188–191.

Viveka and kaivalya (discrimination and isolation)kaivalya
The goal of Sāṃkhya is the definitive cessation of threefold pain: that which arises from oneself, that which comes from other beings and that which proceeds from supernatural forces. Neither ordinary remedies nor Vedic rites achieve it, because their effect is temporary. Only discriminating knowledge (viveka-khyāti) does, the understanding that puruṣa is not nature nor any of its products: “I am not, nothing is mine, there is no I”, says the Kārikā (stanza 64). When that discrimination matures, nature ceases to act with respect to that puruṣa, which abides in kaivalya, “isolation” or perfect aloneness, free of all experience. The body may go on living for a while by momentum, like the potter’s wheel that keeps turning after the hand has been withdrawn, and when it falls final liberation ensues.

The term kaivalya passed into Patañjali’s Yoga, which names its fourth chapter after it (Kaivalya-pāda). The devotional version of the Bhāgavata replaces isolation with loving union with God.

Source: Colebrooke, Henry Thomas (trad.) y Horace Hayman Wilson (trad. y coment.). The Sánkhya Káriká, or Memorial Verses on the Sánkhya Philosophy, by Íswara Krishna; also the Bháshya or Commentary of Gaurapáda. Oxford: Oriental Translation Fund, 1837. Estrofas LXIX–LXXI y comentario de Wilson, pp. 188–191.

Vidéos

Vidéos

Enregistrements, entretiens et documentaires. Les vidéos sont lues depuis YouTube ; elles ne sont pas hébergées ici.

  • Kapila of Sāṃkhya: Manifestations and interpretations by Prof. Knut Axel Jacobsen

    Conférence· EN· 93 min

    Bhaktivedanta Research Center

  • Sāṃkhya philosophy and Yoga practice: how are they related? - Dr Mikel Burley

    Conférence· EN· 76 min

    SOAS Centre Of Yoga StudiesChaîne officielle

  • Samkhya Karikas (Part 1) - Edwin Bryant

    Conférence· EN· 139 min

    Edwin Bryant OfficialChaîne officielle

  • Hindu Philosophy Introduction 7: Yoga and Sāṃkhya - Edwin Bryant

    Conférence· EN· 60 min

    Edwin Bryant OfficialChaîne officielle

  • “Concept of Mind in Yoga and Sankhya Philosophy" Lecture with Dr. N. Ganesh Rao

    Conférence· EN· 75 min

    Loyola Marymount University, BCLA Yoga StudiesChaîne officielle

  • Revisiting Sāṃkhya Kārikās 25-31: The Determinative Nature of the Guṇas

    Conférence· EN· 49 min

    Loyola Marymount University, BCLA Yoga StudiesChaîne officielle

  • Saga of the Soul 065 - Samkhya Darshan (Kapila School Of Philosophy)

    Conférence· EN· 64 min

    Chicago VedantaChaîne officielle

  • Swami Purnananda explains the 24 elements of the Sankhya philosophy and verses from Katha Upanishad

    Conférence· EN· 60 min

    Éire Vedanta SocietyChaîne officielle

  • Know our Shastras: Essentials of Sankhya Philosophy

    Conférence· EN· 84 min

    MIT IIKS

  • Samkhya-Sutra, El hilo de oro del Indo, por Ibn Asad y Fernando Sánchez Dragó (1ª Parte - Ponencia)

    Conférence· ES· 56 min

    LaDanzaFinaldeKali

  • Introducción a la filosofía Samkhya. Yogacharya Emiliano Crivellari

    Conférence· ES· 37 min

    Emiliano CrivellariChaîne officielle

  • कपिल अवतार और सांख्य शास्त्र के प्रवर्तक कपिल मुनि अलग थे

    Analyse· HI· 2 min

    Govardhan Math, PuriChaîne officielle

  • सांख्य दर्शन SANKHYA DARSHAN की सरल और व्यावहारिक व्याख्या - DR HIMMAT SINGH SINHA

    Conférence· HI· 14 min

    The Quest

  • সাগরের জল স্পর্শ করে, কপিল মুনির আশীর্বাদের আশা, এর পেছনে পৌরাণিক ঘটনা, শুনব| ABP Ananda

    Documentaire· BN· 2 min

    ABP ANANDAChaîne officielle

Galerie

Galerie

Images dont la licence a été vérifiée. Chacune conserve son auteur et son attribution.

Relations

Relations

Influences, filiations et affinités. On distingue la relation documentée de la similitude identifiée par analyse.

  • En désaccord avec

    Adi Shankara

    Śaṅkara refuted Sāṃkhya in his Brahmasūtra-bhāṣya (II.1.1 and II.2) and denied Vedic authority to “Kapila’s smṛti”, also distinguishing “another Kapila”, the one who burned the sons of Sagara.

    Relation documentée

  • A influencé

    Patañjali

    Patañjali’s Yoga adopts the metaphysical framework of Sāṃkhya (puruṣa, prakṛti, guṇa, kaivalya), and its commentary (Yoga-bhāṣya I.25) quotes the Pañcaśikha fragment presenting Kapila as the “First Knower”.

    Relation documentée

  • A influencé

    Vyasa

    The Yoga-bhāṣya, traditionally ascribed to Vyāsa, quotes Kapila’s teaching to Āsuri; the Bhagavad Gītā, in the Mahābhārata ascribed to Vyāsa, names Kapila among the perfected. A textual, not historical, relation.

    Relation documentée

  • A influencé

    Gaudapada

    A commentary on the Sāṃkhya Kārikā bears Gauḍapāda’s name and quotes a verse counting Kapila among the sons of Brahmā. Whether its author is the Gauḍapāda of the Māṇḍūkya-kārikā is doubtful.

    Relation documentée

  • A influencé

    Swami Vivekananda

    In 1897 he called him “perhaps the greatest name in the history of India in psychological and philosophical lines” and devoted several lectures to Sāṃkhya.

    Relation documentée

  • Idées proches de

    Siddhartha Gautama, the Buddha

    Buddhist tradition associates Kapilavastu, the Buddha’s city, with the hermitage of a sage Kapila (a folk etymology). Since Max Müller the Sāṃkhya and Buddhist diagnoses of suffering have been compared, though their paths differ.

    Similitude identifiée par analyse

  • Idées proches de

    Narada

    The Bhagavad Gītā (10.26) has Kṛṣṇa say in the same verse that among divine sages he is Nārada and among the perfected, Kapila; the Mahābhārata presents Nārada as versed in Sāṃkhya.

    Similitude identifiée par analyse

  • Idées proches de

    Uddalaka Aruni

    Uddālaka’s teaching in the Chāndogya Upaniṣad (VI), with its analysis of effects as modifications of one substance (clay and its pots), anticipates themes of Sāṃkhya’s satkāryavāda.

    Similitude identifiée par analyse

  • Idées proches de

    Yajnavalkya

    The figure of the witness that cannot be seen, in Yājñavalkya’s teachings in the Bṛhadāraṇyaka Upaniṣad, is one of the Upaniṣadic antecedents of the notion of puruṣa.

    Similitude identifiée par analyse

  • Idées proches de

    Chaitanya Mahaprabhu

    The Gauḍīya tradition founded by Caitanya reads Kapila’s teaching to Devahūti as a devotional Sāṃkhya; Bhaktivedanta Swami’s commentary (Teachings of Lord Kapila) comes from it.

    Similitude identifiée par analyse

Sources

Sources

Bibliographie et catalogues consultés pour cette fiche.

  1. Wikidata, «Kapila» (sabio védico de la tradición hindú), QID Q574355; LCCN n50059441; GND 119244233; BnF 11909405v; VIAF 9848428.
  2. Larson, Gerald James y Ram Shankar Bhattacharya (eds.). Sāṃkhya: A Dualist Tradition in Indian Philosophy. Encyclopedia of Indian Philosophies, vol. IV. Princeton: Princeton University Press / Delhi: Motilal Banarsidass, 1987.
  3. Larson, Gerald James. Classical Sāṃkhya: An Interpretation of its History and Meaning. Delhi: Motilal Banarsidass, 1969; 2.ª ed. revisada, 1979 (ISBN 9788120805033).
  4. Jacobsen, Knut A. Kapila, Founder of Sāṃkhya and Avatāra of Viṣṇu: With a Translation of Kapilāsurisaṃvāda. Nueva Delhi: Munshiram Manoharlal, 2008 (ISBN 9788121511940).
  5. Ballantyne, James Robert (trad.). The Sánkhya Aphorisms of Kapila, with Illustrative Extracts from the Commentaries. 3.ª ed., ed. Fitzedward Hall. Londres: Trübner & Co., 1885 (Trübner's Oriental Series). Texto consultado en el OCR de Internet Archive.
  6. Colebrooke, Henry Thomas (trad.) y Horace Hayman Wilson (trad. y coment.). The Sánkhya Káriká, or Memorial Verses on the Sánkhya Philosophy, by Íswara Krishna; also the Bháshya or Commentary of Gaurapáda. Oxford: Oriental Translation Fund, 1837. Estrofas LXIX–LXXI y comentario de Wilson, pp. 188–191.
  7. Woods, James Haughton (trad.). The Yoga-System of Patañjali. Cambridge (Mass.): Harvard University Press, 1914 (Harvard Oriental Series 17). Yoga-bhāṣya I.25, con la cita de Pañcaśikha sobre el «Primer Conocedor».
  8. Thibaut, George (trad.). The Vedânta-Sûtras with the Commentary by Sankarâkârya, parte I. Oxford: Clarendon Press, 1890 (Sacred Books of the East 34). Brahmasūtra-bhāṣya II.1.1, sobre la «smṛti de Kapila».
  9. Jacobi, Hermann (trad.). Gaina Sûtras, parte II: The Uttarâdhyayana Sûtra, The Sûtrakritâṅga Sûtra. Oxford: Clarendon Press, 1895 (Sacred Books of the East 45). Lección VIII, «Kapila's Verses», con la nota sobre el relato del comentario.
  10. Burnouf, Eugène (trad.). Le Bhâgavata Purâna, ou Histoire poétique de Krĭchṇa, tome premier. París: Imprimerie royale, 1840. Libros I–III; prefacio sobre el relato de Kapila y Devahūti; I.3.10 (Kapila, quinta encarnación).
  11. Wikisource en sánscrito: «साङ्ख्यसूत्राणि» (Sāṃkhya Sūtra, 527 aforismos numerados) y «श्रीमद्भागवतपुराणम्/स्कन्धः ३/अध्यायः २५» (Bhāgavata Purāṇa III.25).
  12. Arnold, Edwin (trad.). The Song Celestial, or Bhagavad-Gîtâ. Londres: Trübner, 1885. Capítulo X (verso 26: «Kapila of Munis»). Project Gutenberg n.º 2388.
  13. Vivekananda, Swami. «The Vedanta in all its phases» (Calcuta, 1897), en Lectures from Colombo to Almora; The Complete Works of Swami Vivekananda, vol. 3. Texto en Wikisource.
  14. Ballantyne, James Robert. A Lecture on the Sánkhya Philosophy, embracing the Text of the Tattwa Samása. Mirzapur: Orphan School Press, 1850.
  15. Sinha, Nandalal (trad.). The Sāmkhya Philosophy: containing Sāmkhya-pravachana Sūtram, with the Vritti of Aniruddha and the Bhāsya of Vijñāna Bhiksu…; Tattva Samāsa; Sāmkhya Kārikā; Panchaśikha Sūtram. Allahabad: Pāṇini Office, 1915 (Sacred Books of the Hindus 11).
  16. Johnston, E. H. (ed. y trad.). The Saundarananda of Aśvaghoṣa. Oxford University Press / Panjab University, 1928 (texto) y 1932 (traducción). Canto I, sobre la fundación de Kapilavastu junto a la ermita del sabio Kapila Gautama.
  17. Garbe, Richard. Die Sâṃkhya-Philosophie: eine Darstellung des indischen Rationalismus. Leipzig: H. Haessel, 1894 (2.ª ed. 1917).
  18. The Mahābhārata. Edición crítica, vols. 13–16: Śāntiparvan, ed. S. K. Belvalkar. Poona: Bhandarkar Oriental Research Institute, 1949–1966 (Mokṣadharma; diálogos de Kapila con Syūmaraśmi y con Āsuri; XII.337.60 sobre Kapila como proclamador del Sāṃkhya).
  19. Müller, F. Max. The Six Systems of Indian Philosophy. Londres: Longmans, Green & Co., 1899. Capítulo sobre el Sāṃkhya y el Tattva-samāsa.
  20. Jacobsen, Knut A. Pilgrimage in the Hindu Tradition: Salvific Space. Londres y Nueva York: Routledge, 2013 (lugares de Kapila, entre ellos Gaṅgāsāgar).
  21. Wikipedia en inglés, «Kapila» (consultada para la lista de obras menores atribuidas y las genealogías purāṇicas; contrastada con Larson y Bhattacharya, 1987).
Ayant droit
Textos sánscritos en dominio público. Las traducciones de Ballantyne (1852, 1885), Colebrooke y Wilson (1837), Burnouf (1840) y Woods (1914) son de dominio público; las ediciones modernas (Routledge, Munshiram Manoharlal, Motilal Banarsidass, Bhaktivedanta Book Trust, Agamat) tienen derechos propios.

En attente de confirmation

Ce que cette fiche n'a pas encore pu établir. Nous préférons le dire plutôt que de combler.

  • Ediciones en español con ISBN de los Sāṃkhya Sūtra, de la Sāṃkhya Kārikā y del canto III del Bhāgavata (Bhaktivedanta Book Trust): no localizadas en Open Library; Google Books devolvió error 429 durante la investigación.
  • Verificar la numeración exacta (edición crítica de Poona) del Gokapilīya y del Kapilāsurisaṃvāda en el Śāntiparvan, y la cita del Mokṣadharma (XII.337.60) sobre Kapila como proclamador del Sāṃkhya.
  • Comprobar la fecha de muerte de Nandalal Sinha para decidir el dominio público de su traducción de 1915 en la UE y España.
  • Confirmar en Jacobsen (2008, 2013) los datos sobre Siddhpur (Bindu Sarovar) y Gaṅgāsāgar.
  • Localizar manuscritos digitalizados de los Sāṃkhya Sūtra con signatura (campo manuscripts vacío).
  • Los vídeos no traen año de publicación en oEmbed; se dejó year en null.

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