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Christentum · Christliche Mystik · Orthodoxes Christentum

Pavel Florensky

Павел Александрович Флоренский

1882 – 1937Historisch belegte Person

Russischer orthodoxer Priester, Theologe, Philosoph, Mathematiker und Ingenieur (1882–1937), oft „der russische Leonardo“ genannt. Sein Werk „Der Pfeiler und die Grundfeste der Wahrheit“ (1914) erneuerte die orthodoxe Theologie durch eine Sophiologie und eine Theorie der Antinomie; „Die Ikonostase“ und „Die umgekehrte Perspektive“ begründeten eine Philosophie der Ikone. Er arbeitete in der Soutane an der sowjetischen Elektrifizierung mit, wurde 1933 in den Gulag deportiert, schrieb seinen Kindern von den Solowki-Inseln und wurde am 8. Dezember 1937 vom NKWD erschossen.

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«Filósofos»: Florenski y Bulgákov, por Mijaíl Nésterov

«Filósofos»: Florenski y Bulgákov, por Mijaíl Nésterov · Public domain

In eigenen Worten

«Living religious experience as the sole legitimate way of knowing dogmas.»

«Столп и утверждение истины» (1914), «К читателю», primera frase: así resume el autor la intención de todo el libro.

Der zentrale Gedanke

Antinomy: For Florensky religious truth is antinomic: it can be stated only through pairs of contradictory propositions, equally true, which discursive reason cannot reconcile.

Biografie

5 Min. Lesezeit

Unterstützte Übersetzung aus dem spanischen Original, Durchsicht durch einen muttersprachlichen Übersetzer ausstehend.

Ein Kind des Kaukasus

Pawel Alexandrowitsch Florenski wurde am 21. Januar 1882 (nach julianischem Kalender am 9.) in Jewlach im heutigen Aserbaidschan geboren, wo sein Vater, Alexander Iwanowitsch, ein Ingenieur aus einer Geistlichenfamilie, der jedoch der Kirche fernstand, am Bau der Transkaukasischen Eisenbahn arbeitete. Seine Mutter, Olga (Salome) Pawlowna Saparowa, stammte aus einer alten armenischen Familie aus Karabach. Er war das älteste von sieben Kindern und wuchs zwischen Tiflis und Batumi in einem gebildeten, religiös gleichgültigen Haus auf. In „Meinen Kindern“ erzählte er später selbst, dass er als Kind in einem „Eden“ der Naturerscheinungen gelebt habe – das Meer, die Steine, die Pflanzen – und dass Goethe seine geistige Nahrung gewesen sei, noch vor jedem Philosophen.

Mathematiker in Moskau

1900 schloss er das Zweite Gymnasium in Tiflis ab und trat in die Physikalisch-Mathematische Fakultät der Moskauer Universität ein. Dort studierte er bei Nikolai Bugajew, schloss Freundschaft mit Andrei Bely und über ihn mit Brjussow, Balmont, den Mereschkowskis und Blok und veröffentlichte in „Nowy put“ und „Wessy“ Essays wie „Über die Symbole des Unendlichen“ (1904), der Mengenlehre Cantors gewidmet. In jenen Jahren fühlte er sich zu Wladimir Solowjow und zum Archimandriten Serapion (Maschkin) hingezogen. 1904 schloss er mit Auszeichnung ab, trat aber, statt eine wissenschaftliche Laufbahn einzuschlagen, mit dem Segen von Bischof Antoni (Florensow) in die Moskauer Geistliche Akademie in Sergijew Possad ein.

Die Geistliche Akademie

Im März 1906 hielt er noch als Student in der Kirche der Akademie eine Predigt gegen die Todesstrafe, „Der Schrei des Blutes“, die ohne Zensur gedruckt wurde; er wurde verhaftet und verbrachte kurze Zeit im Gefängnis. 1908 schloss er das Studium ab und blieb als Dozent für Geschichte der Philosophie an der Akademie. 1910 heiratete er Anna Michailowna Giazintowa, mit der er fünf Kinder hatte – Wassili, Kirill, Olga, Michail und Maria –, und 1911 wurde er zum Priester geweiht. Von 1912 bis 1917 leitete er die Zeitschrift der Akademie, „Bogoslowski westnik“, und diente als Geistlicher an der Kirche des Rotkreuz-Heims in Sergijew Possad.

Der Pfeiler und die Grundfeste der Wahrheit

1914 veröffentlichte er in erweiterter Fassung das Werk, das er als Student begonnen hatte: „Der Pfeiler und die Grundfeste der Wahrheit. Versuch einer orthodoxen Theodizee in zwölf Briefen“. Als Briefwechsel mit einem Freund angelegt, verbindet es Theologie, Mathematik, Philologie, Kunstgeschichte und mystische Erfahrung. Es vertritt die Auffassung, dass die Wahrheit nicht bewiesen, sondern in der Kirche gelebt wird, dass das Dogma antinomisch ist – es lässt sich nur in gegensätzlichen Thesen aussprechen, die die Vernunft nicht versöhnt – und dass die göttliche Weisheit, Sophia, die Wurzel der Schöpfung ist. Das von der Akademie ausgezeichnete Buch faszinierte die einen und empörte die anderen: Berdjajew nannte es eine „stilisierte Orthodoxie“.

Ein Schatten: der Fall Beilis

In denselben Jahren hinterließ Florenski Schriften, die seine Bewunderer lieber vergessen. Während des Prozesses von 1913 gegen Menachem Beilis, einen Kiewer Juden, der fälschlich des Ritualmords beschuldigt wurde, schickte er Wassili Rosanow zwei anonyme Artikel, in denen er die Anklage für begründet hielt; Rosanow veröffentlichte sie als Anhang zu seinem Buch über das Verhältnis der Juden zum Blut. Die Forschung hat darin den Übergang von einem christlichen Antijudaismus zu einem rassisch geprägten Antisemitismus gesehen.

Revolution, Ikonen und Perspektive

Die Revolution empfing er als Apokalypse und neigte einer theokratischen Monarchie zu, emigrierte aber nicht. Von 1918 bis 1920 war er wissenschaftlicher Sekretär der Kommission zum Schutz der Denkmäler des Dreifaltigkeits-Sergius-Klosters, katalogisierte dessen Ikonen und setzte sich dafür ein, dass das Kloster nicht zu einem „toten Museum“ würde. Damals schrieb er seine Texte über Kult und Kunst: „Die umgekehrte Perspektive“ (1919), in der er die Perspektive der Ikone als eine andere Weise erklärt, einen geistigen Raum darzustellen, und „Die Ikonostase“ (1922), wonach die Ikone ein Fenster und die Ikonostase die Grenze zwischen der sichtbaren und der unsichtbaren Welt ist.

Der Priester als Ingenieur

Ab 1919 arbeitete er als Wissenschaftler im Dienst des Sowjetstaats, ohne je die Soutane abzulegen: in der Kunststofffabrik Karbolit, in der Abteilung für Werkstoffkunde von Glawenergo und am Elektrifizierungsplan GOELRO. Er schrieb eine Monographie über Dielektrika (1924), meldete Erfindungen zum Patent an, lehrte von 1921 bis 1927 an den Kunstwerkstätten WChUTEMAS und gehörte zu den Redakteuren der „Technischen Enzyklopädie“, für die er rund hundertfünfzig Artikel verfasste. 1922 veröffentlichte er „Die Imaginärgrößen in der Geometrie“, worin er sich auf Dante und die Relativitätstheorie stützte, eine geozentrische Kosmologie verteidigte und dafür als Obskurantist angegriffen wurde.

Sibirien und die Solowki-Inseln

1928 wurde er nach Nischni Nowgorod verbannt; dank Jekaterina Peschkowa konnte er zurückkehren, und man bot ihm die Emigration nach Prag an, doch er zog es vor zu bleiben. Am 26. Februar 1933 wurde er in einem konstruierten Verfahren gegen eine angebliche konterrevolutionäre Organisation verhaftet und am 26. Juli zu zehn Jahren Arbeitslager verurteilt. Er durchlief das Lager Swobodny im Fernen Osten und die Permafrost-Versuchsstation von Skoworodino und wurde im Herbst 1934 auf die Solowki-Inseln verlegt, wo er die Gewinnung von Jod und Agar-Agar aus Algen erforschte. Von dort schrieb er seiner Frau, seiner Mutter und seinen Kindern mehr als hundert Briefe voller Wissenschaft, Poesie und Zärtlichkeit.

Der 8. Dezember 1937

Am 25. November 1937, während des Großen Terrors, verurteilte ihn eine Troika des NKWD des Leningrader Gebiets zum Tode. Am 8. Dezember wurde er zusammen mit anderen von den Solowki-Inseln überstellten Häftlingen erschossen; Ort der Hinrichtung und Grab sind nicht ermittelt, genannt werden Lewaschowo und andere Schießplätze in der Umgebung Leningrads. Der Familie wurde jahrelang ein falsches Todesdatum mitgeteilt, der 15. Dezember 1943. Die in den Archiven der Sicherheitsorgane verwahrten und nach der Perestroika geöffneten Akten belegten das Urteil und das Datum der Hinrichtung. 1958 und 1959 wurde er rehabilitiert.

Nachwirkung

Florenski wurde in den Sechziger- und Siebzigerjahren wiederentdeckt, als die Zeitschrift des Moskauer Patriarchats seine unveröffentlichten Texte zu drucken begann, und seine gesammelten Werke erschienen in Russland ab 1994. Seine Theorie der umgekehrten Perspektive und seine Philosophie der Ikone wirkten auf Kunstgeschichte und Semiotik, und seine Synthese von Wissenschaft und Glauben machte ihn zum Symbol der vom Sowjetregime vernichteten religiösen Intelligenzija. Sein Enkel, Igumen Andronik (Trubatschow), gab seine Werke heraus und gründete das nach ihm benannte Museum in Sergijew Possad.

Quellen: Pyman, Avril. Pavel Florensky: A Quiet Genius. The Tragic and Extraordinary Life of Russia's Unknown da Vinci. Nueva York y Londres: Continuum, 2010. · Florenski, P. A. Столп и утверждение истины. Опыт православной феодицеи в двенадцати письмах [La columna y el fundamento de la verdad]. Moscú: Put, 1914. Texto en Azbuka. · Florenski, P. A. Иконостас [El iconostasio] (1922). Богословские труды, n.º 9 (1972), pp. 83–148. Texto en Azbuka. · Florenski, P. A. Письма с Соловков [Cartas desde las Solovkí], en Сочинения в 4 томах, t. 4: Письма с Дальнего Востока и Соловков, ed. igumeno Andronik (Trubachov) et al. Moscú: Mysl, 1998, pp. 139–781. Texto en Azbuka. · Florenski, P. A. Детям моим. Воспоминания прошлых дней [A mis hijos. Recuerdos de días pasados] (1916–1926). Moscú: Moskovski rabochi, 1992. Texto en Azbuka.

Zeitleiste

Das Leben, Jahr für Jahr

Jeder Punkt ist ein belegtes Ereignis. Klicken Sie, um es mit Quelle und Grad der Gewissheit zu lesen.

  1. 21. Januar 1882 · 0 Jahre

    Birth

    Born (9 January Old Style), the first of seven children of the railway engineer Alexander Florensky and Olga Saparova.

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  2. 1900 · 18 Jahre

    Moscow University

    Finishes at the Second Tiflis Gymnasium and enters Physics and Mathematics at Moscow University.

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  3. 1904 · 22 Jahre

    From mathematics to theology

    Graduates with a first-class diploma and, with Bishop Antony (Florensov)'s blessing, enters the Moscow Theological Academy. Publishes 'On the Symbols of Infinity'.

    Belegt

  4. März 1906 · 24 Jahre

    'The Cry of Blood'

    His sermon against the death penalty, printed without censorship, leads to his arrest and a short spell in prison.

    Wahrscheinlich

  5. 1908 · 26 Jahre

    Academy lecturer

    Completes his studies and begins teaching the history of philosophy at the Theological Academy.

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  6. 1910 · 28 Jahre

    Marriage

    Marries Anna Mikhailovna Giatsintova (1889–1973); they will have five children.

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  7. 1911 · 29 Jahre

    Ordination

    He is ordained priest; from 1912 to 1917 he edits Bogoslovsky vestnik.

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  8. 1913 · 31 Jahre

    The Beilis articles

    Sends Rozanov two anonymous articles that treat as true the ritual-murder accusation against Menahem Beilis.

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  9. 1914 · 32 Jahre

    The Pillar and Ground of the Truth

    The Put publishing house issues his major work, an enlargement of his master's thesis.

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  10. 1918 – 1920 · 36 Jahre

    The Lavra Commission

    Scientific secretary of the Commission for the Protection of the Monuments of the Trinity–St Sergius Lavra (1918–1920).

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  11. 1919 · 37 Jahre

    Reverse Perspective and scientific work

    Writes 'Reverse Perspective' and begins working as a scientist at the Karbolit plant and then at Glavenergo.

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  12. 1921 – 1927 · 39 Jahre

    Professor at VKhUTEMAS

    At Vladimir Favorsky's recommendation he teaches at the VKhUTEMAS art workshops until 1927.

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  13. 1922 · 40 Jahre

    Iconostasis and Imaginaries in Geometry

    Writes Iconostasis (published 1972) and publishes Imaginaries in Geometry at his own expense.

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  14. 1924 · 42 Jahre

    Dielectrics

    Publishes Dielectrics and Their Technical Application.

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  15. 1927 · 45 Jahre

    Technical Encyclopedia

    Joins the editorial board of the Technical Encyclopedia, for which he writes some 150 articles.

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  16. 1928 · 46 Jahre

    Exile and refusal to emigrate

    Exiled to Nizhny Novgorod; thanks to Ekaterina Peshkova he returns and is offered emigration to Prague, but decides to stay.

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  17. 26. Februar 1933 · 51 Jahre

    Arrest

    Arrested by the OGPU; on 26 July he is sentenced to ten years in a labour camp.

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  18. 1. Dezember 1933 · 51 Jahre

    Svobodny camp

    Arrives at the BAMLAG camp at Svobodny; in February 1934 he moves to the experimental permafrost station at Skovorodino.

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  19. 15. November 1934 · 52 Jahre

    Solovki

    Begins work at the iodine factory of the Solovki camp, to which he had been moved in the autumn.

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  20. 18. Juni 1937 · 55 Jahre

    Last surviving letter

    Date of letter no. 103 to his wife, the last of those published in his Letters from Solovki.

    Wahrscheinlich

  21. 25. November 1937 · 55 Jahre

    Death sentence

    A special NKVD troika of the Leningrad region sentences him to death.

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  22. 8. Dezember 1937 · 55 Jahre

    Execution

    Shot by the NKVD; the site of the grave remains unestablished. The family was given a false date (15 December 1943).

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  23. 5. Mai 1958

    Rehabilitation

    Rehabilitated for the 1933 conviction; on 5 March 1959, for that of 1937.

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  24. 1972

    Iconostasis published

    Bogoslovskie trudy, a journal of the Moscow Patriarchate, publishes Iconostasis, fifty years after it was written.

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Werke

Grundlegende Werke

Die Werke, ohne die sich das Vermächtnis nicht verstehen lässt.

The Pillar and Ground of the Truth: An Essay in Orthodox Theodicy in Twelve Letters — Pavel Florensky

Schriftliches Werk · 1914

The Pillar and Ground of the Truth: An Essay in Orthodox Theodicy in Twelve Letters

Столп и утверждение истины. Опыт православной феодицеи в двенадцати письмах

His capital work, published by Put in 1914. Twelve letters to a friend — doubt, the Trinity, the light of truth, the Comforter, contradiction, sin, Gehenna, the creature, Sophia, friendship and jealousy — with extensive mathematical, philological and iconographic appendices. It holds that truth is reached by living religious experience rather than deduction; that dogma is antinomic; that the Trinity is the foundation of all truth; that Sophia is the root of creation; and that friendship, the 'we' of two, is the cell of the Church. It influenced Bulgakov and Losev and was criticised by Berdyaev and Florovsky.

Nicht verfügbar Das Buch ansehen

8 Ausgaben

Iconostasis — Pavel Florensky

Nachgelassenes Werk · 1922

Iconostasis

Иконостас

Written in 1922 and published in 1972 in Bogoslovskie trudy. Starting from the experience of dreams, which separate and join two worlds, it defines the icon as a window onto the invisible and the iconostasis as the boundary between the visible and invisible worlds, formed by the saints themselves. It defends the technique of the icon — egg tempera, gold, construction in layers of light — as the expression of an ontology of light, against the oil painting and perspective of Western art.

Nicht verfügbar Das Buch ansehen

5 Ausgaben

Schriftliches Werk · 1922

Imaginaries in Geometry

Мнимости в геометрии. Расширение области двухмерных образов геометрии (Опыт нового истолкования мнимостей)

A short treatise published at the author's expense in 1922. It proposes interpreting imaginary numbers as the reverse side of a surface, and applies this to relativity: beyond the speed of light an 'imaginary' space, the invisible world, would begin. Drawing on Dante's Paradiso, it defends a geocentric cosmology and places the boundary between Earth and Heaven between the orbits of Uranus and Neptune. Its cover was designed by Vladimir Favorsky.

Nicht verfügbar Das Buch ansehen

3 Ausgaben

Letters from the Far East and Solovki — Pavel Florensky

Briefwechsel · 1998

Letters from the Far East and Solovki

Письма с Дальнего Востока и Соловков

Letters written between 1933 and 1937 from the camps of Svobodny, Skovorodino and Solovki to his wife, his mother and his five children, to whom he gave lessons in physics, chemistry, botany, poetry and music. Published in part from the 1980s and complete in 1998 (vol. 4 of his Works). They are one of the great spiritual testimonies of the Gulag.

Nicht verfügbar Das Buch ansehen

6 Ausgaben

Das gesamte Werk (43)

Alle 43 Werke in der Bibliothek ansehen

Zitate

Zitate, die in einem bestimmten Werk nachgewiesen sind. Jedes trägt seine Herkunft und seinen Grad an Verlässlichkeit.

Living religious experience as the sole legitimate way of knowing dogmas.

Живой религиозный опыт, как единственный законный способ познания догматов.

Geprüft«Столп и утверждение истины» (1914), «К читателю», primera frase: así resume el autor la intención de todo el libro.

1 / 6

Letzte Worte

Es gibt keine überprüfbaren Aufzeichnungen der letzten Worte.

His last words are not known. He was shot by the NKVD on 8 December 1937, together with other prisoners transferred from Solovki, at an unestablished place outside Leningrad; there were no witnesses who left an account. His last known letter to his family, no. 103 in the 1998 edition, is dated 18 June 1937: it speaks of the lack of work in the Solovki Kremlin, of his corner with a view of the sea in the monastery museum and of how much he would regret leaving the sea.

Quelle: Florenski, P. A. Письма с Соловков [Cartas desde las Solovkí], en Сочинения в 4 томах, t. 4: Письма с Дальнего Востока и Соловков, ed. igumeno Andronik (Trubachov) et al. Moscú: Mysl, 1998, pp. 139–781. Texto en Azbuka.

Fragen

Was das Werk beantwortet

Zwölf große Fragen der Menschheit und was sich aus den Texten darauf antworten lässt, mit Belegen. Wir legen niemandem Worte in den Mund.

  • Was ist das Absolute? Gibt es Gott?

    The truth that proves itself is the Trinity, and the icon bears witness to it

    Ein persönlicher GottAusdrücklich gesagt

    Florensky starts, in The Pillar and Ground of the Truth, from living religious experience as the only legitimate way of knowing dogmas. In the letter on doubt he follows scepticism to its end and concludes that only a truth that is at once subject and relation, an I that gives itself to a Thou and recognises itself in a He, can stand: the Trinity. His God is personal and tri-personal, and his inner life is self-giving love. To this speculative path he adds an aesthetic one: in Iconostasis he asserts that, since Rublev's Trinity exists, God exists, and presents this as the most convincing proof, one the textbooks never mention. For him the icon does not illustrate an idea: it is a window through which the invisible lets itself be seen.

    Diese Frage mit anderen Meistern vergleichen
  • Wer bin ich? Gibt es ein wahres Selbst?

    The self finds itself only in love and in friendship

    Ein in Beziehung gebildetes SelbstAusdrücklich gesagt

    Florensky criticises the identity of the self conceived as the logical law A is A. In The Pillar and Ground of the Truth, such closed self-affirmation is the very form of sin and death: a self that only repeats itself becomes empty. True personal identity is reached by going out of oneself, when the self gives itself to another and receives itself from him; its model is Trinitarian life, in which each person is what it is through its relation to the others. That is why he devotes an entire letter to friendship, which he understands from the tradition of spiritual brotherhood in the early Church, as the experience in which two persons become consubstantial without being confused. The self is real and immortal, but it is found only in communion.

    Diese Frage mit anderen Meistern vergleichen
  • Warum leiden wir?

    Sin is self-assertion that disintegrates; the true gift is paid for in pain

    Die Trennung von GottAusdrücklich gesagt

    In The Pillar and Ground of the Truth, Florensky defines sin as the self-assertion of an I that shuts itself into its empty identity and breaks communion; its consequence is inner disintegration, the loss of the person's integrity, and its end is gehenna, the loneliness of one who can no longer go out of himself. Suffering is the fruit of that separation, but love also includes it: in the letter on Sophia he writes that love eternally takes away in order eternally to give, and puts to death in order to bring to life. His own life confirmed it: from Solovki, shortly before he was shot, he wrote to his wife that the more selfless the gift, the harsher the persecution and the more severe the suffering, and called this the law of life.

    Diese Frage mit anderen Meistern vergleichen
  • Was geschieht nach dem Tod?

    Before gehenna, an antinomy: salvation of all and eternal damnation at once

    Ewiges Leben und AuferstehungAusdrücklich gesagt

    Florensky addresses what happens after death in the letter on gehenna in The Pillar and Ground of the Truth, and he does so with his method of antinomy. On one hand, God's love demands that all be saved; on the other, the creature's freedom makes eternal damnation possible. Neither thesis can be eliminated without betraying faith, and reason must accept holding them together. His solution points to a distinction within the person: what in it is the image of God is saved, while what sin has built, its caricature, burns and is separated. Beyond speculation, his faith in the resurrection is that of the Orthodox Church, which he lived until his execution in 1937, as his letters from Solovki show.

    Diese Frage mit anderen Meistern vergleichen
  • Wie erlangt man Befreiung oder Erlösung?

    Salvation is lived in the Church: ascesis, sacrament and transfiguring love

    Durch Gnade und LiebeAusdrücklich gesagt

    Florensky presents salvation as incorporation into the life of truth, reached not by reasoning but by experience: the living religious experience he defines at the start of The Pillar and Ground of the Truth as the only legitimate path to the dogmas. That experience is given in the Church, through ascesis, which restores the integrity of the person broken up by sin, through the sacraments and through brotherly love. Its fruit is transfiguration: in the letter on the light of truth he reproduces the passage where Motovilov sees Seraphim illumined, as an example of what grace does in the flesh. In The Philosophy of Cult he adds that liturgical worship is the place where the human and the divine meet and where the whole of reality is sanctified.

    Diese Frage mit anderen Meistern vergleichen
  • Braucht es einen Lehrer?

    Truth is received in the Church and in the spiritual fatherhood of an elder

    Gemeinschaft und TraditionAusdrücklich gesagt

    Florensky came to faith as an adult, from science, and his path was marked by concrete figures: Bishop Antony Florensov, whom he regarded as his spiritual father, and the elder Isidore of Gethsemane, to whom he devoted The Salt of the Earth, a portrait of an elder's simple holiness. His theology holds that truth is not passed on as information, but by incorporation into the living experience of the Church, its sacraments, its worship and its saints. In The Pillar and Ground of the Truth, written as letters to a friend, the genre itself expresses this conviction: truth is sought in dialogue and friendship, not in self-sufficient solitude. The teacher is necessary, but within a community of faith that precedes and sustains him.

    Diese Frage mit anderen Meistern vergleichen
  • Ist die Welt wirklich?

    The creature is rooted in God through Sophia; the visible borders the invisible

    Eine gute und wirkliche SchöpfungAusdrücklich gesagt

    Florensky, theologian and scientist at once, does not doubt the reality of the created world, but thinks of it as open from above. In The Pillar and Ground of the Truth he devotes one letter to the creature and another to Sophia, which he defines as the great root of all creation, through which the creature enters Trinitarian life and receives eternal life. The world is good because it is rooted in God. In Iconostasis he describes the boundary between the visible and the invisible world, which dreams, art and liturgy allow one to cross, and the icon as its witness. In Imaginaries in Geometry he went so far as to propose, on the basis of relativity, a model of the cosmos in which the visible world borders a space of another nature.

    Diese Frage mit anderen Meistern vergleichen
  • Was ist Liebe?

    Love is consubstantiality: it takes in order to give and makes two one unconfused

    Liebe zu Gott und zum NächstenAusdrücklich gesagt

    In The Pillar and Ground of the Truth, love is the key to Trinitarian life and therefore to truth itself: God is love because each divine person gives itself to the others. Florensky describes it with paradoxical formulas: love eternally takes away in order eternally to give, eternally puts to death in order eternally to give life. In the letter on friendship and the letter on jealousy he studies it in its most concrete human form, friendship between two persons, which the early Church blessed with a rite of brother-making of its own, and which makes two one without confusing them, in the image of the Trinity's consubstantiality. Jealousy, in this sense, can be the face of love defending its unique object. Love of neighbour in general is first learned in love for one concrete friend.

    Diese Frage mit anderen Meistern vergleichen
  • Sind wir frei, oder ist alles vorherbestimmt?

    Freedom and grace form an antinomy that reason does not solve but accepts

    Echter freier WilleAus der Lehre abgeleitet

    Florensky does not treat freedom as an isolated problem, but as one of the cases of antinomy he considers proper to all religious truth. In the letter on contradiction in The Pillar and Ground of the Truth he holds that truth, seen from finite reason, appears as a pair of opposed affirmations that must be held together: providence that disposes all things and freedom that responds, grace that saves and human effort. In the letter on gehenna he applies the same scheme: God's love wills the salvation of all, but the creature's freedom can refuse it, and both theses are true. Human freedom is therefore real, and the human being answers for his acts, though his relation to providence cannot be reduced to a formula.

    Diese Frage mit anderen Meistern vergleichen
  • Wozu meditieren oder beten?

    Worship is the root of culture and the place where reality is sanctified

    Ritual und SelbstkultivierungAusdrücklich gesagt

    Florensky, a priest as well as a scientist, thought of prayer above all from liturgical worship. In the lectures gathered as The Philosophy of Cult he maintains that worship is the centre from which all culture springs, as the word itself indicates, and that in it material reality, water, bread, oil, word and gesture, is sanctified and opened to the divine. In Church Ritual as a Synthesis of the Arts and in Iconostasis he describes the liturgy as a total work of art involving architecture, candlelight, incense smoke, chant and the icon, and the icon as a window onto the invisible world. His interest in the divine name, in the context of the name-glorifying controversy, shows that personal prayer is not separated from rite.

    Diese Frage mit anderen Meistern vergleichen
  • Kann die Vernunft das Letzte erkennen?

    Religious truth is antinomic: reason touches it only as contradiction

    Das Letzte liegt jenseits des VerstandesAusdrücklich gesagt

    Florensky was a mathematician by training and never despised reason: he studied Cantor's set theory, wrote on the infinite and worked as an engineer. Precisely for that reason he knew its limits. In The Pillar and Ground of the Truth he holds that reason, governed by the law of identity, cannot by itself find a truth that proves itself: it leads to scepticism. And when it approaches the mysteries of faith, it meets them as antinomies, pairs of contradictory affirmations equally true, such as God's unity and trinity or freedom and grace. The letter on contradiction makes antinomy the seal of religious truth. Knowledge of the ultimate is possible only through living religious experience, in which reason is transfigured without being abolished.

    Diese Frage mit anderen Meistern vergleichen
  • Sich von der Welt zurückziehen oder sie verwandeln?

    A priest in a cassock at the technical office: serving through science without leaving faith

    Kontemplation im HandelnAus der Lehre abgeleitet

    Florensky embodied a singular way of living in the world. After the revolution, when the Theological Academy closed, he neither emigrated nor withdrew: he worked on the commission for the protection of the monuments of the Lavra of Saint Sergius and later on the country's electrification plan, where he attended meetings in cassock and pectoral cross. He published studies on dielectrics and wrote articles for the technical encyclopaedia. Deported to Solovki, he researched the extraction of iodine and agar from seaweed. In his letters to his children from the camp he teaches them to observe nature attentively and to work well, as a form of service. Science, art and liturgy were for him expressions of one and the same vision of the world, and none required renouncing the others.

    Diese Frage mit anderen Meistern vergleichen

Anekdoten und Erzählungen

Anekdoten und Erzählungen

Belegtmarzo de 1906

The cry of blood

In March 1906 Russia was still living through the repression that followed the 1905 revolution: courts martial, hangings, summary shootings. Florensky, then a twenty-four-year-old student at the Theological Academy of Sergiev Posad, mounted the pulpit of the Academy church and preached a sermon calling on the people not to follow the path of bloodshed and fratricide and denouncing the death penalty as a godless deed. The text, under the title 'The Cry of Blood', was printed without passing the ecclesiastical censor. The authorities treated it as an illegal political act: the student was prosecuted and sentenced to a prison term that only his superiors' intercession spared him. Thirty-one years later the same man would fall under another machine of death, that of the NKVD.

Herkunft der Erzählung: The sermon and the prosecution are recorded in his biographies; the detail of the sentence imposed and its remission comes from the Ekzeget.ru biography. That the sermon responded specifically to the execution of Lieutenant Pyotr Schmidt (March 1906) is held by several biographers but has not been verified here.

Quelle: «Павел Флоренский, священник». Ekzeget.ru (biografía: el sermón de 1906, la detención de 1933, las Solovkí).

Mündliche Überlieferung1919–1946

The head of St Sergius

In April 1919 the Soviet authorities ordered the public opening of the relics of St Sergius of Radonezh at the Trinity Lavra, as part of the campaign against 'false relics'. According to a Florensky family tradition, shortly before, the members of the Commission for the Protection of the Monuments of the Lavra — Florensky, Count Yury Olsufyev and probably Vladimir Komarovsky, Sergei Mansurov and Mikhail Shik — entered the Trinity cathedral by night, prayed at the tomb, opened the shrine and replaced the saint's head with that of a Prince Trubetskoy buried in the Lavra. St Sergius's head was supposedly hidden in the sacristy and, after Florensky's arrest, moved secretly from house to house, until at Easter 1946, when the Lavra reopened, it returned to its place. All were said to have sworn silence. A note survives, in Olsufyev's hand and undated, with 'questions of the priest P. Florensky concerning the relics of St Sergius'.

Herkunft der Erzählung: It comes from late memories transmitted in the Florensky family and by Ekaterina Vasilchikova, Olsufyev's niece, and by Archbishop Sergei (Golubtsov); it was published in the 1990s. The opening of the relics on 11 April 1919 is documented; the substitution of the head has no independent documentary confirmation. A later legend even attributes Florensky's death sentence to his refusal to reveal the hiding place, without any evidence.

Quelle: «Флоренский, Павел Александрович». Wikipedia en ruso (biografía, «Столп», caso Beilis, arresto y fusilamiento, publicaciones).

Belegt1928

Staying

In 1928 Florensky was arrested and exiled to Nizhny Novgorod, where he worked at the radio laboratory. Ekaterina Peshkova, Maxim Gorky's first wife and head of the Political Red Cross, the last organisation able to intercede for prisoners, obtained permission for him to return to Moscow and the offer of emigration to Prague, as Berdyaev, Bulgakov and so many others had earlier left, expelled. Florensky declined and decided to stay in the Soviet Union, with his family, his scientific work and his cassock. Five years later, in February 1933, he was arrested again; this time there would be no way out.

Herkunft der Erzählung: Recorded in the Russian Wikipedia biography and in A. Pyman's biography, on the basis of the Political Red Cross and family documentation.

Quelle: «Флоренский, Павел Александрович». Wikipedia en ruso (biografía, «Столп», caso Beilis, arresto y fusilamiento, publicaciones).

Belegt1934–1937

Chemistry lessons from Solovki

From the Solovki islands, where he worked at the camp's iodine factory, Florensky wrote his family numbered, censored letters in which he almost never complained. What he did was teach. He wrote to each child according to age and interests: to one about mineralogy and crystals, to another about music, to another about poetry and painting. In one of them he proposes a home experiment to a child: boil a little starch in water, add a drop of tincture of iodine and watch the paste turn blue; heat it and watch it lose its colour; let it cool and watch the blue return. He described the birds, the seaweed, the frozen lakes, the light of the Arctic summer, and in February 1937, writing about the centenary of Pushkin's death, he left one of his most quoted sentences: that giving to the world is possible only at the price of suffering and persecution.

Herkunft der Erzählung: The letters themselves, published in full in vol. 4 of his Works (Mysl, 1998).

Quelle: Florenski, P. A. Письма с Соловков [Cartas desde las Solovkí], en Сочинения в 4 томах, t. 4: Письма с Дальнего Востока и Соловков, ed. igumeno Andronik (Trubachov) et al. Moscú: Mysl, 1998, pp. 139–781. Texto en Azbuka.

Belegt1937–1989

An invented date of death

For years Florensky's family did not know what had become of him. The letters stopped arriving in the summer of 1937. When, after the war, Anna Mikhailovna and the children asked for information, the authorities told them he had died on 15 December 1943, without saying where or of what. It was a lie, as in so many other cases of the Great Terror, in which deaths 'from illness' were invented at later dates to conceal the mass executions of 1937–1938. The truth came to light only with the opening of the security-service archives: on 25 November 1937 a special NKVD troika of the Leningrad region had sentenced him to death, and on 8 December he was shot with other prisoners transferred from Solovki. Where his grave lies is not known for certain.

Herkunft der Erzählung: The sentence, the date of execution and the falsity of the date given to the family are recorded in the case-file documents published after perestroika; the research on the burial site is that of Anatoly Razumov (Leningradsky martirolog).

Quelle: Razumov, Anatoli Ya. (entrevista). «Соловецкие этапы. Где расстрелян священник Павел Флоренский?». Radio Grad Petrov, 2017 (archivada en Internet Archive). Razumov es el compilador del «Ленинградский мартиролог» de la Biblioteca Nacional de Rusia.

Lehren

Lehren

Die Begriffe, die das Denken gliedern, in ihrem Zusammenhang erklärt.

Antinomyantinomia
For Florensky religious truth is antinomic: it can be stated only through pairs of contradictory propositions, equally true, which discursive reason cannot reconcile. The Trinity is one God and three persons; Christ is fully God and fully man; man is free and everything depends on grace. This is not a flaw in dogma but the sign that truth comes from another plane: 'truth is antinomy', he writes in The Pillar and Ground of the Truth. Reason, which demands identity and non-contradiction, is compelled to a 'feat of faith' that raises it without destroying it. Florensky grounds this thesis in his mathematical training — the antinomies of set theory, imaginaries, discontinuity — and in a reading of Kant's antinomies as revelation of the structure of being. The idea, much debated, influenced Bulgakov and Losev.

Sixth letter ('Contradiction') of The Pillar and Ground of the Truth; antecedents in The Cosmological Antinomies of Kant (1909).

Quelle: Florenski, P. A. Столп и утверждение истины. Опыт православной феодицеи в двенадцати письмах [La columna y el fundamento de la verdad]. Moscú: Put, 1914. Texto en Azbuka.

Sophia and sophiologysofia
In the tenth letter of The Pillar and Ground of the Truth Florensky takes up Solovyov's doctrine of divine Wisdom and reformulates it from Russian liturgy, iconography and piety. Sophia is 'the Great Root of the whole of creation', the ideal creature in God, through which the created participates in the Trinitarian life; she is at once the Guardian Angel of creation, the Church as the body of Christ, the Virgin Mary and virginity as the purity of the person. Florensky draws on the icons and churches of Holy Wisdom in Novgorod and Kiev and on the liturgical offices to show that Russian religious consciousness has always venerated Sophia as something distinct from Christ the Logos. His sophiology, later developed by Bulgakov, was criticised by theologians such as Florovsky and Lossky for blurring the boundary between God and creation; Berdyaev judged it aestheticising.

Heir to Solovyov; in critical dialogue with Böhme's sophiology, which Berdyaev compared with the Russian one in 1930.

Quelle: Florenski, P. A. Столп и утверждение истины. Опыт православной феодицеи в двенадцати письмах [La columna y el fundamento de la verdad]. Moscú: Put, 1914. Texto en Azbuka.

Reverse perspectiveperspectiva-invertida
In 'Reverse Perspective' (1919) Florensky analyses a feature of icons that academic criticism regarded as clumsiness: lines that should converge towards the background diverge, objects are seen from several points at once, the side faces of buildings open out towards the viewer. He holds that this is not a mistake but another conception of space. Renaissance linear perspective, codified as though the world were seen from a single motionless eye, expresses the individualism and naturalism of modernity and turns the picture into theatrical illusion; that of the icon organises space from the spiritual world towards the one who looks, and makes the icon a presence rather than a deceptive window. Florensky examines the history of art — Greek stage design, Giotto, Dürer, Leonardo — to show that epochs oscillate between the two types of representation according to their 'feeling for life'. The essay, published in 1967 in Tartu, became a classic text of art theory and semiotics.

Later developed in the VKhUTEMAS course on spatiality (1924–1925).

Quelle: «Флоренский, Павел Александрович». Wikipedia en ruso (biografía, «Столп», caso Beilis, arresto y fusilamiento, publicaciones).

The icon and the iconostasisicono
Iconostasis (1922) starts from a phenomenology of dreams: in dreams the soul passes from the visible to the invisible world and returns with images that are symbols of it. True art does the same: the icon is the image of a spiritual vision fixed in matter, a window through which one sees — or from which looks out — heavenly reality. The iconostasis, the wall of icons separating the altar from the nave, is not an obstacle but the visible boundary between the two worlds, 'formed by the saints themselves', who bear witness to what lies on the other side. Florensky defends the traditional technique of the icon — the gold ground, the light that builds figures in layers, egg tempera — as the expression of a metaphysics of light, against the oil painting, carnality and perspective of post-Tridentine Western art. Hence his famous 'proof' of God's existence: 'There is Rublev's Trinity; therefore there is God'.

Written in 1922, at the height of the Soviet campaign against the Church; published in 1972.

Quelle: Florenski, P. A. Иконостас [El iconostasio] (1922). Богословские труды, n.º 9 (1972), pp. 83–148. Texto en Azbuka.

Imaginaries and the space beyondimaginarios
In Imaginaries in Geometry (1922) Florensky proposes interpreting imaginary numbers not as abstractions but as the 'reverse side' of a geometric surface: imaginary points would lie on the other side of the plane. He applies the idea to the theory of relativity: when a body exceeds the speed of light its magnitudes become imaginary, and a space of another nature, the invisible world, begins. Drawing on the cosmology of Dante's Paradiso — which the traveller crosses without turning round to emerge 'on the other side' — he defends a geocentric cosmology and places the boundary between Earth and Heaven between the orbits of Uranus and Neptune. The little book, admired for its daring and its design (the cover is by Favorsky), was attacked by the Soviet press as obscurantism and is still debated by historians of science, who read it as metaphysical speculation rather than physics.

It joins his mathematical training with his theology of the icon and of the boundary between worlds.

Quelle: «Флоренский, Павел Александрович». Wikipedia en ruso (biografía, «Столп», caso Beilis, arresto y fusilamiento, publicaciones).

The name and the magic of the wordnombre
In the essays of At the Watersheds of Thought — 'The Magic of the Word', 'The Structure of the Word', 'Onomatodoxy as a Philosophical Premise', 'Names' — Florensky develops a realist philosophy of language: the word is not a conventional sign but the energy of the reality named, a bridge between subject and object in which both meet. That is why he defended the Athonite monks who held that 'the Name of God is God himself' (imyaslavie), condemned by the Synod in 1913, and why he wrote an essay on proper names as spiritual forms or 'types' of the person. His disciple Alexei Losev carried this line on in The Philosophy of the Name (1927).

Part of his 'concrete metaphysics' of the 1920s.

Quelle: «Флоренский, Павел Александрович». Wikipedia en ruso (biografía, «Столп», caso Beilis, arresto y fusilamiento, publicaciones).

Videos

Videos

Aufnahmen, Gespräche und Dokumentarfilme. Die Videos werden von YouTube wiedergegeben; sie werden nicht hier gespeichert.

  • «Почаще смотрите на звёзды»

    Dokumentarfilm· RU

    ТК ТОНУС

  • Жизнь замечательных семей. Флоренский

    Dokumentarfilm· RU

    Радость мояOffizieller Kanal

  • о. Павел Флоренский

    Dokumentarfilm· RU

    Игорь ШтернбергOffizieller Kanal

  • Павел Флоренский. От геометрии мнимостей к топологии духа (часть 1)

    Vortrag· RU· 2018

    Калининградская областная научная библиотекаOffizieller Kanal

  • Обратная перспектива в эстетике и космологии отца Павла Флоренского. Лекция Оксаны Седых

    Vortrag· RU· 2020

    nffedorov

  • Reverse Perspective, the Politics of Space, and Contemporary Art Practice

    Vortrag· EN

    IWMVienna (Institut für die Wissenschaften vom Menschen)Offizieller Kanal

  • Philosophy of Love in the Context of Russian Philosophy. V. Solovyov and P. Florensky

    Vortrag· EN

    Studium Europy Wschodniej (Universidad de Varsovia)Offizieller Kanal

  • Ciclo de Charlas — Pavel Florenski: filósofo, historiador del arte, matemático y sacerdote ruso

    Vortrag· ES

    cursosoficialesderusoOffizieller Kanal

  • Vita e pensiero di Pavel Florenskij — Prof.ssa A. Marcuccini

    Vortrag· IT

    Filippo Tassi

  • Nulla va perduto. L'esperienza di Pavel Florenskij

    Vortrag· IT· 2013

    Filosofia Tor VergataOffizieller Kanal

  • Il respiro della vita. Pavel A. Florenskij testimone della verità (con Massimo Cacciari)

    Vortrag· IT

    icaroplay

  • La testimonianza di Pavel Florenskij

    Dokumentarfilm· IT

    12PorteOffizieller Kanal

  • Benedetto XVI cita Florenskij: «Quando avrete un peso nell'animo, guardate le stelle…»

    Aufnahme Dritter· IT

    raffaellablogpapa1

Galerie

Galerie

Bilder mit geprüfter Lizenz. Jedes bewahrt seine Urheberschaft und seinen Herkunftsnachweis.

Beziehungen

Beziehungen

Einflüsse, Schülerschaften und Verwandtschaften. Die belegte Beziehung wird von der durch Analyse ermittelten Ähnlichkeit unterschieden.

  • Beeinflusst von

    Vladimir Solovyov

    In his university years he was drawn to Solovyov's teaching, and his sophiology, in the tenth letter of The Pillar and Ground of the Truth, starts from Solovyov's, which he corrects with Russian liturgy and iconography. He belongs to the generation that made Solovyov its starting point.

    Belegte Beziehung

  • Widersprach

    Nikolai Berdyaev

    Berdyaev reviewed The Pillar and Ground of the Truth harshly in 'Stylised Orthodoxy' (1914) and argued against 'Around Khomyakov' (1916); in Self-Knowledge he would call him 'alien and hostile', a 'refined reactionary' indifferent to ethics. For him Florensky represented the aesthetic and magical Orthodoxy that freedom had to overcome.

    Belegte Beziehung

  • Beeinflusst von

    Seraphim of Sarov

    In The Pillar and Ground of the Truth he quotes, in the fourth letter, 'The Light of Truth', Seraphim's conversation with Motovilov on the acquisition of the Holy Spirit, and in the tenth, 'Sophia', he recalls that the saint called the icon of Tenderness, the only one in his cell, 'Joy of all joys'.

    Belegte Beziehung

  • Beeinflusst von

    Plato

    He devoted to Plato his lectures 'The Universal Human Roots of Idealism' (1909) and 'The Meaning of Idealism' (1914), in which he interprets the doctrine of ideas as the philosophical elaboration of a universal religious and magical experience. In To My Children he describes his youthful search for Goethe's 'primal phenomenon' in an ontological density 'after Plato'.

    Belegte Beziehung

  • Zeitgenosse von

    Leo Tolstoy

    In To My Children he recalls that as an adolescent he read Tolstoy's philosophical writings and found them 'mostly tedious', though he was interested in Carpenter's article on science translated by Tolstoy; Merezhkovsky's study of Tolstoy and Dostoevsky marked him more.

    Belegte Beziehung

  • Verwandte Gedanken mit

    Fyodor Dostoevsky

    No detailed influence is recorded, but Florensky draws on Dostoevsky in Iconostasis — Stavrogin's 'mask' as a face petrified by passion — and shares with him the vision of the elder and of Russian holiness as the centre of spiritual life.

    Durch Analyse ermittelte Ähnlichkeit

  • Verwandte Gedanken mit

    Jakob Böhme

    Berdyaev, in 'The Doctrine of Sophia and the Androgyne in J. Böhme and the Russian Sophiological Currents' (1930), compared Böhme's Sophia with that of Russian sophiology, from Solovyov to Florensky and Bulgakov, and noted their differences: in Böhme Sophia is virginity and freedom; in the Russians, a more cosmic and Platonic idea.

    Belegte Beziehung

Quellen

Quellen

Für diesen Eintrag herangezogene Bibliografie und Kataloge.

  1. Wikidata, Q336769: Pavel Florensky (1882–1937). P31=Q5; 47 enlaces entre wikis.
  2. «Флоренский, Павел Александрович». Wikipedia en ruso (biografía, «Столп», caso Beilis, arresto y fusilamiento, publicaciones).
  3. Pyman, Avril. Pavel Florensky: A Quiet Genius. The Tragic and Extraordinary Life of Russia's Unknown da Vinci. Nueva York y Londres: Continuum, 2010.
  4. Florenski, P. A. Столп и утверждение истины. Опыт православной феодицеи в двенадцати письмах [La columna y el fundamento de la verdad]. Moscú: Put, 1914. Texto en Azbuka.
  5. Florenski, P. A. Иконостас [El iconostasio] (1922). Богословские труды, n.º 9 (1972), pp. 83–148. Texto en Azbuka.
  6. Florenski, P. A. Письма с Соловков [Cartas desde las Solovkí], en Сочинения в 4 томах, t. 4: Письма с Дальнего Востока и Соловков, ed. igumeno Andronik (Trubachov) et al. Moscú: Mysl, 1998, pp. 139–781. Texto en Azbuka.
  7. Florenski, P. A. Детям моим. Воспоминания прошлых дней [A mis hijos. Recuerdos de días pasados] (1916–1926). Moscú: Moskovski rabochi, 1992. Texto en Azbuka.
  8. Open Library, autor OL54367A: Pavel Florensky (1882–1937), obras y ediciones.
  9. Berdiáyev, N. A. «Стилизованное православие (о. Павел Флоренский)». Русская мысль, 1914, n.º 1. Texto en la Biblioteca «Vejí».
  10. Razumov, Anatoli Ya. (entrevista). «Соловецкие этапы. Где расстрелян священник Павел Флоренский?». Radio Grad Petrov, 2017 (archivada en Internet Archive). Razumov es el compilador del «Ленинградский мартиролог» de la Biblioteca Nacional de Rusia.
  11. «Павел Флоренский, священник». Ekzeget.ru (biografía: el sermón de 1906, la detención de 1933, las Solovkí).
  12. Berdiáyev, N. A. «Из этюдов о Я. Беме. Этюд II: Учение о Софии и андрогине Я. Беме и русские софиологические течения». Путь, 1930, n.º 21, pp. 34–62.
  13. «Pavel Florensky». Wikipedia en inglés (traslado desde las Solovkí y ejecución, con referencias a A. Maccioni, eSamizdat, 2007).
Rechteinhaber
Florenski murió en 1937: sus obras publicadas en vida son de dominio público en EE. UU. (anteriores a 1930), en la UE (desde 2008) y en España (desde 2018). Las obras póstumas publicadas desde 1967 pueden estar protegidas en EE. UU.; en Rusia, por su rehabilitación póstuma, el plazo se cuenta desde 1958. Las traducciones pertenecen a sus traductores y editoriales.

Bestätigung ausstehend

Was dieser Eintrag noch nicht klären konnte. Wir sagen es lieber, als es aufzufüllen.

  • Edición española de «Los imaginarios en geometría» y de «Los nombres»: no localizadas.
  • Confirmar la vinculación del sermón «El clamor de la sangre» (marzo de 1906) con la ejecución del teniente Piotr Schmidt, y la pena exacta impuesta.
  • Confirmar fechas y revistas de «El sentido del idealismo» (1914), «Razón y dialéctica» (1914), «Signos celestes» y «La acción del templo» (en «Makovets», 1922).
  • Registrar uno por uno sus artículos de la «Enciclopedia técnica» (unos 150), sus escritos teológicos publicados en «Bogoslovskie trudy» (1972–2007) y sus poemas; hoy figuran agrupados o sólo los principales.
  • Lugar de la ejecución y de la fosa: no establecido (Levashovo, polígono de Rzhevka/Koirangakangas o una fosa del campo de Lodéinoye Pole, según las hipótesis de A. Razumov y A. Maccioni).
  • Contenido exacto de «Early Religious Writings, 1903–1909» (Eerdmans, 2017): no se ha asignado a obras concretas.
  • Verificar en el texto de su «Testamento» la frase sobre mirar las estrellas que citó Benedicto XVI (no se ha podido cotejar).
  • Duración y año de la mayoría de los vídeos: oEmbed no los proporciona.

Recherchiert am 2026-10-25