Christianity · Christian mysticism · Catholicism
John of the Cross
1542 – 1591Historically documented person
A Castilian Carmelite friar (1542–1591), co-founder with Teresa of Ávila of the Discalced Carmelites and one of the greatest poets of the Spanish language. The son of a widowed weaver, he knew poverty, imprisonment by his own order in Toledo and ostracism at the end of his life. His poems (Spiritual Canticle, Dark Night, Living Flame of Love) and the prose treatises that comment on them describe the soul's path to union with God through 'nothingness' and the night. He was canonised in 1726 and proclaimed a Doctor of the Church in 1926.
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Retrato de san Juan de la Cruz (atribuido a Zurbarán) · Public domain
In their words
«One dark night, fired with love's urgent longings, ah, the sheer grace!, I went out unseen, my house being now all stilled.»Noche oscura, estrofa 1
Biography
5 min read
A poor child of Castile
Juan de Yepes Álvarez was born in 1542 at Fontiveros, a weavers' town in the Moraña district of Ávila; the date of 24 June is traditional. His father, Gonzalo de Yepes, came from a well-off Toledo family that disinherited him for marrying Catalina Álvarez, a poor weaver. Gonzalo died around 1545 and the widow, with three sons, vainly sought help from the rich relatives in Toledo and Torrijos. The second son, Luis, died of hunger or illness. The family moved to Arévalo and, around 1551, to Medina del Campo, the great fair town of Castile.
In Medina Juan attended the Colegio de la Doctrina, a hospice for poor children where they learned to read and a trade; he tried unsuccessfully to become a carpenter, tailor, carver and painter. He then worked as a nurse at the hospital of the Conception, devoted to patients with buboes, whose administrator allowed him to study humanities with the Jesuits between 1559 and 1563. There he acquired the Latin and rhetorical training discernible in his prose.
Friar and reformer
In 1563 he took the habit at the Carmel of Medina as Fray Juan de Santo Matía, and between 1564 and 1568 he studied arts and theology at the University of Salamanca, living at the Carmelite college of San Andrés. Ordained priest in 1567, he was thinking of joining the Carthusians when, that autumn, Teresa of Jesus, who was founding in Medina, persuaded him to begin the reform of the friars with her. Teresa described him in a letter as small in stature but 'great in the eyes of God'.
On 28 November 1568, in a farmhouse at Duruelo, he inaugurated with Antonio de Heredia the first convent of Discalced Carmelite friars and took the name John of the Cross. He was novice master at Mancera and Pastrana, rector of the college at Alcalá and, from 1572, confessor at the monastery of the Incarnation in Ávila, where Teresa was prioress. There, according to tradition after a vision, he drew the small Christ crucified seen from above that would inspire Dalí in 1951.
The Toledo prison
The reform set the Discalced against the Calced in a conflict of jurisdictions between the nuncio, the order's general and the king. On the night of 2–3 December 1577 the Calced seized John in Ávila and took him to the Carmelite convent in Toledo. For nearly nine months he lived in a tiny room with hardly any light, received public scourgings in the refectory and was pressed to abandon the reform. In that cell he composed from memory most of the Spiritual Canticle, the romance on the prologue of John and the song 'How well I know the fount', which he later wrote down in a notebook supplied by a new jailer.
In mid-August 1578 he escaped at night, lowering himself from a window with strips of blanket, and took refuge in the convent of the Discalced nuns in Toledo, where he recited the verses composed in prison. Witnesses at the canonisation processes added miraculous lights and the Virgin's protection to the story; the fact of the escape and its material circumstances are well attested.
Andalusia and the great treatises
He spent the following years in Andalusia: prior of El Calvario in the Jaén sierra, confessor to the Discalced nuns of Beas, rector of the college at Baeza and, from 1582, prior of Los Mártires in Granada. To answer the questions of friars and nuns he began to comment on his poems in prose: thus were born the Ascent of Mount Carmel and the Dark Night, both unfinished, the commentary on the Spiritual Canticle, completed in 1584 for Ana de Jesús, and the Living Flame of Love, written for the widow Ana de Peñalosa. He later revised the Canticle and the Flame, and the authenticity of those second redactions was debated in the twentieth century until scholars largely accepted it.
Alongside the great treatises he wrote short pieces for spiritual direction: the Sayings of Light and Love, maxims he handed out on loose sheets and of which an autograph survives at Andújar; the Precautions and the Counsels to a Religious; the censure on the spirit of a nun; and a few dozen letters, many to the Discalced nuns of Beas, Granada and Segovia. For the nuns of Beas he also drew the 'Mount of Perfection', a diagram of Mount Carmel whose central path reads 'nothing, nothing, nothing' and at whose summit one reads that 'here there is no longer any path'. Much of his correspondence was lost or destroyed in the years of the 1591 persecution.
His teaching can be summed up in a paradox: to come to possess everything one must desire to possess nothing. The soul passes through an active and passive 'night' of sense and spirit in which faith, hope and charity empty the intellect, memory and will of every support that is not God, until the transforming union, which he describes as a log penetrated by fire.
As a poet, John united Garcilaso's Italianate lira, popular lyric turned 'a lo divino' and the Song of Songs in a language of unprecedented density. Dámaso Alonso studied that synthesis, and Luce López-Baralt has pointed to parallels with Sufi mysticism that are still debated.
The last years
He was vicar provincial of Andalusia and in 1588 prior of Segovia and councillor in the order's central government under Nicolás Doria, with whom he clashed over the treatment of Jerónimo Gracián and the nuns. At the Madrid chapter of June 1591 he was left without office; sent to La Peñuela, he fell ill with fever and sores on one leg and was taken to Úbeda, where the prior received him coldly while a visitor gathered testimony against him. He died at midnight on 13–14 December 1591.
His body was secretly moved to Segovia in 1593. His prose works were printed at Alcalá in 1618, without the Canticle, which appeared in French translation in 1622 and in Spanish in Brussels in 1627. He was beatified in 1675, canonised in 1726 and declared a Doctor of the Church by Pius XI in 1926; in 1952 he was proclaimed patron of Spanish poets.
In the twentieth century his work passed from spirituality into literature and philosophy: Jean Baruzi studied it as a problem of mystical experience, Edith Stein devoted her Science of the Cross to him, T. S. Eliot paraphrased the Ascent in 'East Coker', and poets such as Jorge Guillén and Claudio Rodríguez regarded him as a master.
Sources: San Juan de la Cruz. Obras completas. Ed. José Vicente Rodríguez; introducciones y notas doctrinales de Federico Ruiz Salvador. Madrid: Editorial de Espiritualidad, 1980 (ed. revisada 2008, ISBN 9788470683459). · Ruiz Salvador, Federico (dir.). Dios habla en la noche: vida, palabra, ambiente de San Juan de la Cruz. Madrid: Editorial de Espiritualidad, 1990. · Crisógono de Jesús Sacramentado, O.C.D. Vida de San Juan de la Cruz. Madrid: BAC, 1946; ed. revisada por Matías del Niño Jesús en San Juan de la Cruz, Vida y obras (BAC 15), 1964. · John of the Cross. The Collected Works of St. John of the Cross. Trad. Kieran Kavanaugh y Otilio Rodriguez. Ed. revisada. Washington, D.C.: ICS Publications, 1991 (ISBN 9780935216936). · Alonso, Dámaso. La poesía de San Juan de la Cruz (desde esta ladera). Madrid: CSIC, 1942.
Timeline
A life, year by year
Each point is a documented event. Click to read it, with its source and degree of certainty.
1542age 0Fontiveros (Ávila)
Birth
Juan de Yepes Álvarez is born to Gonzalo de Yepes and the weaver Catalina Álvarez. The date of 24 June is traditional.
DocumentedCrisógono de Jesús Sacramentado, O.C.D. Vida de San Juan de la Cruz. Madrid: BAC, 1946; ed. revisada por Matías del Niño Jesús en San Juan de la Cruz, Vida y obras (BAC 15), 1964.
After their death
- 1618First edition of his works
- December 27, 1726Canonisation
- August 24, 1926Doctor of the Church
- 1952Patron of Spanish poets
1542 · age 0
Birth
Juan de Yepes Álvarez is born to Gonzalo de Yepes and the weaver Catalina Álvarez. The date of 24 June is traditional.
Documented
c. 1545 · age 3
Death of his father
Gonzalo de Yepes dies; the family's destitution begins.
Probable
c. 1551 · age 9
Move to Medina del Campo
After a stay in Arévalo, the family settles in Medina; Juan enters the Colegio de la Doctrina.
Probable
1559 · age 17
Studies with the Jesuits
A nurse at the hospital of the Conception, he studies humanities at the Jesuit college (1559–1563).
Documented
1563 · age 21
Takes the Carmelite habit
He enters the Carmel of Medina as Fray Juan de Santo Matía.
Documented
1564 · age 22
Studies at Salamanca
He studies arts and theology at the University of Salamanca (1564–1568).
Documented
1567 · age 25
Meeting with Teresa of Jesus
Newly ordained, he is won over by Teresa to the reform of the friars.
Documented
November 28, 1568 · age 26
First Discalced friary
With Antonio de Heredia he inaugurates the friary at Duruelo and takes the name John of the Cross.
Documented
1572 · age 30
Confessor at the Incarnation
Confessor at the monastery of the Incarnation, where Teresa is prioress (1572–1577).
Documented
December 2, 1577 · age 35
Imprisonment in Toledo
Seized by the Calced Carmelites on the night of 2–3 December and imprisoned in their Toledo convent; there he composes much of the Canticle.
Documented
August 1578 · age 36
Escape
He escapes at night through a window and takes refuge with the Discalced nuns of Toledo.
Documented
1579 · age 37
Rector of the college at Baeza
He founds and directs the Discalced college beside the University of Baeza (1579–1582).
Documented
1582 · age 40
Prior of Los Mártires
Prior in Granada (1582–1588); he writes most of his treatises.
Documented
1584 · age 42
Spiritual Canticle in prose
He completes the commentary on the Canticle dedicated to Ana de Jesús (first redaction).
Documented
1588 · age 46
Prior of Segovia
Prior of Segovia and councillor of the Consulta governing the order under Nicolás Doria.
Documented
June 1591 · age 49
Loss of office
The general chapter leaves him without office; he is sent to La Peñuela.
Documented
December 14, 1591 · age 49
Death
He dies at midnight in the convent of San Miguel, Úbeda.
Documented
1618
First edition of his works
The prose works are printed, without the Spiritual Canticle.
Documented
December 27, 1726
Canonisation
Benedict XIII canonises him.
Documented
August 24, 1926
Doctor of the Church
Pius XI declares him a Doctor of the universal Church.
Documented
1952
Patron of Spanish poets
He is proclaimed patron of Spanish-language poets.
Documented
Works
Essential works
The works without which their legacy cannot be understood.

Written work · c. 1585
The Ascent of Mount Carmel
Subida del Monte Carmelo
A commentary, soon abandoning the poem, on the 'Dark Night' as an active night: what the soul can do to empty the senses of appetites (book I) and the intellect, memory and will through faith, hope and charity (books II–III). It contains the verses 'to come to enjoy everything', the critique of visions and revelations and the claim that in Christ God has said everything.
9 editions · amazon.com

Written work · c. 1585
The Dark Night
Noche oscura (declaración de las canciones)
A treatise on the passive night, what God does in the soul: the night of sense, with the signs for leaving discursive meditation and passing to contemplation, and the night of the spirit, a painful purification by infused contemplation, a 'ray of darkness'. Its description of dryness and abandonment has given it relevance beyond Christian spirituality.
9 editions · amazon.com

Written work · 1584
Spiritual Canticle (redaction A)
Declaración de las canciones que tratan del ejercicio de amor entre el alma y el Esposo Cristo (Cántico A)
A stanza-by-stanza commentary on the poem, reading the Bride's itinerary as the passage from the purgative to the illuminative and unitive ways, with long meditations on the beauty of creatures as the Beloved's trace. It is the most lyrical of his treatises.
4 editions · amazon.es

Written work · c. 1586
The Living Flame of Love (commentary)
Declaración de las canciones que tratan de la muy íntima y calificada unión y transformación del alma en Dios (Llama de amor viva)
A commentary on the poem's four stanzas describing transforming union from within: the soul as a log already turned to fire, the action of the Holy Spirit, the 'lamps of fire' of the divine attributes and God's awakening in the soul. It includes a stern warning against bad spiritual directors.
6 editions · amazon.com
Complete works (29)

Spiritual Canticle (poem)
1578

Dark Night (poem)
1579

Living Flame of Love (poem)
1585

Song of the Soul that Rejoices in Knowing God through Faith ('How well I know the fount')
1578

Romances on the Gospel 'In principio erat Verbum'
1578

Romance on the Psalm 'Super flumina Babylonis'
1578

Stanzas Concerning an Ecstasy Experienced in High Contemplation ('I entered into unknowing')
1580

Stanzas of the Soul that Suffers with Longing to See God ('I live, but not in myself')
1580

'Upon a quest of love' (stanzas a lo divino)
1580

'A lone young shepherd lived in pain'
1584

Gloss 'Without support and with support'
1580

Gloss 'Not for all of beauty'
1580

'With the divine Word' (Christmas song)
1585

Summary of Perfection ('Forgetfulness of creation')
1585
John of the Cross
'My soul is detached' (attributed stanzas)
The Conscious Library'My soul is detached' (attributed stanzas)
1600

Spiritual Canticle (redaction B)
1586

Sayings of Light and Love
1585

The Precautions
1580

Counsels to a Religious on How to Reach Perfection
1585

Censure and Opinion on the Spirit of a Nun
1588

The Mount of Perfection (drawing of Mount Carmel)
1579

Letters
1591

Points of Love Gathered at Beas
1580
John of the Cross
Spiritual Maxims and Sentences (later collections)
The Conscious LibrarySpiritual Maxims and Sentences (later collections)
1700
Quotations
Quotations located in a specific work. Each carries its provenance and its level of confidence.
One dark night, fired with love's urgent longings, ah, the sheer grace!, I went out unseen, my house being now all stilled.En una noche oscura, / con ansias, en amores inflamada, / ¡oh dichosa ventura!, / salí sin ser notada, / estando ya mi casa sosegada.
VerifiedNoche oscura, estrofa 1
Apocryphal quotes or disputed attributions (2)
«In the evening of life we shall be judged on love.»
A widespread modern paraphrase of the authentic saying 'In the evening you will be examined in love' (Sayings of Light and Love). It is not false in meaning, but it is not his wording.
«To reach a point you do not know, you must take a road you do not know.»
A free version of Ascent I,13,11 ('To come to what you know not, you must go by a way you know not'), circulating without reference and with its meaning shifted towards self-help.
Last words
Later account by witnesses
«Into your hands, Lord, I commend my spirit.»In manus tuas, Domine, commendo spiritum meum.
He died in Úbeda at midnight on 13–14 December 1591, surrounded by friars of the convent. According to the testimonies gathered at the beatification processes, shortly before he asked that the commendation of the soul not be read to him but the Song of Songs, remarking 'What precious pearls!'; on hearing the bell for matins he said he was going to say them in heaven, and he died uttering the words of Psalm 30 that Jesus repeated on the cross. The witnesses agree on the essentials and vary in the details.
Source: Procesos de beatificación y canonización de San Juan de la Cruz. Ed. Silverio de Santa Teresa, O.C.D. Biblioteca Mística Carmelitana, vol. 14. Burgos: El Monte Carmelo, 1931 (vol. 5 de las Obras).
Ask
What their work answers
Twelve great human questions and what their texts allow us to answer, with references. We never put words in their mouth.
What is the Absolute? Does God exist?
God is the Beloved who hides and gives himself in dark faith
A personal GodStated explicitly
For John of the Cross, God is the Beloved: someone who wounds, hides, calls and finally unites himself to the soul. The Spiritual Canticle opens with the question «Where have you hidden, Beloved?», and the Living Flame of Love describes the soul's transformation in the Holy Spirit, who works in it as a flame. The Trinity lies at the centre of union: in the commentary on the Flame, the soul shares in the life of the Father, the Son and the Spirit. At the same time, no concept or image reaches this God: the Ascent of Mount Carmel teaches that the only means proportionate to union with him is faith, which is dark to the intellect. The Absolute is thus personal and loving, but known in darkness, through love rather than representation.
Compare this question with other teachersWho am I? Is there a true self?
The soul is a creature that can become God by participation
A created, immortal soulStated explicitly
John of the Cross thinks of the self as a created soul, with its faculties —intellect, memory and will— and a «centre» that is God himself. The Ascent of Mount Carmel offers the decisive image: a clean window, struck by a ray of sunlight, looks like the ray itself without ceasing to be a window; so the soul, once purified, «seems more God than soul, and is even God by participation», though its natural being remains distinct from God's. The path requires emptying the faculties of every appetite and every possession, including that of spiritual experiences. The self is not dissolved: it is transformed by love without losing its creaturely condition.
Compare this question with other teachersWhy do we suffer?
The dark night hurts because it purifies for union
Separation from GodStated explicitly
John of the Cross distinguishes two kinds of suffering. The first comes from the appetites: in the Ascent of Mount Carmel he describes how they weary, torment, darken, defile and weaken the soul, because they bind it to what is not God. The second is that of the dark night, which God himself works: infused contemplation, entering a still impure soul, is darkness and torment to it, as excessive light blinds a diseased eye. That pain —feeling abandoned, dry, undone— is not punishment but purification. Suffering arises from the distance between the soul and God and is also the path by which that distance is cancelled.
Compare this question with other teachersWhat happens after death?
I die because I do not die: death is meeting the Beloved
Eternal life and resurrectionStated explicitly
John of the Cross awaits eternal life as the consummation of the union of love. In the stanzas «I live without living in myself» the present life is exile and the soul dies because it does not die, longing to see God. The first stanza of the Living Flame of Love asks God to tear the veil of this sweet encounter, that is, the mortal life that separates the soul from vision; and its commentary states that the death of those who have reached this state, though natural, is far sweeter and gentler than their life, for they die in impulses and encounters of love. Death is not an end: it is the passage to seeing God face to face.
Compare this question with other teachersHow is liberation or salvation attained?
The soul disposes itself in the night; God works the union
Through grace and loveStated explicitly
John of the Cross describes liberation as union with God through love, and distinguishes two movements. In the active night, treated in the Ascent of Mount Carmel, the soul does what it can: it denies its appetites, empties its faculties and walks by faith, hope and charity, with the watchword of desiring to taste nothing in order to come to taste everything. But the decisive purification is passive: the Dark Night shows that it is God who, through infused contemplation, purges what the soul cannot reach. In the Living Flame of Love he insists that the principal agent and guide is the Holy Spirit. Effort prepares; union is a gift.
Compare this question with other teachersIs a teacher necessary?
A good director helps; the principal guide is the Holy Spirit
Helpful but not indispensableStated explicitly
John of the Cross attaches great importance to spiritual direction and, at the same time, criticises it harshly. In the Sayings of Light and Love he compares the soul that is alone and without a master, even if virtuous, to a burning coal left alone, which cools rather than kindles. But in the Living Flame of Love he devotes severe pages to spiritual masters who, not understanding the ways of contemplation, force the soul to go on meditating when God is already leading it by another path, and compares them to blacksmiths who only know how to hammer. He recalls that the principal agent and guide of souls is the Holy Spirit; the human director must serve him, not hinder him.
Compare this question with other teachersIs the world real?
God passed through the groves and left them clothed in beauty
A good and real creationStated explicitly
John of the Cross holds at once the beauty of the world and its nothingness before God. In the Ascent of Mount Carmel, compared with God's infinite being, all creatures are nothing, and the soul that binds itself to them becomes like what it loves; hence one must pass through the night of sense. But the Spiritual Canticle sings of creatures as traces of the Beloved: pouring out a thousand graces, he passed through these groves in haste and, looking at them, left them clothed in beauty by his gaze alone. In consummated union, the soul knows creatures from God and finds them more beautiful. The world is good; what hinders is possession.
Compare this question with other teachersWhat is love?
Living flame of love: the longing that wounds and unites
Longing and unionStated explicitly
John of the Cross is, in the Spanish language, the great poet of love as longing for union. In the Spiritual Canticle the soul is the wounded bride who goes out after the Beloved, seeks him over mountains and riverbanks and rests only in union; the Dark Night recounts the beloved's going forth, «inflamed with love», until she lies with her face reclined upon the Beloved. The Living Flame of Love describes consummated love as the fire of the Holy Spirit wounding tenderly in the soul's deepest centre. That love is also a criterion of life: in the evening, says one of his sayings, you will be examined on love. And in a letter he advises putting love where there is none in order to draw love out.
Compare this question with other teachersAre we free, or is everything determined?
Union is the conformity of two free wills
Real free willInferred from their doctrine
John of the Cross does not treat the problem of determinism, but his whole doctrine presupposes a free will. In the Ascent of Mount Carmel he defines the union he seeks not as substantial union but as union of likeness, which occurs when two wills, the soul's and God's, are conformed in one, with nothing in the one repugnant to the other. To reach it, the soul must freely deny its voluntary appetites: not the natural ones, which do not depend on it, but those it consents to. In the passive night, God works where the soul cannot reach, but the will goes on cooperating through its consent and its love.
Compare this question with other teachersWhy meditate or pray?
From meditation to loving attentiveness in God
Friendship with GodStated explicitly
John of the Cross distinguishes two moments of prayer. At the beginning, discursive meditation is fitting, using images and reasoning to fall in love with God. But a time comes when that meditation dries up, and the Ascent of Mount Carmel gives three signs to recognise it: one can no longer reason, one has no desire to fix the imagination on other things, and the soul delights in remaining alone with loving attentiveness to God, without particular considerations. Then reasoning must be set aside and one should remain in that loving, quiet and passive knowledge. Prayer culminates in a communication of love between the soul and the Beloved, which the Spiritual Canticle describes as the intimacy of spouses.
Compare this question with other teachersCan reason know the ultimate?
Transcending all knowledge: God is reached by dark faith
The ultimate lies beyond the mindStated explicitly
John of the Cross, trained at the University of Salamanca, does not despise theology, but denies that the intellect can reach God by its own powers. In the Ascent of Mount Carmel he maintains that nothing the imagination and intellect can conceive is a proximate means to union, because God falls under no distinct form or knowledge; the only proportionate means is faith, which is dark night for the soul. His stanzas «I entered where I did not know» sing it: whoever truly arrives there faints from himself, and remains unknowing, transcending all knowledge. Reason serves to discern and to avoid deception; union takes place beyond it.
Compare this question with other teachersWithdraw from the world or transform it?
Forgetting the created, remembering the Creator
Withdraw in order to findStated explicitly
John of the Cross is the master of solitude and nakedness. His brief Summary of Perfection condenses it into four lines: forgetfulness of the created, remembrance of the Creator, attention to what is within, and remaining in love with the Beloved. The Precautions advise the religious to guard against the world, the devil and the flesh, and not to meddle in what is not his concern. The Spiritual Canticle sings of solitude: in solitude the dove lived, and in solitude her beloved guides her alone. Yet John did not live in a cave: he was a reformer, prior, confessor, tireless traveller and prisoner. The withdrawal he asks for is above all inward: detachment from everything, so that nothing takes God's place.
Compare this question with other teachers
Affinities & tensions
Affinities and tensions
Calculated question by question from their positions. The reason for each agreement or clash, on click.
Thinks most like

Rabia al-Adawiyya
They agree on: What is the Absolute? Does God exist? · Why do we suffer? · What happens after death?

Seraphim of Sarov
They agree on: What is the Absolute? Does God exist? · Who am I? Is there a true self? · Why do we suffer?

Ignatius Brianchaninov
They agree on: What is the Absolute? Does God exist? · Who am I? Is there a true self? · Why do we suffer?

Teresa of Ávila
They agree on: What is the Absolute? Does God exist? · Who am I? Is there a true self? · Why do we suffer?
Thinks most unlike

Pema Chödrön
They clash on: What is the Absolute? Does God exist? · Who am I? Is there a true self? · What happens after death?

Nāgārjuna
They clash on: What is the Absolute? Does God exist? · Who am I? Is there a true self? · What happens after death?

Tsongkhapa
They clash on: What is the Absolute? Does God exist? · Who am I? Is there a true self? · What happens after death?

Śāntideva
They clash on: What is the Absolute? Does God exist? · Who am I? Is there a true self? · What happens after death?
Anecdotes and stories
Anecdotes and stories
Oral tradition1567–1568
'A friar and a half'
Origin of the story: Teresa of Jesus, Foundations 3 and 13–14 and letter to Francisco de Salcedo (September 1568). The phrase 'a friar and a half' comes from later Carmelite tradition.
Source: Teresa de Jesús. Libro de las fundaciones, caps. 3 y 13–14, y carta a Francisco de Salcedo (Valladolid, septiembre de 1568), en Obras completas, ed. Efrén de la Madre de Dios y Otger Steggink. Madrid: BAC, 1962.
Testimonyagosto de 1578
The escape from Toledo
Origin of the story: Statements at the beatification processes (BMC 14) and accounts by Inocencio de San Andrés and Magdalena del Espíritu Santo; critical synthesis in Crisógono de Jesús (1946).
Hagiographic accountc. 1572–1577
The Christ drawn at the Incarnation
Origin of the story: The drawing is kept in the monastery of the Incarnation in Ávila; the vision comes from testimony at the processes. The connection with Dalí is documented by the painter himself and by Father Bruno.
Source: Ruiz Salvador, Federico (dir.). Dios habla en la noche: vida, palabra, ambiente de San Juan de la Cruz. Madrid: Editorial de Espiritualidad, 1990.
Testimonyc. 1589
'To suffer and be despised for you'
Origin of the story: Statement by Francisco de Yepes at the beatification processes (BMC 14). It is second-hand testimony of an inner experience.
Testimonyseptiembre–diciembre de 1591
The last days in Úbeda
Origin of the story: Beatification processes (BMC 14); Crisógono de Jesús (1946).
Teachings
Teachings
The notions that structure their thought, explained in context.
The dark nightnoche-oscura
Scholastic mystical theology and the Dionysian tradition of divine darkness.
Source: San Juan de la Cruz. Obras completas. Ed. José Vicente Rodríguez; introducciones y notas doctrinales de Federico Ruiz Salvador. Madrid: Editorial de Espiritualidad, 1980 (ed. revisada 2008, ISBN 9788470683459).
All and nothingnada
Christian ascetic renunciation and negative theology; a possible echo of Rhineland mysticism through Tauler.
Source: San Juan de la Cruz. Obras completas. Ed. José Vicente Rodríguez; introducciones y notas doctrinales de Federico Ruiz Salvador. Madrid: Editorial de Espiritualidad, 1980 (ed. revisada 2008, ISBN 9788470683459).
Transforming unionunion-de-amor
Nuptial mysticism (Bernard of Clairvaux), Trinitarian theology and the Thomist doctrine of grace as participation.
Source: San Juan de la Cruz. Obras completas. Ed. José Vicente Rodríguez; introducciones y notas doctrinales de Federico Ruiz Salvador. Madrid: Editorial de Espiritualidad, 1980 (ed. revisada 2008, ISBN 9788470683459).
Infused contemplation and the three signscontemplacion-infusa
Sixteenth-century debate on mental prayer and Illuminism; the tradition of medieval mystical theology.
Source: San Juan de la Cruz. Obras completas. Ed. José Vicente Rodríguez; introducciones y notas doctrinales de Federico Ruiz Salvador. Madrid: Editorial de Espiritualidad, 1980 (ed. revisada 2008, ISBN 9788470683459).
The theological virtues as night of the facultiesfe-esperanza-caridad
The Augustinian psychology of the three faculties and Salamancan scholastic theology.
Source: San Juan de la Cruz. Obras completas. Ed. José Vicente Rodríguez; introducciones y notas doctrinales de Federico Ruiz Salvador. Madrid: Editorial de Espiritualidad, 1980 (ed. revisada 2008, ISBN 9788470683459).
Videos
Videos
Recordings, interviews and documentaries. Videos play from YouTube; they are not hosted here.
Paisaje con figuras: Juan de la Cruz
Documentary· ES· 1984· 44 min
RTVE ArchivoOfficial channel
«Y véante mis ojos». El cielo de San Juan de la Cruz. Aula Pedro Fabro
Lecture· ES· 2024· 52 min
Universidad Pontificia ComillasOfficial channel
Isabel Ordaz, «La poesía de San Juan de la Cruz. El nombre que multiplica los nombres»
Lecture· ES· 2026· 49 min
Carmelitas Descalzos ÚbedaOfficial channel
Silvia Bara Bancel: «San Juan de la Cruz, lector del Maestro Eckhart»
Lecture· ES· 2026· 109 min
Centro de Estudios de HermenéuticaOfficial channel
Poesía «Noche oscura» de San Juan de la Cruz
Original recording· ES· 2015· 2 min
Carmelitas DescalzosOfficial channel
Adónde te escondiste
Third-party recording· ES· 2016· 3 min
Amancio PradaOfficial channel
José María Rodero lee a San Juan de la Cruz
Third-party recording· ES· 2014· 5 min
SCM1974spain
John of the Cross: A Mystic's Poetry with Keith Egan
Lecture· EN· 2014· 70 min
Lumen Christi InstituteOfficial channel
Carmelite Authors 101: St. John of the Cross
Lecture· EN· 2018· 68 min
Boston College Clough School of Theology and MinistryOfficial channel
The Dark Night of the Soul
Analysis· EN· 2021· 41 min
Bishop Robert BarronOfficial channel
Gottes Gegenwart erfahren: Die Mystik des Johannes vom Kreuz
Lecture· DE· 2023· 55 min
CTS Hochschule MünsterOfficial channel
Licht – geboren aus der Nacht. Die „Dunkle Nacht“ des Johannes vom Kreuz – Sr. Veronika E. Schmitt
Lecture· DE· 2025· 58 min
CTS Hochschule MünsterOfficial channel
Iain Matthew ocd – Giovanni della Croce per i giovani?
Lecture· IT· 2018· 51 min
Pontificia Facoltà Teologica Teresianum – RomaOfficial channel
La Chiesa ricorda San Giovanni della Croce
Documentary· IT· 2018· 14 min
Tv2000itOfficial channel
Gallery
Gallery
Images with verified licences. Each keeps its authorship and attribution.
Manuscripts
Manuscripts
Manuscript witnesses and ancient texts, with their custodian and conditions of access.
ES · Latina (cursiva castellana del s. XVI) · c. 1585–1587
Dichos de luz y amor (autógrafo)
- Surviving witness
- Autógrafo parcial (códice de Andújar)
- Custodian
- Carmelitas descalzas de Andújar (Jaén)
ES · Latina · 1584
Cántico espiritual (manuscrito de Sanlúcar de Barrameda)
- Surviving witness
- Redacción A con anotaciones del autor
- Custodian
- Carmelitas descalzas de Sanlúcar de Barrameda (Cádiz)
ES · Latina · c. 1586–1591 (copia)
Cántico espiritual y poesías (manuscrito de Jaén)
- Surviving witness
- Testigo principal de la redacción B
- Custodian
- Carmelitas descalzas de Jaén
ES · — · c. 1572–1577
Cristo crucificado (dibujo)
- Surviving witness
- Dibujo original a pluma
- Custodian
- Monasterio de la Encarnación, Ávila
Connections
Connections
Influences, discipleships and affinities. Documented relations are distinguished from similarities identified by analysis.
Met
They met at Medina del Campo in 1567; Teresa won him over to the reform, recounted the foundation of Duruelo in her Foundations and had him as confessor at the Incarnation (1572–1577).
Documented relation
Influenced by
From Teresa he received the project of the male reform and the Discalced way of life; his teaching systematises in another register the experience of prayer she describes.
Documented relation
Influenced by
His work is Christocentric: in Ascent II,22 he states that in Christ God has said everything, and his drawing of the crucified and the poem of the young shepherd express his meditation on the Passion.
Documented relation
Influenced by
Rhineland mysticism reached sixteenth-century Spain through works attributed to Tauler, Eckhart's disciple. John has been studied as an indirect reader of Eckhart in the doctrine of nothingness and the ground of the soul; the exact route of transmission is unproven.
Similarity identified by analysis
Ideas akin to
John's 'nada' and the Franciscan 'without anything of one's own' share the idea of total dispossession, material and spiritual, as the condition of love.
Similarity identified by analysis
Ideas akin to
Both are at once mystics and first-rank poets or musicians, but their paths are opposite: Hildegard's symbolic, prophetic vision versus John's distrust of visions and his way of dark faith.
Similarity identified by analysis
Ideas akin to
Luce López-Baralt has pointed to parallels of symbols and vocabulary between John's poetry and Andalusian Sufi mysticism (night, fount, wine, the solitary bird); the hypothesis of a Morisco transmission remains debated.
Similarity identified by analysis
Influenced
Merton studied and commented on John of the Cross as a master of contemplation; it is a relation of reception.
Similarity identified by analysis
Linked from other profiles
Sources
Sources
Bibliography and catalogues consulted for this profile.
- Wikidata, Q190388 «John of the Cross» (P31=Q5; 82 enlaces entre wikis; P569 1542-06-24, P570 1591-12-14).
- San Juan de la Cruz. Obras completas. Ed. José Vicente Rodríguez; introducciones y notas doctrinales de Federico Ruiz Salvador. Madrid: Editorial de Espiritualidad, 1980 (ed. revisada 2008, ISBN 9788470683459).
- Ruiz Salvador, Federico (dir.). Dios habla en la noche: vida, palabra, ambiente de San Juan de la Cruz. Madrid: Editorial de Espiritualidad, 1990.
- Crisógono de Jesús Sacramentado, O.C.D. Vida de San Juan de la Cruz. Madrid: BAC, 1946; ed. revisada por Matías del Niño Jesús en San Juan de la Cruz, Vida y obras (BAC 15), 1964.
- Procesos de beatificación y canonización de San Juan de la Cruz. Ed. Silverio de Santa Teresa, O.C.D. Biblioteca Mística Carmelitana, vol. 14. Burgos: El Monte Carmelo, 1931 (vol. 5 de las Obras).
- John of the Cross. The Collected Works of St. John of the Cross. Trad. Kieran Kavanaugh y Otilio Rodriguez. Ed. revisada. Washington, D.C.: ICS Publications, 1991 (ISBN 9780935216936).
- Alonso, Dámaso. La poesía de San Juan de la Cruz (desde esta ladera). Madrid: CSIC, 1942.
- Baruzi, Jean. Saint Jean de la Croix et le problème de l'expérience mystique. París: Alcan, 1924 (trad. esp.: Valladolid, Junta de Castilla y León, 1991).
- López-Baralt, Luce. San Juan de la Cruz y el Islam. México: El Colegio de México, 1985 (reed. Madrid: Hiperión, 1990).
- Thompson, Colin P. St John of the Cross: Songs in the Night. Londres: SPCK, 2002.
- Wikisource en español, página «Autor:Juan de la Cruz» (poemas mayores, glosas, cantares y romances).
- Open Library, registros de edición de las obras de Juan de la Cruz (consultados por ISBN y por obra).
- Obras de San Juan de la Cruz, Doctor de la Iglesia. Ed. Silverio de Santa Teresa, O.C.D. 5 vols. Burgos: El Monte Carmelo, 1929–1931 (Biblioteca Mística Carmelitana 10–14).
- The Complete Works of Saint John of the Cross, of the Order of Our Lady of Mount Carmel. Trad. David Lewis; prefacio del cardenal Wiseman. 2 vols. Londres: Longman, 1864.
- Bara Bancel, Silvia. «San Juan de la Cruz, lector del Maestro Eckhart». Conferencia, Centro de Estudios de Hermenéutica, 2026.
- Stein, Edith. Kreuzeswissenschaft. Studie über Johannes a Cruce (1942). Lovaina / Friburgo: Nauwelaerts / Herder, 1950 (Edith Steins Werke I).
- Teresa de Jesús. Libro de las fundaciones, caps. 3 y 13–14, y carta a Francisco de Salcedo (Valladolid, septiembre de 1568), en Obras completas, ed. Efrén de la Madre de Dios y Otger Steggink. Madrid: BAC, 1962.
- Rights holder
- Dominio público (obra del siglo XVI). Las ediciones críticas, traducciones y aparatos modernos están sujetos a los derechos de sus editores (Editorial de Espiritualidad, Monte Carmelo, Alianza, BAC, ICS Publications, Herder…).
- Official site
- www.carmelitaniscalzi.com/es/
Pending confirmation
What this profile has not yet been able to settle. We would rather say so than fill it in.
- Localizar en una fuente apta (Wikisource o equivalente con capítulos) el texto en prosa de la Subida, la Noche, el Cántico, la Llama, los Dichos y las Cartas: Wikisource en español solo tiene los poemas; se han registrado los volúmenes de Silverio (1929) y Gerardo (1912) en Internet Archive, cuyo OCR hay que revisar.
- Identificar al traductor de The Dark Night of the Soul (J. M. Watkins, 1905) para retirar la marca de precaución.
- Fijar con la edición crítica la numeración del dicho «A la tarde te examinarán en el amor» (59, 60 o 64 según las ediciones) y la redacción exacta de la carta a María de la Encarnación de 6 de julio de 1591.
- Añadir ISBN de la edición de la BAC (Vida y obras / Obras completas, Lucinio Ruano) y de una edición francesa de conjunto (Cerf): no localizadas en Open Library.
- Confirmar signaturas y digitalizaciones de los manuscritos de Sanlúcar, Jaén y Andújar.
- Las fechas de los vídeos se han deducido de la fecha relativa que muestra YouTube; el programa de RTVE «Paisaje con figuras» se fecha de forma aproximada.
- Programas de afiliación: ninguno verificado.
Researched on 2026-10-25