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Христианство · Христианская мистика · Католицизм

Catherine of Siena

1347 – 1380Исторически документированная личность

Сиенская мистичка, писательница и общественная деятельница (1347–1380), доминиканская терциарка. Дочь красильщика, не получившая образования, она собрала вокруг себя «семью» учеников, ухаживала за чумными и приговорёнными, была посредницей между Флоренцией и папством и убеждала Григория XI вернуться из Авиньона в Рим. Она продиктовала «Диалог о Божественном Провидении», около 380 писем папам, королям, наёмникам и простым людям и двадцать шесть молитв, благодаря которым стала одной из великих прозаиков итальянского языка. Умерла в Риме в тридцать три года. Учитель Церкви (1970), сопокровительница Италии и Европы.

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Santa Catalina, por Andrea Vanni (San Domenico, Siena)

Santa Catalina, por Andrea Vanni (San Domenico, Siena) · Public domain

Своими словами

«You, eternal Trinity, are a deep sea: the more I enter you, the more I find, and the more I find, the more I seek you.»

Diálogo, ed. Fiorilli (1912), cap. CLXVII

Главная мысль

The cell of self-knowledge: The Dialogue begins with a soul 'accustomed to dwell in the cell of self-knowledge'.

Биография

4 мин чтения

Перевод с испанского оригинала, выполненный с помощью ИИ; ожидает проверки носителем языка.

Дочь красильщика

Катерина ди Якопо ди Бенинказа родилась в Сиене 25 марта 1347 года, в праздник Благовещения, вместе с сестрой-близнецом Джованной, которая вскоре умерла. Она была двадцать третьим или двадцать четвёртым ребёнком Якопо Бенинказы, красильщика шерсти, и Лапы ди Пуччо де Пьяченти и жила в доме в квартале Фонтебранда, рядом с чанами красильщиков, в тени доминиканской церкви Сан-Доменико. Год спустя Чёрная смерть унесла почти половину города. Почти всё, что мы знаем о её детстве, взято из Legenda maior — «Большого жития», которое её духовник Раймунд Капуанский написал между 1385 и 1395 годами ради её канонизации и которое следует читать как то, чем оно является: тщательно выстроенную агиографию.

Согласно этому преданию, лет в шесть она увидела Христа над крышей Сан-Доменико, а в семь дала обет девства. Когда после смерти её сестры Бонавентуры в 1362 году родные решили выдать её замуж, она остригла волосы; тогда её сделали служанкой в доме, пока отец не позволил ей жить по-своему. Около 1364 или 1365 года она — не без сопротивления — получила одеяние мантеллат, доминиканских кающихся, живших у себя дома, а не в монастыре, как правило вдов. Около трёх лет она провела почти взаперти в своей комнате, в молитве и посте, и выучилась читать.

Обручение и «семья»

В последний день карнавала 1367 года, по словам Раймунда, Христос взял её в невесты, дав ей кольцо, видимое лишь ей одной, и велел выйти из кельи, чтобы служить другим. Так началась её деятельная жизнь в городе: она ухаживала за больными в госпитале Санта-Мария-делла-Скала и по домам, помогала прокажённым, раздавала всё, что было в отцовском доме. В 1370 году она пережила опыт, который ученики назвали её «мистической смертью». Вокруг неё сложилась bella brigata, «семья»: братья-доминиканцы, отшельники, молодые аристократы вроде Стефано Макони, поэты вроде Нери ди Ландоччо Пальяреси, горожанки. Её звали mamma — «мама». То, что молодая неучёная мирянка была духовной наставницей священников и богословов, вызывало подозрения; в 1374 году генеральный капитул доминиканцев, собравшийся во Флоренции, подверг её испытанию и назначил ей наставником Раймунда Капуанского.

Политика крови

С 1374 года её письма всё чаще обращены к сильным мира сего. Она добивалась трёх вещей: возвращения папы из Авиньона в Рим, реформы клира и крестового похода, который примирил бы христиан, обратив их оружие против турок. В 1375 году она сопровождала на казнь Никколо ди Тольдо, молодого перуджинца, осуждённого за слова против сиенского правительства, и приняла его голову в свои руки; об этом она рассказывает в письме к Раймунду редкой силы. 1 апреля того же года в Пизе она, по свидетельству очевидцев, получила стигматы, по её просьбе остававшиеся невидимыми при жизни. Английскому кондотьеру Джону Хоквуду она писала, чтобы он повёл своё войско на Восток.

Когда Флоренция, воевавшая с папством, оказалась под интердиктом, Екатерина вызвалась быть посредницей и в июне 1376 года отправилась в Авиньон. Флорентийцы отреклись от её посредничества, но она воспользовалась случаем, чтобы убеждать Григория XI, которого называла babbo, «папочка», вернуться в Рим. Григорий покинул Авиньон в сентябре 1376 года и вступил в Рим в январе 1377-го. Историки спорят о том, насколько повлияла Екатерина на решение, которое папа вынашивал и сам; несомненно одно: двадцатидевятилетняя женщина, не занимавшая никакой должности, говорила на равных с самой могущественной курией Европы.

Книга

В 1377 году она удалилась в Рокка-д'Орча, в сиенской округе, чтобы примирить враждовавшие знатные семьи; там, по одному из её писем, она сама научилась писать. На следующий год, вновь оказавшись во Флоренции как посланница папы, она едва не погибла во время восстания чомпи в июне 1378 года. Вернувшись в Сиену, между концом 1377 и октябрём 1378 года она продиктовала секретарям — по их словам, нередко в состоянии экстаза — «Книгу о божественном учении», известную впоследствии как «Диалог»: беседу души с Богом Отцом о самопознании, о мосте, который есть Христос, о слезах, о Провидении, о послушании и о реформе Церкви.

Раскол

В сентябре 1378 года французские кардиналы, недовольные Урбаном VI, избрали антипапу Климента VII, и начался Великий западный раскол. Екатерина без колебаний встала на сторону Урбана, который призвал её в Рим. Она прибыла туда в ноябре 1378 года с двумя десятками учеников и больше не покидала города. Оттуда она писала королям Франции и Венгрии, королеве Джованне Неаполитанской, отступившим кардиналам и итальянским городам и молилась вслух перед папой и курией. Её последние молитвы были записаны секретарями в эти месяцы.

Тридцать три года

Она почти ничего не ела. Весь Великий пост 1380 года она каждый день ходила пешком к собору Святого Петра. В конце января она пережила тяжёлый упадок сил после видения, в котором ощутила на своих плечах корабль Церкви, а 26 февраля уже не смогла подняться. Она умерла в Риме 29 апреля 1380 года, тридцати трёх лет, окружённая своей духовной семьёй. Её ученик Бардуччо Каниджани описал её агонию в письме. Она была погребена в церкви Санта-Мария-сопра-Минерва; её голову в 1384 году перенесли в Сиену.

Святая Италии

Раймунд Капуанский, магистр ордена доминиканцев, и Томмазо Каффарини создали её культ: Legenda maior, Libellus de supplemento и венецианский процесс 1411–1416 годов. Папа-сиенец Пий II канонизировал её в 1461 году. Её письма, напечатанные в Болонье в 1492 году и Альдом Мануцием в Венеции в 1500 году, сделали её классиком итальянского языка; Пий XII в 1939 году провозгласил её покровительницей Италии вместе с Франциском Ассизским, Павел VI 4 октября 1970 года — учителем Церкви, через неделю после Терезы Авильской, а Иоанн Павел II в 1999 году — сопокровительницей Европы. Современная критика терпеливо отделила женщину от легенды: остаётся мирянка, которая, не имея ни сана, ни латыни, мыслила веру как огонь, а политику — как ответственность души.

Источники: Raimundo de Capua. Legenda maior sive Legenda admirabilis virginis Catherine de Senis. Ed. Silvia Nocentini. Florencia: SISMEL – Edizioni del Galluzzo, 2013. Trad. inglesa de Conleth Kearns, The Life of Catherine of Siena. Wilmington: Michael Glazier, 1980. · Caterina da Siena. Il Dialogo della divina provvidenza ovvero Libro della divina dottrina. Ed. Giuliana Cavallini. Roma: Edizioni Cateriniane, 1968 (2.ª ed., Siena: Cantagalli, 1995). · Caterina da Siena. Libro della divina dottrina volgarmente detto Dialogo della divina provvidenza. Ed. Matilde Fiorilli. Scrittori d'Italia. Bari: Laterza, 1912 (Project Gutenberg n.º 26961). · Noffke, Suzanne (trad. y ed.). The Letters of Catherine of Siena. 4 vols. Tempe: Arizona Center for Medieval and Renaissance Studies, 2000–2008. · Tommaseo, Niccolò (ed.). Le lettere di S. Caterina da Siena. 4 vols. Florencia: G. Barbèra, 1860; reed. ampliada por Piero Misciattelli, 6 vols., Siena: Giuntini-Bentivoglio, 1913–1922.

Хронология

Жизнь год за годом

Каждая точка — документированное событие. Нажмите, чтобы прочитать о нём, с источником и степенью достоверности.

  1. 25 марта 1347 г. · 0 лет

    Birth

    Born with a twin, Giovanna, daughter of Jacopo Benincasa, a dyer, and Lapa di Puccio de' Piacenti.

    Документировано

  2. ок. 1353 · 6 лет

    The first vision

    According to Raymond of Capua, she sees Christ above the church of San Domenico; the following year she vows virginity.

    Предание

  3. ок. 1362 · 15 лет

    Refusal of marriage

    After the death of her sister Bonaventura she resists marriage plans and cuts off her hair.

    Предание

  4. ок. 1364 – 1365 · 17 лет

    Habit of the mantellate

    She joins the Dominican penitent women (mantellate), who live in their own homes.

    Вероятно

  5. 1367 · 20 лет

    Mystical espousal

    On the last day of Carnival, according to Raymond, she receives a ring visible only to her and leaves her seclusion to serve the sick.

    Предание

  6. май 1374 г. · 27 лет

    Examined by the Dominican general chapter

    She appears before the order's general chapter, which assigns Raymond of Capua as her confessor. In the summer she tends plague victims in Siena.

    Документировано

  7. 1 апреля 1375 г. · 28 лет

    The stigmata

    In the church of Santa Cristina she receives, according to her witnesses, the stigmata, invisible during her lifetime.

    Предание

  8. 1375 · 28 лет

    The execution of Niccolò di Toldo

    She accompanies a young condemned man to the scaffold and receives his head; she narrates it in a letter to Raymond of Capua.

    Документировано

  9. июнь 1376 г. · 29 лет

    Embassy to Avignon

    She travels to the papal court as Florence's mediator and urges Gregory XI to return to Rome; the pope leaves in September.

    Документировано

  10. 1377 · 30 лет

    Peacemaking and learning to write

    Stay at the Salimbeni castle to reconcile families; according to her letter to Raymond, she learns to write there. She founds the monastery of Belcaro.

    Документировано

  11. июнь 1378 г. · 31 год

    The Ciompi tumult

    Urban VI's envoy for peace with Florence, she narrowly escapes a mob seeking to kill her.

    Документировано

  12. октябрь 1378 г. · 31 год

    The Dialogue completed

    She finishes dictating the Book of Divine Doctrine to her secretaries.

    Документировано

  13. ноябрь 1378 г. · 31 год

    In Rome, in the service of Urban VI

    Summoned by the pope after the outbreak of the Western Schism, she settles in Rome with her disciples.

    Документировано

  14. 29 апреля 1380 г. · 33 года

    Death

    She dies after months of exhaustion, accompanied by her disciples. Barduccio Canigiani narrates her agony.

    Документировано

  15. ок. 1385 – 1395

    The Legenda maior

    Raymond of Capua writes Catherine's official life.

    Документировано

  16. ок. 1411 – 1416

    The Processo Castellano

    In Venice testimonies about her holiness are gathered, promoted by Tommaso Caffarini.

    Документировано

  17. 29 июня 1461 г.

    Canonisation

    She is canonised by the Sienese pope Pius II.

    Документировано

  18. 1500

    The Aldine edition of the letters

    Aldus Manutius prints Catherine's Epistole devotissime.

    Документировано

  19. 1939

    Patroness of Italy

    Pius XII proclaims her principal patroness of Italy together with Francis of Assisi.

    Документировано

  20. 4 октября 1970 г.

    Doctor of the Church

    Paul VI proclaims her a Doctor of the Church, a week after Teresa of Ávila.

    Документировано

  21. 1 октября 1999 г.

    Co-patroness of Europe

    John Paul II proclaims her co-patroness of Europe with Bridget of Sweden and Teresa Benedicta of the Cross (motu proprio Spes aedificandi).

    Документировано

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The Dialogue (Book of Divine Doctrine) — Catherine of Siena

Письменный труд · 1378

The Dialogue (Book of Divine Doctrine)

Libro della divina dottrina (Dialogo della divina provvidenza)

A book dictated by Catherine to her secretaries between late 1377 and October 1378. It opens with a soul that, 'dwelling in the cell of self-knowledge', addresses four petitions to God (for herself, for the reform of the Church, for the world and for a particular case) and the Father answers in a long colloquy. Its great images are the bridge that is Christ, with its three steps (the feet, the side, the mouth), stretched over the river of the world; the doctrine of tears; providence; obedience; and the reform of the Church's ministers, the 'mystical body'. It closes with a prayer to the Trinity as a 'deep sea'. Since Girolamo Gigli (1707) it has usually been divided into treatises (on discretion, prayer, providence and obedience). It is one of the summits of fourteenth-century Italian prose.

7 изданий

Letters — Catherine of Siena

Переписка · ок. 1370

Letters

Lettere (Epistolario)

Some 380 letters dictated between c. 1370 and 1380 (381 according to the most widely cited count; editions range between 373 and 383), addressed to two popes, cardinals, kings and queens, condottieri, city governments, friars, nuns, disciples, her mother and anonymous people. Almost all begin with the formula 'In the name of Jesus Christ crucified and of sweet Mary' and end with 'Sweet Jesus, Jesus love'. They mix spiritual doctrine and concrete politics: the pope's return to Rome, peace with Florence, the crusade, the defence of Urban VI in the schism. Among them stand out the letters to Gregory XI, whom she calls babbo, the letter to Raymond on the execution of Niccolò di Toldo and the one recounting her experience of January 1380. Their vigour and imagery make them a monument of Italian prose.

5 изданий

Prayers — Catherine of Siena

Записанное устное учение · ок. 1376

Prayers

Orazioni

Twenty-six prayers spoken aloud by Catherine, almost always in ecstasy after communion, and transcribed by her secretaries between 1376 and 1380, most of them in Rome during the schism. They are prayers to the Trinity, to Christ and to the 'eternal Godhead', of a lyrical intensity culminating in the identification of God's nature with fire and in intercession for the Church and her disciples. They show the final Catherine, consumed by the Church's crisis.

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2 издания

Изречения

Изречения, найденные в конкретном труде. Каждое сопровождается указанием происхождения и степени надёжности.

You, eternal Trinity, are a deep sea: the more I enter you, the more I find, and the more I find, the more I seek you.

Tu, Trinitá etterna, se' uno mare profondo, che quanto piú c'entro tanto piú truovo, e quanto piú truovo piú cerco di te.

ПровереноDiálogo, ed. Fiorilli (1912), cap. CLXVII

1 / 7
Апокрифические изречения и изречения спорной атрибуции (1)
  • «Be who God meant you to be and you will set the world on fire.»

    A widespread modern version of the sentence in the letter to Stefano Maconi ('If you are what you ought to be, you will set fire to all Italy'). The original speaks of Italy and of duty, not of the world or personal identity and became popular in twentieth-century anthologies and Catholic youth gatherings.

Последние слова

Позднейший рассказ свидетелей

«Father, into your hands I commend my soul and my spirit.»

Padre, nelle tue mani raccomando l'anima e lo spirito mio.

According to the letter of her secretary Barduccio Canigiani, present at her agony, Catherine died in Rome on Sunday 29 April 1380, at the hour of Sext, after blessing her disciples and praying: 'You, Lord, call me, and I come to you, not through my merits but through your mercy alone, which I ask of you by virtue of your Blood'; she cried out several times 'Blood, blood!' and, following Christ's example, finally said: 'Father, into your hands I commend my soul and my spirit'. The Italian wording follows the tradition of Barduccio's text; the version consulted is Thorold's English translation (1907).

Источник: Canigiani, Barduccio. Carta sobre el tránsito de Catalina, dirigida a sor Caterina Petriboni (1380). Trad. inglesa en Algar Thorold, The Dialogue of the Seraphic Virgin Catherine of Siena… together with an account of her death by an eye-witness. Londres: Kegan Paul, 1907.

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  • Что такое Абсолют? Существует ли Бог?

    God is the eternal Trinity, a deep sea, mad with love

    Личный БогСказано прямо

    In The Dialogue, Catherine of Siena hears and transcribes the voice of a God who speaks to the soul in the first person: the eternal Father who explains, rebukes, promises and answers her petitions. This God is the first Truth and is, above all, love that precedes the creature: in the Dialogue's closing prayer she confesses that God loved her before she existed, «mad» for his creature. The closing prayer of the Dialogue calls the eternal Trinity a deep sea in which the more one enters the more one finds, and the more one finds the more one seeks. The Absolute is therefore personal, Trinitarian and inexhaustible: someone with whom one converses and whose knowledge never closes.

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  • Кто я? Существует ли истинное «я»?

    The soul is an image of the Trinity, known in the cell of self

    Сотворённая бессмертная душаСказано прямо

    For Catherine of Siena, the soul is a creature made in the image of the Trinity: in The Dialogue she thanks God for giving it memory to hold his benefits, intellect to know and will to love. Self-knowledge is indispensable, and the book sets it out from its first page as dwelling in the «cell of self-knowledge». But this knowledge has two faces: the soul discovers itself as something that of itself is not, since it has received everything, and in that same cell it knows God's goodness, which love follows. The true self is therefore a created, immortal soul whose being depends on the love that created it.

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  • Почему мы страдаем?

    The root of every evil is self-love that turns away from God

    Отделённость от БогаСказано прямо

    In The Dialogue, Catherine of Siena places in God's mouth a constant diagnosis: the root of all evils is sensual self-love, which makes the human being love itself apart from God. Whoever broke the road through sin drowns in the river of the world, and that is why God laid down the bridge of his Son. But not all suffering is punishment: the pains of this life, borne with patience and with desire for God, purify and make satisfaction, because what gives them value is not the pain itself but the infinite desire with which it is suffered. Pain separates when it springs from self-love and unites when it becomes charity.

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  • Что происходит после смерти?

    At death each soul sees what it chose and receives what it loved

    Вечная жизнь и воскресениеСказано прямо

    In The Dialogue, God explains to Catherine of Siena how the just, sinners and those who have lived in intermediate states die. At the moment of death, each soul sees clearly what it has loved: the just man dies in peace, because his will is united to God's and the devil finds nothing of his own in him; one who dies in self-love judges himself before being judged. Eternal blessedness is seeing God face to face and rejoicing in the good of the other blessed through charity. The letter of Barduccio Canigiani recounts her own death in Rome in 1380, amid prayers for the Church.

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  • Как достигается освобождение или спасение?

    One climbs the bridge that is Christ by three steps of love

    Через преданность и предание себяСказано прямо

    The central image of The Dialogue is the bridge: the road between heaven and earth, broken by sin, has been rebuilt in the Son, and whoever wishes to be saved must climb it. One climbs by three steps, which are the body of the crucified Christ: the feet, representing affection stripped of self-love; the open side, where the soul discovers the secret of the heart; and the mouth, where it finds peace. The engine of the ascent is love: holy desire, kindled by the blood of Christ, which Catherine invokes ceaselessly in her letters. Grace is the foundation, but the way is a loving surrender proved in service to one's neighbour.

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  • Нужен ли учитель?

    Obedience to the Church, the confessor and truth known in the cell

    Община и традицияСказано прямо

    Catherine of Siena was at once disciple and teacher. A laywoman of the Dominican Order of Penance, she submitted to confessors such as Raymond of Capua and called the pope, in her letters, the «sweet Christ on earth», to be obeyed even if he were a devil incarnate. But around her formed a famiglia of disciples, clerics and laypeople, who called her «mamma», and her letters are an immense work of spiritual direction. The Dialogue devotes a long section to obedience, the key that opens heaven. For Catherine one learns within the body of the Church, in a living community, but every soul must also dwell in the cell of self-knowledge.

    Сравнить этот вопрос с другими учителями
  • Реален ли мир?

    Everything was made out of love and to serve humankind

    Благое и реальное творениеСледует из учения

    Catherine of Siena does not develop a cosmology, but The Dialogue presents creation as the work of love: God created the human being moved by the fire of his charity, and all things were made to serve him, so that he might serve God. The world is good in itself; what makes it dangerous is the disordered use that self-love makes of it. Hence Catherine's image of the river: the world, when loved for its own sake, is a stormy river in which those who do not cross by the bridge drown. Created things should be held without attachment, as on loan. Real, good and dangerous at once: such is creation for her.

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  • Что такое любовь?

    We cannot be useful to God: love is returned to him in our neighbour

    Любовь к Богу и ближнемуСказано прямо

    Catherine of Siena places in God's mouth, in The Dialogue, a precise reason for love of neighbour: God loved us first and without self-interest, and we cannot return that love in the same way, because we cannot be useful to him; that is why he has set our neighbour beside us, so that we may do for him what we cannot do for God. Every virtue is proved and exercised through one's neighbour, and every sin reaches him. Love springs from knowledge of self and of God's goodness, and has its model in the Christ «mad with love» who gave himself to the point of blood. Catherine lived it by tending the sick and the condemned and working for peace in Italy.

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  • Свободны ли мы или всё предопределено?

    No one can force the will: neither the devil nor any creature

    Подлинная свобода волиСказано прямо

    In The Dialogue, Catherine of Siena attributes to God a repeated assertion: the human being was created free, and neither the devil nor any creature can force his will to sin unless he consents. Temptations may besiege it, but the will is like a city whose gate opens only from within. That freedom is the condition of merit and responsibility: each person is saved or lost according to what his will loves. God's providence, to which she devotes a long section of the book, orders everything for the soul's salvation, but respects the freedom he himself gave. Free will and providence coexist without cancelling each other out.

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  • Зачем медитировать или молиться?

    Prayer is holy desire: a continual dialogue with God

    Дружба с БогомСказано прямо

    Catherine of Siena's main work is, literally, a prayer turned into dialogue: the soul asks and God answers. The Dialogue describes prayer as a path running from vocal to mental prayer, and from this to a continual prayer that is holy desire, present in every work done for love. Prayer is born in the cell of self-knowledge, where the soul recognises itself as creature and discovers God's goodness; and it flows into petition for others, for the Church and for the world. Her Prayers, taken down by her disciples as she spoke in ecstasy, show that bold familiarity with the eternal Father.

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  • Может ли разум познать предельное?

    The eye of the intellect sees through the pupil of faith

    Вера и разум помогают друг другуСказано прямо

    Catherine of Siena learned to read late and never studied theology, but in The Dialogue the intellect holds a central place: it is the eye of the soul, and its pupil is faith. Without that light the intellect is darkened by self-love; with it, it knows the truth of God and of itself. Hence in The Dialogue God explains that there are learned men who, without charity, understand Scripture less than the simple enlightened by grace, and that many unlettered saints received from him the knowledge of truth. Reason is not opposed to faith, but sees well only when faith illuminates it and love purifies it. In 1970 she was proclaimed a doctor of the Church.

    Сравнить этот вопрос с другими учителями
  • Уйти от мира или преобразить его?

    If you are what you should be, you will set all Italy on fire

    Действовать в миреСказано прямо

    Catherine of Siena spent three years in seclusion in her family home, and from that solitude went forth into the most intense public life known to any woman of her century. She nursed plague victims and accompanied men condemned to death; she mediated between Florence and the papacy; she wrote to popes, kings, cardinals and condottieri, and went to Avignon to urge Gregory XI to return the see to Rome, which happened in 1377. In a letter to her disciple Stefano Maconi she writes that, if they were what they ought to be, they would set all Italy on fire. For her, the charity born in the inner cell is proved in service to one's neighbour and the Church.

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Созвучия и противоречия

Созвучия и противоречия

Рассчитаны вопрос за вопросом на основе позиций. Причина каждого совпадения или расхождения — по нажатию.

Ближе всего к

Дальше всего от

Предания и рассказы

Предания и рассказы

Житийное повествованиеc. 1353

The vision above San Domenico

Catherine was about six. She was returning with her brother Stefano from their sister Bonaventura's house along the Vallepiatta, the slope that runs down towards Fontebranda, when, raising her eyes towards the Dominicans' church, she saw above the roof Christ dressed as a pontiff, seated on a throne, with Peter, Paul and John the Evangelist, looking at her smiling and blessing her. She stood motionless in the middle of the street; her brother, who saw nothing, had to come back for her and pull her by the hand, and when she looked away the vision vanished and she burst into tears. From then on, Raymond of Capua says, the child stopped behaving like one: she sought out-of-the-way places to pray, imitated the hermits of the lives of the Desert Fathers, and the following year vowed virginity. The episode, with its papal iconography, already announces the role Catherine would play before the papacy.

Происхождение рассказа: Raymond of Capua, Legenda maior I.2, from the account he says he heard from Catherine herself and her family.

Источник: Raimundo de Capua. Legenda maior sive Legenda admirabilis virginis Catherine de Senis. Ed. Silvia Nocentini. Florencia: SISMEL – Edizioni del Galluzzo, 2013. Trad. inglesa de Conleth Kearns, The Life of Catherine of Siena. Wilmington: Michael Glazier, 1980.

Документировано1375

The head of Niccolò di Toldo

In 1375 a young nobleman of Perugia, Niccolò di Toldo, was condemned to death in Siena for having spoken against the city's government. In despair, he refused to confess. Catherine visited him in prison and, as she herself relates, he grew calm, received the sacraments and asked her to be with him at the moment of execution. She waited for him at the place of execution, herself laid the young man's neck on the block and, when the axe fell, received his head in her hands; she says she saw his soul enter Christ's side and that she was left with her clothes soaked in blood, which she did not want to wash. She wrote it to Raymond of Capua in one of the most striking letters in religious literature, where the blood is at once the condemned man's and Christ's, and where the scene becomes a theology of forgiveness.

Происхождение рассказа: Catherine's letter to Raymond of Capua (no. 273 in Tommaseo's numbering). It is the only account of the event and comes from the protagonist.

Источник: Noffke, Suzanne (trad. y ed.). The Letters of Catherine of Siena. 4 vols. Tempe: Arizona Center for Medieval and Renaissance Studies, 2000–2008.

Свидетельствоoctubre de 1377

Learning to write

For almost her whole life Catherine dictated: she had secretaries who wrote different letters at once while she spoke. In October 1377, at the fortress of Rocca d'Orcia, she wrote to Raymond of Capua that, to unburden her heart, God had given her the ability to write, and that she had learned as one learns from a teacher, while asleep or at prayer. The hagiographers turned the fact into a miracle; modern scholars read it as the late learning of a woman who could already read. Very few texts that could be attributed to her hand survive, and their autograph status is disputed.

Происхождение рассказа: Letter to Raymond of Capua (no. 272 in Tommaseo's numbering); the miraculous interpretation comes from Raymond and Caffarini.

Источник: Noffke, Suzanne (trad. y ed.). The Letters of Catherine of Siena. 4 vols. Tempe: Arizona Center for Medieval and Renaissance Studies, 2000–2008.

Документировано1376

'My sweet babbo'

In her letters to Gregory XI, the French pope who governed the Church from Avignon, Catherine breaks every protocol. She calls him 'most holy father', but also babbo, the Tuscan family word for 'daddy', and 'sweet Christ on earth'; she reproaches him for his lukewarmness, demands that he be 'a manly man' and not afraid, asks him to return to his see of Rome, to appoint good pastors and to make peace with Florence. In June 1376 she went to Avignon to tell him in person. The scene (a young Sienese dyer's daughter speaking as an equal to the pope) impressed her contemporaries and became the centre of her legend; historians debate how far she influenced Gregory's decision to return to Rome, which he had been maturing, but no one disputes the boldness of the letters.

Происхождение рассказа: Letters to Gregory XI preserved in the correspondence (Scudder, 1905; Noffke, 2000–2008); historical assessment in Luongo (2006) and Vauchez (2015).

Источник: Scudder, Vida D. (trad. y ed.). Saint Catherine of Siena as Seen in Her Letters. Londres: J. M. Dent / Nueva York: E. P. Dutton, 1905 (Project Gutenberg n.º 7403).

Свидетельствоenero–febrero de 1380

The ship of the Church on her shoulders

In Rome, in January 1380, with the Church split by the schism and the city on the verge of revolt against Urban VI, Catherine prayed every day at St Peter's. She herself recounted in one of her last letters to Raymond of Capua that, during prayer, she felt the navicella of the Church, Peter's boat depicted in Giotto's mosaic in the basilica's atrium, being placed upon her shoulders, and that her body gave way under that weight. She never recovered: by the end of February she could no longer walk, and she died two months later. The image sums up her last phase: a woman who lived the Church's crisis as a physical burden.

Происхождение рассказа: Letter to Raymond of Capua of February 1380 (no. 373 in Tommaseo's numbering) and Barduccio Canigiani's letter.

Источник: Noffke, Suzanne (trad. y ed.). The Letters of Catherine of Siena. 4 vols. Tempe: Arizona Center for Medieval and Renaissance Studies, 2000–2008.

Устная традиция1384

The head that turned to roses

In 1384 Raymond of Capua arranged for Catherine's head, buried in Rome, to be taken to Siena, which claimed her remains. According to a widespread Sienese tradition, the disciples carrying it in a bag were stopped by the guards at the city gate of Rome; on opening the bag they found nothing but rose petals, and once outside Rome the head reappeared. The head has been venerated ever since in the basilica of San Domenico in Siena, and a finger in the house at Fontebranda; the body remains in Santa Maria sopra Minerva in Rome. The translation of 1384 is documented; the miracle of the roses does not appear in the Legenda maior and belongs to local tradition.

Происхождение рассказа: The translation of the head to Siena is documented; the story of the roses is a late Sienese tradition without support in fourteenth-century sources.

Источник: Vauchez, André. Catherine de Sienne: vie et passions. París: Éditions du Cerf, 2015.

Учение

Учение

Понятия, на которых строится мысль учителя, объяснённые в их контексте.

The cell of self-knowledgecelda-del-conocimiento-de-si
The Dialogue begins with a soul 'accustomed to dwell in the cell of self-knowledge'. For Catherine, who could not have a convent cell, the cell is inward and is carried with her into the street, the hospital or the papal court. That knowledge has two inseparable sides: knowing oneself as a creature that 'is not' of itself, which breeds humility and hatred of disordered self-love; and knowing within oneself God's goodness, which has created and redeemed one, which breeds love. Apart, the first leads to despair and the second to presumption; together they are the foundation of all the virtues. 'You are she who is not; I am he who is', Christ told her according to Raymond. The theme, of Augustinian and Dominican root, gives her mysticism a practical character: contemplation does not withdraw one from others, because charity towards one's neighbour is the proof that the knowledge was true.

The Augustinian legacy of knowledge of God and of self, transmitted through Dominican preaching.

Источник: Caterina da Siena. Il Dialogo della divina provvidenza ovvero Libro della divina dottrina. Ed. Giuliana Cavallini. Roma: Edizioni Cateriniane, 1968 (2.ª ed., Siena: Cantagalli, 1995).

Christ the bridgeel-puente
The central image of the Dialogue: after Adam's sin the road between heaven and earth was broken and a stormy river (the world) sweeps away whoever tries to cross it; God has stretched out his Son as a bridge, uniting the divine and human natures. The bridge has three steps, which are Christ's nailed feet, opened side and mouth, and correspond to three states of the soul: the servile fear that abandons sin, the still mercenary love that discovers Christ's heart, and the filial love that reaches peace and becomes word. It is built with the stones of the virtues, mortared with blood, roofed by mercy, and on it is a 'shop' where the food of the sacrament is given. Under the bridge pass those who choose the river. The allegory orders all Catherine's spiritual doctrine as an itinerary.

Tradition of the degrees of love (Bernard of Clairvaux) and the theology of Christ's mediation.

Источник: Caterina da Siena. Il Dialogo della divina provvidenza ovvero Libro della divina dottrina. Ed. Giuliana Cavallini. Roma: Edizioni Cateriniane, 1968 (2.ª ed., Siena: Cantagalli, 1995).

The bloodla-sangre
Few words appear as often in Catherine as blood. Her letters begin 'in the precious blood' of Christ; she presents it as the price of redemption, as a bath that cleanses in the sacrament of penance, as wine that inebriates and as a key kept by the pope, 'Christ on earth', which opens heaven to the faithful. Blood unites her mysticism and her politics: because the Church administers the blood, it must be reformed, the pope must be in Rome and Christians must not shed their brothers' blood. In the execution of Niccolò di Toldo and in her death, crying 'blood, blood!', the image becomes experience. Far from a morbid taste, it is for her the concrete sign of a love that has given itself to the end.

The piety of the passion in fourteenth-century Italy and Dominican sacramental theology.

Источник: Noffke, Suzanne (trad. y ed.). The Letters of Catherine of Siena. 4 vols. Tempe: Arizona Center for Medieval and Renaissance Studies, 2000–2008.

The doctrine of tearsdoctrina-de-las-lagrimas
In a section of the Dialogue Catherine distinguishes five kinds of tears corresponding to five states of the soul: those of the damned, born of fear of punishment; those of people beginning to leave sin out of fear; those of people beginning to love God with a still imperfect love; those of people who love their neighbour perfectly; and the 'sweet tears' of the perfect, united with God. She adds tears of fire, without water, belonging to those who wish to weep and cannot, which the Holy Spirit welcomes equally. The classification turns religious feeling into a criterion of discernment: what matters is not the tears but from what love they spring.

The monastic tradition of the gift of tears, from Cassian and Gregory the Great.

Источник: Noffke, Suzanne (trad.). Catherine of Siena: The Dialogue. Classics of Western Spirituality. Nueva York: Paulist Press, 1980.

The mystical body and the reform of the Churchcuerpo-mistico
Catherine calls the Church 'the mystical body of holy Church' and distinguishes in it the treasure (Christ's blood and the sacraments, always holy) from the ministers who administer it, often unworthy. That distinction allows her to be at once very harsh with the clergy (in the Dialogue she describes bluntly the simony, greed and lust of bad shepherds) and absolutely faithful to the pope and the institution: one should not disobey the bad minister but ask God and the pope for his reform. That is why she demands that Gregory XI return to Rome, choose good shepherds and begin by uprooting 'the stinking flowers' from the Church's garden, and why, in the schism, she defends Urban VI. Reform, for her, begins in the conversion of each person and extends to the head.

Crisis of the Avignon papacy and of the Great Schism (1378).

Источник: Luongo, F. Thomas. The Saintly Politics of Catherine of Siena. Ithaca: Cornell University Press, 2006.

God as fire and 'mad with love'fuego-de-amor
Catherine's most lyrical pages describe God as fire and abyss of charity and as a lover 'mad' for his creature: 'O mad lover! Was it not enough for you to become flesh, that you willed also to die?'. God's madness is the disproportion of a love that creates without needing, redeems without being obliged and gives itself to the point of death. The soul that knows it becomes in turn 'drunk' and set alight, and that fire turns into zeal for the salvation of others: hence the sentence to Stefano Maconi about setting Italy on fire. In her final prayers she goes as far as to say that her own nature, known in God's, is fire. The image unites bridal mysticism, the theology of charity and public action.

Medieval bridal mysticism and the tradition of the excessus amoris.

Источник: Caterina da Siena. Il Dialogo della divina provvidenza ovvero Libro della divina dottrina. Ed. Giuliana Cavallini. Roma: Edizioni Cateriniane, 1968 (2.ª ed., Siena: Cantagalli, 1995).

Видео

Видео

Записи, интервью и документальные фильмы. Видео воспроизводятся с YouTube; здесь они не хранятся.

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  • St. Catherine of Siena Lecture - Dr. Perry Cahall

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  • André Vauchez - Santa Caterina da Siena

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    DUSIC - Università di ParmaОфициальный канал

  • Santa Caterina - prima lezione

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Галерея

Галерея

Изображения с проверенной лицензией. Каждое сохраняет своё авторство и атрибуцию.

Связи

Связи

Влияния, ученичество и близость взглядов. Документированная связь отличается от сходства, выявленного путём анализа.

  • Испытал влияние

    Jesus of Nazareth

    Her whole spirituality revolves around Christ crucified: her letters begin 'in the name of Jesus Christ crucified' and the Dialogue presents Christ as the bridge between God and the world.

    Документированная связь

  • Идеи, близкие к

    Francis of Assisi

    Pius XII proclaimed them together principal patrons of Italy in 1939. They share identification with the passion (both stigmatised according to their hagiographers) and the preaching of peace; Catherine, a Dominican, shows no particular devotion to Francis in her writings.

    Сходство, выявленное путём анализа

  • Идеи, близкие к

    Teresa of Ávila

    The first two women proclaimed Doctors of the Church, a week apart (27 September and 4 October 1970). Both combined mysticism and reform, and wrote without Latin learning.

    Сходство, выявленное путём анализа

  • Идеи, близкие к

    Augustine of Hippo

    Her anthropology of memory, understanding and will as the image of the Trinity (Dialogue, ch. XIII) and her theme of self-knowledge come from the Augustinian tradition, mediated by Dominican preaching; no direct reading is documented.

    Сходство, выявленное путём анализа

  • Современник

    Julian of Norwich

    Exact contemporaries, both laywomen without Latin learning who left a theology in the vernacular; they never had contact.

    Сходство, выявленное путём анализа

  • Идеи, близкие к

    Hildegard of Bingen

    Like Hildegard two centuries earlier, Catherine wrote to popes and the powerful with prophetic authority and denounced clerical corruption; both are Doctors of the Church. No documented relation.

    Сходство, выявленное путём анализа

  • Идеи, близкие к

    Meister Eckhart

    Both belong to the Dominican family and share the idea of a self-knowledge that issues in God, but Catherine is narrative, affective and ecclesial where Eckhart is speculative. No documented relation.

    Сходство, выявленное путём анализа

Источники

Источники

Библиография и каталоги, использованные для этой статьи.

  1. Wikidata, Q229190 «Catalina de Siena / Catherine of Siena» (P31=Q5; 83 enlaces entre wikis; P569 1347-03-25, P570 1380-04-29).
  2. Raimundo de Capua. Legenda maior sive Legenda admirabilis virginis Catherine de Senis. Ed. Silvia Nocentini. Florencia: SISMEL – Edizioni del Galluzzo, 2013. Trad. inglesa de Conleth Kearns, The Life of Catherine of Siena. Wilmington: Michael Glazier, 1980.
  3. Caterina da Siena. Il Dialogo della divina provvidenza ovvero Libro della divina dottrina. Ed. Giuliana Cavallini. Roma: Edizioni Cateriniane, 1968 (2.ª ed., Siena: Cantagalli, 1995).
  4. Caterina da Siena. Libro della divina dottrina volgarmente detto Dialogo della divina provvidenza. Ed. Matilde Fiorilli. Scrittori d'Italia. Bari: Laterza, 1912 (Project Gutenberg n.º 26961).
  5. Noffke, Suzanne (trad. y ed.). The Letters of Catherine of Siena. 4 vols. Tempe: Arizona Center for Medieval and Renaissance Studies, 2000–2008.
  6. Tommaseo, Niccolò (ed.). Le lettere di S. Caterina da Siena. 4 vols. Florencia: G. Barbèra, 1860; reed. ampliada por Piero Misciattelli, 6 vols., Siena: Giuntini-Bentivoglio, 1913–1922.
  7. Noffke, Suzanne (ed. y trad.). The Prayers of Catherine of Siena. Nueva York: Paulist Press, 1983.
  8. Vauchez, André. Catherine de Sienne: vie et passions. París: Éditions du Cerf, 2015.
  9. Luongo, F. Thomas. The Saintly Politics of Catherine of Siena. Ithaca: Cornell University Press, 2006.
  10. Benedicto XVI. Audiencia general del 24 de noviembre de 2010: Santa Catalina de Siena. Libreria Editrice Vaticana.
  11. Juan Pablo II. Motu proprio Spes aedificandi, proclamación de las copatronas de Europa (1 de octubre de 1999). Libreria Editrice Vaticana.
  12. Noffke, Suzanne (trad.). Catherine of Siena: The Dialogue. Classics of Western Spirituality. Nueva York: Paulist Press, 1980.
  13. Tommaso Caffarini. Libellus de supplemento: legende prolixe virginis beate Catherine de Senis. Ed. Giuliana Cavallini e Imelda Foralosso. Roma: Edizioni Cateriniane, 1974.
  14. Laurent, M.-H. (ed.). Il Processo Castellano. Fontes vitae S. Catharinae Senensis historici IX. Milán: Fratelli Bocca, 1942.
  15. Scudder, Vida D. (trad. y ed.). Saint Catherine of Siena as Seen in Her Letters. Londres: J. M. Dent / Nueva York: E. P. Dutton, 1905 (Project Gutenberg n.º 7403).
  16. Thorold, Algar (trad.). The Dialogue of the Seraphic Virgin Catherine of Siena. Londres: Kegan Paul, Trench, Trübner & Co., 1896 (nueva ed. abreviada, 1907).
  17. Salvador y Conde, José (intr. y trad.). Obras de Santa Catalina de Siena: El Diálogo, Oraciones y Soliloquios. Madrid: Biblioteca de Autores Cristianos, 1991.
  18. Open Library (Internet Archive), registros de edición consultados por ISBN para las ediciones listadas.
  19. Wikisource en italiano: Caterina da Siena, Libro della divina dottrina (ed. Fiorilli, 1912) y Le lettere di S. Caterina da Siena (ed. Misciattelli, 1922).
  20. Gardner, Edmund G. Saint Catherine of Siena: A Study in the Religion, Literature and History of the Fourteenth Century in Italy. Londres: J. M. Dent, 1907.
  21. Canigiani, Barduccio. Carta sobre el tránsito de Catalina, dirigida a sor Caterina Petriboni (1380). Trad. inglesa en Algar Thorold, The Dialogue of the Seraphic Virgin Catherine of Siena… together with an account of her death by an eye-witness. Londres: Kegan Paul, 1907.
  22. Anónimo florentino. I Miracoli di Caterina di Iacopo da Siena di anonimo fiorentino. Ed. Francesco Valli. Fontes vitae S. Catharinae Senensis historici IV. Siena: R. Università di Siena, 1936.
  23. Associazione Internazionale dei Caterinati (Siena).
Правообладатель
Dominio público (obra del siglo XIV). Las ediciones críticas, traducciones y aparatos modernos (Cantagalli, Edizioni Cateriniane, BAC, Paulist Press, ACMRS, Studio Domenicano…) están sujetos a los derechos de sus editores. El Centro Nazionale di Studi Cateriniani (Roma) y la Associazione Internazionale dei Caterinati (Siena) promueven su estudio y su culto.
Официальный сайт
www.caterinati.org/

Ожидает подтверждения

То, что в этой статье пока не удалось установить. Мы предпочитаем сказать об этом, а не заполнять пробел.

  • Localizar en catálogo los principales manuscritos del Diálogo y del epistolario (Siena, Biblioteca Comunale degli Intronati; Roma, Biblioteca Casanatense; Florencia, Biblioteca Nazionale) con sus signaturas: no se han registrado manuscritos para no aportar signaturas sin verificar.
  • Confirmar el número de cartas según la edición crítica en curso (Antonio Volpato, Centro Nazionale di Studi Cateriniani): las cifras habituales oscilan entre 373 y 383.
  • Verificar la redacción italiana exacta de la carta a Stefano Maconi («Se sarete quello che dovete essere…»), aquí marcada como «probable», contra la edición Misciattelli.
  • Localizar ISBN de la edición crítica de Cavallini del Diálogo (Cantagalli, 1995), de Le Orazioni (1978) y de la Legenda maior de Nocentini (SISMEL, 2013).
  • Ediciones españolas de las cartas y de la Leyenda de Raimundo de Capua con ISBN: no localizadas en Open Library.
  • Buscar una traducción española de dominio público del Diálogo con texto completo en línea (hay traducciones de los siglos XVI–XVIII en bibliotecas digitales, sin OCR utilizable).
  • Revisar la calidad del OCR de los textos de Internet Archive (Thorold 1896 y 1907; Hamilton 1862).
  • La edición de Thorold de 1907 (reading_texts, lettera-di-barduccio) reúne la carta de Barduccio con una versión abreviada del Diálogo: queda con caution hasta extraer solo la carta.
  • Programas de afiliación: ninguno verificado.

Исследовано 2026-10-25