Cristianesimo · Mistica cristiana · Cristianesimo ortodosso
Pavel Florensky
Павел Александрович Флоренский
1882 – 1937Persona storicamente documentata
Sacerdote ortodosso, teologo, filosofo, matematico e ingegnere russo (1882-1937), spesso chiamato «il Leonardo russo». La sua «La colonna e il fondamento della verità» (1914) rinnovò la teologia ortodossa con una sofiologia e una teoria dell'antinomia; «L'iconostasi» e «La prospettiva rovesciata» fondarono una filosofia dell'icona. Lavorò in tonaca all'elettrificazione sovietica, fu deportato nel Gulag nel 1933, scrisse ai figli dalle Solovki e fu fucilato dall'NKVD l'8 dicembre 1937.
- opere
- 43opere
- edizioni
- 69edizioni
- citazioni
- 6citazioni
- video
- 13video
- immagini
- 7immagini

«Filósofos»: Florenski y Bulgákov, por Mijaíl Nésterov · Public domain
Con le sue parole
«Living religious experience as the sole legitimate way of knowing dogmas.»«Столп и утверждение истины» (1914), «К читателю», primera frase: así resume el autor la intención de todo el libro.

Per cominciare, un'opera
The Pillar and Ground of the Truth: An Essay in Orthodox Theodicy in Twelve LettersLa sua idea centrale
Antinomy: For Florensky religious truth is antinomic: it can be stated only through pairs of contradictory propositions, equally true, which discursive reason cannot reconcile.
Vederlo nel contesto
Biografia
5 min di lettura
Traduzione assistita dall'originale spagnolo, in attesa di revisione da parte di un traduttore madrelingua.
Un bambino del Caucaso
Pavel Aleksandrovič Florenskij nacque il 21 gennaio 1882 (il 9 secondo il calendario giuliano) a Evlach, nell'odierno Azerbaigian, dove il padre, Aleksandr Ivanovič, ingegnere di famiglia ecclesiastica ma lontano dalla Chiesa, lavorava alla costruzione della ferrovia transcaucasica. La madre, Ol'ga (Salomè) Pavlovna Saparova, proveniva da un'antica famiglia armena del Karabakh. Primo di sette figli, crebbe tra Tiflis e Batumi, in una casa colta e religiosamente indifferente. Lui stesso avrebbe raccontato in «Ai miei figli» che da bambino viveva in un «eden» di fenomeni naturali — il mare, le pietre, le piante — e che Goethe fu il suo nutrimento intellettuale prima di qualsiasi filosofo.
Matematico a Mosca
Nel 1900 terminò il ginnasio al Secondo Ginnasio di Tiflis ed entrò alla Facoltà di fisica e matematica dell'Università di Mosca. Lì si formò con Nikolaj Bugaev, strinse amicizia con Andrej Belyj e, tramite lui, con Brjusov, Bal'mont, i Merežkovskij e Blok, e pubblicò su «Novyj put'» e «Vesy» saggi come «Sui simboli dell'infinito» (1904), dedicato alla teoria degli insiemi di Cantor. In quegli anni fu attratto da Vladimir Solov'ëv e dall'archimandrita Serapion (Maškin). Nel 1904 si laureò con il massimo dei voti ma, invece di intraprendere una carriera scientifica, entrò con la benedizione del vescovo Antonij (Florensov) nell'Accademia teologica di Mosca, a Sergiev Posad.
L'Accademia teologica
Nel marzo 1906, ancora studente, pronunciò nella chiesa dell'Accademia un sermone contro la pena di morte, «Il grido del sangue», che fu stampato senza passare per la censura; venne arrestato e trascorse un breve periodo in carcere. Terminò gli studi nel 1908 e rimase all'Accademia come docente di storia della filosofia. Nel 1910 sposò Anna Michajlovna Giacintova, da cui ebbe cinque figli — Vasilij, Kirill, Ol'ga, Michail e Marija —, e nel 1911 fu ordinato sacerdote. Dal 1912 al 1917 diresse la rivista dell'Accademia, «Bogoslovskij vestnik», e prestò servizio come cappellano nella chiesa dell'ospizio della Croce Rossa di Sergiev Posad.
La colonna e il fondamento della verità
Nel 1914 pubblicò, ampliata, l'opera iniziata da studente: «La colonna e il fondamento della verità. Saggio di teodicea ortodossa in dodici lettere». Scritta in forma di carteggio con un amico, mescola teologia, matematica, filologia, storia dell'arte ed esperienza mistica. Sostiene che la verità non si dimostra ma si vive nella Chiesa, che il dogma è antinomico — può essere enunciato soltanto in tesi contrarie che la ragione non riconcilia — e che la Sapienza divina, Sofia, è la radice della creazione. Il libro, premiato dall'Accademia, affascinò gli uni e scandalizzò gli altri: Berdjaev lo definì «ortodossia stilizzata».
Un'ombra: il caso Bejlis
In quegli stessi anni Florenskij lasciò scritti che i suoi ammiratori preferiscono dimenticare. Durante il processo del 1913 contro Menachem Bejlis, un ebreo di Kiev falsamente accusato di omicidio rituale, inviò a Vasilij Rozanov due articoli anonimi in cui dava per vera l'accusa; Rozanov li pubblicò in appendice al suo libro sul rapporto degli ebrei con il sangue. La critica vi ha visto il passaggio da un antigiudaismo cristiano a un antisemitismo di tipo razziale.
Rivoluzione, icone e prospettiva
Accolse la rivoluzione come un'apocalisse e inclinò verso una monarchia teocratica, ma non emigrò. Dal 1918 al 1920 fu segretario scientifico della Commissione per la tutela dei monumenti della Lavra della Trinità di San Sergio, ne catalogò le icone e si batté perché il monastero non diventasse un «museo morto». Scrisse allora i suoi testi sul culto e sull'arte: «La prospettiva rovesciata» (1919), dove spiega la prospettiva dell'icona come un altro modo di rappresentare uno spazio spirituale, e «L'iconostasi» (1922), secondo cui l'icona è una finestra e l'iconostasi il confine tra il mondo visibile e quello invisibile.
Il sacerdote ingegnere
Dal 1919 lavorò come scienziato al servizio dello Stato sovietico, senza mai togliersi la tonaca: nella fabbrica di materie plastiche Karbolit, nel dipartimento di scienza dei materiali del Glavenergo e nel piano di elettrificazione GOELRO. Scrisse una monografia sui dielettrici (1924), brevettò invenzioni, insegnò dal 1921 al 1927 nei laboratori d'arte VChUTEMAS e fu tra i redattori dell'«Enciclopedia tecnica», per la quale scrisse circa centocinquanta voci. Nel 1922 pubblicò «Gli immaginari in geometria», che, appoggiandosi a Dante e alla relatività, difendeva una cosmologia geocentrica e fu attaccato come oscurantista.
La Siberia e le Solovki
Nel 1928 fu confinato a Nižnij Novgorod; grazie a Ekaterina Peškova poté tornare e gli fu offerto di emigrare a Praga, ma preferì restare. Il 26 febbraio 1933 fu arrestato nell'ambito di un'inchiesta montata contro una presunta organizzazione controrivoluzionaria e, il 26 luglio, condannato a dieci anni di campo di lavoro. Passò per il lager di Svobodnyj, nell'Estremo Oriente, e per la stazione sperimentale del permafrost di Skovorodino, e nell'autunno del 1934 fu trasferito alle isole Solovki, dove studiò l'estrazione dello iodio e dell'agar-agar dalle alghe. Da lì scrisse alla moglie, alla madre e ai figli più di un centinaio di lettere colme di scienza, poesia e tenerezza.
L'8 dicembre 1937
Il 25 novembre 1937, durante il Grande Terrore, una trojka dell'NKVD della regione di Leningrado lo condannò a morte. L'8 dicembre fu fucilato insieme ad altri detenuti trasferiti dalle Solovki; il luogo dell'esecuzione e della fossa non è stato stabilito, e si ipotizzano Levašovo e altri poligoni nei dintorni di Leningrado. Per anni alla famiglia fu comunicata una falsa data di morte, il 15 dicembre 1943. I documenti del fascicolo, conservati negli archivi degli organi di sicurezza e aperti dopo la perestrojka, accertarono la sentenza e la data dell'esecuzione. Fu riabilitato nel 1958 e nel 1959.
Eredità
Florenskij fu riscoperto negli anni Sessanta e Settanta, quando la rivista del Patriarcato di Mosca cominciò a pubblicarne gli inediti, e la sua opera completa è stata pubblicata in Russia a partire dal 1994. La sua teoria della prospettiva rovesciata e la sua filosofia dell'icona hanno influito sulla storia dell'arte e sulla semiotica, e la sua sintesi di scienza e fede ne ha fatto un simbolo dell'intelligencija religiosa distrutta dal regime sovietico. Il nipote, l'igumeno Andronik (Trubačëv), ne ha curato le opere e ha fondato il museo a lui intitolato a Sergiev Posad.
Fonti: Pyman, Avril. Pavel Florensky: A Quiet Genius. The Tragic and Extraordinary Life of Russia's Unknown da Vinci. Nueva York y Londres: Continuum, 2010. · Florenski, P. A. Столп и утверждение истины. Опыт православной феодицеи в двенадцати письмах [La columna y el fundamento de la verdad]. Moscú: Put, 1914. Texto en Azbuka. · Florenski, P. A. Иконостас [El iconostasio] (1922). Богословские труды, n.º 9 (1972), pp. 83–148. Texto en Azbuka. · Florenski, P. A. Письма с Соловков [Cartas desde las Solovkí], en Сочинения в 4 томах, t. 4: Письма с Дальнего Востока и Соловков, ed. igumeno Andronik (Trubachov) et al. Moscú: Mysl, 1998, pp. 139–781. Texto en Azbuka. · Florenski, P. A. Детям моим. Воспоминания прошлых дней [A mis hijos. Recuerdos de días pasados] (1916–1926). Moscú: Moskovski rabochi, 1992. Texto en Azbuka.
Cronologia
La vita, anno per anno
Ogni punto è un evento documentato. Fai clic per leggerlo, con la sua fonte e il suo grado di certezza.
21 gennaio 18820 anniYevlaj
Birth
Born (9 January Old Style), the first of seven children of the railway engineer Alexander Florensky and Olga Saparova.
DocumentatoWikidata, Q336769: Pavel Florensky (1882–1937). P31=Q5; 47 enlaces entre wikis.
Dopo la sua morte
- 5 maggio 1958Rehabilitation
- 1972Iconostasis published
21 gennaio 1882 · 0 anni
Birth
Born (9 January Old Style), the first of seven children of the railway engineer Alexander Florensky and Olga Saparova.
Documentato
1900 · 18 anni
Moscow University
Finishes at the Second Tiflis Gymnasium and enters Physics and Mathematics at Moscow University.
Documentato
1904 · 22 anni
From mathematics to theology
Graduates with a first-class diploma and, with Bishop Antony (Florensov)'s blessing, enters the Moscow Theological Academy. Publishes 'On the Symbols of Infinity'.
Documentato
marzo 1906 · 24 anni
'The Cry of Blood'
His sermon against the death penalty, printed without censorship, leads to his arrest and a short spell in prison.
Probabile
1908 · 26 anni
Academy lecturer
Completes his studies and begins teaching the history of philosophy at the Theological Academy.
Documentato
1910 · 28 anni
Marriage
Marries Anna Mikhailovna Giatsintova (1889–1973); they will have five children.
Documentato
1911 · 29 anni
Ordination
He is ordained priest; from 1912 to 1917 he edits Bogoslovsky vestnik.
Documentato
1913 · 31 anni
The Beilis articles
Sends Rozanov two anonymous articles that treat as true the ritual-murder accusation against Menahem Beilis.
Documentato
1914 · 32 anni
The Pillar and Ground of the Truth
The Put publishing house issues his major work, an enlargement of his master's thesis.
Documentato
1918 – 1920 · 36 anni
The Lavra Commission
Scientific secretary of the Commission for the Protection of the Monuments of the Trinity–St Sergius Lavra (1918–1920).
Documentato
1919 · 37 anni
Reverse Perspective and scientific work
Writes 'Reverse Perspective' and begins working as a scientist at the Karbolit plant and then at Glavenergo.
Documentato
1921 – 1927 · 39 anni
Professor at VKhUTEMAS
At Vladimir Favorsky's recommendation he teaches at the VKhUTEMAS art workshops until 1927.
Documentato
1922 · 40 anni
Iconostasis and Imaginaries in Geometry
Writes Iconostasis (published 1972) and publishes Imaginaries in Geometry at his own expense.
Documentato
1924 · 42 anni
Dielectrics
Publishes Dielectrics and Their Technical Application.
Documentato
1927 · 45 anni
Technical Encyclopedia
Joins the editorial board of the Technical Encyclopedia, for which he writes some 150 articles.
Documentato
1928 · 46 anni
Exile and refusal to emigrate
Exiled to Nizhny Novgorod; thanks to Ekaterina Peshkova he returns and is offered emigration to Prague, but decides to stay.
Documentato
26 febbraio 1933 · 51 anni
Arrest
Arrested by the OGPU; on 26 July he is sentenced to ten years in a labour camp.
Documentato
1 dicembre 1933 · 51 anni
Svobodny camp
Arrives at the BAMLAG camp at Svobodny; in February 1934 he moves to the experimental permafrost station at Skovorodino.
Documentato
15 novembre 1934 · 52 anni
Solovki
Begins work at the iodine factory of the Solovki camp, to which he had been moved in the autumn.
Documentato
18 giugno 1937 · 55 anni
Last surviving letter
Date of letter no. 103 to his wife, the last of those published in his Letters from Solovki.
Probabile
25 novembre 1937 · 55 anni
Death sentence
A special NKVD troika of the Leningrad region sentences him to death.
Documentato
8 dicembre 1937 · 55 anni
Execution
Shot by the NKVD; the site of the grave remains unestablished. The family was given a false date (15 December 1943).
Documentato
5 maggio 1958
Rehabilitation
Rehabilitated for the 1933 conviction; on 5 March 1959, for that of 1937.
Documentato
1972
Iconostasis published
Bogoslovskie trudy, a journal of the Moscow Patriarchate, publishes Iconostasis, fifty years after it was written.
Documentato
Opere
Opere essenziali
Le opere senza le quali non si comprende la sua eredità.

Opera scritta · 1914
The Pillar and Ground of the Truth: An Essay in Orthodox Theodicy in Twelve Letters
Столп и утверждение истины. Опыт православной феодицеи в двенадцати письмах
His capital work, published by Put in 1914. Twelve letters to a friend — doubt, the Trinity, the light of truth, the Comforter, contradiction, sin, Gehenna, the creature, Sophia, friendship and jealousy — with extensive mathematical, philological and iconographic appendices. It holds that truth is reached by living religious experience rather than deduction; that dogma is antinomic; that the Trinity is the foundation of all truth; that Sophia is the root of creation; and that friendship, the 'we' of two, is the cell of the Church. It influenced Bulgakov and Losev and was criticised by Berdyaev and Florovsky.
8 edizioni

Opera postuma · 1922
Iconostasis
Иконостас
Written in 1922 and published in 1972 in Bogoslovskie trudy. Starting from the experience of dreams, which separate and join two worlds, it defines the icon as a window onto the invisible and the iconostasis as the boundary between the visible and invisible worlds, formed by the saints themselves. It defends the technique of the icon — egg tempera, gold, construction in layers of light — as the expression of an ontology of light, against the oil painting and perspective of Western art.
5 edizioni
Pavel Florensky
Imaginaries in Geometry
Opera scritta · 1922
Imaginaries in Geometry
Мнимости в геометрии. Расширение области двухмерных образов геометрии (Опыт нового истолкования мнимостей)
A short treatise published at the author's expense in 1922. It proposes interpreting imaginary numbers as the reverse side of a surface, and applies this to relativity: beyond the speed of light an 'imaginary' space, the invisible world, would begin. Drawing on Dante's Paradiso, it defends a geocentric cosmology and places the boundary between Earth and Heaven between the orbits of Uranus and Neptune. Its cover was designed by Vladimir Favorsky.
3 edizioni

Corrispondenza · 1998
Letters from the Far East and Solovki
Письма с Дальнего Востока и Соловков
Letters written between 1933 and 1937 from the camps of Svobodny, Skovorodino and Solovki to his wife, his mother and his five children, to whom he gave lessons in physics, chemistry, botany, poetry and music. Published in part from the 1980s and complete in 1998 (vol. 4 of his Works). They are one of the great spiritual testimonies of the Gulag.
6 edizioni
Tutta la sua opera (43)
Pavel Florensky
The Idea of Discontinuity as an Element of a Worldview
The Conscious LibraryThe Idea of Discontinuity as an Element of a Worldview
1904
Pavel Florensky
On the Symbols of Infinity (An Essay on the Ideas of G. Cantor)
The Conscious LibraryOn the Symbols of Infinity (An Essay on the Ideas of G. Cantor)
1904
Pavel Florensky
On One Premise of a Worldview
The Conscious LibraryOn One Premise of a Worldview
1904
Pavel Florensky
Spiritualism as Anti-Christianity
The Conscious LibrarySpiritualism as Anti-Christianity
1904
Pavel Florensky
The Cry of Blood
The Conscious LibraryThe Cry of Blood
1906

Salt of the Earth: A Narrative on the Life of the Elder of Gethsemane Skete, Hieromonk Abba Isidore
1909
Pavel Florensky
Anthony of the Novel and Anthony of Tradition
The Conscious LibraryAnthony of the Novel and Anthony of Tradition
1907
Pavel Florensky
The Author of Life
The Conscious LibraryThe Author of Life
1907
Pavel Florensky
Joy Forever
The Conscious LibraryJoy Forever
1907
Pavel Florensky
In the Eternal Azure
The Conscious LibraryIn the Eternal Azure
1907
Pavel Florensky
The Cosmological Antinomies of Immanuel Kant
The Conscious LibraryThe Cosmological Antinomies of Immanuel Kant
1909
Pavel Florensky
The Universal Human Roots of Idealism
The Conscious LibraryThe Universal Human Roots of Idealism
1909
Pavel Florensky
On Spiritual Truth: An Essay in Orthodox Theodicy
The Conscious LibraryOn Spiritual Truth: An Essay in Orthodox Theodicy
1912
Pavel Florensky
The Meaning of Idealism
The Conscious LibraryThe Meaning of Idealism
1914
Pavel Florensky
Reason and Dialectic
The Conscious LibraryReason and Dialectic
1914
Pavel Florensky
Articles on the Beilis Case
The Conscious LibraryArticles on the Beilis Case
1913
Pavel Florensky
Did Not Count It Robbery (Towards a Judgement on Mysticism)
The Conscious LibraryDid Not Count It Robbery (Towards a Judgement on Mysticism)
1916
Pavel Florensky
Around Khomyakov: Critical Notes
The Conscious LibraryAround Khomyakov: Critical Notes
1916
Pavel Florensky
The Reduction of Numbers
The Conscious LibraryThe Reduction of Numbers
1916
Pavel Florensky
To My Children: Memories of Days Past
The Conscious LibraryTo My Children: Memories of Days Past
1992
Pavel Florensky
The Philosophy of Cult
The Conscious LibraryThe Philosophy of Cult
1977
Pavel Florensky
The Trinity–St Sergius Lavra and Russia
The Conscious LibraryThe Trinity–St Sergius Lavra and Russia
1919

Reverse Perspective
1919
Pavel Florensky
Celestial Signs (On the Symbolism of Colours)
The Conscious LibraryCelestial Signs (On the Symbolism of Colours)
1919
Citazioni
Citazioni localizzate in un'opera precisa. Ciascuna porta con sé la sua provenienza e il suo grado di affidabilità.
Living religious experience as the sole legitimate way of knowing dogmas.Живой религиозный опыт, как единственный законный способ познания догматов.
Verificata«Столп и утверждение истины» (1914), «К читателю», primera frase: así resume el autor la intención de todo el libro.
Ultime parole
Non esistono testimonianze verificabili delle sue ultime parole.
His last words are not known. He was shot by the NKVD on 8 December 1937, together with other prisoners transferred from Solovki, at an unestablished place outside Leningrad; there were no witnesses who left an account. His last known letter to his family, no. 103 in the 1998 edition, is dated 18 June 1937: it speaks of the lack of work in the Solovki Kremlin, of his corner with a view of the sea in the monastery museum and of how much he would regret leaving the sea.
Fonte: Florenski, P. A. Письма с Соловков [Cartas desde las Solovkí], en Сочинения в 4 томах, t. 4: Письма с Дальнего Востока и Соловков, ed. igumeno Andronik (Trubachov) et al. Moscú: Mysl, 1998, pp. 139–781. Texto en Azbuka.
Chiedi
Ciò a cui risponde la sua opera
Dodici grandi domande dell'umanità e ciò che i suoi testi permettono di rispondere, con riferimenti. Non gli mettiamo mai parole in bocca.
Che cos'è l'Assoluto? Dio esiste?
The truth that proves itself is the Trinity, and the icon bears witness to it
Un Dio personaleLo dice espressamente
Florensky starts, in The Pillar and Ground of the Truth, from living religious experience as the only legitimate way of knowing dogmas. In the letter on doubt he follows scepticism to its end and concludes that only a truth that is at once subject and relation, an I that gives itself to a Thou and recognises itself in a He, can stand: the Trinity. His God is personal and tri-personal, and his inner life is self-giving love. To this speculative path he adds an aesthetic one: in Iconostasis he asserts that, since Rublev's Trinity exists, God exists, and presents this as the most convincing proof, one the textbooks never mention. For him the icon does not illustrate an idea: it is a window through which the invisible lets itself be seen.
Confronta questa domanda con altri maestriChi sono io? Esiste un vero sé?
The self finds itself only in love and in friendship
Un sé coltivato nella relazioneLo dice espressamente
Florensky criticises the identity of the self conceived as the logical law A is A. In The Pillar and Ground of the Truth, such closed self-affirmation is the very form of sin and death: a self that only repeats itself becomes empty. True personal identity is reached by going out of oneself, when the self gives itself to another and receives itself from him; its model is Trinitarian life, in which each person is what it is through its relation to the others. That is why he devotes an entire letter to friendship, which he understands from the tradition of spiritual brotherhood in the early Church, as the experience in which two persons become consubstantial without being confused. The self is real and immortal, but it is found only in communion.
Confronta questa domanda con altri maestriPerché soffriamo?
Sin is self-assertion that disintegrates; the true gift is paid for in pain
La separazione da DioLo dice espressamente
In The Pillar and Ground of the Truth, Florensky defines sin as the self-assertion of an I that shuts itself into its empty identity and breaks communion; its consequence is inner disintegration, the loss of the person's integrity, and its end is gehenna, the loneliness of one who can no longer go out of himself. Suffering is the fruit of that separation, but love also includes it: in the letter on Sophia he writes that love eternally takes away in order eternally to give, and puts to death in order to bring to life. His own life confirmed it: from Solovki, shortly before he was shot, he wrote to his wife that the more selfless the gift, the harsher the persecution and the more severe the suffering, and called this the law of life.
Confronta questa domanda con altri maestriChe cosa accade dopo la morte?
Before gehenna, an antinomy: salvation of all and eternal damnation at once
Vita eterna e resurrezioneLo dice espressamente
Florensky addresses what happens after death in the letter on gehenna in The Pillar and Ground of the Truth, and he does so with his method of antinomy. On one hand, God's love demands that all be saved; on the other, the creature's freedom makes eternal damnation possible. Neither thesis can be eliminated without betraying faith, and reason must accept holding them together. His solution points to a distinction within the person: what in it is the image of God is saved, while what sin has built, its caricature, burns and is separated. Beyond speculation, his faith in the resurrection is that of the Orthodox Church, which he lived until his execution in 1937, as his letters from Solovki show.
Confronta questa domanda con altri maestriCome si raggiunge la liberazione o la salvezza?
Salvation is lived in the Church: ascesis, sacrament and transfiguring love
Attraverso la grazia e l'amoreLo dice espressamente
Florensky presents salvation as incorporation into the life of truth, reached not by reasoning but by experience: the living religious experience he defines at the start of The Pillar and Ground of the Truth as the only legitimate path to the dogmas. That experience is given in the Church, through ascesis, which restores the integrity of the person broken up by sin, through the sacraments and through brotherly love. Its fruit is transfiguration: in the letter on the light of truth he reproduces the passage where Motovilov sees Seraphim illumined, as an example of what grace does in the flesh. In The Philosophy of Cult he adds that liturgical worship is the place where the human and the divine meet and where the whole of reality is sanctified.
Confronta questa domanda con altri maestriServe un maestro?
Truth is received in the Church and in the spiritual fatherhood of an elder
Comunità e tradizioneLo dice espressamente
Florensky came to faith as an adult, from science, and his path was marked by concrete figures: Bishop Antony Florensov, whom he regarded as his spiritual father, and the elder Isidore of Gethsemane, to whom he devoted The Salt of the Earth, a portrait of an elder's simple holiness. His theology holds that truth is not passed on as information, but by incorporation into the living experience of the Church, its sacraments, its worship and its saints. In The Pillar and Ground of the Truth, written as letters to a friend, the genre itself expresses this conviction: truth is sought in dialogue and friendship, not in self-sufficient solitude. The teacher is necessary, but within a community of faith that precedes and sustains him.
Confronta questa domanda con altri maestriIl mondo è reale?
The creature is rooted in God through Sophia; the visible borders the invisible
Una creazione buona e realeLo dice espressamente
Florensky, theologian and scientist at once, does not doubt the reality of the created world, but thinks of it as open from above. In The Pillar and Ground of the Truth he devotes one letter to the creature and another to Sophia, which he defines as the great root of all creation, through which the creature enters Trinitarian life and receives eternal life. The world is good because it is rooted in God. In Iconostasis he describes the boundary between the visible and the invisible world, which dreams, art and liturgy allow one to cross, and the icon as its witness. In Imaginaries in Geometry he went so far as to propose, on the basis of relativity, a model of the cosmos in which the visible world borders a space of another nature.
Confronta questa domanda con altri maestriChe cos'è l'amore?
Love is consubstantiality: it takes in order to give and makes two one unconfused
Amore di Dio e del prossimoLo dice espressamente
In The Pillar and Ground of the Truth, love is the key to Trinitarian life and therefore to truth itself: God is love because each divine person gives itself to the others. Florensky describes it with paradoxical formulas: love eternally takes away in order eternally to give, eternally puts to death in order eternally to give life. In the letter on friendship and the letter on jealousy he studies it in its most concrete human form, friendship between two persons, which the early Church blessed with a rite of brother-making of its own, and which makes two one without confusing them, in the image of the Trinity's consubstantiality. Jealousy, in this sense, can be the face of love defending its unique object. Love of neighbour in general is first learned in love for one concrete friend.
Confronta questa domanda con altri maestriSiamo liberi o è tutto determinato?
Freedom and grace form an antinomy that reason does not solve but accepts
Un libero arbitrio realeSi deduce dalla sua dottrina
Florensky does not treat freedom as an isolated problem, but as one of the cases of antinomy he considers proper to all religious truth. In the letter on contradiction in The Pillar and Ground of the Truth he holds that truth, seen from finite reason, appears as a pair of opposed affirmations that must be held together: providence that disposes all things and freedom that responds, grace that saves and human effort. In the letter on gehenna he applies the same scheme: God's love wills the salvation of all, but the creature's freedom can refuse it, and both theses are true. Human freedom is therefore real, and the human being answers for his acts, though his relation to providence cannot be reduced to a formula.
Confronta questa domanda con altri maestriPerché meditare o pregare?
Worship is the root of culture and the place where reality is sanctified
Rito e coltivazione di séLo dice espressamente
Florensky, a priest as well as a scientist, thought of prayer above all from liturgical worship. In the lectures gathered as The Philosophy of Cult he maintains that worship is the centre from which all culture springs, as the word itself indicates, and that in it material reality, water, bread, oil, word and gesture, is sanctified and opened to the divine. In Church Ritual as a Synthesis of the Arts and in Iconostasis he describes the liturgy as a total work of art involving architecture, candlelight, incense smoke, chant and the icon, and the icon as a window onto the invisible world. His interest in the divine name, in the context of the name-glorifying controversy, shows that personal prayer is not separated from rite.
Confronta questa domanda con altri maestriPuò la ragione conoscere l'ultimo?
Religious truth is antinomic: reason touches it only as contradiction
L'ultimo è al di là della menteLo dice espressamente
Florensky was a mathematician by training and never despised reason: he studied Cantor's set theory, wrote on the infinite and worked as an engineer. Precisely for that reason he knew its limits. In The Pillar and Ground of the Truth he holds that reason, governed by the law of identity, cannot by itself find a truth that proves itself: it leads to scepticism. And when it approaches the mysteries of faith, it meets them as antinomies, pairs of contradictory affirmations equally true, such as God's unity and trinity or freedom and grace. The letter on contradiction makes antinomy the seal of religious truth. Knowledge of the ultimate is possible only through living religious experience, in which reason is transfigured without being abolished.
Confronta questa domanda con altri maestriRitirarsi dal mondo o trasformarlo?
A priest in a cassock at the technical office: serving through science without leaving faith
Contemplazione nell'azioneSi deduce dalla sua dottrina
Florensky embodied a singular way of living in the world. After the revolution, when the Theological Academy closed, he neither emigrated nor withdrew: he worked on the commission for the protection of the monuments of the Lavra of Saint Sergius and later on the country's electrification plan, where he attended meetings in cassock and pectoral cross. He published studies on dielectrics and wrote articles for the technical encyclopaedia. Deported to Solovki, he researched the extraction of iodine and agar from seaweed. In his letters to his children from the camp he teaches them to observe nature attentively and to work well, as a form of service. Science, art and liturgy were for him expressions of one and the same vision of the world, and none required renouncing the others.
Confronta questa domanda con altri maestri
Affinità e tensioni
Affinità e tensioni
Calcolate domanda per domanda a partire dalle sue posizioni. Il perché di ogni accordo o contrasto, con un clic.
La pensa in modo simile a

Fyodor Dostoevsky
Concordano su: Che cos'è l'Assoluto? Dio esiste? · Perché soffriamo? · Che cosa accade dopo la morte?

Francis of Assisi
Concordano su: Che cos'è l'Assoluto? Dio esiste? · Perché soffriamo? · Che cosa accade dopo la morte?

Hildegard of Bingen
Concordano su: Che cos'è l'Assoluto? Dio esiste? · Che cosa accade dopo la morte? · Come si raggiunge la liberazione o la salvezza?

Seraphim of Sarov
Concordano su: Che cos'è l'Assoluto? Dio esiste? · Perché soffriamo? · Che cosa accade dopo la morte?
La pensa diversamente da

Parmenides
Si scontrano su: Il mondo è reale?

Kapila
Si scontrano su: Che cos'è l'Assoluto? Dio esiste? · Che cosa accade dopo la morte?

Pema Chödrön
Si scontrano su: Che cos'è l'Assoluto? Dio esiste? · Che cosa accade dopo la morte?

Tsongkhapa
Si scontrano su: Che cos'è l'Assoluto? Dio esiste? · Che cosa accade dopo la morte?
Aneddoti e racconti
Aneddoti e racconti
Documentatomarzo de 1906
The cry of blood
Origine del racconto: The sermon and the prosecution are recorded in his biographies; the detail of the sentence imposed and its remission comes from the Ekzeget.ru biography. That the sermon responded specifically to the execution of Lieutenant Pyotr Schmidt (March 1906) is held by several biographers but has not been verified here.
Tradizione orale1919–1946
The head of St Sergius
Origine del racconto: It comes from late memories transmitted in the Florensky family and by Ekaterina Vasilchikova, Olsufyev's niece, and by Archbishop Sergei (Golubtsov); it was published in the 1990s. The opening of the relics on 11 April 1919 is documented; the substitution of the head has no independent documentary confirmation. A later legend even attributes Florensky's death sentence to his refusal to reveal the hiding place, without any evidence.
Documentato1928
Staying
Origine del racconto: Recorded in the Russian Wikipedia biography and in A. Pyman's biography, on the basis of the Political Red Cross and family documentation.
Documentato1934–1937
Chemistry lessons from Solovki
Origine del racconto: The letters themselves, published in full in vol. 4 of his Works (Mysl, 1998).
Documentato1937–1989
An invented date of death
Origine del racconto: The sentence, the date of execution and the falsity of the date given to the family are recorded in the case-file documents published after perestroika; the research on the burial site is that of Anatoly Razumov (Leningradsky martirolog).
Insegnamenti
Insegnamenti
Le nozioni che articolano il suo pensiero, spiegate nel loro contesto.
Antinomyantinomia
Sixth letter ('Contradiction') of The Pillar and Ground of the Truth; antecedents in The Cosmological Antinomies of Kant (1909).
Sophia and sophiologysofia
Heir to Solovyov; in critical dialogue with Böhme's sophiology, which Berdyaev compared with the Russian one in 1930.
Reverse perspectiveperspectiva-invertida
Later developed in the VKhUTEMAS course on spatiality (1924–1925).
The icon and the iconostasisicono
Written in 1922, at the height of the Soviet campaign against the Church; published in 1972.
Imaginaries and the space beyondimaginarios
It joins his mathematical training with his theology of the icon and of the boundary between worlds.
The name and the magic of the wordnombre
Part of his 'concrete metaphysics' of the 1920s.
Video
Video
Registrazioni, interviste e documentari. I video vengono riprodotti da YouTube; non sono ospitati qui.
«Почаще смотрите на звёзды»
Documentario· RU
ТК ТОНУС
Жизнь замечательных семей. Флоренский
Documentario· RU
Радость мояCanale ufficiale
о. Павел Флоренский
Documentario· RU
Игорь ШтернбергCanale ufficiale
Павел Флоренский. От геометрии мнимостей к топологии духа (часть 1)
Conferenza· RU· 2018
Калининградская областная научная библиотекаCanale ufficiale
Обратная перспектива в эстетике и космологии отца Павла Флоренского. Лекция Оксаны Седых
Conferenza· RU· 2020
nffedorov
Reverse Perspective, the Politics of Space, and Contemporary Art Practice
Conferenza· EN
IWMVienna (Institut für die Wissenschaften vom Menschen)Canale ufficiale
Philosophy of Love in the Context of Russian Philosophy. V. Solovyov and P. Florensky
Conferenza· EN
Studium Europy Wschodniej (Universidad de Varsovia)Canale ufficiale
Ciclo de Charlas — Pavel Florenski: filósofo, historiador del arte, matemático y sacerdote ruso
Conferenza· ES
cursosoficialesderusoCanale ufficiale
Vita e pensiero di Pavel Florenskij — Prof.ssa A. Marcuccini
Conferenza· IT
Filippo Tassi
Nulla va perduto. L'esperienza di Pavel Florenskij
Conferenza· IT· 2013
Filosofia Tor VergataCanale ufficiale
Il respiro della vita. Pavel A. Florenskij testimone della verità (con Massimo Cacciari)
Conferenza· IT
icaroplay
La testimonianza di Pavel Florenskij
Documentario· IT
12PorteCanale ufficiale
Benedetto XVI cita Florenskij: «Quando avrete un peso nell'animo, guardate le stelle…»
Registrazione di terzi· IT
raffaellablogpapa1
Galleria
Galleria
Immagini con licenza verificata. Ciascuna conserva la sua paternità e la sua attribuzione.
Relazioni
Relazioni
Influenze, discepolati e affinità. Si distingue la relazione documentata dalla somiglianza individuata per analisi.
Ricevette l'influenza di
In his university years he was drawn to Solovyov's teaching, and his sophiology, in the tenth letter of The Pillar and Ground of the Truth, starts from Solovyov's, which he corrects with Russian liturgy and iconography. He belongs to the generation that made Solovyov its starting point.
Relazione documentata
Dissentì da
Berdyaev reviewed The Pillar and Ground of the Truth harshly in 'Stylised Orthodoxy' (1914) and argued against 'Around Khomyakov' (1916); in Self-Knowledge he would call him 'alien and hostile', a 'refined reactionary' indifferent to ethics. For him Florensky represented the aesthetic and magical Orthodoxy that freedom had to overcome.
Relazione documentata
Ricevette l'influenza di
In The Pillar and Ground of the Truth he quotes, in the fourth letter, 'The Light of Truth', Seraphim's conversation with Motovilov on the acquisition of the Holy Spirit, and in the tenth, 'Sophia', he recalls that the saint called the icon of Tenderness, the only one in his cell, 'Joy of all joys'.
Relazione documentata
Ricevette l'influenza di
He devoted to Plato his lectures 'The Universal Human Roots of Idealism' (1909) and 'The Meaning of Idealism' (1914), in which he interprets the doctrine of ideas as the philosophical elaboration of a universal religious and magical experience. In To My Children he describes his youthful search for Goethe's 'primal phenomenon' in an ontological density 'after Plato'.
Relazione documentata
Contemporaneo di
In To My Children he recalls that as an adolescent he read Tolstoy's philosophical writings and found them 'mostly tedious', though he was interested in Carpenter's article on science translated by Tolstoy; Merezhkovsky's study of Tolstoy and Dostoevsky marked him more.
Relazione documentata
Idee affini a
No detailed influence is recorded, but Florensky draws on Dostoevsky in Iconostasis — Stavrogin's 'mask' as a face petrified by passion — and shares with him the vision of the elder and of Russian holiness as the centre of spiritual life.
Somiglianza individuata per analisi
Idee affini a
Berdyaev, in 'The Doctrine of Sophia and the Androgyne in J. Böhme and the Russian Sophiological Currents' (1930), compared Böhme's Sophia with that of Russian sophiology, from Solovyov to Florensky and Bulgakov, and noted their differences: in Böhme Sophia is virginity and freedom; in the Russians, a more cosmic and Platonic idea.
Relazione documentata
Fonti
Fonti
Bibliografia e cataloghi consultati per questa scheda.
- Wikidata, Q336769: Pavel Florensky (1882–1937). P31=Q5; 47 enlaces entre wikis.
- «Флоренский, Павел Александрович». Wikipedia en ruso (biografía, «Столп», caso Beilis, arresto y fusilamiento, publicaciones).
- Pyman, Avril. Pavel Florensky: A Quiet Genius. The Tragic and Extraordinary Life of Russia's Unknown da Vinci. Nueva York y Londres: Continuum, 2010.
- Florenski, P. A. Столп и утверждение истины. Опыт православной феодицеи в двенадцати письмах [La columna y el fundamento de la verdad]. Moscú: Put, 1914. Texto en Azbuka.
- Florenski, P. A. Иконостас [El iconostasio] (1922). Богословские труды, n.º 9 (1972), pp. 83–148. Texto en Azbuka.
- Florenski, P. A. Письма с Соловков [Cartas desde las Solovkí], en Сочинения в 4 томах, t. 4: Письма с Дальнего Востока и Соловков, ed. igumeno Andronik (Trubachov) et al. Moscú: Mysl, 1998, pp. 139–781. Texto en Azbuka.
- Florenski, P. A. Детям моим. Воспоминания прошлых дней [A mis hijos. Recuerdos de días pasados] (1916–1926). Moscú: Moskovski rabochi, 1992. Texto en Azbuka.
- Open Library, autor OL54367A: Pavel Florensky (1882–1937), obras y ediciones.
- Berdiáyev, N. A. «Стилизованное православие (о. Павел Флоренский)». Русская мысль, 1914, n.º 1. Texto en la Biblioteca «Vejí».
- Razumov, Anatoli Ya. (entrevista). «Соловецкие этапы. Где расстрелян священник Павел Флоренский?». Radio Grad Petrov, 2017 (archivada en Internet Archive). Razumov es el compilador del «Ленинградский мартиролог» de la Biblioteca Nacional de Rusia.
- «Павел Флоренский, священник». Ekzeget.ru (biografía: el sermón de 1906, la detención de 1933, las Solovkí).
- Berdiáyev, N. A. «Из этюдов о Я. Беме. Этюд II: Учение о Софии и андрогине Я. Беме и русские софиологические течения». Путь, 1930, n.º 21, pp. 34–62.
- «Pavel Florensky». Wikipedia en inglés (traslado desde las Solovkí y ejecución, con referencias a A. Maccioni, eSamizdat, 2007).
- Titolare dei diritti
- Florenski murió en 1937: sus obras publicadas en vida son de dominio público en EE. UU. (anteriores a 1930), en la UE (desde 2008) y en España (desde 2018). Las obras póstumas publicadas desde 1967 pueden estar protegidas en EE. UU.; en Rusia, por su rehabilitación póstuma, el plazo se cuenta desde 1958. Las traducciones pertenecen a sus traductores y editoriales.
In attesa di conferma
Ciò che questa scheda non ha ancora potuto chiarire. Preferiamo dirlo piuttosto che riempirlo.
- Edición española de «Los imaginarios en geometría» y de «Los nombres»: no localizadas.
- Confirmar la vinculación del sermón «El clamor de la sangre» (marzo de 1906) con la ejecución del teniente Piotr Schmidt, y la pena exacta impuesta.
- Confirmar fechas y revistas de «El sentido del idealismo» (1914), «Razón y dialéctica» (1914), «Signos celestes» y «La acción del templo» (en «Makovets», 1922).
- Registrar uno por uno sus artículos de la «Enciclopedia técnica» (unos 150), sus escritos teológicos publicados en «Bogoslovskie trudy» (1972–2007) y sus poemas; hoy figuran agrupados o sólo los principales.
- Lugar de la ejecución y de la fosa: no establecido (Levashovo, polígono de Rzhevka/Koirangakangas o una fosa del campo de Lodéinoye Pole, según las hipótesis de A. Razumov y A. Maccioni).
- Contenido exacto de «Early Religious Writings, 1903–1909» (Eerdmans, 2017): no se ha asignado a obras concretas.
- Verificar en el texto de su «Testamento» la frase sobre mirar las estrellas que citó Benedicto XVI (no se ha podido cotejar).
- Duración y año de la mayoría de los vídeos: oEmbed no los proporciona.
Ricerca effettuata il 2026-10-25