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ईसाई धर्म · ईसाई रहस्यवाद · कैथोलिक धर्म

Catherine of Siena

1347 – 1380ऐतिहासिक रूप से प्रमाणित व्यक्ति

सिएना की रहस्यवादिनी, लेखिका और सार्वजनिक व्यक्तित्व (1347–1380), दोमिनिकन तृतीय संघ की सदस्य। एक रँगरेज़ की अपढ़ बेटी, उसने शिष्यों का एक "परिवार" जुटाया, प्लेग-पीड़ितों और मृत्युदंड पाए लोगों की सेवा की, फ़्लोरेंस और पोप-सत्ता के बीच मध्यस्थता की और ग्रेगरी ग्यारहवें से अविन्यों छोड़कर रोम लौटने का आग्रह किया। उसने दैवी विधान पर संवाद, पोपों, राजाओं, भाड़े के सैनिकों और साधारण लोगों को लगभग 380 पत्र और छब्बीस प्रार्थनाएँ लिखवाईं, जिनसे वह इतालवी गद्य की महान रचनाकार मानी जाती है। तैंतीस वर्ष की आयु में रोम में उसका देहांत हुआ। वह कलीसिया की आचार्या (1970) और इटली तथा यूरोप की सह-संरक्षिका है।

कृतियाँ
9कृतियाँ
संस्करण
17संस्करण
उद्धरण
7उद्धरण
वीडियो
13वीडियो
चित्र
6चित्र
Santa Catalina, por Andrea Vanni (San Domenico, Siena)

Santa Catalina, por Andrea Vanni (San Domenico, Siena) · Public domain

उनके अपने शब्दों में

«You, eternal Trinity, are a deep sea: the more I enter you, the more I find, and the more I find, the more I seek you.»

Diálogo, ed. Fiorilli (1912), cap. CLXVII

The Dialogue (Book of Divine Doctrine) — Catherine of Siena

शुरुआत के लिए एक रचना

The Dialogue (Book of Divine Doctrine)

मूल विचार

The cell of self-knowledge: The Dialogue begins with a soul 'accustomed to dwell in the cell of self-knowledge'.

जीवनी

5 मिनट का पाठ

स्पैनिश मूल से सहायता-प्राप्त अनुवाद, मातृभाषी अनुवादक द्वारा समीक्षा लंबित।

रँगरेज़ की बेटी

कातेरीना दी याकोपो दी बेनिनकासा का जन्म 25 मार्च 1347 को, मंगल-समाचार के पर्व के दिन, सिएना में हुआ — एक जुड़वाँ बहन जोवान्ना के साथ, जिसकी कुछ ही समय बाद मृत्यु हो गई। वह ऊन के रँगरेज़ याकोपो बेनिनकासा और लापा दी पुच्चो दे' पियाचेंती की तेईसवीं या चौबीसवीं संतान थी, और उसका घर फ़ोंतेब्रांदा मोहल्ले में था — रँगरेज़ों के हौज़ों के पास और दोमिनिकन गिरजाघर सान दोमेनिको की छाया में। एक वर्ष बाद ब्लैक डेथ (काली मौत) नगर की लगभग आधी आबादी को निगल गई। उसके बचपन के बारे में हम जो कुछ जानते हैं, वह लगभग सब लेजेंडा माइओर से आता है, जिसे उसके पापस्वीकार-गुरु कपुआ के रेमंड ने 1385 से 1395 के बीच उसे संत घोषित कराने के लिए लिखा था; और उसे वही मानकर पढ़ना चाहिए जो वह है: बड़ी सावधानी से गढ़ी गई एक संत-जीवनी।

उस परंपरा के अनुसार, लगभग छह वर्ष की आयु में उसने सान दोमेनिको की छत के ऊपर मसीह को देखा और सात वर्ष की आयु में कौमार्य का व्रत लिया। जब 1362 में उसकी बहन बोनावेंतूरा की मृत्यु के बाद परिवार ने उसका विवाह करना चाहा, तो उसने अपने बाल काट डाले; तब उसे घर की नौकरानी बना दिया गया, जब तक कि पिता ने उसे अपने ढंग से जीने की अनुमति नहीं दे दी। लगभग 1364 या 1365 में, कुछ विरोध के बाद, उसे मांतेल्लाते का परिधान मिला — दोमिनिकन प्रायश्चित्तकारी स्त्रियाँ, जो किसी मठ में नहीं, अपने घरों में रहती थीं और प्रायः विधवाएँ होती थीं। लगभग तीन वर्ष उसने प्रार्थना और उपवास में अपने कमरे में लगभग बंद रहकर बिताए, और पढ़ना सीखा।

आत्मिक विवाह और "परिवार"

रेमंड के अनुसार, 1367 के कार्निवल के अंतिम दिन मसीह ने उसे एक ऐसी अँगूठी से अपनी वधू बनाया जो केवल उसे दिखाई देती थी, और उससे कहा कि वह दूसरों की सेवा के लिए अपनी कोठरी से बाहर निकले। तब नगर में उसका सक्रिय जीवन आरंभ हुआ: वह सान्ता मारिया देल्ला स्काला अस्पताल में और घरों में रोगियों की सेवा करती, कोढ़ियों की सहायता करती, पिता के घर में जो कुछ होता उसे बाँट देती। 1370 में उसे एक ऐसा अनुभव हुआ जिसे उसके शिष्यों ने उसकी "रहस्यमय मृत्यु" कहा। उसके चारों ओर एक बेल्ला ब्रिगाता — "परिवार" — बन गया: दोमिनिकन संन्यासी, वनवासी तपस्वी, स्तेफ़ानो माकोनी जैसे युवा कुलीन, नेरी दी लांदोच्चो पाल्यारेसी जैसे कवि, और नगर की स्त्रियाँ। वे उसे मम्मा कहते थे। एक अपढ़ युवा लोकधर्मी स्त्री का पुरोहितों और धर्मशास्त्रियों का आत्मिक मार्गदर्शन करना संदेह जगाता था; 1374 में फ़्लोरेंस में एकत्र दोमिनिकनों की महासभा ने उसकी परीक्षा ली और कपुआ के रेमंड को उसका आध्यात्मिक निर्देशक नियुक्त किया।

रक्त की राजनीति

1374 से उसके पत्र अधिकाधिक शक्तिशाली लोगों को संबोधित होने लगे। वह तीन बातें माँगती थी: पोप का अविन्यों से रोम लौटना, पादरी-वर्ग का सुधार, और एक धर्मयुद्ध जो ईसाइयों के हथियार तुर्कों की ओर मोड़कर उनमें मेल कराए। 1375 में उसने पेरूजा के एक युवक निक्कोलो दी तोल्दो का, जिसे सिएना की सरकार के विरुद्ध कुछ कहने पर मृत्युदंड मिला था, फाँसी के समय साथ दिया और उसका कटा सिर अपने हाथों में थाम लिया; रेमंड को लिखे एक असाधारण रूप से मार्मिक पत्र में वह इसका वर्णन करती है। उसी वर्ष 1 अप्रैल को, पीसा में, उसके साक्षियों के अनुसार उसे पवित्र घाव (स्टिग्माटा) प्राप्त हुए, जो उसकी प्रार्थना पर उसके जीवनकाल में अदृश्य रहे। उसने अंग्रेज़ भाड़े के सेनानायक जॉन हॉकवुड को लिखा कि वह अपनी सेना पूर्व की ओर ले जाए।

जब पोप-सत्ता से युद्धरत फ़्लोरेंस पर धार्मिक निषेधाज्ञा लगी, तो कैथरीन ने मध्यस्थ बनने की पेशकश की और जून 1376 में अविन्यों गई। फ़्लोरेंसवासियों ने उससे पल्ला झाड़ लिया, पर उसने इस अवसर का उपयोग ग्रेगरी ग्यारहवें पर — जिन्हें वह बाब्बो, यानी "बापू", कहती थी — रोम लौटने का दबाव डालने के लिए किया। ग्रेगरी सितंबर 1376 में अविन्यों से चले और जनवरी 1377 में रोम पहुँचे। इतिहासकार इस पर बहस करते हैं कि उस निर्णय में, जिस पर पोप स्वयं विचार कर रहे थे, कैथरीन का कितना भार था; निस्संदेह यह है कि बिना किसी पद की उनतीस वर्षीय एक स्त्री ने यूरोप के सबसे शक्तिशाली पोप-दरबार से बराबरी से बात की।

पुस्तक

1377 में वह सिएना के ग्रामांचल में रोक्का द'ओर्चा चली गई, ताकि आपस में लड़ते कुलीन परिवारों में मेल करा सके; वहीं, अपने एक पत्र के अनुसार, उसने स्वयं लिखना सीखा। अगले वर्ष, पोप की दूत के रूप में फिर फ़्लोरेंस में रहते हुए, वह जून 1378 के चोम्पी विद्रोह में मरते-मरते बची। सिएना लौटकर, 1377 के अंत से अक्टूबर 1378 के बीच, उसने अपने सचिवों को — उनके अनुसार प्रायः समाधि-अवस्था में — दिव्य शिक्षा की पुस्तक लिखवाई, जो बाद में संवाद के नाम से प्रसिद्ध हुई: आत्मा और परमपिता परमेश्वर के बीच आत्म-ज्ञान, मसीह-रूपी सेतु, आँसुओं, दैवी विधान, आज्ञापालन और कलीसिया के सुधार पर एक वार्तालाप।

महाविच्छेद

सितंबर 1378 में अर्बन छठे से असंतुष्ट फ़्रांसीसी कार्डिनलों ने एक प्रतिपोप, क्लेमेंट सातवें, को चुना और पश्चिमी महाविच्छेद आरंभ हुआ। कैथरीन ने बिना हिचक अर्बन का पक्ष लिया, जिन्होंने उसे रोम बुलाया। वह नवंबर 1378 में लगभग बीस शिष्यों के साथ वहाँ पहुँची और फिर कभी नगर से बाहर नहीं गई। वहीं से उसने फ़्रांस और हंगरी के राजाओं, नेपल्स की रानी जोवान्ना, विद्रोही कार्डिनलों और इतालवी नगरों को पत्र लिखे, और पोप तथा उनके दरबार के सामने ऊँचे स्वर में प्रार्थना की। उसकी अंतिम प्रार्थनाएँ इन्हीं महीनों में सचिवों ने लिपिबद्ध कीं।

तैंतीस वर्ष

वह लगभग कुछ नहीं खाती थी। 1380 के चालीसा काल में वह हर दिन पैदल संत पेत्रुस के महागिरजाघर तक जाती थी। जनवरी के अंत में एक दर्शन के बाद, जिसमें उसे अपने कंधों पर कलीसिया की नौका का भार अनुभव हुआ, वह ढह गई, और 26 फ़रवरी को वह उठ न सकी। 29 अप्रैल 1380 को, तैंतीस वर्ष की आयु में, अपने आत्मिक परिवार से घिरी, रोम में उसका देहांत हुआ। उसके शिष्य बार्दुच्चो कानिजानी ने एक पत्र में उसकी मरणासन्न अवस्था का वर्णन किया। उसे सान्ता मारिया सोप्रा मिनेर्वा में दफ़नाया गया; उसका सिर 1384 में सिएना ले जाया गया।

इटली की संत

दोमिनिकनों के महागुरु कपुआ के रेमंड और तोम्मासो काफ़्फ़ारीनी ने उसकी उपासना-परंपरा की नींव रखी: लेजेंडा माइओर, लिबेल्लुस दे सुप्लेमेंतो और 1411–1416 की वेनिस की जाँच-प्रक्रिया। सिएना में जन्मे पोप पायस द्वितीय ने 1461 में उसे संत घोषित किया। 1492 में बोलोन्या में और 1500 में वेनिस में आल्दो मानूत्सियो द्वारा छपे उसके पत्रों ने उसे इतालवी भाषा की क्लासिक बना दिया; पायस बारहवें ने 1939 में असीसी के फ़्रांसिस के साथ उसे इटली की संरक्षिका घोषित किया, पॉल छठे ने 4 अक्टूबर 1970 को — आविला की तेरेसा के एक सप्ताह बाद — कलीसिया की आचार्या, और जॉन पॉल द्वितीय ने 1999 में यूरोप की सह-संरक्षिका। आज की आलोचना ने धैर्यपूर्वक स्त्री को किंवदंती से अलग किया है: जो बचती है वह एक लोकधर्मी स्त्री है, जिसने बिना पद और बिना लातीनी के आस्था को अग्नि के रूप में और राजनीति को आत्मा के दायित्व के रूप में सोचा।

स्रोत: Raimundo de Capua. Legenda maior sive Legenda admirabilis virginis Catherine de Senis. Ed. Silvia Nocentini. Florencia: SISMEL – Edizioni del Galluzzo, 2013. Trad. inglesa de Conleth Kearns, The Life of Catherine of Siena. Wilmington: Michael Glazier, 1980. · Caterina da Siena. Il Dialogo della divina provvidenza ovvero Libro della divina dottrina. Ed. Giuliana Cavallini. Roma: Edizioni Cateriniane, 1968 (2.ª ed., Siena: Cantagalli, 1995). · Caterina da Siena. Libro della divina dottrina volgarmente detto Dialogo della divina provvidenza. Ed. Matilde Fiorilli. Scrittori d'Italia. Bari: Laterza, 1912 (Project Gutenberg n.º 26961). · Noffke, Suzanne (trad. y ed.). The Letters of Catherine of Siena. 4 vols. Tempe: Arizona Center for Medieval and Renaissance Studies, 2000–2008. · Tommaseo, Niccolò (ed.). Le lettere di S. Caterina da Siena. 4 vols. Florencia: G. Barbèra, 1860; reed. ampliada por Piero Misciattelli, 6 vols., Siena: Giuntini-Bentivoglio, 1913–1922.

कालक्रम

जीवन, वर्ष-दर-वर्ष

प्रत्येक बिंदु एक प्रमाणित घटना है। उसे स्रोत और निश्चितता के स्तर सहित पढ़ने के लिए क्लिक करें।

  1. 25 मार्च 1347 · 0 वर्ष

    Birth

    Born with a twin, Giovanna, daughter of Jacopo Benincasa, a dyer, and Lapa di Puccio de' Piacenti.

    प्रमाणित

  2. लगभग 1353 · 6 वर्ष

    The first vision

    According to Raymond of Capua, she sees Christ above the church of San Domenico; the following year she vows virginity.

    परंपरा

  3. लगभग 1362 · 15 वर्ष

    Refusal of marriage

    After the death of her sister Bonaventura she resists marriage plans and cuts off her hair.

    परंपरा

  4. लगभग 1364 – 1365 · 17 वर्ष

    Habit of the mantellate

    She joins the Dominican penitent women (mantellate), who live in their own homes.

    संभावित

  5. 1367 · 20 वर्ष

    Mystical espousal

    On the last day of Carnival, according to Raymond, she receives a ring visible only to her and leaves her seclusion to serve the sick.

    परंपरा

  6. मई 1374 · 27 वर्ष

    Examined by the Dominican general chapter

    She appears before the order's general chapter, which assigns Raymond of Capua as her confessor. In the summer she tends plague victims in Siena.

    प्रमाणित

  7. 1 अप्रैल 1375 · 28 वर्ष

    The stigmata

    In the church of Santa Cristina she receives, according to her witnesses, the stigmata, invisible during her lifetime.

    परंपरा

  8. 1375 · 28 वर्ष

    The execution of Niccolò di Toldo

    She accompanies a young condemned man to the scaffold and receives his head; she narrates it in a letter to Raymond of Capua.

    प्रमाणित

  9. जून 1376 · 29 वर्ष

    Embassy to Avignon

    She travels to the papal court as Florence's mediator and urges Gregory XI to return to Rome; the pope leaves in September.

    प्रमाणित

  10. 1377 · 30 वर्ष

    Peacemaking and learning to write

    Stay at the Salimbeni castle to reconcile families; according to her letter to Raymond, she learns to write there. She founds the monastery of Belcaro.

    प्रमाणित

  11. जून 1378 · 31 वर्ष

    The Ciompi tumult

    Urban VI's envoy for peace with Florence, she narrowly escapes a mob seeking to kill her.

    प्रमाणित

  12. अक्टूबर 1378 · 31 वर्ष

    The Dialogue completed

    She finishes dictating the Book of Divine Doctrine to her secretaries.

    प्रमाणित

  13. नवंबर 1378 · 31 वर्ष

    In Rome, in the service of Urban VI

    Summoned by the pope after the outbreak of the Western Schism, she settles in Rome with her disciples.

    प्रमाणित

  14. 29 अप्रैल 1380 · 33 वर्ष

    Death

    She dies after months of exhaustion, accompanied by her disciples. Barduccio Canigiani narrates her agony.

    प्रमाणित

  15. लगभग 1385 – 1395

    The Legenda maior

    Raymond of Capua writes Catherine's official life.

    प्रमाणित

  16. लगभग 1411 – 1416

    The Processo Castellano

    In Venice testimonies about her holiness are gathered, promoted by Tommaso Caffarini.

    प्रमाणित

  17. 29 जून 1461

    Canonisation

    She is canonised by the Sienese pope Pius II.

    प्रमाणित

  18. 1500

    The Aldine edition of the letters

    Aldus Manutius prints Catherine's Epistole devotissime.

    प्रमाणित

  19. 1939

    Patroness of Italy

    Pius XII proclaims her principal patroness of Italy together with Francis of Assisi.

    प्रमाणित

  20. 4 अक्टूबर 1970

    Doctor of the Church

    Paul VI proclaims her a Doctor of the Church, a week after Teresa of Ávila.

    प्रमाणित

  21. 1 अक्टूबर 1999

    Co-patroness of Europe

    John Paul II proclaims her co-patroness of Europe with Bridget of Sweden and Teresa Benedicta of the Cross (motu proprio Spes aedificandi).

    प्रमाणित

कृतियाँ

आवश्यक कृतियाँ

वे कृतियाँ जिनके बिना उनकी विरासत को समझा नहीं जा सकता।

The Dialogue (Book of Divine Doctrine) — Catherine of Siena

लिखित कृति · 1378

The Dialogue (Book of Divine Doctrine)

Libro della divina dottrina (Dialogo della divina provvidenza)

A book dictated by Catherine to her secretaries between late 1377 and October 1378. It opens with a soul that, 'dwelling in the cell of self-knowledge', addresses four petitions to God (for herself, for the reform of the Church, for the world and for a particular case) and the Father answers in a long colloquy. Its great images are the bridge that is Christ, with its three steps (the feet, the side, the mouth), stretched over the river of the world; the doctrine of tears; providence; obedience; and the reform of the Church's ministers, the 'mystical body'. It closes with a prayer to the Trinity as a 'deep sea'. Since Girolamo Gigli (1707) it has usually been divided into treatises (on discretion, prayer, providence and obedience). It is one of the summits of fourteenth-century Italian prose.

7 संस्करण

Letters — Catherine of Siena

पत्राचार · लगभग 1370

Letters

Lettere (Epistolario)

Some 380 letters dictated between c. 1370 and 1380 (381 according to the most widely cited count; editions range between 373 and 383), addressed to two popes, cardinals, kings and queens, condottieri, city governments, friars, nuns, disciples, her mother and anonymous people. Almost all begin with the formula 'In the name of Jesus Christ crucified and of sweet Mary' and end with 'Sweet Jesus, Jesus love'. They mix spiritual doctrine and concrete politics: the pope's return to Rome, peace with Florence, the crusade, the defence of Urban VI in the schism. Among them stand out the letters to Gregory XI, whom she calls babbo, the letter to Raymond on the execution of Niccolò di Toldo and the one recounting her experience of January 1380. Their vigour and imagery make them a monument of Italian prose.

5 संस्करण

Prayers — Catherine of Siena

संकलित मौखिक शिक्षा · लगभग 1376

Prayers

Orazioni

Twenty-six prayers spoken aloud by Catherine, almost always in ecstasy after communion, and transcribed by her secretaries between 1376 and 1380, most of them in Rome during the schism. They are prayers to the Trinity, to Christ and to the 'eternal Godhead', of a lyrical intensity culminating in the identification of God's nature with fire and in intercession for the Church and her disciples. They show the final Catherine, consumed by the Church's crisis.

उपलब्ध नहीं पुस्तक देखें

2 संस्करण

वचन

किसी निश्चित कृति में स्थित वचन। प्रत्येक के साथ उसका स्रोत और विश्वसनीयता का स्तर है।

You, eternal Trinity, are a deep sea: the more I enter you, the more I find, and the more I find, the more I seek you.

Tu, Trinitá etterna, se' uno mare profondo, che quanto piú c'entro tanto piú truovo, e quanto piú truovo piú cerco di te.

सत्यापितDiálogo, ed. Fiorilli (1912), cap. CLXVII

1 / 7
अप्रामाणिक या विवादित आरोपण वाले उद्धरण (1)
  • «Be who God meant you to be and you will set the world on fire.»

    A widespread modern version of the sentence in the letter to Stefano Maconi ('If you are what you ought to be, you will set fire to all Italy'). The original speaks of Italy and of duty, not of the world or personal identity and became popular in twentieth-century anthologies and Catholic youth gatherings.

अंतिम शब्द

साक्षियों का परवर्ती वृत्तांत

«Father, into your hands I commend my soul and my spirit.»

Padre, nelle tue mani raccomando l'anima e lo spirito mio.

According to the letter of her secretary Barduccio Canigiani, present at her agony, Catherine died in Rome on Sunday 29 April 1380, at the hour of Sext, after blessing her disciples and praying: 'You, Lord, call me, and I come to you, not through my merits but through your mercy alone, which I ask of you by virtue of your Blood'; she cried out several times 'Blood, blood!' and, following Christ's example, finally said: 'Father, into your hands I commend my soul and my spirit'. The Italian wording follows the tradition of Barduccio's text; the version consulted is Thorold's English translation (1907).

स्रोत: Canigiani, Barduccio. Carta sobre el tránsito de Catalina, dirigida a sor Caterina Petriboni (1380). Trad. inglesa en Algar Thorold, The Dialogue of the Seraphic Virgin Catherine of Siena… together with an account of her death by an eye-witness. Londres: Kegan Paul, 1907.

पूछें

उनकी कृतियाँ क्या उत्तर देती हैं

मानवता के बारह महान प्रश्न और उनके ग्रंथ उनका जो उत्तर देने देते हैं, संदर्भों सहित। हम कभी उनके मुख में अपने शब्द नहीं रखते।

  • परम सत्य क्या है? क्या ईश्वर है?

    God is the eternal Trinity, a deep sea, mad with love

    साकार, व्यक्तिगत ईश्वरस्पष्ट रूप से कहा है

    In The Dialogue, Catherine of Siena hears and transcribes the voice of a God who speaks to the soul in the first person: the eternal Father who explains, rebukes, promises and answers her petitions. This God is the first Truth and is, above all, love that precedes the creature: in the Dialogue's closing prayer she confesses that God loved her before she existed, «mad» for his creature. The closing prayer of the Dialogue calls the eternal Trinity a deep sea in which the more one enters the more one finds, and the more one finds the more one seeks. The Absolute is therefore personal, Trinitarian and inexhaustible: someone with whom one converses and whose knowledge never closes.

    इस प्रश्न की अन्य गुरुओं से तुलना करें
  • मैं कौन हूँ? क्या कोई सच्चा आत्म है?

    The soul is an image of the Trinity, known in the cell of self

    सृजित, अमर आत्मास्पष्ट रूप से कहा है

    For Catherine of Siena, the soul is a creature made in the image of the Trinity: in The Dialogue she thanks God for giving it memory to hold his benefits, intellect to know and will to love. Self-knowledge is indispensable, and the book sets it out from its first page as dwelling in the «cell of self-knowledge». But this knowledge has two faces: the soul discovers itself as something that of itself is not, since it has received everything, and in that same cell it knows God's goodness, which love follows. The true self is therefore a created, immortal soul whose being depends on the love that created it.

    इस प्रश्न की अन्य गुरुओं से तुलना करें
  • हम दुःख क्यों भोगते हैं?

    The root of every evil is self-love that turns away from God

    ईश्वर से वियोगस्पष्ट रूप से कहा है

    In The Dialogue, Catherine of Siena places in God's mouth a constant diagnosis: the root of all evils is sensual self-love, which makes the human being love itself apart from God. Whoever broke the road through sin drowns in the river of the world, and that is why God laid down the bridge of his Son. But not all suffering is punishment: the pains of this life, borne with patience and with desire for God, purify and make satisfaction, because what gives them value is not the pain itself but the infinite desire with which it is suffered. Pain separates when it springs from self-love and unites when it becomes charity.

    इस प्रश्न की अन्य गुरुओं से तुलना करें
  • मृत्यु के बाद क्या होता है?

    At death each soul sees what it chose and receives what it loved

    अनंत जीवन और पुनरुत्थानस्पष्ट रूप से कहा है

    In The Dialogue, God explains to Catherine of Siena how the just, sinners and those who have lived in intermediate states die. At the moment of death, each soul sees clearly what it has loved: the just man dies in peace, because his will is united to God's and the devil finds nothing of his own in him; one who dies in self-love judges himself before being judged. Eternal blessedness is seeing God face to face and rejoicing in the good of the other blessed through charity. The letter of Barduccio Canigiani recounts her own death in Rome in 1380, amid prayers for the Church.

    इस प्रश्न की अन्य गुरुओं से तुलना करें
  • मुक्ति या उद्धार कैसे प्राप्त होता है?

    One climbs the bridge that is Christ by three steps of love

    भक्ति और समर्पण सेस्पष्ट रूप से कहा है

    The central image of The Dialogue is the bridge: the road between heaven and earth, broken by sin, has been rebuilt in the Son, and whoever wishes to be saved must climb it. One climbs by three steps, which are the body of the crucified Christ: the feet, representing affection stripped of self-love; the open side, where the soul discovers the secret of the heart; and the mouth, where it finds peace. The engine of the ascent is love: holy desire, kindled by the blood of Christ, which Catherine invokes ceaselessly in her letters. Grace is the foundation, but the way is a loving surrender proved in service to one's neighbour.

    इस प्रश्न की अन्य गुरुओं से तुलना करें
  • क्या गुरु आवश्यक है?

    Obedience to the Church, the confessor and truth known in the cell

    संघ और परंपरास्पष्ट रूप से कहा है

    Catherine of Siena was at once disciple and teacher. A laywoman of the Dominican Order of Penance, she submitted to confessors such as Raymond of Capua and called the pope, in her letters, the «sweet Christ on earth», to be obeyed even if he were a devil incarnate. But around her formed a famiglia of disciples, clerics and laypeople, who called her «mamma», and her letters are an immense work of spiritual direction. The Dialogue devotes a long section to obedience, the key that opens heaven. For Catherine one learns within the body of the Church, in a living community, but every soul must also dwell in the cell of self-knowledge.

    इस प्रश्न की अन्य गुरुओं से तुलना करें
  • क्या संसार वास्तविक है?

    Everything was made out of love and to serve humankind

    शुभ और वास्तविक सृष्टिउनके सिद्धांत से निष्कर्षित

    Catherine of Siena does not develop a cosmology, but The Dialogue presents creation as the work of love: God created the human being moved by the fire of his charity, and all things were made to serve him, so that he might serve God. The world is good in itself; what makes it dangerous is the disordered use that self-love makes of it. Hence Catherine's image of the river: the world, when loved for its own sake, is a stormy river in which those who do not cross by the bridge drown. Created things should be held without attachment, as on loan. Real, good and dangerous at once: such is creation for her.

    इस प्रश्न की अन्य गुरुओं से तुलना करें
  • प्रेम क्या है?

    We cannot be useful to God: love is returned to him in our neighbour

    ईश्वर और पड़ोसी से प्रेमस्पष्ट रूप से कहा है

    Catherine of Siena places in God's mouth, in The Dialogue, a precise reason for love of neighbour: God loved us first and without self-interest, and we cannot return that love in the same way, because we cannot be useful to him; that is why he has set our neighbour beside us, so that we may do for him what we cannot do for God. Every virtue is proved and exercised through one's neighbour, and every sin reaches him. Love springs from knowledge of self and of God's goodness, and has its model in the Christ «mad with love» who gave himself to the point of blood. Catherine lived it by tending the sick and the condemned and working for peace in Italy.

    इस प्रश्न की अन्य गुरुओं से तुलना करें
  • क्या हम स्वतंत्र हैं, या सब कुछ पूर्वनिर्धारित है?

    No one can force the will: neither the devil nor any creature

    वास्तविक स्वतंत्र इच्छास्पष्ट रूप से कहा है

    In The Dialogue, Catherine of Siena attributes to God a repeated assertion: the human being was created free, and neither the devil nor any creature can force his will to sin unless he consents. Temptations may besiege it, but the will is like a city whose gate opens only from within. That freedom is the condition of merit and responsibility: each person is saved or lost according to what his will loves. God's providence, to which she devotes a long section of the book, orders everything for the soul's salvation, but respects the freedom he himself gave. Free will and providence coexist without cancelling each other out.

    इस प्रश्न की अन्य गुरुओं से तुलना करें
  • ध्यान या प्रार्थना क्यों करें?

    Prayer is holy desire: a continual dialogue with God

    ईश्वर से मैत्रीस्पष्ट रूप से कहा है

    Catherine of Siena's main work is, literally, a prayer turned into dialogue: the soul asks and God answers. The Dialogue describes prayer as a path running from vocal to mental prayer, and from this to a continual prayer that is holy desire, present in every work done for love. Prayer is born in the cell of self-knowledge, where the soul recognises itself as creature and discovers God's goodness; and it flows into petition for others, for the Church and for the world. Her Prayers, taken down by her disciples as she spoke in ecstasy, show that bold familiarity with the eternal Father.

    इस प्रश्न की अन्य गुरुओं से तुलना करें
  • क्या बुद्धि परम को जान सकती है?

    The eye of the intellect sees through the pupil of faith

    श्रद्धा और तर्क एक-दूसरे के सहायकस्पष्ट रूप से कहा है

    Catherine of Siena learned to read late and never studied theology, but in The Dialogue the intellect holds a central place: it is the eye of the soul, and its pupil is faith. Without that light the intellect is darkened by self-love; with it, it knows the truth of God and of itself. Hence in The Dialogue God explains that there are learned men who, without charity, understand Scripture less than the simple enlightened by grace, and that many unlettered saints received from him the knowledge of truth. Reason is not opposed to faith, but sees well only when faith illuminates it and love purifies it. In 1970 she was proclaimed a doctor of the Church.

    इस प्रश्न की अन्य गुरुओं से तुलना करें
  • संसार से हटें या उसे बदलें?

    If you are what you should be, you will set all Italy on fire

    संसार में जुड़नास्पष्ट रूप से कहा है

    Catherine of Siena spent three years in seclusion in her family home, and from that solitude went forth into the most intense public life known to any woman of her century. She nursed plague victims and accompanied men condemned to death; she mediated between Florence and the papacy; she wrote to popes, kings, cardinals and condottieri, and went to Avignon to urge Gregory XI to return the see to Rome, which happened in 1377. In a letter to her disciple Stefano Maconi she writes that, if they were what they ought to be, they would set all Italy on fire. For her, the charity born in the inner cell is proved in service to one's neighbour and the Church.

    इस प्रश्न की अन्य गुरुओं से तुलना करें

निकटता और तनाव

निकटता और तनाव

उनके मतों के आधार पर प्रश्न-दर-प्रश्न आकलित। प्रत्येक सहमति या टकराव का कारण क्लिक करने पर।

इनसे मिलता-जुलता सोचते हैं

इनसे भिन्न सोचते हैं

प्रसंग और वृत्तांत

प्रसंग और वृत्तांत

संत-चरित वृत्तांतc. 1353

The vision above San Domenico

Catherine was about six. She was returning with her brother Stefano from their sister Bonaventura's house along the Vallepiatta, the slope that runs down towards Fontebranda, when, raising her eyes towards the Dominicans' church, she saw above the roof Christ dressed as a pontiff, seated on a throne, with Peter, Paul and John the Evangelist, looking at her smiling and blessing her. She stood motionless in the middle of the street; her brother, who saw nothing, had to come back for her and pull her by the hand, and when she looked away the vision vanished and she burst into tears. From then on, Raymond of Capua says, the child stopped behaving like one: she sought out-of-the-way places to pray, imitated the hermits of the lives of the Desert Fathers, and the following year vowed virginity. The episode, with its papal iconography, already announces the role Catherine would play before the papacy.

वृत्तांत का स्रोत: Raymond of Capua, Legenda maior I.2, from the account he says he heard from Catherine herself and her family.

स्रोत: Raimundo de Capua. Legenda maior sive Legenda admirabilis virginis Catherine de Senis. Ed. Silvia Nocentini. Florencia: SISMEL – Edizioni del Galluzzo, 2013. Trad. inglesa de Conleth Kearns, The Life of Catherine of Siena. Wilmington: Michael Glazier, 1980.

प्रमाणित1375

The head of Niccolò di Toldo

In 1375 a young nobleman of Perugia, Niccolò di Toldo, was condemned to death in Siena for having spoken against the city's government. In despair, he refused to confess. Catherine visited him in prison and, as she herself relates, he grew calm, received the sacraments and asked her to be with him at the moment of execution. She waited for him at the place of execution, herself laid the young man's neck on the block and, when the axe fell, received his head in her hands; she says she saw his soul enter Christ's side and that she was left with her clothes soaked in blood, which she did not want to wash. She wrote it to Raymond of Capua in one of the most striking letters in religious literature, where the blood is at once the condemned man's and Christ's, and where the scene becomes a theology of forgiveness.

वृत्तांत का स्रोत: Catherine's letter to Raymond of Capua (no. 273 in Tommaseo's numbering). It is the only account of the event and comes from the protagonist.

स्रोत: Noffke, Suzanne (trad. y ed.). The Letters of Catherine of Siena. 4 vols. Tempe: Arizona Center for Medieval and Renaissance Studies, 2000–2008.

साक्ष्यoctubre de 1377

Learning to write

For almost her whole life Catherine dictated: she had secretaries who wrote different letters at once while she spoke. In October 1377, at the fortress of Rocca d'Orcia, she wrote to Raymond of Capua that, to unburden her heart, God had given her the ability to write, and that she had learned as one learns from a teacher, while asleep or at prayer. The hagiographers turned the fact into a miracle; modern scholars read it as the late learning of a woman who could already read. Very few texts that could be attributed to her hand survive, and their autograph status is disputed.

वृत्तांत का स्रोत: Letter to Raymond of Capua (no. 272 in Tommaseo's numbering); the miraculous interpretation comes from Raymond and Caffarini.

स्रोत: Noffke, Suzanne (trad. y ed.). The Letters of Catherine of Siena. 4 vols. Tempe: Arizona Center for Medieval and Renaissance Studies, 2000–2008.

प्रमाणित1376

'My sweet babbo'

In her letters to Gregory XI, the French pope who governed the Church from Avignon, Catherine breaks every protocol. She calls him 'most holy father', but also babbo, the Tuscan family word for 'daddy', and 'sweet Christ on earth'; she reproaches him for his lukewarmness, demands that he be 'a manly man' and not afraid, asks him to return to his see of Rome, to appoint good pastors and to make peace with Florence. In June 1376 she went to Avignon to tell him in person. The scene (a young Sienese dyer's daughter speaking as an equal to the pope) impressed her contemporaries and became the centre of her legend; historians debate how far she influenced Gregory's decision to return to Rome, which he had been maturing, but no one disputes the boldness of the letters.

वृत्तांत का स्रोत: Letters to Gregory XI preserved in the correspondence (Scudder, 1905; Noffke, 2000–2008); historical assessment in Luongo (2006) and Vauchez (2015).

स्रोत: Scudder, Vida D. (trad. y ed.). Saint Catherine of Siena as Seen in Her Letters. Londres: J. M. Dent / Nueva York: E. P. Dutton, 1905 (Project Gutenberg n.º 7403).

साक्ष्यenero–febrero de 1380

The ship of the Church on her shoulders

In Rome, in January 1380, with the Church split by the schism and the city on the verge of revolt against Urban VI, Catherine prayed every day at St Peter's. She herself recounted in one of her last letters to Raymond of Capua that, during prayer, she felt the navicella of the Church, Peter's boat depicted in Giotto's mosaic in the basilica's atrium, being placed upon her shoulders, and that her body gave way under that weight. She never recovered: by the end of February she could no longer walk, and she died two months later. The image sums up her last phase: a woman who lived the Church's crisis as a physical burden.

वृत्तांत का स्रोत: Letter to Raymond of Capua of February 1380 (no. 373 in Tommaseo's numbering) and Barduccio Canigiani's letter.

स्रोत: Noffke, Suzanne (trad. y ed.). The Letters of Catherine of Siena. 4 vols. Tempe: Arizona Center for Medieval and Renaissance Studies, 2000–2008.

मौखिक परंपरा1384

The head that turned to roses

In 1384 Raymond of Capua arranged for Catherine's head, buried in Rome, to be taken to Siena, which claimed her remains. According to a widespread Sienese tradition, the disciples carrying it in a bag were stopped by the guards at the city gate of Rome; on opening the bag they found nothing but rose petals, and once outside Rome the head reappeared. The head has been venerated ever since in the basilica of San Domenico in Siena, and a finger in the house at Fontebranda; the body remains in Santa Maria sopra Minerva in Rome. The translation of 1384 is documented; the miracle of the roses does not appear in the Legenda maior and belongs to local tradition.

वृत्तांत का स्रोत: The translation of the head to Siena is documented; the story of the roses is a late Sienese tradition without support in fourteenth-century sources.

स्रोत: Vauchez, André. Catherine de Sienne: vie et passions. París: Éditions du Cerf, 2015.

शिक्षाएँ

शिक्षाएँ

वे अवधारणाएँ जो उनके चिंतन को रूप देती हैं, उनके संदर्भ में समझाई गई।

The cell of self-knowledgecelda-del-conocimiento-de-si
The Dialogue begins with a soul 'accustomed to dwell in the cell of self-knowledge'. For Catherine, who could not have a convent cell, the cell is inward and is carried with her into the street, the hospital or the papal court. That knowledge has two inseparable sides: knowing oneself as a creature that 'is not' of itself, which breeds humility and hatred of disordered self-love; and knowing within oneself God's goodness, which has created and redeemed one, which breeds love. Apart, the first leads to despair and the second to presumption; together they are the foundation of all the virtues. 'You are she who is not; I am he who is', Christ told her according to Raymond. The theme, of Augustinian and Dominican root, gives her mysticism a practical character: contemplation does not withdraw one from others, because charity towards one's neighbour is the proof that the knowledge was true.

The Augustinian legacy of knowledge of God and of self, transmitted through Dominican preaching.

स्रोत: Caterina da Siena. Il Dialogo della divina provvidenza ovvero Libro della divina dottrina. Ed. Giuliana Cavallini. Roma: Edizioni Cateriniane, 1968 (2.ª ed., Siena: Cantagalli, 1995).

Christ the bridgeel-puente
The central image of the Dialogue: after Adam's sin the road between heaven and earth was broken and a stormy river (the world) sweeps away whoever tries to cross it; God has stretched out his Son as a bridge, uniting the divine and human natures. The bridge has three steps, which are Christ's nailed feet, opened side and mouth, and correspond to three states of the soul: the servile fear that abandons sin, the still mercenary love that discovers Christ's heart, and the filial love that reaches peace and becomes word. It is built with the stones of the virtues, mortared with blood, roofed by mercy, and on it is a 'shop' where the food of the sacrament is given. Under the bridge pass those who choose the river. The allegory orders all Catherine's spiritual doctrine as an itinerary.

Tradition of the degrees of love (Bernard of Clairvaux) and the theology of Christ's mediation.

स्रोत: Caterina da Siena. Il Dialogo della divina provvidenza ovvero Libro della divina dottrina. Ed. Giuliana Cavallini. Roma: Edizioni Cateriniane, 1968 (2.ª ed., Siena: Cantagalli, 1995).

The bloodla-sangre
Few words appear as often in Catherine as blood. Her letters begin 'in the precious blood' of Christ; she presents it as the price of redemption, as a bath that cleanses in the sacrament of penance, as wine that inebriates and as a key kept by the pope, 'Christ on earth', which opens heaven to the faithful. Blood unites her mysticism and her politics: because the Church administers the blood, it must be reformed, the pope must be in Rome and Christians must not shed their brothers' blood. In the execution of Niccolò di Toldo and in her death, crying 'blood, blood!', the image becomes experience. Far from a morbid taste, it is for her the concrete sign of a love that has given itself to the end.

The piety of the passion in fourteenth-century Italy and Dominican sacramental theology.

स्रोत: Noffke, Suzanne (trad. y ed.). The Letters of Catherine of Siena. 4 vols. Tempe: Arizona Center for Medieval and Renaissance Studies, 2000–2008.

The doctrine of tearsdoctrina-de-las-lagrimas
In a section of the Dialogue Catherine distinguishes five kinds of tears corresponding to five states of the soul: those of the damned, born of fear of punishment; those of people beginning to leave sin out of fear; those of people beginning to love God with a still imperfect love; those of people who love their neighbour perfectly; and the 'sweet tears' of the perfect, united with God. She adds tears of fire, without water, belonging to those who wish to weep and cannot, which the Holy Spirit welcomes equally. The classification turns religious feeling into a criterion of discernment: what matters is not the tears but from what love they spring.

The monastic tradition of the gift of tears, from Cassian and Gregory the Great.

स्रोत: Noffke, Suzanne (trad.). Catherine of Siena: The Dialogue. Classics of Western Spirituality. Nueva York: Paulist Press, 1980.

The mystical body and the reform of the Churchcuerpo-mistico
Catherine calls the Church 'the mystical body of holy Church' and distinguishes in it the treasure (Christ's blood and the sacraments, always holy) from the ministers who administer it, often unworthy. That distinction allows her to be at once very harsh with the clergy (in the Dialogue she describes bluntly the simony, greed and lust of bad shepherds) and absolutely faithful to the pope and the institution: one should not disobey the bad minister but ask God and the pope for his reform. That is why she demands that Gregory XI return to Rome, choose good shepherds and begin by uprooting 'the stinking flowers' from the Church's garden, and why, in the schism, she defends Urban VI. Reform, for her, begins in the conversion of each person and extends to the head.

Crisis of the Avignon papacy and of the Great Schism (1378).

स्रोत: Luongo, F. Thomas. The Saintly Politics of Catherine of Siena. Ithaca: Cornell University Press, 2006.

God as fire and 'mad with love'fuego-de-amor
Catherine's most lyrical pages describe God as fire and abyss of charity and as a lover 'mad' for his creature: 'O mad lover! Was it not enough for you to become flesh, that you willed also to die?'. God's madness is the disproportion of a love that creates without needing, redeems without being obliged and gives itself to the point of death. The soul that knows it becomes in turn 'drunk' and set alight, and that fire turns into zeal for the salvation of others: hence the sentence to Stefano Maconi about setting Italy on fire. In her final prayers she goes as far as to say that her own nature, known in God's, is fire. The image unites bridal mysticism, the theology of charity and public action.

Medieval bridal mysticism and the tradition of the excessus amoris.

स्रोत: Caterina da Siena. Il Dialogo della divina provvidenza ovvero Libro della divina dottrina. Ed. Giuliana Cavallini. Roma: Edizioni Cateriniane, 1968 (2.ª ed., Siena: Cantagalli, 1995).

वीडियो

वीडियो

रिकॉर्डिंग, साक्षात्कार और वृत्तचित्र। वीडियो YouTube से चलते हैं; वे यहाँ संग्रहीत नहीं हैं।

  • Catherine of Siena as Woman of the Word: 'It is Silence that Kills the World'

    व्याख्यान· EN· 2015· 53 min

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  • Sister Barbara Reid, O.P. - St. Catherine of Siena Lecture

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  • St. Catherine of Siena Lecture - Dr. Perry Cahall

    व्याख्यान· EN· 2015· 47 min

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  • The Apostle of the Blood of Christ: St. Catherine of Siena

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    Bishop Robert Barronआधिकारिक चैनल

  • André Vauchez - Santa Caterina da Siena

    व्याख्यान· IT· 2019· 46 min

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  • La tradizione delle lettere di Caterina da Siena: status quaestionis e prospettive di ricerca

    व्याख्यान· IT· 2022· 34 min

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  • Santa Caterina - prima lezione

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  • Lezioni di storia a Trieste, 'I volti del potere': Caterina da Siena secondo Muzzarelli

    व्याख्यान· IT· 2020· 73 min

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  • Camino a la CELDA INTERIOR - Doctrina de Santa Catalina de Siena

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  • SANTA CATALINA DE SIENA: biografía [Al encuentro de Dios Padre con S. Catalina de Siena, 09 de 12]

    व्याख्यान· ES· 2025· 78 min

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  • Santa Catalina de Siena IV - Cisma de Occidente, muerte y canonización

    व्याख्यान· ES· 2021· 39 min

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  • Catherine de Sienne ou la conduite du monde - partie 1/2

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  • Sainte Catherine de Sienne

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चित्रशाला

चित्रशाला

सत्यापित लाइसेंस वाले चित्र। प्रत्येक में उसके रचयिता और श्रेय का उल्लेख सुरक्षित है।

संबंध

संबंध

प्रभाव, शिष्यत्व और वैचारिक निकटता। प्रमाणित संबंध को विश्लेषण से पहचानी गई समानता से अलग दर्शाया गया है।

  • इनसे प्रभावित

    Jesus of Nazareth

    Her whole spirituality revolves around Christ crucified: her letters begin 'in the name of Jesus Christ crucified' and the Dialogue presents Christ as the bridge between God and the world.

    प्रमाणित संबंध

  • इनसे मिलते-जुलते विचार

    Francis of Assisi

    Pius XII proclaimed them together principal patrons of Italy in 1939. They share identification with the passion (both stigmatised according to their hagiographers) and the preaching of peace; Catherine, a Dominican, shows no particular devotion to Francis in her writings.

    विश्लेषण से पहचानी गई समानता

  • इनसे मिलते-जुलते विचार

    Teresa of Ávila

    The first two women proclaimed Doctors of the Church, a week apart (27 September and 4 October 1970). Both combined mysticism and reform, and wrote without Latin learning.

    विश्लेषण से पहचानी गई समानता

  • इनसे मिलते-जुलते विचार

    Augustine of Hippo

    Her anthropology of memory, understanding and will as the image of the Trinity (Dialogue, ch. XIII) and her theme of self-knowledge come from the Augustinian tradition, mediated by Dominican preaching; no direct reading is documented.

    विश्लेषण से पहचानी गई समानता

  • इनके समकालीन

    Julian of Norwich

    Exact contemporaries, both laywomen without Latin learning who left a theology in the vernacular; they never had contact.

    विश्लेषण से पहचानी गई समानता

  • इनसे मिलते-जुलते विचार

    Hildegard of Bingen

    Like Hildegard two centuries earlier, Catherine wrote to popes and the powerful with prophetic authority and denounced clerical corruption; both are Doctors of the Church. No documented relation.

    विश्लेषण से पहचानी गई समानता

  • इनसे मिलते-जुलते विचार

    Meister Eckhart

    Both belong to the Dominican family and share the idea of a self-knowledge that issues in God, but Catherine is narrative, affective and ecclesial where Eckhart is speculative. No documented relation.

    विश्लेषण से पहचानी गई समानता

स्रोत

स्रोत

इस प्रविष्टि के लिए देखे गए ग्रंथ-सूची और सूचीपत्र।

  1. Wikidata, Q229190 «Catalina de Siena / Catherine of Siena» (P31=Q5; 83 enlaces entre wikis; P569 1347-03-25, P570 1380-04-29).
  2. Raimundo de Capua. Legenda maior sive Legenda admirabilis virginis Catherine de Senis. Ed. Silvia Nocentini. Florencia: SISMEL – Edizioni del Galluzzo, 2013. Trad. inglesa de Conleth Kearns, The Life of Catherine of Siena. Wilmington: Michael Glazier, 1980.
  3. Caterina da Siena. Il Dialogo della divina provvidenza ovvero Libro della divina dottrina. Ed. Giuliana Cavallini. Roma: Edizioni Cateriniane, 1968 (2.ª ed., Siena: Cantagalli, 1995).
  4. Caterina da Siena. Libro della divina dottrina volgarmente detto Dialogo della divina provvidenza. Ed. Matilde Fiorilli. Scrittori d'Italia. Bari: Laterza, 1912 (Project Gutenberg n.º 26961).
  5. Noffke, Suzanne (trad. y ed.). The Letters of Catherine of Siena. 4 vols. Tempe: Arizona Center for Medieval and Renaissance Studies, 2000–2008.
  6. Tommaseo, Niccolò (ed.). Le lettere di S. Caterina da Siena. 4 vols. Florencia: G. Barbèra, 1860; reed. ampliada por Piero Misciattelli, 6 vols., Siena: Giuntini-Bentivoglio, 1913–1922.
  7. Noffke, Suzanne (ed. y trad.). The Prayers of Catherine of Siena. Nueva York: Paulist Press, 1983.
  8. Vauchez, André. Catherine de Sienne: vie et passions. París: Éditions du Cerf, 2015.
  9. Luongo, F. Thomas. The Saintly Politics of Catherine of Siena. Ithaca: Cornell University Press, 2006.
  10. Benedicto XVI. Audiencia general del 24 de noviembre de 2010: Santa Catalina de Siena. Libreria Editrice Vaticana.
  11. Juan Pablo II. Motu proprio Spes aedificandi, proclamación de las copatronas de Europa (1 de octubre de 1999). Libreria Editrice Vaticana.
  12. Noffke, Suzanne (trad.). Catherine of Siena: The Dialogue. Classics of Western Spirituality. Nueva York: Paulist Press, 1980.
  13. Tommaso Caffarini. Libellus de supplemento: legende prolixe virginis beate Catherine de Senis. Ed. Giuliana Cavallini e Imelda Foralosso. Roma: Edizioni Cateriniane, 1974.
  14. Laurent, M.-H. (ed.). Il Processo Castellano. Fontes vitae S. Catharinae Senensis historici IX. Milán: Fratelli Bocca, 1942.
  15. Scudder, Vida D. (trad. y ed.). Saint Catherine of Siena as Seen in Her Letters. Londres: J. M. Dent / Nueva York: E. P. Dutton, 1905 (Project Gutenberg n.º 7403).
  16. Thorold, Algar (trad.). The Dialogue of the Seraphic Virgin Catherine of Siena. Londres: Kegan Paul, Trench, Trübner & Co., 1896 (nueva ed. abreviada, 1907).
  17. Salvador y Conde, José (intr. y trad.). Obras de Santa Catalina de Siena: El Diálogo, Oraciones y Soliloquios. Madrid: Biblioteca de Autores Cristianos, 1991.
  18. Open Library (Internet Archive), registros de edición consultados por ISBN para las ediciones listadas.
  19. Wikisource en italiano: Caterina da Siena, Libro della divina dottrina (ed. Fiorilli, 1912) y Le lettere di S. Caterina da Siena (ed. Misciattelli, 1922).
  20. Gardner, Edmund G. Saint Catherine of Siena: A Study in the Religion, Literature and History of the Fourteenth Century in Italy. Londres: J. M. Dent, 1907.
  21. Canigiani, Barduccio. Carta sobre el tránsito de Catalina, dirigida a sor Caterina Petriboni (1380). Trad. inglesa en Algar Thorold, The Dialogue of the Seraphic Virgin Catherine of Siena… together with an account of her death by an eye-witness. Londres: Kegan Paul, 1907.
  22. Anónimo florentino. I Miracoli di Caterina di Iacopo da Siena di anonimo fiorentino. Ed. Francesco Valli. Fontes vitae S. Catharinae Senensis historici IV. Siena: R. Università di Siena, 1936.
  23. Associazione Internazionale dei Caterinati (Siena).
अधिकार-धारक
Dominio público (obra del siglo XIV). Las ediciones críticas, traducciones y aparatos modernos (Cantagalli, Edizioni Cateriniane, BAC, Paulist Press, ACMRS, Studio Domenicano…) están sujetos a los derechos de sus editores. El Centro Nazionale di Studi Cateriniani (Roma) y la Associazione Internazionale dei Caterinati (Siena) promueven su estudio y su culto.
आधिकारिक वेबसाइट
www.caterinati.org/

पुष्टि की प्रतीक्षा में

जो यह प्रविष्टि अभी तक निश्चित नहीं कर सकी है। हम उसे भर देने के बजाय कह देना बेहतर समझते हैं।

  • Localizar en catálogo los principales manuscritos del Diálogo y del epistolario (Siena, Biblioteca Comunale degli Intronati; Roma, Biblioteca Casanatense; Florencia, Biblioteca Nazionale) con sus signaturas: no se han registrado manuscritos para no aportar signaturas sin verificar.
  • Confirmar el número de cartas según la edición crítica en curso (Antonio Volpato, Centro Nazionale di Studi Cateriniani): las cifras habituales oscilan entre 373 y 383.
  • Verificar la redacción italiana exacta de la carta a Stefano Maconi («Se sarete quello che dovete essere…»), aquí marcada como «probable», contra la edición Misciattelli.
  • Localizar ISBN de la edición crítica de Cavallini del Diálogo (Cantagalli, 1995), de Le Orazioni (1978) y de la Legenda maior de Nocentini (SISMEL, 2013).
  • Ediciones españolas de las cartas y de la Leyenda de Raimundo de Capua con ISBN: no localizadas en Open Library.
  • Buscar una traducción española de dominio público del Diálogo con texto completo en línea (hay traducciones de los siglos XVI–XVIII en bibliotecas digitales, sin OCR utilizable).
  • Revisar la calidad del OCR de los textos de Internet Archive (Thorold 1896 y 1907; Hamilton 1862).
  • La edición de Thorold de 1907 (reading_texts, lettera-di-barduccio) reúne la carta de Barduccio con una versión abreviada del Diálogo: queda con caution hasta extraer solo la carta.
  • Programas de afiliación: ninguno verificado.

2026-10-25 को शोधित