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Hindouisme · Yoga · Advaita Vedanta · Tradition védique

Vasishtha

वसिष्ठ · Vasiṣṭha · योगवासिष्ठ

Figure légendaire

Sage védique auquel la tradition attribue le septième livre du Ṛgveda, composé par une famille de poètes-prêtres dans la seconde moitié du IIe millénaire av. J.-C. Les hymnes le montrent aux côtés du roi Sudās lors de la bataille des dix rois ; dans le Râmâyana, il est le chapelain de la dynastie d'Ayodhyā, le rival de Viśvāmitra et le maître de Rāma, et dans le Mahâbhârata l'arrière-grand-père de Vyāsa. Portent son nom le Vasiṣṭha Dharmasūtra et le Yoga Vāsiṣṭha, dialogue védantique médiéval refondu à partir du Mokṣopāya cachemirien. Non pas une personne documentée : une lignée et une figure légendaire.

œuvres
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Maharishi Vasiṣṭha sentado sobre una piel de tigre

Maharishi Vasiṣṭha sentado sobre una piel de tigre · Public domain

Dans ses propres mots

«Free us from sins committed by our fathers, from those wherein we have ourselves offended. O King, loose, like a thief who feeds the cattle, as from the cord a calf, set free Vasistha.»

Ṛgveda 7.86.5; trad. inglesa de R. T. H. Griffith (1896, dominio público); versión española del investigador

Son idée centrale

The world as a projection of the mind: The Yoga Vāsiṣṭha maintains that the whole universe is a creation of the mind (manas) or of consciousness (cit), comparable to a dream or an imagined city: it exists while it is thought and ceases to exist when thought is stilled.

Biographie

5 min de lecture

Traduction assistée à partir de l'original espagnol, en attente de relecture par un traducteur natif.

Un nom qui traverse trois millénaires

Peu de figures de la littérature sanskrite reparaissent dans autant de strates que Vasiṣṭha. Il est le poète-prêtre auquel la tradition attribue le septième livre du Ṛgveda, le chapelain de la dynastie solaire d'Ayodhyā dans le Râmâyana, le rival de Viśvāmitra, l'arrière-grand-père de Vyāsa dans le Mahâbhârata, l'une des étoiles de la Grande Ourse et, au Moyen Âge, le maître qui instruit Rāma dans le Yoga Vāsiṣṭha. Aucun document ne permet de parler d'un individu historique au-delà des hymnes védiques : le nom désigne à la fois une lignée de prêtres — les Vasiṣṭha, un gotra brahmanique qui existe encore — et un sage légendaire compté parmi les sept ṛṣi du ciel. Les dates que l'on peut avancer sont celles des textes, jamais celles de la personne.

Le poète du septième livre

Le Ṛgveda rassemble dans ses livres II à VII, les « livres de famille », les recueils de différents clans de poètes. Le septième, qui compte 104 hymnes, est attribué à Vasiṣṭha Maitrāvaruṇi et à ses descendants ; c'est l'un des noyaux les plus anciens du corpus, composé au Pendjab dans la seconde moitié du IIe millénaire av. J.-C. selon la datation la plus largement admise. On y trouve des hymnes à Agni, à Indra, à l'Aurore et surtout une série adressée à Varuṇa (7.86–89) d'un ton singulièrement personnel : le poète se demande quelle faute il a commise et prie le dieu de le délier « comme un veau de sa corde ». L'hymne 7.33 raconte la naissance de Vasiṣṭha : fils de Mitra et de Varuṇa, né de leur désir pour la nymphe Urvaśī, d'une semence recueillie dans une cruche d'où sortit aussi Agastya. Ces généalogies sont invérifiables ; elles attestent du moins l'image qu'avait d'elle-même une famille sacerdotale qui revendiquait une origine divine.

Sudās et la bataille des dix rois

Les hymnes 7.18, 7.33 et 7.83 célèbrent la victoire de Sudās, roi des Tṛtsu-Bharata, sur une coalition de dix rois au bord de la Paruṣṇī, l'actuelle Ravi. Les Vasiṣṭha s'en attribuent le mérite : Indra, disent-ils, entendit leur prière et donna aux Tṛtsu « espace et liberté ». Michael Witzel a lu dans ces hymnes le reflet d'un événement réel de la période védique moyenne, l'essor des Bharata qui finiraient par donner leur nom à l'Inde, et il a relevé que le troisième livre, celui de Viśvāmitra, connaît lui aussi Sudās. De là vient sans doute la rivalité entre les deux familles de prêtres, dont les épopées feront l'un de leurs grands thèmes.

La rivalité avec Viśvāmitra

Le Râmâyana met cette mémoire en scène. Dans le Bālakāṇḍa, le roi Viśvāmitra visite l'ermitage de Vasiṣṭha, qui le reçoit fastueusement grâce à Śabalā, la vache d'abondance ; le roi veut l'emmener, la vache fait surgir des armées, et la puissance du guerrier se brise contre celle du brahmane, jusqu'à ce que Viśvāmitra renonce au trône et s'astreigne pendant des millénaires à l'ascèse pour être reconnu brahmarṣi. Le Mahâbhârata ajoute l'épisode le plus sombre : le roi Kalmāṣapāda, devenu démon, dévore Śakti, le fils aîné de Vasiṣṭha ; le sage tente de se donner la mort et les rivières refusent de le noyer ; seule lui rend le goût de vivre la voix de son petit-fils Parāśara, qui récite le Veda depuis le ventre de sa mère. Parāśara sera le père de Vyāsa.

Chapelain des Ikṣvāku et maître de Rāma

Dans l'épopée, Vasiṣṭha est le purohita héréditaire des rois d'Ayodhyā : il célèbre les rites de Daśaratha, éduque les princes, fait mander Bharata après la mort du roi et, dans la forêt de Citrakūṭa, rappelle à Rāma la coutume qui oblige l'aîné à régner. Son épouse Arundhatī est devenue le modèle de la fidélité conjugale ; son nom désigne la petite étoile Alcor, voisine de Mizar, l'étoile de Vasiṣṭha dans la Grande Ourse, que les rites nuptiaux montrent à la jeune mariée. L'indianiste Georg Bühler observait dès 1882 que le prestige de ce Vasiṣṭha, « champion du brahmanisme », explique que tant d'œuvres aient été placées sous son nom.

Le Yoga Vāsiṣṭha

L'œuvre la plus influente qui porte son nom est le Yoga Vāsiṣṭha, ou Mahārāmāyaṇa, immense dialogue — quelque trente mille vers selon la tradition — divisé en six livres. Le jeune Rāma revient d'un pèlerinage en proie au désenchantement ; Viśvāmitra arrive à la cour et Vasiṣṭha entreprend de l'instruire, dans une cascade de récits-cadres dont Vālmīki est le narrateur. Sa doctrine est un idéalisme radical : le monde est une projection de l'esprit, et la conscience qui le rêve peut s'éveiller de son vivant (jīvanmukti). Il l'enseigne par des récits mémorables — Līlā, le roi Lavaṇa, le brahmane Gādhi, la reine Cūḍālā — et avec une insistance singulière sur l'effort humain face au destin. Les dates proposées vont du VIe au XIVe siècle ; Walter Slaje et Jürgen Hanneder ont montré que le texte est une refonte védantique d'une œuvre cachemirienne antérieure, le Mokṣopāya, des environs du Xe siècle. Il en existe en outre un abrégé, le Laghu Yoga Vāsiṣṭha, attribué à Gauḍa Abhinanda, et une traduction persane réalisée à la cour moghole, dont le manuscrit illustré de 1602 est conservé à Dublin.

Lois, yoga, phonétique et astronomie

Le nom servit aussi de sceau d'autorité. Le Vasiṣṭha Dharmasūtra, l'un des quatre traités de dharma en prose qui nous sont parvenus, est pour Bühler l'ultime vestige d'une école védique disparue, et pour Patrick Olivelle le plus tardif du groupe, augmenté d'ajouts postérieurs ; le texte lui-même invoque trois fois Vasiṣṭha et s'achève sur un salut « au fils de Mitra et Varuṇa et d'Urvaśī ». Portent encore son nom une Vasiṣṭha Saṃhitā consacrée au yoga, une Vasiṣṭha Smṛti, un traité de phonétique védique (Vāsiṣṭhī Śikṣā), un autre de tir à l'arc (Dhanurveda Saṃhitā) et un système astronomique, le Vasiṣṭha Siddhānta, résumé par Varāhamihira au VIe siècle. Aucun ne peut être attribué à une personne : l'attribution dit quelle autorité l'on voulait invoquer.

Ce que l'on peut affirmer

L'historien peut soutenir qu'il a existé à l'époque védique une famille de poètes et de prêtres qui se nommait elle-même Vasiṣṭha, qu'elle a composé ou transmis le septième livre du Ṛgveda et qu'elle fut liée à la cour de Sudās. Tout le reste — la naissance dans la cruche, la vache prodigieuse, la mort des cent fils, le magistère auprès de Rāma — relève d'une tradition littéraire qui continua de s'écrire pendant plus de deux mille ans et fit de Vasiṣṭha la figure même du brahmane sage : serein face à la force, fidèle à la parole et maître des rois.

Sources: Jamison, Stephanie W., y Joel P. Brereton (trads.). The Rigveda: The Earliest Religious Poetry of India. 3 vols. Nueva York: Oxford University Press, 2014. Introducción general e introducción al libro VII. · Griffith, Ralph T. H. (trad.). The Hymns of the Rigveda. 2.ª ed. Benarés: E. J. Lazarus, 1896–1897. Libro VII (himnos 18, 33, 59, 83, 86–89), texto en Wikisource. · Goldman, Robert P. (trad. e introd.). The Rāmāyaṇa of Vālmīki: An Epic of Ancient India. Vol. I: Bālakāṇḍa. Princeton: Princeton University Press, 1984 (episodio de Vasiṣṭha y Viśvāmitra, sargas 50–64 de la edición crítica). · Mitra, Vihari-Lala (trad.). The Yoga-Vásishtha Mahárámáyana of Válmiki. 4 vols. en 7 partes. Calcuta: Bonnerjee & Co., 1891–1899. Edición digital en Project Gutenberg (n.º 71326 y siguientes). · Slaje, Walter. Vom Mokṣopāya-Śāstra zum Yogavāsiṣṭha-Mahārāmāyaṇa. Philologische Untersuchungen zur Entwicklungs- und Überlieferungsgeschichte eines indischen Lehrwerks mit Anspruch auf Heilsrelevanz. Viena: Verlag der Österreichischen Akademie der Wissenschaften, 1994.

Chronologie

La vie, année après année

Chaque point est un événement documenté. Cliquez pour le lire, avec sa source et son degré de certitude.

  1. v. 1300 av. J.-C. – 1000 av. J.-C.

    The hymns of the seventh book of the Ṛgveda

    Composition, by the priestly family of the Vasiṣṭhas, of the 104 hymns of maṇḍala VII, one of the 'family books' that form the ancient core of the Ṛgveda. The range is that of the composition of the corpus, not of a person.

    Probable

  2. v. 1200 av. J.-C.

    The Battle of the Ten Kings

    Hymns 7.18, 7.33 and 7.83 celebrate the victory of King Sudās of the Tṛtsu-Bharatas over a coalition of ten kings and ascribe Indra's favour to the prayer of the Vasiṣṭhas. Witzel interprets it as a real event of the Vedic period; the date is approximate.

    Contesté

  3. v. 500 av. J.-C. – 300

    Vasiṣṭha in the Rāmāyaṇa

    In the Rāmāyaṇa, whose composition spans centuries (the Bālakāṇḍa and the Uttarakāṇḍa are late strata), Vasiṣṭha is Daśaratha's purohita, the teacher of the princes and the protagonist of the conflict with Viśvāmitra over the cow Śabalā.

    Probable

  4. v. 300 av. J.-C. – 300

    Vasiṣṭha in the Mahābhārata

    The Ādiparvan narrates the death of Śakti at the hands of King Kalmāṣapāda, Vasiṣṭha's attempts at suicide frustrated by the rivers Vipāśā and Śatadru, and the birth of his grandson Parāśara, father of Vyāsa.

    Tradition

  5. v. 100 av. J.-C. – 100

    The Vasiṣṭha Dharmasūtra

    Redaction of the treatise on dharma that bears his name, the latest of the four surviving dharmasūtras according to Olivelle, with later additions. The range is approximate.

    Contesté

  6. v. 950

    The Mokṣopāya

    Composition in Kashmir of the Mokṣopāya, the dialogue between Vasiṣṭha and Rāma that Slaje and Hanneder have identified as the basis of the Yoga Vāsiṣṭha.

    Probable

  7. v. 1100 – 1400

    The Vedāntic version: the Yoga Vāsiṣṭha

    Reworking of the Mokṣopāya in a Vedāntic key and spread of the Yoga Vāsiṣṭha or Mahārāmāyaṇa, together with the abridgement ascribed to Gauḍa Abhinanda (Laghu Yoga Vāsiṣṭha). The dates are still debated.

    Contesté

  8. 1602

    The illustrated Jūg Bāsisht

    For Prince Salīm, the future emperor Jahāngīr, an illustrated copy of the Persian translation of the Yoga Vāsiṣṭha is completed at Allahabad, with paintings by Bishan Das and others; it is now in the Chester Beatty Library, Dublin.

    Documenté

  9. 1882

    Bühler translates the Vasiṣṭha Dharmasūtra

    Georg Bühler publishes the English translation of the Vasiṣṭha Dharmasūtra in volume 14 of the Sacred Books of the East.

    Documenté

  10. 1891 – 1899

    Vihari-Lala Mitra's translation

    The first complete English translation of the Yoga Vāsiṣṭha, in four volumes, by Vihari-Lala Mitra, appears in Calcutta.

    Documenté

  11. 1896

    Griffith publishes the Ṛgveda in English

    Second edition of Ralph T. H. Griffith's The Hymns of the Rigveda, the complete public-domain English translation in which Vasiṣṭha's hymns are read today.

    Documenté

Œuvres

Œuvres essentielles

Les œuvres sans lesquelles on ne comprend pas son héritage.

Ṛgveda, Book VII (hymns of the Vasiṣṭhas) — Vasishtha

Compilation postérieure · v. 1200 av. J.-C.

Ṛgveda, Book VII (hymns of the Vasiṣṭhas)

ऋग्वेद, सप्तमं मण्डलम् (Ṛgveda, saptamaṃ maṇḍalam)

The 104 hymns of the seventh book of the Ṛgveda, one of the 'family books'. They include hymns to Agni, Indra, Uṣas, the Maruts and Mitra-Varuṇa; the chronicle of the Battle of the Ten Kings (7.18, 7.33, 7.83); the account of Vasiṣṭha's birth (7.33); the confessional hymns to Varuṇa (7.86–89); the mantra to Tryambaka (7.59.12), still recited as the 'mahāmṛtyuñjaya', and the hymn of the frogs (7.103). It is one of the oldest strata of Indian literature.

4 éditions

Yoga Vāsiṣṭha (Mahārāmāyaṇa) — Vasishtha

Attribution traditionnelle · v. 1100

Yoga Vāsiṣṭha (Mahārāmāyaṇa)

योगवासिष्ठ (Yogavāsiṣṭha), también महारामायण (Mahārāmāyaṇa), आर्षरामायण, वासिष्ठरामायण

A dialogue of some thirty thousand verses, according to tradition, in six books (prakaraṇa): Vairāgya (Rāma's disenchantment), Mumukṣu (the seeker of liberation), Utpatti (creation), Sthiti (persistence), Upaśama (quiescence) and Nirvāṇa (extinction). Vasiṣṭha teaches Rāma that the world is a projection of the mind and that liberation is possible in life, through dozens of nested tales —Līlā, Lavaṇa, Gādhi, Cūḍālā and Śikhidhvaja, the crow Bhuśuṇḍa— and a constant defence of human effort (pauruṣa) against fate.

Non disponible Voir le livre

6 éditions

Vasiṣṭha Dharmasūtra (The Sacred Law of Vasiṣṭha) — Vasishtha

Attribution traditionnelle · v. 100 av. J.-C.

Vasiṣṭha Dharmasūtra (The Sacred Law of Vasiṣṭha)

वासिष्ठधर्मसूत्र / वासिष्ठधर्मशास्त्र (Vāsiṣṭha Dharmasūtra / Dharmaśāstra)

A prose manual with interspersed verses, in thirty chapters, on the rules of conduct: the sources of dharma, the four social classes, the stages of life (student, householder, hermit, ascetic), purity, women, inheritance, adoption, lawful interest on loans, the king and penances. It ends with a chapter of maxims and a salutation to Vasiṣṭha, 'son of Mitra and Varuṇa and of Urvaśī'.

3 éditions

Citations

Citations localisées dans une œuvre précise. Chacune porte sa provenance et son degré de fiabilité.

Free us from sins committed by our fathers, from those wherein we have ourselves offended. O King, loose, like a thief who feeds the cattle, as from the cord a calf, set free Vasistha.

áva drugdhā́ni pítryā sṛjā nó, áva yā́ vayáṃ cakṛmā́ tanū́bhiḥ / áva rājan paśutṛ́paṃ ná tāyúṃ sṛjā́ vatsáṃ ná dā́mno vásiṣṭham

VérifiéeṚgveda 7.86.5; trad. inglesa de R. T. H. Griffith (1896, dominio público); versión española del investigador

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Dernières paroles

Il n'existe aucun témoignage vérifiable de ses dernières paroles.

There is no record of his death or of any last words. Vasiṣṭha is a lineage name and a legendary figure; tradition places him among the seven sages who dwell as stars in the Great Bear.

Source: Jamison, Stephanie W., y Joel P. Brereton (trads.). The Rigveda: The Earliest Religious Poetry of India. 3 vols. Nueva York: Oxford University Press, 2014. Introducción general e introducción al libro VII.

Interroger

Ce que répond son œuvre

Douze grandes questions de l'humanité et ce que ses textes permettent d'y répondre, références à l'appui. Nous ne lui prêtons jamais de paroles.

  • Qu'est-ce que l'Absolu ? Dieu existe-t-il ?

    The only reality is pure consciousness; the universe is its imagining

    Un Absolu impersonnelIl le dit expressément

    In the Yoga Vāsiṣṭha, Vasiṣṭha teaches Rāma that the ultimate is brahman, pure consciousness (cit) without form, beginning or second. Worlds, bodies and the gods themselves appear in that consciousness like the images of a dream or an imagined city, and have no substance other than it. The work's stories —Līlā, who traverses her husband's successive lives within the space of a single room; King Lavaṇa, who lives a whole existence as an outcaste in an instant— serve to dissolve the solidity of what is taken to be real. Brahmā, Viṣṇu and Śiva appear in the text, but as figures within that consciousness, not as its ground. The question of a creator God is thus absorbed into another: what is the consciousness that represents the world to itself.

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  • Qui suis-je ? Existe-t-il un vrai soi ?

    The suffering self is a product of the mind; the Self is pure consciousness

    Le Soi est l'AbsoluIl le dit expressément

    In the Yoga Vāsiṣṭha, Vasiṣṭha distinguishes between the ego (ahaṃkāra), which arises when consciousness thinks itself to be a particular body and mind, and the Self, which is unbounded consciousness (cit) itself. The ego has no more reality than a dream: it arises with accumulated impressions and desires (vāsanā) and dissolves when they are extinguished. What remains is not nothingness, but the consciousness that always was, identical with brahman. The work does not present this identity as a dogma, but as the result of an enquiry: Rāma must examine who it is that suffers until he finds that he cannot find him. Whoever understands this is liberated while living (jīvanmukta), and goes on acting in the world without identifying with any of it.

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  • Pourquoi souffrons-nous ?

    We suffer because the mind takes as real the world it imagines

    L'ignorance de ce que nous sommesIl le dit expressément

    The Yoga Vāsiṣṭha opens with Rāma's despondency: back from a pilgrimage, the young prince stops eating and acting, because he has seen the transience of youth, wealth and the body, and the thirst (tṛṣṇā) that is never quenched. Vasiṣṭha does not deny that diagnosis, but takes it deeper. Suffering arises because consciousness identifies with a body and a mind and takes as solid the world the mind itself projects, like someone suffering within a dream. What sustains that identification are accumulated impressions and desires (vāsanā). That is why the remedy is not to flee the world, but to understand its nature: when the vāsanās are extinguished and the mind grows still, suffering loses the ground it stood on.

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  • Que se passe-t-il après la mort ?

    Death is a change of dream; consciousness is neither born nor dies

    Ce que je suis ne naît ni ne meurtIl le dit expressément

    In the Yoga Vāsiṣṭha, death interrupts nothing essential. The story of Līlā shows it: at the death of her husband Padma, the queen discovers that he goes on living, in the same instant and within the space of her own chamber, the life of King Vidūratha, who in turn dies and finds himself again in another world. For Vasiṣṭha, what we call dying is the mind, laden with its impressions (vāsanā), ceasing to represent one body and beginning to represent another, like passing from one dream to the next. As long as those impressions persist, the round of births continues. But consciousness itself, which is brahman, is neither born nor dies; whoever recognises it is liberated while still living and has nowhere to go.

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  • Comment atteint-on la libération ou le salut ?

    Enquiry, sustained by one's own effort, liberates in this life

    Par la connaissance directeIl le dit expressément

    For the Vasiṣṭha of the Yoga Vāsiṣṭha, liberation results from knowledge gained through enquiry (vicāra): examining who I am, what the world is and where suffering arises, until impressions and desires (vāsanā) are extinguished and the mind grows still. It is not a gift nor the fruit of a rite, and it demands personal effort (pauruṣa): Vasiṣṭha holds that what is called fate is nothing but past action, and that present effort can overcome it as the stronger ram overcomes the weaker. The work describes seven stages of knowledge, from the wish for the good to a state with no trace of duality. Its ideal is the one liberated while living (jīvanmukta): not someone who abandons the world, but someone who lives in it without bonds.

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  • Faut-il un maître ?

    The teacher and the texts guide; one's own understanding liberates

    Utile mais pas indispensableIl le dit expressément

    The Yoga Vāsiṣṭha takes the form of a teaching: Vasiṣṭha, teacher of the royal house, instructs Rāma for days before the court. But the text stresses that neither the teacher nor the scriptures suffice without the disciple's own understanding. Vasiṣṭha even says that reasonable words should be accepted even if spoken by a child, and that what does not accord with reason should be discarded like straw even if Brahmā himself had said it. His praise of personal effort (pauruṣa) points the same way: fate saves no one, and neither does the mere presence of a sage. The teacher awakens, reasons and offers stories that make one see; the disciple must enquire for himself until the teaching becomes his own evidence.

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  • Le monde est-il réel ?

    The world is like a dream: it exists while the mind thinks it

    Apparence sur l'unique réalitéIl le dit expressément

    The central thesis of the Yoga Vāsiṣṭha is that the entire universe is a creation of the mind (manas) or of consciousness (cit), comparable to a dream, an imagined city or the sky that looks blue without being so. It exists while it is thought and ceases to exist when thought grows still. Vasiṣṭha demonstrates this with stories of worlds within worlds: Līlā visits, within the space of a room, lives that last for years, and King Lavaṇa lives in an instant an entire existence as an outcaste, which he later finds confirmed in a real village. Time and space thus lose their solidity. The world is nothing in itself, but neither is it an absolute nothing: it is consciousness appearing to itself in forms.

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  • Qu'est-ce que l'amour ?

    The Yoga Vāsiṣṭha does not make love a path; the hymns seek divine friendship

    Ne s'est pas prononcé

    The Yoga Vāsiṣṭha has no doctrine of love. Its affective vocabulary revolves around attachment (rāga) and thirst (tṛṣṇā), which it treats as bonds, and its ideal is the one liberated while living, who acts with equanimity and without aversion to anyone. The story of Cūḍālā and Śikhidhvaja, in which an awakened queen patiently guides her husband to liberation and both return to rule together, shows a bond in the service of awakening, but the text does not raise it to a theory. The closest thing to love in the work ascribed to Vasiṣṭha lies in another place and age: in Ṛgveda VII, the poet ponders in his own heart how he may again be united with Varuṇa and find him gracious (7.86.2), and recalls an ancient friendship with the god.

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  • Sommes-nous libres ou tout est-il déterminé ?

    Fate is past action; present effort can overcome it

    Le karma et le choixIl le dit expressément

    One of the most characteristic theses of the Yoga Vāsiṣṭha is the primacy of human effort (pauruṣa) over fate (daiva). In the opening chapters of the book of the seeker, Vasiṣṭha holds that what is called fate is not an external force, but the subject's own past action. Fate and effort, he says, contend with each other like two rams of unequal strength, in which the mightier overcomes the other, and present effort, well directed, can prevail. Fatalism is the excuse of the lazy. The thesis is striking in a work that also holds that the world is a mental projection: the effort it demands is, above all, that of the enquiry that leads to recognising the illusory nature of one's bonds.

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  • Pourquoi méditer ou prier ?

    Enquire who I am until the mind comes to rest in its source

    Revenir à la source du jeIl le dit expressément

    The Yoga Vāsiṣṭha makes enquiry (vicāra) its central practice: asking who I am, what this world is and where suffering arises, until the mind, deprived of the objects with which it identified, comes to rest in the consciousness from which it arises. Vasiṣṭha recognises two means of stilling the mind's agitation: yoga, understood as mastery of the breath, and knowledge; and although he devotes stories to the first —that of the immortal crow Bhusuṇḍa, who lives through control of the breath—, he prefers the second. Meditation does not mean withdrawing from life, but seeing through it: the one liberated while living meditates while ruling, conversing or fighting, because he no longer takes as real what the mind projects.

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  • La raison peut-elle connaître l'ultime ?

    Reasoning guides to the threshold; the mind is extinguished in crossing it

    L'ultime est au-delà du mentalIl le dit expressément

    Few Indian works grant reasoning as much value as the Yoga Vāsiṣṭha. Vasiṣṭha even says that reasonable words (yukti) should be accepted even if spoken by a child, and that what does not accord with reason must be discarded like straw even if Brahmā himself had said it. His stories work as arguments that dismantle the solidity of time and space. But reasoning is not the goal: it is the instrument of an enquiry that ends when the mind itself is extinguished (manonāśa). The ultimate is not a true thought about consciousness, but the objectless consciousness that remains when thinking ceases. Reason, well used, leads beyond itself.

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  • Se retirer du monde ou le transformer ?

    Rāma must not withdraw: the one liberated in life rules without bonds

    La contemplation dans l'actionIl le dit expressément

    The whole Yoga Vāsiṣṭha answers a temptation to withdraw. Rāma, disillusioned with the world, wants to abandon his princely duties, and Viśvāmitra needs him to protect a sacrifice. Vasiṣṭha's teaching does not invite him to renounce, but to understand: whoever has seen the nature of the world can go on acting in it without identifying with anything. That is the one liberated while living (jīvanmukta). The work illustrates this with kings: Janaka attains knowledge on hearing the song of some sages and goes on reigning; Queen Cūḍālā, awakened, guides her husband Śikhidhvaja, who had withdrawn to the forest, and both return to rule. Liberation lies not in the place where one lives, but in the manner of being there.

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Anecdotes et récits

Anecdotes et récits

Tradition oraleperiodo védico

Born from a pitcher

Hymn 7.33 of the Ṛgveda, composed by the Vasiṣṭha family itself, tells of the origin of its ancestor in images that resemble no human genealogy. Mitra and Varuṇa, the gods of the covenant and of order, saw the nymph Urvaśī and their seed was spilt during a sacrifice; they gathered it in a pitcher, and from it arose Māna —Agastya, the other great sage— and then Vasiṣṭha, 'a form of lustre springing from the lightning'. The gods laid the newborn upon a lotus flower. The hymn does not present this as an isolated marvel but as the credential of a lineage: the Vasiṣṭhas, wearing their hair braided on the right and dressed in white, are sons of the gods who guard the truth, and that is why their word has power before Indra. The scene would recur in the epics and the Purāṇas, where Vasiṣṭha and Agastya bear the patronymic Maitrāvaruṇi, 'sons of Mitra and Varuṇa'.

Origine du récit: Ṛgveda 7.33.9–13 (Griffith's translation, Wikisource), from Vedic oral transmission. The Vasiṣṭha Dharmasūtra (30.11) preserves the same genealogy in its final salutation.

Source: Griffith, Ralph T. H. (trad.). The Hymns of the Rigveda. 2.ª ed. Benarés: E. J. Lazarus, 1896–1897. Libro VII (himnos 18, 33, 59, 83, 86–89), texto en Wikisource.

Tradition oraleperiodo védico

'Set Vasiṣṭha free like a calf'

Among the hymns of the seventh book there is one that sounds unlike almost anything else in the Ṛgveda. The poet has fallen into disgrace with Varuṇa, the god who sees the faults of men, and does not know why. He asks his own heart how to be united with him again, consults the sages, and all give him the same answer: 'Varuṇa is angry with thee'. Then he lists, almost in confession, the possible causes of the error: not his own will, but seduction, thoughtlessness, wine, dice, anger; 'even sleep removeth not all evil-doing'. And he asks to be freed from the sins of his fathers and his own, 'as from the cord a calf'. For scholars, hymns 7.86–89 are the oldest testimony in India of a consciousness of individual guilt before a moral god; for tradition, they are the voice of Vasiṣṭha himself.

Origine du récit: Ṛgveda 7.86 (Griffith's translation). The attribution to Vasiṣṭha comes from the anukramaṇī and from the hymn itself, which names him in verse 5.

Source: Griffith, Ralph T. H. (trad.). The Hymns of the Rigveda. 2.ª ed. Benarés: E. J. Lazarus, 1896–1897. Libro VII (himnos 18, 33, 59, 83, 86–89), texto en Wikisource.

Récit hagiographiquerelato épico

The cow of plenty

King Viśvāmitra, who was roaming the earth with his army, came to Vasiṣṭha's hermitage. The sage received him with honours and, to feed him and all his soldiers, called Śabalā, the cow that granted whatever was asked of her: from her flowed dishes, drinks and sweets for thousands of men. Viśvāmitra wanted the cow for his kingdom; he offered in exchange a hundred thousand cows, adorned elephants, gold. Vasiṣṭha refused: Śabalā was his offering, his sacrifice and his life. The king ordered her to be taken by force, but the cow broke free, ran weeping to her master and, at a word from him, brought forth armies of warriors who crushed the royal troops. The hundred sons of Viśvāmitra who attacked the sage were reduced to ashes. Humiliated, the king understood that the warrior's strength was powerless against the Brahmin's power, and withdrew to practise austerities for millennia, until the gods acknowledged him as a brahmarṣi. The Mughal paintings of the Freer Gallery Rāmāyaṇa illustrate the episode folio by folio.

Origine du récit: Rāmāyaṇa, Bālakāṇḍa, sargas 50–55 of the critical edition (Goldman's translation, 1984). The Mahābhārata (Ādiparvan) tells a version in which the cow is called Nandinī. It is epic legend with no verifiable historical basis, though it probably remembers the real rivalry of two priestly families.

Source: Goldman, Robert P. (trad. e introd.). The Rāmāyaṇa of Vālmīki: An Epic of Ancient India. Vol. I: Bālakāṇḍa. Princeton: Princeton University Press, 1984 (episodio de Vasiṣṭha y Viśvāmitra, sargas 50–64 de la edición crítica).

Récit hagiographiquerelato épico

The rivers that would not drown him

The Mahābhārata tells that King Kalmāṣapāda of the house of Ikṣvāku, cursed by Śakti, Vasiṣṭha's eldest son, became a man-eating demon and, at Viśvāmitra's instigation, began by devouring Śakti and then the sage's other sons. Vasiṣṭha, undone by grief, wished to die. He threw himself from the summit of Mount Meru and fell upon the rocks as upon cotton; he entered a burning forest and the fire did not burn him; he bound himself hand and foot and plunged into a swollen river, but the current broke his bonds and left him on the bank, and ever since the river has been called Vipāśā, 'the unbinder'. He threw himself into another, and the river, taking him for fire, fled in a hundred directions: it is the Śatadru, 'of a hundred courses'. Returning to his hermitage he heard behind him the recitation of the Veda: it was the son his daughter-in-law Adṛśyantī bore in her womb. For that grandson, Parāśara, the sage agreed to go on living.

Origine du récit: Mahābhārata, Ādiparvan (Caitraratha), in K. M. Ganguli's translation, sections CLXXVIII–CLXXIX. It is an epic aetiology of the names of the rivers Beas (Vipāśā) and Sutlej (Śatadru), with no historical basis.

Source: Ganguli, Kisari Mohan (trad.). The Mahabharata of Krishna-Dwaipayana Vyasa. Calcuta: Bharata Press / P. C. Roy, 1883–1896. Ādi Parva (Caitraratha Parva), secciones CLXXIV–CLXXXIII (Vasiṣṭha, Viśvāmitra, Kalmāṣapāda y el nacimiento de Parāśara). Project Gutenberg n.º 15474.

Récit hagiographiqueYoga Vāsiṣṭha (s. X–XIV)

The queen who taught her husband

Of the tales Vasiṣṭha tells Rāma in the Yoga Vāsiṣṭha, none has been remembered as much as that of Queen Cūḍālā. She attains self-knowledge without leaving the palace; her husband, King Śikhidhvaja, does not notice it, takes her for a changed woman and, seeking liberation, withdraws to the forest as an ascetic. Cūḍālā rules alone and, meanwhile, visits him in the form of a young Brahmin, Kumbha, who becomes his teacher. She teaches him that his renunciation is still an attachment, because renouncing the kingdom is not renouncing the clinging mind; she tests him with apparitions and deceptions, and only when the king has understood does she reveal herself as his wife. The two return to rule as liberated in life. The tale serves the work's central thesis: liberation does not depend on leaving the world but on ceasing to take it as real.

Origine du récit: A didactic tale from book VI (Nirvāṇa-prakaraṇa, first half) of the Yoga Vāsiṣṭha, put in Vasiṣṭha's mouth (Mitra's translation, 1891–1899). It is a parable, not an event: the work presents it as an example.

Source: Mitra, Vihari-Lala (trad.). The Yoga-Vásishtha Mahárámáyana of Válmiki. 4 vols. en 7 partes. Calcuta: Bonnerjee & Co., 1891–1899. Edición digital en Project Gutenberg (n.º 71326 y siguientes).

Tradition oraletradición ritual

Arundhatī, the star shown to the bride

Vasiṣṭha's wife, Arundhatī, is in Indian tradition the very image of conjugal fidelity: according to a legend of the Mahābhārata, when Svāhā sought to impersonate the wives of the seven sages, with whom Agni had fallen in love, she could take the form of all of them except Arundhatī, by the strength of her virtue. Her name passed into the sky. In the Great Bear, the seven stars of the wagon are the seven ṛṣis, and beside Mizar, Vasiṣṭha's star, shines a small and barely visible companion, Alcor, which is Arundhatī. The manuals of domestic ritual prescribe that on the wedding night the husband show the bride the pole star and the star Arundhatī, as models of steadfastness and fidelity. The custom, still alive in many ceremonies, is one of the rare places where a legendary figure becomes visible to the naked eye.

Origine du récit: Astronomical and ritual tradition recorded in the gṛhyasūtras (wedding rites) and in the Mahābhārata (episode of Agni and the wives of the ṛṣis); summary after the bibliography cited in s14. It is not a historical fact about Vasiṣṭha but a documented practice around his figure.

Source: Wikipedia (inglés), «Vasishtha», con sus referencias sobre Arundhatī, el saptarṣi y las obras atribuidas.

Enseignements

Enseignements

Les notions qui structurent sa pensée, expliquées dans leur contexte.

The world as a projection of the mindmundo-como-mente
The Yoga Vāsiṣṭha maintains that the whole universe is a creation of the mind (manas) or of consciousness (cit), comparable to a dream or an imagined city: it exists while it is thought and ceases to exist when thought is stilled. It demonstrates this with tales of worlds within worlds —Līlā visits the successive lives of her husband, which unfold at once within the space of a room; King Lavaṇa lives an entire existence as an outcaste in an instant— that dissolve the solidity of time and space. The doctrine relates the work to Buddhist idealism and to Vedāntic non-dualism, and is the reason it has been read as an Advaita text; Slaje's and Hanneder's studies show, however, that the original Mokṣopāya belonged to no school.

Central doctrine of the Yoga Vāsiṣṭha and the Mokṣopāya.

Source: Hanneder, Jürgen. Studies on the Mokṣopāya. Wiesbaden: Harrassowitz, 2006 (Abhandlungen für die Kunde des Morgenlandes 58).

Purohita (royal chaplain)purohita
The purohita, literally 'the one placed in front', is a king's household priest, responsible for his rites and guarantor of his prosperity and victory. In the Ṛgveda the Vasiṣṭhas present themselves as Sudās's purohitas and ascribe to their prayers his triumph in the Battle of the Ten Kings; in the Rāmāyaṇa, Vasiṣṭha is the hereditary purohita of the house of Ikṣvāku. The figure condenses a fundamental idea of the Vedic order: the warrior's power (kṣatra) needs the Brahmin's word (brahman) to be legitimate and effective. The rivalry between Vasiṣṭha and Viśvāmitra, a king turned sage, dramatises that relationship.

Vedic and epic society; relation between Brahmins and kings.

Source: Witzel, Michael. «Rigvedic History: Poets, Chieftains and Polities». En George Erdosy (ed.), The Indo-Aryans of Ancient South Asia: Language, Material Culture and Ethnicity. Berlín y Nueva York: Walter de Gruyter, 1995, pp. 307–352.

Saptarṣi (the seven sages)saptarshi
The saptarṣis are the seven primordial seers to whom the Vedic hymns were revealed and from whom the Brahmin lineages (gotra) descend. The lists vary from text to text, but Vasiṣṭha appears in almost all, alongside Atri, Bharadvāja, Gautama, Jamadagni, Kaśyapa and Viśvāmitra, or Marīci, Aṅgiras, Pulastya, Pulaha and Kratu in the Purāṇic lists. In the sky they are identified with the seven stars of the Great Bear; Vasiṣṭha is Mizar and his wife Arundhatī the small Alcor. To belong to a 'Vasiṣṭha' gotra still means today to claim ritual descent from that ancestor, which explains the persistence of the name across three millennia.

Mythology, astronomy and Brahmin kinship.

Source: Wikipedia (inglés), «Vasishtha», con sus referencias sobre Arundhatī, el saptarṣi y las obras atribuidas.

Pauruṣa (human effort versus fate)paurusha
One of the most characteristic theses of the Yoga Vāsiṣṭha is the primacy of human effort (pauruṣa) over fate (daiva). In the first chapters of the book of the seeker, Vasiṣṭha maintains that what is called fate is nothing but the subject's own past action, and that present effort, rightly directed, can overcome it as the stronger ram overcomes the weaker. Fatalism, he says, is the excuse of the idle. The insistence is striking in a work that at the same time affirms that the world is a mental projection: the effort required is above all that of enquiry, which leads to recognising the illusory nature of bondage. Aleksandar Uskokov has compared this doctrine with Schopenhauer's.

Yoga Vāsiṣṭha, Mumukṣu-prakaraṇa, chaps. IV–IX.

Source: Mitra, Vihari-Lala (trad.). The Yoga-Vásishtha Mahárámáyana of Válmiki. 4 vols. en 7 partes. Calcuta: Bonnerjee & Co., 1891–1899. Edición digital en Project Gutenberg (n.º 71326 y siguientes).

Jīvanmukti (liberation while living)jivanmukti
Jīvanmukti is the state of one who is liberated while still alive: he acts in the world, fulfils his duties and keeps his body, but no longer identifies with any of it. The Yoga Vāsiṣṭha is one of the texts that develops this notion most fully and illustrates it with figures such as King Janaka, who attains knowledge on hearing the song of some sages, or the couple Cūḍālā and Śikhidhvaja, who return to rule after their awakening. The work describes seven stages of knowledge (bhūmikā), from the desire for the good and enquiry to a final state without trace of duality. The idea passed into later Vedāntic literature, where Vidyāraṇya (14th c.) devotes an entire treatise to liberation in life.

Yoga Vāsiṣṭha and later Vedāntic tradition.

Source: Chapple, Christopher. «Introduction». En Swami Venkatesananda (trad.), The Concise Yoga Vāsiṣṭha. Albany: State University of New York Press, 1984 (resumen de las dataciones propuestas, del s. VI al XIV).

Dharma in the dharmasūtrasdharma
In the dharmasūtras, dharma designates the body of norms that govern conduct according to social class and stage of life: ritual duties, purity, marriage, inheritance, the king's justice and penances. The Vasiṣṭha Dharmasūtra begins by defining its sources —the Veda, tradition (smṛti) and the conduct of good men— and ends with a moral exhortation of universal scope: practise righteousness, speak the truth, look far. Olivelle has shown that these texts are not legal codes applied by courts but manuals of Brahmin schools proposing an ideal of society; their attribution to ancient sages such as Vasiṣṭha gave them authority.

Brahmin normative literature (3rd c. BCE–1st c. CE).

Source: Olivelle, Patrick (trad.). Dharmasūtras: The Law Codes of Āpastamba, Gautama, Baudhāyana, and Vasiṣṭha. Oxford: Oxford University Press (Oxford World's Classics), 1999. Introducción, sobre la fecha y la composición del Vasiṣṭha Dharmasūtra.

Vidéos

Vidéos

Enregistrements, entretiens et documentaires. Les vidéos sont lues depuis YouTube ; elles ne sont pas hébergées ici.

  • Dream, Reality, and Love in Yoga Vasistha | Prof. Arindam Chakrabarti

    Conférence· EN· 2019· 96 min

    Vedanta Society of New YorkChaîne officielle

  • Inside the Dream of Vasistha | Prof. Sthaneshwar Timalsina

    Conférence· EN· 2026· 62 min

    Vedanta Society of New YorkChaîne officielle

  • On Freedom and Fatalism: The Yogavasistha and Arthur Schopenhauer | Dr. Aleksandar Uskokov

    Conférence· EN· 2026· 85 min

    Vedanta Society of New YorkChaîne officielle

  • Swami Sarvapriyananda - The Serene Light of the Yoga Vasistha

    Conférence· EN· 2025· 51 min

    Theosophical Society in England & WalesChaîne officielle

  • Elizabeth Crofts - The teaching on Liberation in The Yoga Vasistha

    Conférence· EN· 2025· 56 min

    Theosophical Society in England & WalesChaîne officielle

  • Sampoorna Yoga Vasishtha | सत्र 1 | स्वामी अभेदानन्द

    Conférence· HI· 2025· 89 min

    Chinmaya Mission South AfricaChaîne officielle

  • Dashrajna War of the Rigveda - The First Epochal War of India

    Conférence· EN· 2021· 33 min

    Bhandarkar Oriental Research InstituteChaîne officielle

  • Bharat Ek Khoj | Episode-3 | The Vedic People and The Rigveda

    Documentaire· HI· 1988· 52 min

    Prasar Bharati ArchivesChaîne officielle

  • Introduction to the Rig Veda and Upanishads | Kendall Sharp | First Friday Lecture

    Conférence· EN· 2024· 78 min

    The University of Chicago Graham SchoolChaîne officielle

  • Introduction to the Rig Veda | Swami Tattwamayananda

    Conférence· EN· 2022· 77 min

    Vedanta Society of New YorkChaîne officielle

  • Vedic Chanting | Vedamu | Rig Veda | Samhitapatha | Mandala 7 (7.1.1–7.67.10)

    Enregistrement de tiers· SA· 2023· 134 min

    Vedamu org

  • Complete Rigveda Recitation - Part 28; Mandala 7 Sookta 1 to Mandala 7 Sookta 20

    Enregistrement de tiers· SA· 2021· 44 min

    Vedokhilo Dharmamoolam

  • Yoga Vasishtha: La enseñanza de la no dualidad | Introducción al retiro

    Conférence· ES· 2023· 8 min

    Advaitavidya Vídeos

Galerie

Galerie

Images dont la licence a été vérifiée. Chacune conserve son auteur et son attribution.

Manuscrits

Manuscrits

Témoins manuscrits et textes anciens, avec leur dépositaire et leurs conditions de consultation.

  • FA · Nastaʿlīq (persa) · Copia terminada en Allahabad en 1602

    Jūg Bāsisht (traducción persa del Yoga Vāsiṣṭha), copia ilustrada

    Témoin conservé
    Manuscrito ilustrado de 1602
    Dépositaire
    Chester Beatty Library, Dublín · In 05
Manuscrits →

Relations

Relations

Influences, filiations et affinités. On distingue la relation documentée de la similitude identifiée par analyse.

  • Famille de

    Vyasa

    According to the Mahābhārata, Vyāsa is the son of Parāśara, grandson of Śakti and great-grandson of Vasiṣṭha. It is a textual genealogy, not a historical one.

    Relation documentée

  • Contemporain de

    Valmiki

    In the Rāmāyaṇa both are contemporaries of Rāma; the Yoga Vāsiṣṭha puts its teachings in Vasiṣṭha's mouth and the narration in Vālmīki's. A literary relationship.

    Relation documentée

  • Idées proches de

    Adi Shankara

    The Yoga Vāsiṣṭha was read as an Advaita Vedānta text because of its doctrine of the world as an appearance of consciousness; there is no documented relation between the work and Śaṅkara.

    Similitude identifiée par analyse

  • Idées proches de

    Gaudapada

    Affinity between the Yoga Vāsiṣṭha's thesis (the world as the mind's dream) and the non-origination of the Māṇḍūkya-kārikā.

    Similitude identifiée par analyse

  • Idées proches de

    Ramana Maharshi

    The enquiry and liberation in life of the Yoga Vāsiṣṭha come close to Ramana's teaching; the affinity is doctrinal.

    Similitude identifiée par analyse

  • Idées proches de

    Patañjali

    The Vasiṣṭha Saṃhitā sets out an eight-limbed yoga related to that of the Yogasūtras; there is no documented relation between the figures.

    Similitude identifiée par analyse

  • Idées proches de

    Yajnavalkya

    Both are Vedic sages to whom treatises on dharma and texts on yoga and knowledge are ascribed alike.

    Similitude identifiée par analyse

  • Idées proches de

    Swami Vivekananda

    The Yoga Vāsiṣṭha's exaltation of human effort (pauruṣa) matches the tone of Vivekananda's Vedāntic preaching; no documented link is recorded in this entry.

    Similitude identifiée par analyse

Sources

Sources

Bibliographie et catalogues consultés pour cette fiche.

  1. Jamison, Stephanie W., y Joel P. Brereton (trads.). The Rigveda: The Earliest Religious Poetry of India. 3 vols. Nueva York: Oxford University Press, 2014. Introducción general e introducción al libro VII.
  2. Wikidata, «Vasiṣṭha», QID Q241900 (sabio de la India antigua; LCCN n85108214; GND 139310479; BnF 10636717x).
  3. Griffith, Ralph T. H. (trad.). The Hymns of the Rigveda. 2.ª ed. Benarés: E. J. Lazarus, 1896–1897. Libro VII (himnos 18, 33, 59, 83, 86–89), texto en Wikisource.
  4. Witzel, Michael. «Rigvedic History: Poets, Chieftains and Polities». En George Erdosy (ed.), The Indo-Aryans of Ancient South Asia: Language, Material Culture and Ethnicity. Berlín y Nueva York: Walter de Gruyter, 1995, pp. 307–352.
  5. Goldman, Robert P. (trad. e introd.). The Rāmāyaṇa of Vālmīki: An Epic of Ancient India. Vol. I: Bālakāṇḍa. Princeton: Princeton University Press, 1984 (episodio de Vasiṣṭha y Viśvāmitra, sargas 50–64 de la edición crítica).
  6. Mitra, Vihari-Lala (trad.). The Yoga-Vásishtha Mahárámáyana of Válmiki. 4 vols. en 7 partes. Calcuta: Bonnerjee & Co., 1891–1899. Edición digital en Project Gutenberg (n.º 71326 y siguientes).
  7. Slaje, Walter. Vom Mokṣopāya-Śāstra zum Yogavāsiṣṭha-Mahārāmāyaṇa. Philologische Untersuchungen zur Entwicklungs- und Überlieferungsgeschichte eines indischen Lehrwerks mit Anspruch auf Heilsrelevanz. Viena: Verlag der Österreichischen Akademie der Wissenschaften, 1994.
  8. Hanneder, Jürgen. Studies on the Mokṣopāya. Wiesbaden: Harrassowitz, 2006 (Abhandlungen für die Kunde des Morgenlandes 58).
  9. Chapple, Christopher. «Introduction». En Swami Venkatesananda (trad.), The Concise Yoga Vāsiṣṭha. Albany: State University of New York Press, 1984 (resumen de las dataciones propuestas, del s. VI al XIV).
  10. Olivelle, Patrick (trad.). Dharmasūtras: The Law Codes of Āpastamba, Gautama, Baudhāyana, and Vasiṣṭha. Oxford: Oxford University Press (Oxford World's Classics), 1999. Introducción, sobre la fecha y la composición del Vasiṣṭha Dharmasūtra.
  11. Bühler, Georg (trad.). The Sacred Laws of the Âryas as Taught in the Schools of Âpastamba, Gautama, Vâsishtha, and Baudhâyana. Part II: Vâsishtha and Baudhâyana. Oxford: Clarendon Press, 1882 (Sacred Books of the East 14). Introducción a Vasiṣṭha, pp. ix–xxviii; cap. XXX.
  12. Ganguli, Kisari Mohan (trad.). The Mahabharata of Krishna-Dwaipayana Vyasa. Calcuta: Bharata Press / P. C. Roy, 1883–1896. Ādi Parva (Caitraratha Parva), secciones CLXXIV–CLXXXIII (Vasiṣṭha, Viśvāmitra, Kalmāṣapāda y el nacimiento de Parāśara). Project Gutenberg n.º 15474.
  13. Leach, Linda York. Mughal and Other Indian Paintings from the Chester Beatty Library. 2 vols. Londres: Scorpion Cavendish, 1995 (el Jūg Bāsisht ilustrado para el príncipe Salīm, Allahabad, 1602, CBL In 05).
  14. Wikipedia (inglés), «Vasishtha», con sus referencias sobre Arundhatī, el saptarṣi y las obras atribuidas.
  15. Wikisource en sánscrito: «वासिष्ठधर्मशास्त्रम्» (texto del Vasiṣṭha Dharmasūtra) y relación de textos atribuidos a Vasiṣṭha (Vasiṣṭha Smṛti, Vāsiṣṭhī Śikṣā, Vasiṣṭha Dhanurveda Saṃhitā).
  16. Wikisource en sánscrito: «योगवासिष्ठः» y «लघुयोगवासिष्ठः» (texto sánscrito por libros y cantos).
Ayant droit
Textos sánscritos de dominio público. Traducciones con derechos propios: Oxford University Press (Jamison y Brereton; Olivelle), Penguin Classics (Doniger), State University of New York Press y Timeless Books (Venkatesananda), Theosophical Publishing House (Aiyer, reimpr.), Collège de France (Chenet). Son de dominio público las de Griffith (1896), Bühler (1882) y, en EE. UU., Mitra (1891–1899).

En attente de confirmation

Ce que cette fiche n'a pas encore pu établir. Nous préférons le dire plutôt que de combler.

  • Fechas: no hay nacimiento ni muerte; la línea de tiempo usa las fechas de los textos. La horquilla del Vasiṣṭha Dharmasūtra (c. 100 a. C.–100 d. C.) es aproximada: precisar con la introducción de Olivelle (1999/2000).
  • Yoga Vāsiṣṭha: precisar con Slaje (1994) y Hanneder (2006) la fecha de la reelaboración vedántica y la del Laghu Yoga Vāsiṣṭha de Gauḍa Abhinanda.
  • Sala de lectura: la traducción de Mitra queda con caution por desconocerse la fecha de muerte del traductor; buscar una autoridad bibliográfica (VIAF, Biblioteca Nacional de la India) que la fije. La traducción de K. N. Aiyer del Laghu Yoga Vāsiṣṭha (1896) también tiene traductor de fecha de muerte no verificada; no se ha registrado.
  • Ediciones: no se han encontrado en Open Library ediciones en español con ISBN del Yoga Vāsiṣṭha ni del Ṛgveda completo; buscar las de Kairós, Trotta o Siruela, y ediciones en alemán e italiano.
  • Obras atribuidas menores (Vasiṣṭha Saṃhitā, Vasiṣṭha Smṛti, Vāsiṣṭhī Śikṣā, Dhanurveda Saṃhitā, Vasiṣṭha Siddhānta): faltan ediciones con ISBN (p. ej., la de Kaivalyadhama de la Vasiṣṭha Saṃhitā) y fuente académica propia para cada una.
  • Imagen y manuscrito: localizar la URL del visor digital de la Chester Beatty Library para el Jūg Bāsisht (In 05).

Recherche effectuée le 2026-10-26