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Nikolai Berdyaev

Николай Александрович Бердяев

1874 – 1948Personne historiquement documentée

Philosophe russe (1874-1948), penseur de la liberté, de la personne et de la création. Passé du marxisme à l'idéalisme puis à un christianisme prophétique et hétérodoxe, il fut poursuivi pour blasphème sous le tsar, interrogé par Dzerjinski sous les Soviets et expulsé sur le « bateau des philosophes » en 1922. Depuis Paris, à la tête de la revue « Put », il devint la voix la plus connue de la pensée religieuse russe en Europe : « Le Sens de la création », « Un nouveau Moyen Âge », « De la destination de l'homme », « Essai d'autobiographie spirituelle ».

œuvres
51œuvres
éditions
96éditions
citations
8citations
vidéos
13vidéos
images
8images
Nikolái Berdiáyev en 1912

Nikolái Berdiáyev en 1912 · Public domain

Dans ses propres mots

«The human spirit is in captivity. This captivity I call 'the world', the world's givenness, necessity.»

«Смысл творчества» (1916), Introducción, primeras líneas.

Son idée centrale

Freedom was not created by God: it springs from an abyss prior to being, Böhme's Ungrund, and so God is not responsible for the evil man chooses; God suffers with man instead of ruling him as a master.

Biographie

5 min de lecture

Traduction assistée à partir de l'original espagnol, en attente de relecture par un traducteur natif.

Un aristocrate parmi les militaires

Nicolas Alexandrovitch Berdiaev naquit le 18 mars 1874 (le 6 selon le calendrier julien) sur le domaine familial d'Oboukhovo, dans le gouvernement de Kiev. Son père, Alexandre Mikhaïlovitch, ancien officier de la garde, fut maréchal de la noblesse du district et président de la Banque foncière de Kiev ; sa mère, Alina Sergueïevna, née princesse Koudacheva, était à moitié française — sa propre mère était une comtesse de Choiseul —, n'écrivait qu'en français et, orthodoxe de naissance, se sentait plutôt catholique. Il fut élevé à la maison puis au corps des cadets de Kiev, où il se sentit dès l'enfance, écrirait-il, « étranger au monde ». Il renonça à la carrière militaire pour préparer le baccalauréat et entrer à l'université, avec l'intention avouée de devenir professeur de philosophie.

Du marxisme à l'idéalisme

À l'université de Kiev, d'abord en sciences naturelles puis en droit, il rejoignit les cercles sociaux-démocrates. Arrêté en 1897, puis de nouveau en 1898, exclu de l'université, il fut relégué en 1900 à Vologda, où il passa près de deux ans, puis onze mois encore à Jitomir. Mais son marxisme ne fut jamais orthodoxe : il voulut le concilier avec l'éthique de Kant, et dans son premier livre, « Subjectivisme et individualisme dans la philosophie sociale » (1901), préfacé par Pierre Struve, perçait déjà l'idéaliste. Avec Struve, Serge Boulgakov et Simon Frank, il forma le groupe qui, dans « Problèmes de l'idéalisme » (1902), rompit avec le positivisme de l'intelligentsia révolutionnaire.

Les années de Pétersbourg et de Moscou

En 1904, il unit sa vie à celle de la poétesse Lydia Troucheva, née Rapp, qui l'accompagna jusqu'à sa mort en 1945. À Pétersbourg, il dirigea avec Boulgakov la revue « Voprossy jizni » (« Questions de la vie ») et fréquenta les Merejkovski et les réunions religieuses et philosophiques ; en 1908, il s'installa à Moscou et rejoignit la Société religieuse et philosophique qui portait le nom de Soloviev. En 1909, il signa l'article d'ouverture de « Vekhi » (« Jalons »), le recueil qui accusait l'intelligentsia russe d'avoir sacrifié la vérité à la justice égalitaire. En 1913, il publia « Les Éteigneurs de l'esprit », une attaque contre le Saint-Synode pour la répression des moines de l'Athos partisans du « culte du Nom » ; poursuivi pour blasphème, délit passible de la relégation à vie en Sibérie, il vit la guerre ajourner le procès et la révolution l'éteindre.

Le sens de la création

Dans « Philosophie de la liberté » (1911) et surtout dans « Le Sens de la création. Essai de justification de l'homme » (1916), il formula l'intuition qui allait gouverner toute son œuvre : l'homme n'est pas seulement une créature déchue qui doit être rachetée, mais un être appelé à créer, à prolonger l'œuvre de Dieu en un « huitième jour » de la création. L'époque de la Loi et celle de la Rédemption devaient s'ouvrir sur une troisième, celle de l'Esprit et de la créativité. La liberté, qu'il emprunta à Jakob Böhme sous le nom d'Ungrund, le « sans-fond », précède l'être même.

Sous les Soviets

Il accueillit la révolution de Février avec enthousiasme et celle d'Octobre avec une hostilité lucide : dans « Les Esprits de la révolution russe » (1918), il la lut à la lumière de Gogol et de Dostoïevski. Il fonda en 1919 l'Académie libre de culture spirituelle, dernier foyer de pensée libre à Moscou, et fut élu en 1920 professeur à l'université. La même année, il fut arrêté et, comme il le raconte dans son « Essai d'autobiographie spirituelle », interrogé tard dans la nuit par Félix Dzerjinski en personne, à qui il exposa pendant trois quarts d'heure pourquoi il était l'ennemi du communisme ; on le relâcha. En août 1922, on l'arrêta de nouveau, on lui annonça son expulsion et on lui fit signer l'engagement, s'il revenait, d'être fusillé. Le 29 septembre, il quitta Petrograd à bord de l'« Oberbürgermeister Haken », le « bateau des philosophes ».

Paris et la revue « Put »

Après deux ans à Berlin, où il fonda une Académie religieuse et philosophique et publia « Le Sens de l'histoire » et « Un nouveau Moyen Âge », il s'établit en 1924 à Paris. Il y dirigea de 1925 à 1940 la revue « Put » (« La Voie ») et les éditions YMCA-Press, participa au Mouvement chrétien des étudiants russes et noua un dialogue suivi avec Maritain, Mounier, Gabriel Marcel et Karl Barth. « Un nouveau Moyen Âge » (1924), vite traduit, lui valut une renommée européenne par son diagnostic : le jour rationnel de la modernité déclinait, et l'humanité entrait dans une « nuit » où elle chercherait de nouveau le sacré. Suivirent « De la destination de l'homme » (1931), son éthique paradoxale, « Les Sources et le sens du communisme russe » (1937), qui expliquait le bolchevisme comme un messianisme russe sécularisé, et « De l'esclavage et de la liberté de l'homme » (1939).

Clamart

L'héritage d'une amie d'origine anglaise, Florence West, lui permit de posséder pour la première fois une maison : un pavillon avec jardin à Clamart, aux portes de Paris, où il recevait chaque dimanche amis et disciples. Il y passa l'Occupation et y vit mourir sa femme en 1945 ; il lui resta la compagnie de sa belle-sœur, Evguénia Rapp. Après la victoire, il accepta la citoyenneté soviétique, mais ne revint jamais. En 1947, l'université de Cambridge le fit docteur honoris causa en théologie, et entre 1942 et 1948 il fut proposé sept fois pour le prix Nobel de littérature. Il mourut d'une crise cardiaque, assis à son bureau de Clamart, le 24 mars 1948 ; il avait achevé deux semaines plus tôt « Royaume de l'Esprit et royaume de César ». Il repose au cimetière de Clamart.

Héritage

Berdiaev ne se considéra jamais comme un théologien ni comme un homme d'Église, mais comme un « philosophe de la liberté » qui avait choisi le christianisme parce qu'il n'y trouvait fondée que la dignité de la personne. Son influence fut plus grande hors de Russie qu'en Russie : le personnalisme français de Mounier et l'existentialisme chrétien lui doivent des idées et des formules, et en Russie, où il fut interdit pendant la période soviétique, il devint à partir de la fin des années 1980 l'un des auteurs les plus réédités. Son autobiographie philosophique, « Essai d'autobiographie spirituelle », publiée à titre posthume en 1949, est l'une des grandes confessions intellectuelles du XXᵉ siècle.

Sources: Berdiáyev, N. A. Самопознание. Опыт философской автобиографии [Autoconocimiento. Ensayo de autobiografía filosófica]. París: YMCA-Press, 1949. Texto en la Biblioteca «Vejí» (vehi.net). · Berdiáyev, N. A. Смысл творчества. Опыт оправдания человека [El sentido de la creación]. Moscú: G. A. Lemán y S. I. Sajárov, 1916. Texto en la Biblioteca «Vejí». · Lowrie, Donald A. Rebellious Prophet: A Life of Nicolai Berdyaev. Nueva York: Harper, 1960. · Berdiáyev, N. A. Истоки и смысл русского коммунизма [Las fuentes y el sentido del comunismo ruso]. París: YMCA-Press, 1955 (ed. alemana y ed. inglesa, 1937). Texto en Wikisource ruso. · Berdiáyev, N. A. Новое средневековье. Размышление о судьбе России и Европы [Una nueva Edad Media]. Berlín: Obelisk, 1924. Texto en Azbuka.

Chronologie

La vie, année après année

Chaque point est un événement documenté. Cliquez pour le lire, avec sa source et son degré de certitude.

  1. 18 mars 1874 · 0 ans

    Birth

    Born on the family estate (6 March Old Style), son of Alexander Mikhailovich Berdyaev and Princess Alina Kudasheva.

    Documenté

  2. 1894 · 20 ans

    Kiev University

    Having left the Cadet Corps, he enrols in Natural Sciences and then moves to Law; he joins the Marxist circles.

    Probable

  3. 1898 · 24 ans

    Arrest and expulsion

    Arrested for the second time, for distributing illegal literature, and expelled from the university.

    Documenté

  4. 1900 – 1902 · 26 ans

    Exile in Vologda

    Almost two years of exile in Vologda and a further eleven months in Zhitomir.

    Documenté

  5. 1901 · 27 ans

    First book

    Publishes Subjectivism and Individualism in Social Philosophy, with a preface by Pyotr Struve.

    Documenté

  6. 1904 · 30 ans

    Lydia Rapp

    Begins his life with the poet Lydia Trusheva (Rapp); works with Bulgakov on the journals Novyi put' and Voprosy zhizni.

    Documenté

  7. 1909 · 35 ans

    Vekhi

    His essay 'Philosophical Truth and the Truth of the Intelligentsia' opens the collective volume Vekhi (Landmarks).

    Documenté

  8. 1913 · 39 ans

    Blasphemy trial

    For 'Quenchers of the Spirit', against the Synod and the repression of the Athonite monks, he is prosecuted for blasphemy; the case is postponed by the war and dropped in 1917.

    Documenté

  9. 1916 · 42 ans

    The Meaning of the Creative Act

    Publishes his first major work, 'An Essay in the Justification of Man'.

    Documenté

  10. 1919 – 1922 · 45 ans

    Free Academy of Spiritual Culture

    Founds and chairs the Free Academy of Spiritual Culture (1919–1922), which grew out of meetings at his home.

    Documenté

  11. 1920 · 46 ans

    Interrogated by Dzerzhinsky

    Elected professor at Moscow University; arrested in connection with the 'Tactical Centre' case, he is interrogated in person by Felix Dzerzhinsky and released.

    Documenté

  12. 29 septembre 1922 · 48 ans

    The philosophers' ship

    Expelled from Soviet Russia, he leaves Petrograd for Stettin on the steamer Oberbürgermeister Haken with some twenty-five intellectuals and their families.

    Documenté

  13. 1923 · 49 ans

    Berlin

    Publishes The Meaning of History and The Philosophy of Inequality in Berlin, and Dostoevsky's Worldview in Prague; heads the Religious-Philosophical Academy.

    Documenté

  14. 1924 · 50 ans

    Paris and The End of Our Time

    Settles in Paris; The End of Our Time (The New Middle Ages) brings him European fame.

    Documenté

  15. 1925 – 1940 · 51 ans

    The journal Put'

    Founds and edits until 1940 Put', the organ of Russian religious thought in emigration.

    Documenté

  16. 1931 · 57 ans

    The Destiny of Man

    Publishes On the Destiny of Man: An Essay in Paradoxical Ethics.

    Documenté

  17. 1937 · 63 ans

    The Origin of Russian Communism

    The book appears first in German and English; the Russian version is not published until 1955.

    Documenté

  18. 1939 · 65 ans

    Slavery and Freedom

    Publishes his 'essay in personalist philosophy'; he is already living in his house at Clamart.

    Documenté

  19. 1942 – 1948 · 68 ans

    Nobel nominee

    The first of seven nominations for the Nobel Prize in Literature (1942–1948).

    Documenté

  20. 1945 · 71 ans

    Death of Lydia

    His wife, Lydia Yudifovna, dies; her sister Evgenia Rapp stays with him.

    Probable

  21. 1946 · 72 ans

    The Russian Idea and a Soviet passport

    Publishes The Russian Idea and accepts Soviet citizenship, though he never returns.

    Documenté

  22. 1947 · 73 ans

    Honorary doctorate from Cambridge

    Receives an honorary Doctor of Divinity from the University of Cambridge.

    Documenté

  23. 24 mars 1948 · 74 ans

    Death

    Dies of a heart attack at his desk in Clamart (some sources give 23 March). He is buried in the Clamart cemetery.

    Documenté

  24. 1949

    Self-Knowledge

    YMCA Press posthumously publishes his philosophical autobiography.

    Documenté

Œuvres

Œuvres essentielles

Les œuvres sans lesquelles on ne comprend pas son héritage.

The Meaning of the Creative Act — Nikolai Berdyaev

Œuvre écrite · 1916

The Meaning of the Creative Act

Смысл творчества. Опыт оправдания человека

His first major work, written in 1911–1914 and published in 1916. Against a Christianity centred only on law and redemption, it argues that man is the image of the Creator and is called to create: human creativity continues God's work and opens a third epoch, that of the Spirit. It examines the relation of creativity to redemption, knowledge, freedom, asceticism and holiness, sex and love, beauty, morality, society and mysticism.

3 éditions · amazon.com

Œuvre écrite · 1924

The End of Our Time (The New Middle Ages)

Новое средневековье. Размышление о судьбе России и Европы

An essay published in Berlin in 1924 that brought him European fame. History has a rhythm of daytime and night-time epochs: the rational day of modernity, of humanism, liberalism and formal democracy, is setting; humanity is entering a new Middle Ages in which the religious returns to the centre of life, for good or ill. Communism and fascism are already forms of that inverted sacredness. Translated into French in 1927 (Un nouveau Moyen Âge) and English in 1933.

4 éditions · amazon.fr

The Destiny of Man — Nikolai Berdyaev

Œuvre écrite · 1931

The Destiny of Man

О назначении человека. Опыт парадоксальной этики

His great work of ethics, published in Paris in 1931. It distinguishes three ethics — of law, of redemption and of creativity — and argues that the good itself, when it becomes an imposed norm, can turn into evil; true ethics is creative and personal, and culminates in an eschatological ethics facing death, hell and the Kingdom. In Self-Knowledge he calls it his 'most perfect' and 'most systematic' work; the plan of the book, he says, came to him all at once at a Diaghilev ballet.

5 éditions · amazon.fr

The Origin of Russian Communism — Nikolai Berdyaev

Œuvre écrite · 1937

The Origin of Russian Communism

Истоки и смысл русского коммунизма

Published first in German and English (1937) and in Russian in 1955. It explains Bolshevism not merely as an import of Marxism but as a secularised transformation of Russian messianism — the Third Rome turned Third International — heir to the schism, to nihilism and to the populism of the intelligentsia. It is his most read book outside Russia.

4 éditions · amazon.com

Self-Knowledge: An Essay in Autobiography (Dream and Reality) — Nikolai Berdyaev

Œuvre posthume · 1949

Self-Knowledge: An Essay in Autobiography (Dream and Reality)

Самопознание. Опыт философской автобиографии

Written in 1940 and completed with additions until 1947, published posthumously in 1949. It is not a chronological autobiography but a 'history of the spirit and of self-consciousness': the sense of estrangement from the world, loneliness, freedom, rebellion, eros, conversion, revolution, exile, encounters with Blok, Bely, Ivanov, Rozanov or Bulgakov, and his vision of the end of history.

4 éditions · amazon.fr

Toute son œuvre (51)

Voir ses 51 œuvres dans la bibliothèque

Citations

Citations localisées dans une œuvre précise. Chacune porte sa provenance et son degré de fiabilité.

The human spirit is in captivity. This captivity I call 'the world', the world's givenness, necessity.

Дух человеческий – в плену. Плен этот я называю «миром», мировой данностью, необходимостью.

Vérifiée«Смысл творчества» (1916), Introducción, primeras líneas.

1 / 8

Idées essentielles (résumé éditorial)

Par respect du droit d'auteur, ces idées sont résumées avec nos propres mots et ne sont pas présentées comme des citations littérales.

  • Freedom was not created by God: it springs from an abyss prior to being, Böhme's Ungrund, and so God is not responsible for the evil man chooses; God suffers with man instead of ruling him as a master.
  • All culture is an objectification that cools and fixes the creative impulse; authentic creativity aspires to transfigure the world, not merely to produce works, and in that sense is eschatological.
  • Russian communism is the secularised transformation of Russian messianism: the Third Rome becomes the Third International, and militant atheism is a faith that keeps the religious structure of the Russian soul.

Dernières paroles

Il n'existe aucun témoignage vérifiable de ses dernières paroles.

There is no record of any last words. He died of a heart attack on 24 March 1948 (some sources give the 23rd), seated at his desk in Clamart, while working; two weeks earlier he had finished The Realm of Spirit and the Realm of Caesar and already had the plan of a new book in mind.

Source: «Бердяев, Николай Александрович». Wikipedia en ruso (biografía y bibliografía detallada).

Interroger

Ce que répond son œuvre

Douze grandes questions de l'humanité et ce que ses textes permettent d'y répondre, références à l'appui. Nous ne lui prêtons jamais de paroles.

  • Qu'est-ce que l'Absolu ? Dieu existe-t-il ?

    Before God the creator lies an abyss of freedom; God is not a master

    À la fois personnel et impersonnelIl le dit expressément

    Berdyaev rejects both the God of school theology, conceived as monarch and cause of the world, and the idea of an indifferent Absolute. Following Böhme and the Eckhart of the Gottheit, he distinguishes between the groundless Divinity, the Ungrund, which no category reaches, and the Trinitarian God who arises from that abyss and creates. From the same ground springs an uncreated freedom, which God did not make and for which he is not responsible; hence he is not the author of evil, and instead of ruling man like a master he suffers with him. He insists that God is not an object nor a being among beings: every objectification falsifies him. In The Destiny of Man and Spirit and Reality he describes him as Spirit and as personality, yet reachable only by the apophatic way and by the experience of freedom.

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  • Qui suis-je ? Existe-t-il un vrai soi ?

    The person is free spirit, not a part of the world nor an object

    Une âme créée et immortelleIl le dit expressément

    Berdyaev opens Slavery and Freedom by stating that man is an enigma in the world, perhaps the greatest of all. He distinguishes carefully between the individual, a biological and social category forming part of the species and the State, and the person, a spiritual category which is part of nothing, but a whole containing the universal within itself. The person is not a fixed given but a task: it is realised in freedom and in the creative act, and may be lost in the slavery of objectification, when the human being treats himself or others as things. In The Destiny of Man he links it to the image of God and to immortality, which he conceives not as the soul's natural survival but as a personal victory over death. The true self is personal, unique and unrepeatable.

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  • Pourquoi souffrons-nous ?

    Evil springs from a freedom prior to God; God suffers with man

    La séparation d'avec DieuIl le dit expressément

    Berdyaev rejects both theodicies that justify suffering as a divine plan and the idea that God inflicts it as punishment. Following Böhme, he places the root of evil in an uncreated freedom, prior to being, of which God is not the author: man can choose non-being, and that choice introduces the rift. To it is added objectification, the process by which spirit cools into necessity, State, class and thing; the introduction to The Meaning of the Creative Act describes the human spirit as captive to the givenness of the world. In Dostoevsky's World-View he reads the tragedy of freedom as the key to the novels. God does not watch from outside: in Christ he suffers with man, and suffering can be transfigured into creation, though it is never fully explained.

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  • Que se passe-t-il après la mort ?

    Immortality is the person's conquest, not a natural fact; against eternal hell

    Vie éternelle et résurrectionIl le dit expressément

    In the third part of The Destiny of Man, devoted to eschatological ethics, Berdyaev holds that death is the deepest evil and, at the same time, the only thing that gives life its tragic meaning: endless life in time would be a nightmare. Immortality does not seem to him a natural property of the soul, but a spiritual conquest of the person in union with Christ, who overcomes death through resurrection. He is repelled by the idea of eternal hell as punishment, which he regards as a sadistic objectification of human justice; he prefers to think of hell as a subjective state of closure and hopes for the salvation of all, though without making it dogma. His vision is active: the human being must cooperate creatively in the transfiguration of the world, not wait passively for judgement.

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  • Comment atteint-on la libération ou le salut ?

    Redemption is not enough: man answers God with the creative act

    Par la grâce et l'amourIl le dit expressément

    Berdyaev accepts redemption in Christ, but considers that historical Christianity reduced it to an ethics of obedience and fear centred on the individual salvation of the soul. In The Meaning of the Creative Act he holds that creativity is not only a struggle against evil and sin, but creates another world and continues the work of creation: God expects from man a free and creative answer, not merely his repentance. In The Destiny of Man he distinguishes three ethics, of law, of redemption and of creativity, and asks that the third complete the other two. The goal is not to escape the world, but to cooperate in its eschatological transfiguration. Grace does not cancel freedom: God and man need each other, and a forced salvation would be a form of slavery.

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  • Faut-il un maître ?

    Religious authority is objectification; spirit is passed on only in freedom

    Aucune autorité spirituelleIl le dit expressément

    Berdyaev is one of the most tenacious critics of authority in religion. In Freedom and the Spirit he argues that faith imposed from outside, by an institution or a teacher, is a form of objectification that turns the truth of the spirit into external law and the believer into a subject. He was raised in Orthodoxy and defended it as a mystical tradition, but rejected its clerical and authoritarian version, which earned him a blasphemy trial in 1913 for defending the monks of Mount Athos against the Synod. In Self-Knowledge he confesses that he could never submit to any authority and that freedom was the theme of his whole life. He acknowledges masters, Böhme, Dostoevsky, Soloviev, but as interlocutors, not as guides to be obeyed: spiritual truth passes from freedom to freedom.

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  • Le monde est-il réel ?

    The world of objects is objectified, fallen spirit; spirit is what is real

    Apparence sur l'unique réalitéIl le dit expressément

    Berdyaev distinguishes between the world as it is given to us, the world of objects, necessity and causality, and primary reality, which is spirit, freedom and person. In Solitude and Society and Spirit and Reality he argues that the objective world is not ultimate reality, but the result of a process of objectification in which spirit is alienated, cools and becomes subject to necessity; the introduction to The Meaning of the Creative Act calls that state the captivity of spirit. He does not deny its existence, but considers it a fallen and provisional state of existence, which human creativity and God's action must transfigure at the end of time. True reality is deeper than the objectified world.

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  • Qu'est-ce que l'amour ?

    Love is directed to the person and affirms it for eternity

    L'amour de Dieu et du prochainIl le dit expressément

    Berdyaev thinks of love from his philosophy of the person. In The Destiny of Man he distinguishes love, which is directed to the image of God in the other and affirms it for eternity, from compassion, which is directed to the other's suffering; both are necessary and neither suffices alone. Authentic love is always personal and free: it cannot be imposed or turned into law, and love for an abstract idea, be it humanity or the State, can become cruel to concrete persons. In The Meaning of the Creative Act he devotes pages to erotic love, in Soloviev's wake, and considers it a form of creativity transcending family and procreation. Love, like creativity, is man's answer to God, and a force against the objectification that turns the other into a thing.

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  • Sommes-nous libres ou tout est-il déterminé ?

    Freedom is uncreated, prior to being; it is the first truth of spirit

    Un libre arbitre réelIl le dit expressément

    Few thinkers have given freedom so radical a place as Berdyaev. In The Philosophy of Freedom, Freedom and the Spirit and The Destiny of Man he holds that freedom was not created by God, but springs from an abyss prior to being, Böhme's Ungrund; hence it is not an attribute God grants and can withdraw, but the very ground of existence. Three theses follow: God is not responsible for evil, which arises from freedom; the human being is capable of creating something really new, not contained in what came before; and every form of determinism, natural, social or theological, is an objectification that enslaves. In Self-Knowledge he says freedom was the fundamental intuition of his life and that he preferred freedom with suffering to imposed happiness.

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  • Pourquoi méditer ou prier ?

    He left no doctrine of prayer; he prefers mysticism as experience of spirit

    Ne s'est pas prononcé

    Berdyaev did not write on prayer as a practice nor propose a method of meditation. In Freedom and the Spirit he devotes a chapter to mysticism and the spiritual path, where he distinguishes authentic mysticism, a free encounter of the human spirit with God, from forms that dissolve the person into the impersonal, and he warns against an asceticism reduced to technique or fear. In The Meaning of the Creative Act he holds that ascesis is necessary but not sufficient, and that the creative act is also a form of relation to God that monastic spirituality ignored. In Self-Knowledge he acknowledges that his religious life was more one of thought and inner struggle than of regular practice. No precise position on why to pray can therefore be attributed to him.

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  • La raison peut-elle connaître l'ultime ?

    Objectifying knowledge cannot reach spirit; knowing is a creative act

    L'ultime est au-delà du mentalIl le dit expressément

    Berdyaev is no irrationalist: he wrote demanding philosophical works and argued with Kant, Hegel and phenomenology. But he holds that rational knowledge, as science practises it, is a form of objectification: it turns what it knows into an object separated from the subject, subject to categories and necessity, and hence cannot reach spirit, freedom or the person, which are never objects. In Solitude and Society and Truth and Revelation he proposes an existential knowledge in which the subject participates in the known and which is a creative act of spirit, not a passive reflection. Revelation, too, is not a set of objective propositions: it is given in spiritual experience and is deformed when dogmatised. The ultimate is known from within.

    Comparer cette question avec d'autres maîtres
  • Se retirer du monde ou le transformer ?

    No kingdom of Caesar is sacred; the true revolution is of the spirit

    La révolution est intérieureIl le dit expressément

    Berdyaev lived political history at close range: he was a Marxist, exiled by the tsar, a witness of the revolution, which he said he lived as part of his own destiny, interrogated by the Cheka and expelled in 1922. He never preached withdrawal from the world, and from Paris he defended a personalist socialism and criticised both capitalism and communism. But his conclusion, in The Spiritual Foundations of the Russian Revolution, The Origin of Russian Communism and The Realm of Spirit and the Realm of Caesar, is that no political order can be sacred, and that social revolution without a transformation of spirit reproduces slavery in another form: Russian communism is for him secularised Russian messianism. The task is a personalist and spiritual revolution, transfiguring the world through freedom and creativity.

    Comparer cette question avec d'autres maîtres

Anecdotes et récits

Anecdotes et récits

Témoignage1920

A lecture for Dzerzhinsky

In 1920 the Cheka arrested dozens of intellectuals in Moscow in connection with the so-called 'Tactical Centre'. Berdyaev, who had nothing to do with that organisation, was taken to the Lubyanka prison and one night, late, led through corridors and stairways to a large, brightly lit office with a polar-bear skin on the floor. By the desk stood a fair-haired man with a thin pointed beard and grey, melancholy eyes, who asked him to sit and said: 'My name is Dzerzhinsky.' Kamenev and the Cheka's deputy chairman, Menzhinsky, whom Berdyaev had known in Petersburg as a failed novelist, were present. Resolved not to defend himself but to attack, he warned that, as befitted his dignity as a thinker, he would say what he thought; Dzerzhinsky replied that this was what they expected. Berdyaev spoke for forty-five minutes on the religious, philosophical and moral grounds for his opposition to communism, and refused to name anyone. At the end Dzerzhinsky released him on condition that he not leave Moscow and, since it was late and bandits were rife, asked that he be taken home: there was no car, and a soldier brought him back on a motorcycle.

Origine du récit: Berdyaev's own account in Self-Knowledge, ch. IX, written some twenty years later. There is no other published testimony of the interrogation.

Source: Berdiáyev, N. A. Самопознание. Опыт философской автобиографии [Autoconocimiento. Ensayo de autobiografía filosófica]. París: YMCA-Press, 1949. Texto en la Biblioteca «Vejí» (vehi.net).

Témoignageagosto–septiembre de 1922

The philosophers' ship

In the summer of 1922 the Berdyaevs had taken refuge in a dacha near Barvikha, in the woods where Trotsky walked. On the only night Berdyaev spent in Moscow, the GPU searched the flat and took him away. He spent a week in prison; then the investigator told him he would be expelled abroad and made him sign an undertaking that if he reappeared at the border he would be shot. He was one of a group of writers, scientists and professors whom the regime considered impossible to convert. At the end of September some twenty-five expellees and their families, seventy-five people in all, boarded the German steamer Oberbürgermeister Haken at Petrograd bound for Stettin. No one felt safe until they crossed the maritime frontier. Berdyaev would remember the Baltic crossing as poetic: splendid weather, moonlit nights, barely two hours of swell; 'we, exiles with an unknown future, felt ourselves free'. He did not think, he wrote, that his exile would last twenty-five years.

Origine du récit: Self-Knowledge, chs. IX and X. The departure date (29 September 1922) and the context of the expulsions of intellectuals, decided by the Bolshevik leadership, are documented by historians.

Source: Berdiáyev, N. A. Самопознание. Опыт философской автобиографии [Autoconocimiento. Ensayo de autobiografía filosófica]. París: YMCA-Press, 1949. Texto en la Biblioteca «Vejí» (vehi.net).

Documenté1913–1917

Tried for blasphemy

In 1913 the Russian government and the Holy Synod settled the conflict over the Russian monks of Mount Athos who upheld the doctrine of the 'glorification of the Name' of God by sending a warship and deporting them to Russia. Berdyaev, who did not particularly share that doctrine, was outraged by the violence done to the spiritual life and wrote a newspaper article entitled 'Quenchers of the Spirit', directed against the Synod. The issue was confiscated and he was prosecuted under the article of the code that punished blasphemy with perpetual exile to Siberia. His lawyer considered the case lost. The hearing was postponed because of the war and the impossibility of summoning all the witnesses, and in 1917 the revolution ended the proceedings. 'Had there been no revolution,' he remarked years later, 'I would be not in Paris but in Siberia, in perpetual exile.'

Origine du récit: Self-Knowledge, ch. VII; the trial and its dismissal in February 1917 are also recorded in the Russian Wikipedia biography and in studies of imyaslavie.

Source: Berdiáyev, N. A. Самопознание. Опыт философской автобиографии [Autoconocimiento. Ensayo de autobiografía filosófica]. París: YMCA-Press, 1949. Texto en la Biblioteca «Vejí» (vehi.net).

Témoignagedécada de 1940

Muri the cat

In the pages he added to Self-Knowledge in his last years, Berdyaev devoted some lines, unusual in a metaphysical treatise, to his cat Muri, who lived with him at Clamart. He loved him with a love he was not ashamed to confess: the cat always came, even if he was sleeping in another room, when they read aloud in the evenings, and jumped onto his lap. On the eve of his death, already dying, Muri dragged himself with effort to the room of Lydia, who was herself gravely ill, and climbed onto her bed to say goodbye. Berdyaev, who admits he wept very rarely and with difficulty, wept bitterly. They buried him under a tree in the garden, and passing by the grave he thought of immortality not abstractly but concretely: if there were no place in eternal life for Muri, he writes in substance, there would be none for him either. Through the animal's suffering he felt united with 'the whole creation awaiting deliverance'.

Origine du récit: Self-Knowledge, 'Additions'. The sentence about Muri and eternal life is a summary, not a literal quotation.

Source: Berdiáyev, N. A. Самопознание. Опыт философской автобиографии [Autoconocimiento. Ensayo de autobiografía filosófica]. París: YMCA-Press, 1949. Texto en la Biblioteca «Vejí» (vehi.net).

Documenté1947

Cambridge doctor and Nobel candidate

In 1947 the University of Cambridge awarded Berdyaev an honorary doctorate in Divinity. In the solemn ceremony, in red gown and medieval velvet cap, he walked in the front row, as a doctor of the highest of the sciences; behind him, at some distance, came the British Foreign Secretary, Ernest Bevin, and Field Marshal Wavell, former Viceroy of India, who were receiving doctorates in Law. 'All this suited my nature and character very little,' he noted; he watched himself as if from outside, thinking of the strangeness of his destiny. That same spring he was told from Sweden that he was a candidate for the Nobel Prize. He did not believe he would get it: that would require steps he would not take, and being a Russian exile did not help. He was nominated seven times between 1942 and 1948 and never received it.

Origine du récit: Self-Knowledge, 'Additions'; the seven Nobel nominations are recorded in the Russian Wikipedia biography, based on the Nobel Foundation's nomination archive.

Source: Berdiáyev, N. A. Самопознание. Опыт философской автобиографии [Autoconocimiento. Ensayo de autobiografía filosófica]. París: YMCA-Press, 1949. Texto en la Biblioteca «Vejí» (vehi.net).

Enseignements

Enseignements

Les notions qui structurent sa pensée, expliquées dans leur contexte.

Uncreated freedom (Ungrund)libertad-increada
Berdyaev's most characteristic and disputed thesis is that freedom was not created by God. Taking from Jakob Böhme the notion of Ungrund — the 'groundless', the abyss prior to all determination — but shifting it, he holds that primordial freedom is rooted in nothingness (the meon), outside God, and that from it arise both the possibility of good and that of evil. This resolves for him the problem of theodicy: God is not the author of evil nor a monarch disposing of his creatures, but a God who suffers with man and awaits his free response. Freedom is more original than being, which is already determination and objectification. Orthodox, Catholic and Protestant theologians reproached him for a Gnostic dualism that limits divine omnipotence; Berdyaev replied in Self-Knowledge that his idea did not imply an ontological dualism, which would already be a rationalisation of the mystery. The idea runs through all his work, from The Philosophy of Freedom (1911) to The Beginning and the End (1947).

Developed from Böhme, Schelling and Dostoevsky; Berdyaev himself points out in Self-Knowledge that in Böhme the Ungrund is in God, while in his own thought it is outside God.

Source: Berdiáyev, N. A. Самопознание. Опыт философской автобиографии [Autoconocimiento. Ensayo de autobiografía filosófica]. París: YMCA-Press, 1949. Texto en la Biblioteca «Vejí» (vehi.net).

Creativity as the eighth daycreacion
In The Meaning of the Creative Act (1916) Berdyaev holds that the image of God in man is above all his creative capacity. Historical Christianity had centred on law, which combats sin, and on redemption, which overcomes it; but a third revelation is lacking, that of man as creator, who continues God's work on an 'eighth day' of creation. Creativity is not redistribution of what exists nor emanation, but the appearance of the new out of freedom. He thus distinguishes three epochs — of Law (the Father), of Redemption (the Son) and of Creativity (the Spirit) — in the line of Joachim of Fiore. Every cultural work, however, is already a fall: the creative act cools and is 'objectified' in products; true creativity aspires to theurgy, the transfiguration of the world. Hence his tension between genius and holiness, which he illustrates with Pushkin and Seraphim of Sarov, two incommensurable Russian greatnesses.

The core of The Meaning of the Creative Act and of the 'ethics of creativity' in The Destiny of Man.

Source: Berdiáyev, N. A. Смысл творчества. Опыт оправдания человека [El sentido de la creación]. Moscú: G. A. Lemán y S. I. Sajárov, 1916. Texto en la Biblioteca «Vejí».

Objectificationobjetivacion
Objectification is the process by which spirit, which is freedom and personal life, is externalised and fixed in objects, concepts, institutions and norms, losing its living character. For Berdyaev scientific knowledge, the State, society, the Church as institution and even the morality of law are forms of objectification: necessary in the fallen world but enslaving when taken for ultimate reality. The subject becomes an object and is condemned to loneliness, because between objects there can be communication but not communion. The way out is not to deny the world but to live and know from the existential subject, in the relation of person to person, and to await an eschatological transfiguration in which the objectified world will end. The notion, developed above all in Solitude and Society (1934) and The Beginning and the End (1947), brings him close to the existentialism of Jaspers and Marcel, whom he knew in Paris.

He himself regarded it as his 'central philosophical idea' (Self-Knowledge, Additions).

Source: Berdiáyev, N. A. Самопознание. Опыт философской автобиографии [Autoconocimiento. Ensayo de autobiografía filosófica]. París: YMCA-Press, 1949. Texto en la Biblioteca «Vejí» (vehi.net).

Person and personalismpersona
Berdyaev distinguishes between the individual, a biological and sociological category that forms part of the species and society, and the person, a spiritual and religious category, the image of God, which is part of no whole. 'The whole world is nothing compared with the human person,' he writes in Slavery and Freedom. The person is not given: it is a task, forged by overcoming slavery to being, nature, society, the nation, the State, revolution, eros and one's own self. His personalism is both anti-individualist and anti-collectivist: it rejects bourgeois liberalism, which leaves the person alone, as much as communism and fascism, which dissolve it in the collective. He proposed a 'personalist socialism' founded on communion. His influence on Emmanuel Mounier and the journal Esprit was direct and acknowledged.

Set out systematically in Slavery and Freedom (1939), which he regarded as his most radical book.

Source: Berdiáyev, N. A. О рабстве и свободе человека. Опыт персоналистической философии [Esclavitud y libertad del hombre]. París: YMCA-Press, 1939. Texto en Azbuka.

The new Middle Agesnueva-edad-media
In The End of Our Time (The New Middle Ages, 1924) Berdyaev proposes a rhythmic philosophy of history: there are daytime epochs, rational, critical and secular, and night-time epochs, organic and sacred. The modern age begun in the Renaissance was a long day in which man, emancipated from God, asserted his autonomy; but humanism has exhausted its forces and turns against man, and liberalism, formal democracy, parliamentarism and individualism lose their meaning. We are entering a new Middle Ages, a 'night' in which the religious returns to the centre of collective life. That night is no worse than the day: in it the stars shine and there are revelations the day does not know. But it may take Christian or anti-Christian form: communism and fascism are already inverted sacralities. The book was read throughout Europe as a diagnosis of the interwar crisis.

It extends the theses of The Meaning of History (1923) and of the article 'The End of the Renaissance'.

Source: Berdiáyev, N. A. Новое средневековье. Размышление о судьбе России и Европы [Una nueva Edad Media]. Berlín: Obelisk, 1924. Texto en Azbuka.

The Russian idea and secularised messianismmesianismo-ruso
Berdyaev devoted much of his work to interpreting Russia's destiny. The Russian soul, polarised between extremes — anarchy and statism, humility and pride, nationalism and universalism — has an eschatological and communal vocation: it seeks the Kingdom of God, total truth, more than culture and order. That vocation was expressed in the idea of Moscow as the Third Rome, broke with the seventeenth-century schism and Peter's reform, and reappeared transformed in the revolutionary intelligentsia, which sought salvation in history with a faith of religious type. In The Origin of Russian Communism (1937) he concludes that Bolshevism is the deformation of that idea: the Third Rome turned Third International, an inverted orthodoxy with its dogma, its Church and its heretics. In The Russian Idea (1946) he traces the history of that vocation from Chaadaev to Solovyov and his own generation.

In dialogue with the Slavophiles, Dostoevsky and Solovyov, and with the historiography of the schism.

Source: Berdiáyev, N. A. Истоки и смысл русского коммунизма [Las fuentes y el sentido del comunismo ruso]. París: YMCA-Press, 1955 (ed. alemana y ed. inglesa, 1937). Texto en Wikisource ruso.

Vidéos

Vidéos

Enregistrements, entretiens et documentaires. Les vidéos sont lues depuis YouTube ; elles ne sont pas hébergées ici.

  • Николай Бердяев. «Я лишь бунтарь, искатель истины и правды…»

    Documentaire· RU· 2008

    Мудрый Философ

  • История Западной философии. Лекция №43. «Николай Бердяев и философия духа»

    Conférence· RU

    Лекции А.Б. ЗубоваChaîne officielle

  • Философия свободы и творчества Бердяева — Алексей Козырев

    Conférence· RU

    ПостНаукаChaîne officielle

  • Лекция Бердниковой А. Ю. «„Новое Средневековье“ Н. Бердяева: кризис ренессансной культуры»

    Conférence· RU· 2022

    Институт философии РАНChaîne officielle

  • Николай Александрович Бердяев: Философия эротической революции

    Conférence· RU· 2024

    ИНИОН РАНChaîne officielle

  • Лекция Л. Люкса «Николай Бердяев о „духах“ Русской революции и о духовном кризисе Европы»

    Conférence· RU· 2020

    МЛРИД HSEChaîne officielle

  • Бердяевские среды 08. А. И. Резниченко «Николай Бердяев о себе и о мире объектов»

    Conférence· RU· 2024

    Библиотека-Музей Дом ЛосеваChaîne officielle

  • Бердяевские среды 09. В. В. Кравченко «Н. А. Бердяев как мистический философ»

    Conférence· RU· 2024

    Библиотека-Музей Дом ЛосеваChaîne officielle

  • Философский пароход: Николай Бердяев / Священник Георгий Кочетков

    Conférence· RU· 2022

    Свято-Филаретовский институтChaîne officielle

  • Nikolai Berdyaev: On Freedom and Responsibility

    Conférence· EN· 2021

    Wirth Institute (University of Alberta)Chaîne officielle

  • The Harry Murray Sessions: Nikolai Berdyaev (segment)

    Conférence· EN

    The Maurin Academy

  • Religion and the State in Russian Philosophy (Vladimir Soloviev and Nikolai Berdiaev)

    Conférence· EN· 2021

    REES Queens (Queen's University)Chaîne officielle

  • Marie Denieuil-Hovanessian : Digressions autour du concept d'amour chez Nicolas Berdiaev

    Conférence· FR

    Philosophie russe

Galerie

Galerie

Images dont la licence a été vérifiée. Chacune conserve son auteur et son attribution.

Relations

Relations

Influences, filiations et affinités. On distingue la relation documentée de la similitude identifiée par analyse.

  • A reçu l'influence de

    Vladimir Solovyov

    He never met him but regarded him as the founder of Russian religious philosophy. He devoted 'The Problem of East and West in the Religious Consciousness of Vl. Solovyov' (1911) and 'Vladimir Solovyov and Us' (1937) to him; he took from him the idea of Godmanhood, though he reproached him for an over-rational system, a naive theocracy and a sophiology that in Self-Knowledge he judges to contradict The Meaning of Love, 'perhaps the best thing ever written about love'.

    Relation documentée

  • A reçu l'influence de

    Fyodor Dostoevsky

    He acknowledged him as his spiritual master and devoted Dostoevsky's Worldview (1923) to him, as well as essays on the Grand Inquisitor (1907) and Stavrogin (1914). From Dostoevsky he took irrational freedom, capable of evil, and the critique of all imposed happiness.

    Relation documentée

  • A reçu l'influence de

    Leo Tolstoy

    In Self-Knowledge he acknowledges that Tolstoy was of great importance in his first revolt against society: he was never a Tolstoyan, but the 'Tolstoyan inoculation' lasted all his life, in his contempt for the false greatness of history; he links War and Peace to his only feeling for the homeland.

    Relation documentée

  • En désaccord avec

    Leo Tolstoy

    In 'The Old and New Testaments in the Religious Consciousness of L. Tolstoy' (1912) and 'The Spirits of the Russian Revolution' (1918) he reproaches him for a rationalist moralism that ignores grace and redemption, and makes him partly responsible for the levelling spirit of the revolution.

    Relation documentée

  • En désaccord avec

    Pavel Florensky

    They shared in the Moscow religious renaissance, but Berdyaev reviewed The Pillar and Ground of the Truth harshly in 'Stylised Orthodoxy' (1914), reproaching it for aestheticism, magic, fear of freedom and an Orthodoxy of style. In Self-Knowledge he calls Florensky 'alien and hostile' to him, though he acknowledges they shared the hope of a new outpouring of the Spirit.

    Relation documentée

  • A reçu l'influence de

    Jakob Böhme

    Böhme was, with Kant, the thinker to whom he said he owed most. From him he took the notion of the Ungrund, which he reinterpreted as uncreated freedom, and that of the androgyne; he devoted two studies in Put' (1930) to him and the introduction to the French translation of Mysterium magnum (1945).

    Relation documentée

  • Idées proches de

    Seraphim of Sarov

    In The Meaning of the Creative Act (ch. VII, 'Creativity and Asceticism. Genius and Holiness') he contrasts Seraphim of Sarov, 'the greatest Russian saint', with Pushkin, 'the greatest Russian genius', contemporaries who never met: two incommensurable greatnesses of which the Russian soul may be equally proud. The comparison sums up his thesis that holiness does not exhaust the Christian vocation, which includes creativity.

    Relation documentée

  • En désaccord avec

    Helena Blavatsky

    He criticised the modern Theosophy founded by Blavatsky — and Steiner's Anthroposophy — as a naturalistic evolutionism that dissolves the person and freedom: in The Meaning of the Creative Act (ch. XIII) he judges it far inferior to Böhme's 'theosophy', and in 'Theosophy and Anthroposophy in Russia' he examined its spread in Russian circles.

    Relation documentée

  • En désaccord avec

    Plato

    In Self-Knowledge he presents his philosophy of freedom as a break with the ontological tradition of Parmenides, Plato, Aristotle and Thomas Aquinas, which places being above freedom; and in The Meaning of the Creative Act he rejects the Platonic doctrine of a world perfected in the ideas, which would turn the world process into a comedy.

    Relation documentée

Sources

Sources

Bibliographie et catalogues consultés pour cette fiche.

  1. Wikidata, Q184656: Nikolai Berdyaev, filósofo ruso (1874–1948). P31=Q5; 74 enlaces entre wikis.
  2. Berdiáyev, N. A. Самопознание. Опыт философской автобиографии [Autoconocimiento. Ensayo de autobiografía filosófica]. París: YMCA-Press, 1949. Texto en la Biblioteca «Vejí» (vehi.net).
  3. «Бердяев, Николай Александрович». Wikipedia en ruso (biografía y bibliografía detallada).
  4. Berdiáyev, N. A. Смысл творчества. Опыт оправдания человека [El sentido de la creación]. Moscú: G. A. Lemán y S. I. Sajárov, 1916. Texto en la Biblioteca «Vejí».
  5. Lowrie, Donald A. Rebellious Prophet: A Life of Nicolai Berdyaev. Nueva York: Harper, 1960.
  6. Open Library, autor OL52926A: Nikolaĭ Berdi͡aev (1874–1948), obras y ediciones.
  7. Klépinine, Tamara. Bibliographie des œuvres de Nicolas Berdiaev. París: Institut d'études slaves, 1978.
  8. Berdiáyev, N. A. Истоки и смысл русского коммунизма [Las fuentes y el sentido del comunismo ruso]. París: YMCA-Press, 1955 (ed. alemana y ed. inglesa, 1937). Texto en Wikisource ruso.
  9. Berdiáyev, N. A. Новое средневековье. Размышление о судьбе России и Европы [Una nueva Edad Media]. Berlín: Obelisk, 1924. Texto en Azbuka.
  10. Berdiáyev, N. A. О рабстве и свободе человека. Опыт персоналистической философии [Esclavitud y libertad del hombre]. París: YMCA-Press, 1939. Texto en Azbuka.
  11. Berdiáyev, N. A. Русская идея. Основные проблемы русской мысли XIX века и начала XX века [La idea rusa]. París: YMCA-Press, 1946. Texto en Azbuka.
  12. Berdiáyev, N. A. «Стилизованное православие (о. Павел Флоренский)» [Ortodoxia estilizada]. Русская мысль, 1914, n.º 1. Texto en la Biblioteca «Vejí».
  13. Berdiáyev, N. A. «Проблема Востока и Запада в религиозном сознании Вл. Соловьева» [El problema de Oriente y Occidente en la conciencia religiosa de Vl. Soloviov], en Сборник первый. О Владимире Соловьеве. Moscú: Put, 1911. Texto en la Biblioteca «Vejí».
  14. Berdiáyev, N. A. Миросозерцание Достоевского [La concepción del mundo de Dostoievski]. Praga: YMCA-Press, 1923. Texto en la Biblioteca «Vejí».
  15. Berdiáyev, N. A. «Ветхий и Новый Завет в религиозном сознании Л. Толстого» [El Antiguo y el Nuevo Testamento en la conciencia religiosa de L. Tolstói], en О религии Льва Толстого. Moscú: Put, 1912. Texto en la Biblioteca «Vejí».
  16. Berdiáyev, N. A. «Из этюдов о Я. Беме. Этюд I: Учение об Ungrund и свободе; Этюд II: Учение о Софии и андрогине». Путь, 1930, n.os 20–21.
Ayant droit
Berdiáyev murió en 1948: su obra es de dominio público en la Unión Europea desde 2019 (70 años), pero en España no lo será hasta el 1 de enero de 2029 (80 años para autores fallecidos antes de 1987), y en EE. UU. las obras publicadas a partir de 1930 pueden seguir protegidas. Las traducciones pertenecen a sus traductores y editoriales.

En attente de confirmation

Ce que cette fiche n'a pas encore pu établir. Nous préférons le dire plutôt que de combler.

  • Ediciones españolas modernas con ISBN de «El sentido de la creación», «Una nueva Edad Media», «El destino del hombre», «Autoconocimiento», «Esclavitud y libertad del hombre» y «La idea rusa»: no localizadas (Open Library sin datos; Google Books sin cuota; catálogo de la BNE inaccesible). Sólo constan ediciones antiguas sin ISBN (Losada 1938, Janés 1947, Emecé 1955) y las de Encuentro, Sígueme y Nuevo Inicio.
  • Identificar la obra original de «El cristianismo y el problema del comunismo» (Espasa-Calpe Argentina, 1937) y registrarla.
  • Registrar uno por uno los varios cientos de artículos de Berdiáyev (Put, Sovremennye zapiski, Rússkaia mysl, Vopros zhizni, Novi Grad…); hoy figuran sólo los de mayor entidad. La bibliografía de referencia es la de T. Klépinine (1978).
  • Confirmar fecha y revista de «Teosofía y antroposofía en Rusia» (hacia 1916) y de «Verdad y mentira del comunismo» (1931).
  • Fecha exacta de la muerte: 24 de marzo de 1948 según Wikidata y la mayoría de las fuentes; 23 de marzo según otras (Open Library, parte de la bibliografía rusa).
  • Año de la edición de Encuentro de «El sentido de la historia» (ISBN 9788474900170).
  • Duración de los vídeos y año de los no fechados: oEmbed no los proporciona.
  • No se ha encontrado en YouTube ninguna grabación de la voz ni imágenes filmadas de Berdiáyev.

Recherche effectuée le 2026-10-25