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Padmasambhava

पद्मसम्भव · པདྨ་འབྱུང་གནས། · padma 'byung gnas · གུ་རུ་རིན་པོ་ཆེ། · 蓮花生

VIIe siècle – ?Historicité débattue

Maître tantrique indien du VIIIe siècle que le Tibet vénère sous le nom de Guru Rinpoché, « second Bouddha » et fondateur de l'école Nyingma. Les sources anciennes le présentent comme un exorciste invité par le roi Trisong Detsen pour soumettre les esprits qui entravaient la fondation de Samyé ; la tradition ultérieure en a fait le héros de la naissance dans un lotus, de la conquête spirituelle du Tibet et des « trésors » cachés (terma), parmi lesquels le Bardo Thödol, le Livre des morts tibétain.

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Padmasambhava (Orgyen Dorje Chang) con Yeshe Tsogyal, tangka tibetano del siglo XVII

Padmasambhava (Orgyen Dorje Chang) con Yeshe Tsogyal, tangka tibetano del siglo XVII · Public domain

Son idée centrale

Treasures (gter ma): A terma is a text or object that, according to tradition, Padmasambhava or one of his contemporaries hid in the eighth century to be discovered later by a predestined revealer (gter ston).

Biographie

5 min de lecture

Traduction assistée à partir de l'original espagnol, en attente de relecture par un traducteur natif.

Deux figures sous un même nom

Il y a deux Padmasambhava. L'un est un maître tantrique indien du VIIIe siècle dont il ne reste que quelques lignes dans des sources anciennes ; l'autre est Guru Rinpoché, le « Maître précieux », né d'un lotus, conquérant spirituel du Tibet et auteur des trésors que ses fidèles ne cessent de découvrir depuis neuf cents ans. Pendant une bonne partie du XXe siècle, l'érudition occidentale a douté que le premier eût existé. Aujourd'hui, comme le résume Lewis Doney, son historicité est admise avec prudence : il a bien existé un Padmasambhava, mais presque tout ce que l'on raconte de lui appartient au second.

Ce que disent les sources anciennes

Le plus ancien témoignage narratif est le Testament de Ba (dBa' bzhed), chronique de l'introduction du bouddhisme au Tibet dont la rédaction se situe entre le IXe et le XIIe siècle. Selon ce texte, le roi Trisong Detsen (qui régna de 755 à la fin du VIIIe siècle) avait invité le grand érudit indien Śāntarakṣita, mais inondations, foudre et épidémies furent imputées à la colère des dieux locaux, et le sage conseilla de faire venir un spécialiste capable de les soumettre : Padmasambhava, venu de l'Oḍḍiyāna. Le maître dompta les esprits, proposa des travaux pour amener l'eau dans les déserts et suscita à la cour de tels soupçons que le roi, craignant pour son pouvoir, le pria de partir après un bref séjour.

Ce portrait — celui d'un exorciste tantrique, efficace et dérangeant — concorde avec celui des manuscrits de Dunhuang. Le Pelliot tibétain 44, copié vers la fin du Xe siècle, raconte comment Padmasambhava rapporta de Nālandā les textes de Vajrakīla pour vaincre les obstacles qui l'empêchaient de pratiquer à Yanglesho, dans la vallée de Katmandou. Deux autres manuscrits, étudiés par Jacob Dalton, le montrent déjà en dompteur des esprits hostiles du Tibet. Aucune de ces sources ne parle d'une naissance miraculeuse ; toutes le présentent comme un ritualiste au service de la fondation du bouddhisme tibétain, dont le premier monastère, Samyé, fut consacré vers 779.

Le Né du lotus

La biographie que connaissent les Tibétains fut fixée bien plus tard, dans les textes révélés à partir du XIIe siècle. Selon elle, huit ans après la mort du Bouddha, comme celui-ci l'avait prophétisé, un enfant de huit ans apparut assis sur un lotus dans le lac Dhanakośa, en Oḍḍiyāna, le pays que la plupart des spécialistes identifient à la vallée du Swat. Le roi Indrabhūti, qui n'avait pas d'enfant, l'adopta et en fit un prince ; mais le jeune homme tua un ministre, fut banni et vécut en yogi dans les charniers de l'Inde, où il reçut les enseignements des ḍākinī et des grands maîtres tantriques.

Viennent ensuite les épisodes que l'iconographie ne cesse de reprendre : la princesse Mandāravā de Zahor, que le roi son père voulut brûler avec son maître sur un bûcher qui se changea en lac ; la retraite dans la grotte de Māratika, où tous deux obtinrent la maîtrise de la vie ; la réalisation à Yanglesho par les pratiques de Yangdak et de Vajrakīla. Chaque étape correspond à l'une de ses huit manifestations (le prince Padma Gyalpo, le yogi Nyima Özer, l'érudit Loden Chokse, le courroucé Dorje Drolö…), qui sont moins des épisodes biographiques que les formes sous lesquelles le maître s'offre à la dévotion.

La conquête du Tibet

Dans la version traditionnelle, le voyage au Tibet est une campagne. Padmasambhava soumet les dieux de chaque montagne et de chaque lac, les oblige à jurer de protéger le bouddhisme et, une fois ceux-ci domptés, Samyé s'élève. Il initie le roi et vingt-cinq disciples principaux, prend pour parèdre Yeshé Tsogyal, qui transcrira ses enseignements, et médite dans des grottes devenues lieux de pèlerinage, de Chimphu, près de Samyé, à Taktsang, le « Nid du Tigre » du Bhoutan, où il arriva en volant sur une tigresse. Avant de partir, il cache à travers tout le Tibet des textes et des objets afin que ses disciples réincarnés les découvrent au moment opportun. Puis il quitte le pays par le col de Gungthang vers le sud-ouest, au pays des rākṣasa, et ne meurt pas : il demeure sur la Montagne couleur de cuivre.

Les trésors

Ce dernier geste explique la figure. À partir du XIe siècle apparurent au Tibet les « découvreurs de trésors » (gter ston), qui présentaient des textes trouvés dans des grottes, dans des colonnes ou dans leur propre esprit comme des enseignements de Padmasambhava cachés quatre siècles plus tôt. Nyangral Nyima Özer (1124-1192) révéla le Zangs gling ma, la première biographie complète ; Orgyen Lingpa, en 1352, le Dict de Padma, qui fixa la légende ; Karma Lingpa, au XIVe siècle, le cycle auquel appartient le Bardo Thödol. Comme l'a montré Janet Gyatso, la théorie du trésor permettait à l'école ancienne, la Nyingma, de renouveler son canon sans rompre avec le passé : chaque révélation renvoyait à l'autorité du Maître d'Oḍḍiyāna.

Il en résulte une œuvre immense qu'il n'a pas écrite. Du XIXe siècle date le Grand Trésor des termas précieux, la compilation en plus de soixante volumes de Jamgön Kongtrul ; du XXe, la renommée mondiale du Bardo Thödol, que la version d'Evans-Wentz (1927), avec son titre inventé de Livre des morts tibétain et le commentaire psychologique de Carl Gustav Jung, transforma en classique de la spiritualité occidentale. Parmi les œuvres qui portent son nom, seule la Guirlande des vues, bref traité sur les neuf véhicules inclus dans le canon, semble remonter à la période impériale.

Ce que l'on peut affirmer

En somme : il y eut dans le Tibet du VIIIe siècle un maître tantrique d'origine indienne, spécialiste des rituels de soumission, lié à la fondation de Samyé et à la tradition de Vajrakīla, dont le séjour fut probablement bref et conflictuel. Tout le reste — le lotus, les charniers, les parèdres, le vol sur la tigresse, les trésors — est l'œuvre de siècles de mémoire religieuse, et n'en est pas moins réel en tant que fait historique : Guru Rinpoché est la figure la plus vénérée du bouddhisme tibétain, le « second Bouddha » auquel sont consacrées les fêtes du dixième jour lunaire au Bhoutan et dans l'Himalaya, et le cœur de l'identité de l'école Nyingma.

Sources: Pasang Wangdu y Hildegard Diemberger (trad. y ed.). dBa' bzhed: The Royal Narrative concerning the Bringing of the Buddha's Doctrine to Tibet. Viena: Verlag der Österreichischen Akademie der Wissenschaften, 2000. ISBN 9783700129561. · Doney, Lewis. The Zangs gling ma: The First Padma bKa' thang Revelation. Andiast: International Institute for Tibetan and Buddhist Studies, 2014. · Hirshberg, Daniel A. Remembering the Lotus-Born: Padmasambhava in the History of Tibet's Golden Age. Somerville (MA): Wisdom Publications, 2016. · Cantwell, Cathy, y Robert Mayer. Early Tibetan Documents on Phur pa from Dunhuang. Viena: Verlag der Österreichischen Akademie der Wissenschaften, 2008 (cap. «Pelliot tibétain 44», pp. 41–56). · Kapstein, Matthew T. The Tibetan Assimilation of Buddhism: Conversion, Contestation, and Memory. Nueva York: Oxford University Press, 2000.

Chronologie

La vie, année après année

Chaque point est un événement documenté. Cliquez pour le lire, avec sa source et son degré de certitude.

  1. VIIe siècle

    Birth (traditional)

    Tradition has him born from a lotus in Lake Dhanakośa in Oḍḍiyāna; the early sources only say he came from that land. The date is conventional: eighth century.

    Tradition

  2. 755

    Trisong Detsen accedes to the throne

    The reign begins of the emperor who, according to the chronicles, invited Śāntarakṣita and Padmasambhava.

    Documenté

  3. années 770

    Invitation to Tibet

    On Śāntarakṣita's advice the king invites him to subdue the spirits obstructing the founding of Samye; according to the Testament of Ba his stay was brief and ended with his departure at the king's request.

    Probable

  4. v. 779

    Consecration of Samye

    Samye, Tibet's first Buddhist monastery, is consecrated; the sources place Padmasambhava at its founding.

    Probable

  5. v. 1000

    Earliest written witnesses

    Dunhuang manuscripts (Pelliot tibétain 44 and 307, IOL Tib J 644), from the late tenth century, present him as a Vajrakīla master and tamer of spirits.

    Documenté

  6. v. 1150

    First revealed biography

    Nyangral Nyima Özer (1124–1192) reveals the Zangs gling ma, the first complete life of Padmasambhava.

    Documenté

  7. 1352

    The Chronicle of Padma

    Orgyen Lingpa reveals the Padma bka' thang, which fixes the canonical form of the legend.

    Documenté

  8. v. 1360

    Karma Lingpa and the Bardo Thödol

    Karma Lingpa (1326–1386) reveals the cycle of the peaceful and wrathful deities, to which the Bardo Thödol belongs.

    Documenté

  9. 1692

    Founding of Taktsang

    The 'Tiger's Nest' monastery is built beside the cave tradition associates with Padmasambhava.

    Documenté

  10. v. 1880

    The Great Treasury of Termas

    Jamgön Kongtrul gathers in more than sixty volumes the treasure cycles attributed to Padmasambhava (Rinchen Terdzö).

    Documenté

  11. 1927

    The 'Tibetan Book of the Dead'

    W. Y. Evans-Wentz publishes Kazi Dawa-Samdup's version of the Bardo Thödol, which will make a text attributed to Padmasambhava famous in the West.

    Documenté

Œuvres

Œuvres essentielles

Les œuvres sans lesquelles on ne comprend pas son héritage.

The Great Liberation by Hearing in the Intermediate State (Bardo Thödol, 'Tibetan Book of the Dead') — Padmasambhava

Attribution traditionnelle · v. 1350

The Great Liberation by Hearing in the Intermediate State (Bardo Thödol, 'Tibetan Book of the Dead')

ཟབ་ཆོས་ཞི་ཁྲོ་དགོངས་པ་རང་གྲོལ་ལས་བར་དོ་ཐོས་གྲོལ་ཆེན་མོ། (zab chos zhi khro dgongs pa rang grol las bar do thos grol chen mo)

A set of ritual texts read aloud beside the dying and the dead to guide them through the intermediate states (bar do) between death and rebirth: the clear light at the moment of dying, the visions of the peaceful and wrathful deities and the search for a new birth. It belongs to the cycle 'The Self-Liberation of the Intention of the Peaceful and Wrathful Deities', revealed in the fourteenth century by Karma Lingpa. Since the 1927 English version it has been the most widely read Tibetan text in the West.

Non disponible Voir le livre

9 éditions

The Chronicle of Padma (Padma Kathang) — Padmasambhava

Attribution traditionnelle · 1352

The Chronicle of Padma (Padma Kathang)

པདམ་བཀའི་ཐང་ཡིག། (padma bka'i thang yig)

A verse biography of Padmasambhava's whole life: birth from a lotus in Lake Dhanakośa, youth as prince of Oḍḍiyāna, exile, years as a yogi in the charnel grounds, the stay in Tibet and the departure for the land of the rākṣasas. It fixed the 'eleven deeds' and the canonical form of the legend, and was for centuries the most widely circulated book about him. It presents itself as dictated by the master himself to Yeshe Tsogyal.

Non disponible Voir le livre

2 éditions

The Copper Island (Zangling ma): Life of Padmasambhava — Padmasambhava

Attribution traditionnelle · v. 1150

The Copper Island (Zangling ma): Life of Padmasambhava

པདམ་བཀའ་ཐང་ཟངས་གླིང་མ། (padma bka' thang zangs gling ma)

The first complete biography of Padmasambhava, in prose, narrating his birth from a lotus, arrival in Tibet, the founding of Samye, the initiation of the twenty-five disciples and his departure. It is the source of nearly all later versions of the legend and evidence of how the figure was constructed in the twelfth century. Its colophons attribute the writing to Yeshe Tsogyal.

Non disponible Voir le livre

2 éditions

Attribution traditionnelle · VIIIe siècle

Garland of Views: An Essential Instruction

མན་ངག་ལྟ་བའི་ཕྲེང་བ། (man ngag lta ba'i phreng ba)

A short treatise that arranges all Buddhist and non-Buddhist paths in a hierarchy of views culminating in atiyoga or the Great Perfection; it presents itself as a commentary on chapter XIII of the Guhyagarbhatantra. It is the only work ascribed to Padmasambhava included in the Tengyur, the canon of treatises, and the one scholarship considers closest to a plausible attribution or at least to the imperial period; Nubchen Sangye Yeshe already cites it.

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1 édition

Dernières paroles

Il n'existe aucun témoignage vérifiable de ses dernières paroles.

Tradition ascribes to him not death but departure: the revealed biographies have him leave Tibet by the Gungthang pass towards the south-west, giving farewell advice to the king and Yeshe Tsogyal, to dwell on the Copper-Coloured Mountain. These farewells are hagiographic compositions of the twelfth to fourteenth centuries; there is no historical record of his death or of last words.

Source: Yeshe Tsogyal (atrib.); Orgyen Lingpa (revelador). The Life and Liberation of Padmasambhava (Padma bKa'i Thang). Trad. Kenneth Douglas y Gwendolyn Bays a partir de la versión francesa de Gustave-Charles Toussaint (Le Dict de Padma, París: Leroux, 1933). 2 vols. Emeryville (CA): Dharma Publishing, 1978. ISBN 9780913546192.

Interroger

Ce que répond son œuvre

Douze grandes questions de l'humanité et ce que ses textes permettent d'y répondre, références à l'appui. Nous ne lui prêtons jamais de paroles.

  • Qu'est-ce que l'Absolu ? Dieu existe-t-il ?

    The ultimate is the luminous nature of mind; the deities are its display

    Un Absolu impersonnelCela se déduit de sa doctrine

    Almost everything read under Padmasambhava's name consists of «treasure» texts (terma) revealed centuries after his life. The best known, the so-called Tibetan Book of the Dead, brought to light by Karma Lingpa in the fourteenth century, describes how at the moment of death the clear light of the dharmakāya appears and asks that it be recognised as the very nature of one's mind. The peaceful and wrathful deities that arise afterwards are not external gods but projections of that same mind. The ultimate is thus an empty and luminous awareness, without creator and without face, of which the divine figures are expressions. The Introduction to Pure Awareness, from the same cycle, insists that one should not look outside for what is one's own awakened presence.

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  • Qui suis-je ? Existe-t-il un vrai soi ?

    Sought for, the mind is not found: empty and yet aware

    Il n'y a pas de soi permanentCela se déduit de sa doctrine

    The texts the Nyingma tradition attributes to Padmasambhava are mostly terma revealed between the twelfth and nineteenth centuries. In the Introduction to Pure Awareness, from Karma Lingpa's cycle, the enquiry is directed at the mind itself: examined, it has no shape, colour or location, and is found neither inside nor outside. What follows is not nothingness but a naked presence, empty and clear at once, which the Great Perfection calls rigpa. The self that defends itself and clings is what does not withstand this examination; what remains is not a subject but the capacity to know. The Tibetan Book of the Dead applies the same teaching: whoever recognises the visions as their own mind is freed; whoever identifies with a fleeing self goes on wandering.

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  • Pourquoi souffrons-nous ?

    One wanders through not recognising as one's own the light that appears

    L'ignorance de ce que nous sommesCela se déduit de sa doctrine

    In the Tibetan Book of the Dead, a terma revealed by Karma Lingpa in the fourteenth century and attributed to Padmasambhava's teaching, suffering has one recurring cause: not recognising. At each stage of the intermediate state the clear light appears, and then the deities and the coloured lights; whoever recognises them as manifestations of their own mind is liberated, and whoever fears or desires them, through failing to recognise them, is dragged by karma towards a new birth. The five passions (ignorance, attachment, aversion, pride and envy) are presented as confused versions of the five wisdoms. We suffer, then, because we take ourselves for what we are not and fail to know the empty, luminous nature of mind; not because of a punishment or an external fate.

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  • Que se passe-t-il après la mort ?

    After death, an intermediate state: recognition liberates, non-recognition brings rebirth

    Renaissance selon le karmaIl le dit expressément

    The answer associated with Padmasambhava is the most detailed in all Buddhist literature, but it comes from a terma: the so-called Tibetan Book of the Dead, which Karma Lingpa brought to light in the fourteenth century and which the tradition ascribes to a teaching of the master. The text is read beside the dying and the deceased for forty-nine days. At the instant of death the clear light appears; whoever recognises it as their own nature is liberated. If not, the visions of the peaceful and wrathful deities follow and, lastly, the intermediate state of becoming, where karma pushes towards one of the six destinies. Even then, hearing can guide the choice of a favourable birth. Death is an opportunity for liberation, not merely a transit.

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  • Comment atteint-on la libération ou le salut ?

    Liberation through recognition: seeing one's own mind naked as it is

    Par la connaissance directeCela se déduit de sa doctrine

    The treasure texts attributed to Padmasambhava propose many paths, arranged in nine vehicles culminating in the Great Perfection, but their core is recognition. The Introduction to Pure Awareness, from Karma Lingpa's cycle, presents itself as an instruction for liberation by seeing one's own mind naked: nothing is built, what is already present is recognised. The Tibetan Book of the Dead carries the same principle to the moment of death: whoever recognises the clear light as their own nature is liberated in that instant, and the titles say so, liberation through hearing, self-liberation through seeing. Preliminary practices, deities, mantras and devotion to the master prepare and sustain that recognition, but do not replace it.

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  • Faut-il un maître ?

    The master introduces the nature of mind; without him there is no recognition

    IndispensableCela se déduit de sa doctrine

    In the tradition centred on Padmasambhava, the master is not an adviser but the door. The Great Perfection is transmitted through «direct introduction»: the master points out to the disciple their own pure awareness, and the text of Karma Lingpa's cycle bearing that name presents itself as such a pointing-out. Padmasambhava himself is the master par excellence, Guru Rinpoche, and many of the texts associated with him are supplications addressed to him, such as the Seven-Line Prayer or the Supplication in Seven Chapters. The Teachings to the Ḍākinīs, advice tradition says he gave Yeshe Tsogyal, insist on examining the master before following him and on not separating from him afterwards. Without transmission there is no initiation, and without initiation there is no tantric path.

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  • Le monde est-il réel ?

    All that appears is the display of one's own mind, empty and luminous

    Manifestation du divinCela se déduit de sa doctrine

    In the terma associated with Padmasambhava, the world is neither a creation nor a deception to be rejected: it is the spontaneous manifestation of the nature of mind. The Tibetan Book of the Dead teaches this dramatically: the lights, sounds and deities of the intermediate state are the very radiance of the deceased's mind, and recognising them is enough for them to dissolve into it. The Introduction to Pure Awareness applies the same to ordinary life: all that appears arises from the mind and is liberated in it, like waves in water. The Great Perfection speaks of primordial purity and spontaneous presence: the ground is empty from the beginning and, at the same time, unfolds ceaselessly into appearances.

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  • Qu'est-ce que l'amour ?

    The mind of awakening, inseparable from emptiness, for the good of all beings

    Une compassion sans limitesCela se déduit de sa doctrine

    The texts attributed to Padmasambhava devote no treatise to love, but they integrate it into the framework of the Great Vehicle: every practice begins by taking refuge and awakening the mind of awakening for the good of all beings, and ends by dedicating the merit to them. The Essence of Wisdom of the Stages of the Path, a terma revealed in the nineteenth century by Chokgyur Lingpa, develops this compassion as part of the gradual path towards the Great Perfection. In the hagiographies, the figure of Padmasambhava embodies a compassion that takes wrathful forms: taming Tibet's hostile spirits is, in that logic, an act of care. True compassion is described as inseparable from emptiness, free of the idea of someone who helps and someone who receives.

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  • Sommes-nous libres ou tout est-il déterminé ?

    Karma drives, yet in every instant one can recognise and choose

    Le karma et le choixCela se déduit de sa doctrine

    The Tibetan Book of the Dead, a fourteenth-century terma associated with Padmasambhava's teaching, describes a process dominated by karma: in the intermediate state of becoming, the deceased is swept along by karmic winds, sees visions according to past deeds and feels drawn towards a destiny. Yet the text is read aloud precisely because at every stage a possibility of liberation remains or, at least, of choosing: recognising the clear light, not being carried off by fear, closing the door of an unfavourable womb, turning towards a propitious human birth. The past conditions strongly, but it does not close everything off: present attention, sustained by the master's instruction, can divert the course.

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  • Pourquoi méditer ou prier ?

    Look into one's own mind until its naked nature is recognised

    Revenir à la source du jeCela se déduit de sa doctrine

    In the tradition that claims Padmasambhava as its source, two registers coexist. One is ritual and devotional: supplications such as the Seven-Line Prayer or the Supplication in Seven Chapters, the Vajra Guru mantra and the deity cycles revealed as treasures. The other, which the tradition regards as the summit, is the Great Perfection. The Introduction to Pure Awareness, from Karma Lingpa's cycle, describes this second register as an enquiry directed at the mind itself: searching for it, asking where it is, what colour or shape it has, until discovering that it is not found as a thing and that what searches is one's own empty, awake awareness. No state is manufactured: what is already there is recognised and rested in. Prayer prepares and sustains that recognition.

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  • La raison peut-elle connaître l'ultime ?

    A wisdom hidden as treasure and recognised in one's own experience

    Une connaissance ésotériqueCela se déduit de sa doctrine

    The tradition associated with Padmasambhava answers this question through its mode of transmission. According to the doctrine of treasures (terma), the master and his disciples hid teachings in the eighth century that predestined revealers would discover centuries later, when they were needed. Ultimate knowledge is therefore not reached by reasoning but by transmission and initiation, and it is verified in the practitioner's experience. The Garland of Views, the most plausible attribution, arranges doctrines in a hierarchy culminating in the Great Perfection, above paths that rely on analysis. The Introduction to Pure Awareness insists that the nature of mind is not an object of thought: it is recognised directly when the master points it out.

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  • Se retirer du monde ou le transformer ?

    Retreat caves and hidden valleys; but also taming a country

    Se retirer pour trouverCela se déduit de sa doctrine

    The hagiographies revealed as treasures, such as The Copper Island (twelfth century) and the Chronicle of Padma (fourteenth century), present Padmasambhava practising in caves and charnel grounds in India, Nepal and Tibet, and the sacred geography of the Himalaya is full of grottoes associated with him. The advice tradition says he gave Yeshe Tsogyal insists on abandoning worldly concerns and practising in solitude. Treasure literature also developed the idea of hidden valleys, refuges for times of crisis. But the same chronicles show him acting in the world: invited by King Trisong Detsen, he subdues the hostile spirits so that the monastery of Samye can be founded. Retreat is the condition of attainment; action, its fruit.

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Anecdotes et récits

Anecdotes et récits

Contestésegunda mitad del s. VIII

The dismissed exorcist

The oldest account of Padmasambhava's stay in Tibet is not triumphant. According to the Testament of Ba, King Trisong Detsen summoned him because the gods of the land, offended by the arrival of Buddhism, were sending floods and lightning. The master from Oḍḍiyāna went through the country subduing the spirits one by one and, once at court, offered something more: to make water spring in the deserts and turn dry land into pasture. It was too much. The ministers, already wary of foreign religious men, convinced the sovereign that this man could seize power, and the king politely asked him to return to India, laden with gold. Some versions add that assassins were sent after him, whom he paralysed with a gesture. The episode, so unedifying, is probably the most solid historical core of his legend.

Origine du récit: Dba' bzhed (Testament of Ba), ed. and trans. Pasang Wangdu and Hildegard Diemberger (2000), and related versions of the Sba bzhed. The text's date of composition is disputed (ninth to twelfth centuries); the details of the assassins vary between recensions.

Source: Pasang Wangdu y Hildegard Diemberger (trad. y ed.). dBa' bzhed: The Royal Narrative concerning the Bringing of the Buddha's Doctrine to Tibet. Viena: Verlag der Österreichischen Akademie der Wissenschaften, 2000. ISBN 9783700129561.

Récit hagiographiques. VIII (narrado c. 1000)

The dagger of Yanglesho

In a cave at Yanglesho, above the Kathmandu valley, Padmasambhava was practising the meditation of Yangdak Heruka when, according to the account, malevolent spirits brought drought, famine and epidemics to the region and prevented him from progressing. He then sent messengers to Nālandā, the great monastery of India, to ask its masters for the texts of Vajrakīla, the deity of the ritual dagger (phur pa) that pierces obstacles. As soon as the texts reached Nepal the obstacles ceased, and Padmasambhava attained realisation by uniting both practices. The story is of exceptional value: it comes not from the late biographies but from a Dunhuang manuscript, Pelliot tibétain 44, copied around the year 1000, and is among the first evidence that Padmasambhava was by then the patron of the Vajrakīla tradition in Tibet.

Origine du récit: Pelliot tibétain 44 (Bibliothèque nationale de France), studied by Bischoff and Hartman (1971) and by Cantwell and Mayer (2008); Takeuchi dates it between 978 and 1010 according to the reference recorded in the BDRC dictionary. The episode is later expanded in the Zangs gling ma and the Chronicle of Padma.

Source: Bischoff, F. A., y Charles Hartman. «Padmasambhava's Invention of the Phur-bu: Ms. Pelliot tibétain 44». En Études tibétaines dédiées à la mémoire de Marcelle Lalou. París: Adrien Maisonneuve, 1971, 11–28.

Récit hagiographiques. VIII (narrado desde el s. XII)

The child of the lake

King Indrabhūti of Oḍḍiyāna was rich but—in some versions—blind and childless, and had emptied his treasury in offerings to obtain an heir. One day, sailing on Lake Dhanakośa, his ministers saw in its centre a gigantic lotus and, seated on it, a radiant child of about eight holding a vajra and a lotus. Asked about his parents, the child replied that his father was wisdom and his mother emptiness, that his country was the unborn and that he had come to destroy confusion. The king adopted him and called him 'Lotus King'. The scene, with which every Tibetan biography begins, rests on a prophecy tradition puts in the Buddha's mouth: that eight years after his death someone would be born from a lotus who would teach the secret mantra. There is no trace of it in the early sources, which never mention a miraculous birth.

Origine du récit: Zangs gling ma (Nyangral Nyima Özer, twelfth century), chapter on the birth; Padma bka' thang (Orgyen Lingpa, 1352). Some versions prefer a birth from a queen's womb; Wikipedia records both.

Source: Yeshe Tsogyal (atrib.); Nyangral Nyima Özer (revelador). The Lotus-Born: The Life Story of Padmasambhava. Trad. Erik Pema Kunsang. Boston: Shambhala, 1993. ISBN 9780877738695.

Récit hagiographiques. VIII (narrado desde el s. XII)

Mandāravā and the lake of fire

In the kingdom of Zahor, Padmasambhava took as disciple the princess Mandāravā, who had refused all suitors to devote herself to practice. Her father the king, learning that the princess was living with a foreign yogi, had them both seized and burned alive on a great pyre. The smoke, the legend says, did not clear for seven days; when it finally did, the king found in place of the ashes a lake and, in its centre, a lotus on which master and princess sat, cool and serene. Repentant, the king offered his kingdom. The place is identified with Lake Rewalsar (Tso Pema, 'lotus lake') in Himachal Pradesh, today a pilgrimage centre shared by Buddhists, Hindus and Sikhs. Mandāravā is venerated as one of the master's two great consorts, together with Yeshe Tsogyal.

Origine du récit: Padma bka' thang and Zangs gling ma; biography of Mandāravā revealed by Samten Lingpa (nineteenth century). The identification with Rewalsar is traditional.

Source: Yeshe Tsogyal (atrib.); Orgyen Lingpa (revelador). The Life and Liberation of Padmasambhava (Padma bKa'i Thang). Trad. Kenneth Douglas y Gwendolyn Bays a partir de la versión francesa de Gustave-Charles Toussaint (Le Dict de Padma, París: Leroux, 1933). 2 vols. Emeryville (CA): Dharma Publishing, 1978. ISBN 9780913546192.

Récit hagiographiques. VIII (tradicional); monasterio de 1692

The flight to Taktsang

On the cliffs of the Paro valley in Bhutan, some nine hundred metres above the valley floor, clings Taktsang monastery, the 'Tiger's Nest'. Tradition relates that Padmasambhava reached the cave behind it flying on a tigress—Yeshe Tsogyal transformed, according to some versions—in his wrathful form of Dorje Drolö, to subdue a local demon, and that he meditated there for three years, three months, three weeks and three days. The present monastery was built in 1692, under the government of Tenzin Rabgye, and had to be rebuilt after a fire in 1998. Taktsang is one of many 'tiger caves' associated with the master in the Himalaya, and shows how the sacred geography of Bhutan and Tibet was organised around his supposed footprints.

Origine du récit: Bhutanese oral tradition and revealed biographies; monastery data (1692, 1998 fire) according to Wikipedia. The length of the retreat is a ritual formula applied to many masters.

Source: Wikipedia (en). «Padmasambhava». Usada como índice de fuentes y bibliografía secundaria (Doney 2014, 2015; Dalton 2004; Hirshberg 2016); contrastada con p2–p5.

Tradition orales. VIII (tradicional); teoría desarrollada desde el s. XI

The hidden treasures

Before leaving Tibet, Nyingma tradition relates, Padmasambhava understood that his teachings could not be transmitted whole to future generations: the country would go through persecutions and decline, and each age would need suitable instructions. He therefore dictated thousands of texts to Yeshe Tsogyal, who encoded them in a 'ḍākinī script' on yellow scrolls, and they hid them in caves, rocks, lakes, temple pillars and even in the minds of his disciples, entrusting them to guardians. At the same time the master prophesied which disciples would be reborn as discoverers and when. Thus arose the theory that allowed hundreds of revealers, from the eleventh century on, to present new texts as ancient words of the Guru. For believers it proves his clairvoyance; for historians, as Janet Gyatso explained, it is an admirable mechanism for renewing a tradition.

Origine du récit: The gter ma theory set out in the revealed biographies and in Nyingma treatises (e.g. Jigme Lingpa; Tulku Thondup, The Hidden Teachings of Tibet, 1986); academic analysis in Gyatso (1986) and Doney (2014).

Source: Gyatso, Janet. «Signs, Memory and History: A Tantric Buddhist Theory of Scriptural Transmission». Journal of the International Association of Buddhist Studies 9.2 (1986): 7–35.

Enseignements

Enseignements

Les notions qui structurent sa pensée, expliquées dans leur contexte.

Treasures (gter ma)terma
A terma is a text or object that, according to tradition, Padmasambhava or one of his contemporaries hid in the eighth century to be discovered later by a predestined revealer (gter ston). There are 'earth' treasures (sa gter), physically found in caves, rocks or temples, usually as scrolls with a few coded letters that the discoverer decodes and develops, and 'mind' treasures (dgongs gter), which arise directly in the revealer's memory. The theory grounds the texts' authenticity in a double chain of transmission: the master's original teaching and the prophecy naming the discoverer. From the eleventh century onward it produced hundreds of cycles—among them the Bardo Thödol and the great biographies of Padmasambhava—and made the Nyingma school a tradition open to continuous revelation. Other schools partly accepted it and also criticised it for how easily it allowed forgery.

The Nyingma school; also in Bön and, to a lesser extent, in the Kagyu schools.

Source: Gyatso, Janet. «Signs, Memory and History: A Tantric Buddhist Theory of Scriptural Transmission». Journal of the International Association of Buddhist Studies 9.2 (1986): 7–35.

Intermediate state (bardo)bardo
Bar do means 'in between': it designates any interval of existence, but above all the one separating death from rebirth. Karma Lingpa's cycle describes six: life, dream, meditation, dying, reality (chos nyid) and becoming towards a new birth. At the moment of death, according to the Bardo Thödol, the clear light appears, the very nature of mind; whoever recognises it is liberated. If not, for days the visions of the hundred peaceful and wrathful deities arise, which are projections of one's own mind; the text read beside the deceased reminds him that there is nothing to fear because all of it is himself. If he is still not liberated, the bardo of becoming leads him towards a new womb. The teaching combines ancient funerary rituals with the doctrine of the Great Perfection.

Karma Lingpa's cycle (fourteenth century); antecedents in the Abhidharma and the Guhyagarbha tantras.

Source: The Tibetan Book of the Dead: First Complete Translation. Trad. Gyurme Dorje; ed. Graham Coleman y Thupten Jinpa; introd. del XIV Dalái Lama. Londres: Penguin Classics, 2006. ISBN 9780140455298.

The nine vehicles and the Great Perfectionnueve-vehiculos
The Nyingma school arranges all Buddhist paths into nine vehicles: three 'causal' ones (those of the hearers, solitary buddhas and bodhisattvas), three of the outer tantras (kriyā, upa and yoga) and three of the inner tantras (mahāyoga, anuyoga and atiyoga). The last, atiyoga or the Great Perfection (rdzogs chen), holds that the mind is always already pure and complete, and that the path consists in recognising this nature rather than constructing it. The Garland of Views attributed to Padmasambhava is one of the first texts to present a hierarchy of this kind, which is why tradition regards him as the founder of the doctrine in Tibet. Historians, on the basis of the Dunhuang manuscripts, place the formation of the Great Perfection as a system in the ninth and tenth centuries.

Nyingma doxography; the Guhyagarbhatantra.

Source: Padmasambhava (atrib.) y Jamgön Mipham. A Garland of Views: A Guide to View, Meditation, and Result in the Nine Vehicles. Trad. Padmakara Translation Group. Boulder: Shambhala, 2016. ISBN 9781611802962.

The taming of spirits ('dul ba)sometimiento
Padmasambhava's oldest function in the sources is that of tamer. The Tibetan word 'dul ba means at once 'to discipline', 'to convert' and 'to subdue', and describes the way tantric Buddhism took root in Tibet: not by expelling the gods of mountains, lakes and earth, but by compelling them through ritual to swear protection to the new religion. The chronicles present those oaths as the condition for founding Samye, and the legend multiplies them across the country. Jacob Dalton has shown that this logic of subjugation, with its symbolic violence, is central to Tibetan Buddhism's self-understanding, and that the Padmasambhava of the early manuscripts is above all a specialist in it.

Tantric ritual (Vajrakīla); history of the conversion of Tibet.

Source: Dalton, Jacob P. The Taming of the Demons: Violence and Liberation in Tibetan Buddhism. New Haven: Yale University Press, 2011. ISBN 9780300153927.

The Vajra Guru mantra and the eight manifestationsvajra-guru
Devotion to Padmasambhava is organised around two elements. The first is the mantra oṃ āḥ hūṃ vajra guru padma siddhi hūṃ, which invokes the blessings of the master's body, speech and mind and is recited, carved on stones and printed on flags throughout the Tibetan world; Karma Lingpa devoted a revealed commentary to it. The second is the eight manifestations (gu ru mtshan brgyad): eight forms—from prince to scholar, from yogi to the wrathful Dorje Drolö—that summarise his biography and which tradition understands as ways of helping different beings. In Bhutan and the Himalaya the tenth-day festivals (tshes bcu) commemorate his deeds with masked dances.

Nyingma and popular devotional practice.

Source: Wikipedia (en). «Padmasambhava». Usada como índice de fuentes y bibliografía secundaria (Doney 2014, 2015; Dalton 2004; Hirshberg 2016); contrastada con p2–p5.

Vidéos

Vidéos

Enregistrements, entretiens et documentaires. Les vidéos sont lues depuis YouTube ; elles ne sont pas hébergées ici.

  • Session 1: Padmasambhava and History

    Conférence· EN· 55 min

    Rubin Museum of Himalayan ArtChaîne officielle

  • Session 3: Padmasambhava and the Treasure Tradition

    Conférence· EN· 69 min

    Rubin Museum of Himalayan ArtChaîne officielle

  • Padmasambhava and His Eight Manifestations

    Analyse· EN· 6 min

    SmarthistoryChaîne officielle

  • Light of Kailash 29: On the Image of Padmasambhava in Zanglingma | Dr. Lucian Maidanuc

    Conférence· EN· 64 min

    Shang Shung Institute UKChaîne officielle

  • Prof. Jacob Dalton - "An Early Presentation of the Great Perfection"

    Conférence· EN· 107 min

    Rangjung Yeshe InstituteChaîne officielle

  • What is the Tibetan Book of the Dead?

    Analyse· EN· 17 min

    ReligionForBreakfast

  • Francesca Freemantle on the Tibetan Book of the Dead

    Entretien· EN· 71 min

    Shambhala PublicationsChaîne officielle

  • Art of Dying & Living: Tibetan Book of the Dead with Bob Thurman

    Conférence· EN· 68 min

    Tibet House US NYC | Menla Resort OnlineChaîne officielle

  • The Death of Death: Bringing The Tibetan Book of the Dead to Life | Dr. Andrew Holecek

    Conférence· EN· 72 min

    Theosophical Society

  • El Bardo Todol, La Gran Liberación - Libro tibetano de la vida y la muerte, subtitulado al español

    Documentaire· ES· 45 min

    culturapractica

  • Nacido de un Loto - Padmasambhava - Guru Rinpoche - Introducción a su Biografía Milagrosa - Namthar

    Enregistrement de tiers· ES· 27 min

    Daniel Rajunov

Galerie

Galerie

Images dont la licence a été vérifiée. Chacune conserve son auteur et son attribution.

Manuscrits

Manuscrits

Témoins manuscrits et textes anciens, avec leur dépositaire et leurs conditions de consultation.

  • BO · Tibetano (dbu can) · Finales del siglo X (Takeuchi: 978–1010)

    Pelliot tibétain 44 (texto sobre Vajrakīla / phur pa)

    Témoin conservé
    Manuscrito de Dunhuang
    Dépositaire
    Bibliothèque nationale de France, París · Pelliot tibétain 44
  • BO · Tibetano · Siglo X

    Pelliot tibétain 307

    Témoin conservé
    Manuscrito de Dunhuang
    Dépositaire
    Bibliothèque nationale de France, París · Pelliot tibétain 307
  • BO · Tibetano · Siglo X

    IOL Tib J 644

    Témoin conservé
    Manuscrito de Dunhuang
    Dépositaire
    British Library, Londres · IOL Tib J 644
Manuscrits →

Relations

Relations

Influences, filiations et affinités. On distingue la relation documentée de la similitude identifiée par analyse.

  • A reçu l'influence de

    Siddhartha Gautama, the Buddha

    A Buddhist tantric master; the revealed biographies present him as the 'second Buddha' prophesied by Śākyamuni himself.

    Relation documentée

  • A influencé

    The 14th Dalai Lama (Tenzin Gyatso)

    The 14th Dalai Lama, though Geluk, has taught the Great Perfection of the Nyingma tradition that claims descent from Padmasambhava (Dzogchen: The Heart Essence of the Great Perfection, 2000) and introduced the complete translation of the Bardo Thödol (Penguin, 2006).

    Relation documentée

  • Idées proches de

    Milarepa

    A parallel identified by the researcher: the two great yogis of the Himalayan caves whose image was fixed by much later hagiographies (the Chronicle of Padma, 1352; Tsangnyön Heruka's Namthar, 1488), and whose retreat places organise Tibetan sacred geography. There is no historical relationship.

    Similitude identifiée par analyse

  • Idées proches de

    Bodhidharma

    A parallel identified by the researcher: two Indian masters who founded foreign traditions (Nyingma and Chan) and whose biography is mostly later legend. In imperial Tibet both currents coexisted: the Dunhuang manuscripts and the ministers' chronicle of the Bka' thang sde lnga preserve Chan texts alongside Great Perfection ones.

    Similitude identifiée par analyse

  • A rencontré

    Trisong Detsen (r. 755–c. 797)

    Emperor of Tibet who, according to the Testament of Ba, invited him to court and later asked him to leave.

    Relation documentée

  • Contemporain de

    Śāntarakṣita (725–788)

    Indian scholar who, according to the Testament of Ba, advised inviting him to subdue the spirits; together with the king they are regarded as the three founders of Tibetan Buddhism.

    Relation documentée

  • Maître de

    Yeshe Tsogyal

    His consort and chief disciple according to tradition; the revealed biographies present themselves as transcribed by her.

    Relation documentée

  • A influencé

    Karma Lingpa (1326–1386)

    Discoverer of the cycle of the peaceful and wrathful deities, which includes the Bardo Thödol attributed to Padmasambhava.

    Relation documentée

  • A influencé

    Nyangral Nyima Özer (1124–1192)

    Revealer of the Zangs gling ma, the first complete biography, and one of the principal architects of his image.

    Relation documentée

Sources

Sources

Bibliographie et catalogues consultés pour cette fiche.

  1. Wikidata, «Padmasambhava», QID Q231582 (VIAF 5724290; LCCN n82039306; BDRC bdr:P4956; Treasury of Lives 7442).
  2. Dalton, Jacob P. «The Early Development of the Padmasambhava Legend in Tibet: A Study of IOL Tib J 644 and Pelliot tibétain 307». Journal of the American Oriental Society 124.4 (2004): 759–772.
  3. Pasang Wangdu y Hildegard Diemberger (trad. y ed.). dBa' bzhed: The Royal Narrative concerning the Bringing of the Buddha's Doctrine to Tibet. Viena: Verlag der Österreichischen Akademie der Wissenschaften, 2000. ISBN 9783700129561.
  4. Doney, Lewis. The Zangs gling ma: The First Padma bKa' thang Revelation. Andiast: International Institute for Tibetan and Buddhist Studies, 2014.
  5. Hirshberg, Daniel A. Remembering the Lotus-Born: Padmasambhava in the History of Tibet's Golden Age. Somerville (MA): Wisdom Publications, 2016.
  6. Cantwell, Cathy, y Robert Mayer. Early Tibetan Documents on Phur pa from Dunhuang. Viena: Verlag der Österreichischen Akademie der Wissenschaften, 2008 (cap. «Pelliot tibétain 44», pp. 41–56).
  7. Bischoff, F. A., y Charles Hartman. «Padmasambhava's Invention of the Phur-bu: Ms. Pelliot tibétain 44». En Études tibétaines dédiées à la mémoire de Marcelle Lalou. París: Adrien Maisonneuve, 1971, 11–28.
  8. Kapstein, Matthew T. The Tibetan Assimilation of Buddhism: Conversion, Contestation, and Memory. Nueva York: Oxford University Press, 2000.
  9. Yeshe Tsogyal (atrib.); Nyangral Nyima Özer (revelador). The Lotus-Born: The Life Story of Padmasambhava. Trad. Erik Pema Kunsang. Boston: Shambhala, 1993. ISBN 9780877738695.
  10. Yeshe Tsogyal (atrib.); Orgyen Lingpa (revelador). The Life and Liberation of Padmasambhava (Padma bKa'i Thang). Trad. Kenneth Douglas y Gwendolyn Bays a partir de la versión francesa de Gustave-Charles Toussaint (Le Dict de Padma, París: Leroux, 1933). 2 vols. Emeryville (CA): Dharma Publishing, 1978. ISBN 9780913546192.
  11. The Tibetan Book of the Dead: First Complete Translation. Trad. Gyurme Dorje; ed. Graham Coleman y Thupten Jinpa; introd. del XIV Dalái Lama. Londres: Penguin Classics, 2006. ISBN 9780140455298.
  12. Padmasambhava (atrib.) y Jamgön Mipham. A Garland of Views: A Guide to View, Meditation, and Result in the Nine Vehicles. Trad. Padmakara Translation Group. Boulder: Shambhala, 2016. ISBN 9781611802962.
  13. Wikipedia (en). «Padmasambhava». Usada como índice de fuentes y bibliografía secundaria (Doney 2014, 2015; Dalton 2004; Hirshberg 2016); contrastada con p2–p5.
  14. Dalton, Jacob P. The Taming of the Demons: Violence and Liberation in Tibetan Buddhism. New Haven: Yale University Press, 2011. ISBN 9780300153927.
  15. Cuevas, Bryan J. The Hidden History of the Tibetan Book of the Dead. Nueva York: Oxford University Press, 2003.
  16. Lopez, Donald S., Jr. The Tibetan Book of the Dead: A Biography. Princeton: Princeton University Press, 2011.
  17. Gyatso, Janet. «Signs, Memory and History: A Tantric Buddhist Theory of Scriptural Transmission». Journal of the International Association of Buddhist Studies 9.2 (1986): 7–35.
  18. The Treasury of Lives. «Padmasambhava» (biografía académica en línea, P4956). No se pudo leer directamente (403 a clientes automáticos); citada como referencia.
  19. Wikimedia Commons, API imageinfo (licencia, autor, fecha y descripción de cada fichero de images[]).
  20. Open Library (Internet Archive). Registros de ISBN de cada edición citada en works[].
  21. YouTube: conferencias y documentales verificados por oEmbed el 2026-10-25 (detalle en videos[]).
  22. Dalai Lama (Tenzin Gyatso). Dzogchen: The Heart Essence of the Great Perfection. Ed. Patrick Gaffney; trad. Thupten Jinpa y Richard Barron. Ithaca (NY): Snow Lion, 2000.
  23. Laufer, Berthold. Der Roman einer tibetischen Königin (bTsun-mo bka'-thang). Leipzig: Otto Harrassowitz, 1911.
Ayant droit
Los textos atribuidos y revelados (siglos XII–XIX) son de dominio público en su lengua original. Las traducciones tienen derechos propios: Penguin Random House (Dorje/Coleman/Jinpa 2006), Shambhala Publications (Fremantle y Trungpa; The Lotus-Born; Garland of Views; Dakini Teachings), Bantam/Random House (Thurman), Rangjung Yeshe Publications, Dharma Publishing, Wisdom Publications, Oxford University Press (Evans-Wentz), Kairós, Olañeta, Kier, Edaf.

En attente de confirmation

Ce que cette fiche n'a pas encore pu établir. Nous préférons le dire plutôt que de combler.

  • Sala de lectura: no se ha encontrado ningún texto de la tradición de Padmasambhava que sea de dominio público en EE. UU., la UE y España con texto completo. Candidatos por comprobar: Berthold Laufer, «Der Roman einer tibetischen Königin» (Leipzig, 1911; Laufer m. 1934), libre en los tres territorios si existe un escaneo con OCR limpio; Emil Schlagintweit, «Die Lebensbeschreibung von Padma Sambhava» (Abhandlungen der k. bayerischen Akademie, 1899–1903; m. 1904). G.-C. Toussaint, «Le Dict de Padma» (1933): libre en la UE y España, pero protegido en EE. UU. hasta 2029; no localizado en línea.
  • «Consejos de Zhang zhung»: el encargo menciona esta obra, pero no se ha identificado ningún texto atribuido a Padmasambhava con ese título. Zhang zhung designa el antiguo reino del Tíbet occidental y da nombre a la principal tradición oral del bön (Zhang zhung snyan rgyud), que no se atribuye a Padmasambhava. Se ha registrado en su lugar el género de los consejos (zhal gdams). Confirmar qué obra se buscaba.
  • Citas: no se registran citas literales. Los textos atribuidos son tesoros revelados siglos después y no se ha podido cotejar en el original tibetano ningún pasaje con la exactitud exigida; el dicho más famoso se recoge en apocryphal_quotes.
  • Wikidata da para Padmasambhava 717–762 como fechas de nacimiento y muerte; no tienen fundamento en las fuentes consultadas y no se usan.
  • Manuscritos: las URL de digitalización de Pelliot tibétain 44 y 307 (Gallica/IDP) e IOL Tib J 644 (IDP) no se han podido obtener (Gallica bloquea las consultas automáticas).
  • Treasury of Lives (P4956) devolvió 403; su contenido no se ha usado directamente.
  • Ediciones españolas: solo se han verificado en catálogo las del Bardo Thödol (Kairós, Olañeta, Kier, Edaf) y la antología de Kairós (2006). No se ha localizado con ISBN una versión española del Zangs gling ma, de la Crónica de Padma ni de la Guirnalda de visiones.
  • Vídeos: hay pocos materiales académicos en español; el documental de la NFB (1994) solo está en subidas no oficiales y se incluye una con subtítulos en español, marcada como no oficial.

Recherche effectuée le 2026-10-25