Aller au contenu
The ConsciousLibrary

Bhakti · Sikhisme

Guru Nanak

ਗੁਰੂ ਨਾਨਕ · گرو نانک · गुरु नानक

1469 – 1539Personne historiquement documentée

Maître spirituel et poète du Pendjab (1469-1539), premier des dix gourous et fondateur de la tradition sikhe. Après une expérience vécue dans la rivière Bein, il proclama qu'« il n'y a ni hindou ni musulman », voyagea pendant deux décennies avec le musicien Mardana et fonda à Kartarpur une communauté de disciples qui travaillaient, chantaient et mangeaient ensemble. Ses 974 compositions, dont le Japji, sont conservées dans le Guru Granth Sahib ; les janamsakhis qui racontent sa vie relèvent de l'hagiographie.

œuvres
27œuvres
éditions
42éditions
citations
10citations
vidéos
15vidéos
images
9images
Guru Nanak en un mural del gurdwara Baba Atal Rai

Guru Nanak en un mural del gurdwara Baba Atal Rai · CC BY-SA 4.0

Dans ses propres mots

«One God. Truth is his name. Creator, without fear, without enmity, of timeless form, unborn, self-existent; attained by the guru's grace.»

Mul Mantar, Guru Granth Sahib, ang 1. Traducción propia.

Japji (Japu) — Guru Nanak

Pour commencer, une œuvre

Japji (Japu)

Son idée centrale

Ik Onkar: one God: The Sikh scripture opens with a sign, the numeral "one" joined to the syllable Onkar, which Nanak made the emblem of his theology: there is a single God, at once transcendent, without form (nirgun), and present throughout creation (sargun).

Biographie

5 min de lecture

Traduction assistée à partir de l'original espagnol, en attente de relecture par un traducteur natif.

Talwandi

Nanak naquit en 1469 à Rai Bhoi di Talwandi, un village du Pendjab situé à quelque soixante-dix kilomètres à l'ouest de Lahore, aujourd'hui appelé Nankana Sahib, au Pakistan. Presque toutes les biographies traditionnelles placent sa naissance au mois de Vaisakh, c'est-à-dire en avril — le 15, selon la conversion habituelle —, bien que les sikhs célèbrent son anniversaire à la pleine lune de Kattak, en novembre, en vertu d'une tradition qui s'est imposée au XIXe siècle. Son père, Kalu, de la caste marchande des khatri et du lignage Bedi, était le comptable du propriétaire terrien local, Rai Bular, un musulman ; sa mère s'appelait Tripta, et sa sœur aînée, Nanaki, serait la première à reconnaître en lui quelque chose d'exceptionnel. Il apprit à lire, à tenir des comptes et, disent les biographies, un peu de persan.

La rivière Bein

Vers 1487, il épousa à Batala Sulakhani, dont il eut deux fils, Sri Chand et Lakhmi Das. Par l'entremise du mari de Nanaki, il entra au service de Daulat Khan Lodi, gouverneur de la région, comme intendant du grenier de Sultanpur. C'est là, selon les janamsakhis — les recueils de récits sur sa vie —, qu'il se baignait chaque matin dans la rivière Bein ; un jour, il ne revint pas. On le crut noyé. Il reparut au troisième jour, garda le silence et, lorsqu'il parla, ce fut pour dire : « Il n'y a pas d'hindou, il n'y a pas de musulman. » Les biographies décrivent ces jours comme une audience à la cour divine, où il reçut la mission de louer le Nom. La date traditionnelle est 1499, alors qu'il avait une trentaine d'années ; rien ne permet de la vérifier.

Les chemins

Il quitta son emploi et entreprit de longs voyages, les udasi, accompagné de Mardana, un musicien musulman qui jouait du rebab tandis que Nanak chantait. Les janamsakhis le conduisent à l'est jusqu'à Bénarès, au Bengale, en Assam et à Puri ; au sud jusqu'à Sri Lanka ; au nord dans l'Himalaya et jusqu'au mont Sumeru, où il dispute avec les yogis naths ; à l'ouest jusqu'à La Mecque et Bagdad. W. H. McLeod, qui soumit ces récits à la critique historique, conclut qu'il est très probable qu'il ait beaucoup voyagé, en particulier vers les centres de pèlerinage hindous et musulmans, mais que les itinéraires détaillés sont des constructions postérieures. Il existe à Bagdad un sanctuaire dédié à « Baba Nanak », dont l'inscription fait débat quant à sa lecture et à sa date. Les compositions de Nanak, en revanche, confirment ses interlocuteurs : brahmanes, cadis, ascètes, yogis.

Babur

Vers 1520, l'armée de Babur, qui fonderait quelques années plus tard l'Empire moghol, mit à sac Saidpur, l'actuelle Eminabad. Nanak s'y trouvait ou était tout proche, et ce qu'il vit entra dans son œuvre : quatre hymnes connus sous le nom de Babarvani décrivent le massacre, les femmes emmenées de force, les temples et les mosquées rasés, et s'adressent à Dieu par une question sans équivalent dans la poésie dévotionnelle de son temps : devant tant de gens frappés et hurlant, n'as-tu ressenti aucune douleur ? Les janamsakhis ajoutent que Nanak fut fait prisonnier, que dans la geôle les meules tournaient toutes seules et que Babur finit par le libérer ; c'est une légende, mais les hymnes sont le témoignage direct d'un événement historique.

Kartarpur

Dans les années 1520, il s'établit à Kartarpur, un village qu'il avait fondé sur les rives de la Ravi. Il y passa ses quinze dernières années en chef de famille et en cultivateur, non en ascète : la journée commençait par le chant de son Japji et s'achevait par des hymnes du soir, et les disciples — sikh signifie précisément « disciple » — travaillaient la terre et partageaient le repas dans une cuisine commune. Bhai Gurdas, écrivain de la génération suivante, décrit cette communauté comme le modèle de la vie que prêchait Nanak : se souvenir du Nom, gagner honnêtement sa vie et partager ce que l'on a. La communauté de Kartarpur est, pour les historiens, le noyau institutionnel de ce qui allait devenir la religion sikhe.

Le successeur

Nanak ne désigna aucun de ses fils. Sri Chand, ascète, fonderait l'ordre des Udasi ; Lakhmi Das menait une vie séculière. L'élu fut un dévot nommé Lehna, de Khadur, que Nanak rebaptisa Angad, « membre de mon corps », et devant lequel il se prosterna comme un disciple. Un poème des bardes Satta et Balvand, inclus dans le livre sacré sikh et composé, du moins dans sa forme définitive, au temps du cinquième gourou, Arjan, atteste cette transmission de l'autorité : la lumière est la même, seul le corps a changé. Nanak mourut à Kartarpur le 22 septembre 1539. La plus ancienne janamsakhi raconte qu'hindous et musulmans se disputèrent le corps, que le maître leur demanda de déposer des fleurs de part et d'autre et qu'au matin, sous le drap, il ne restait que les fleurs, encore fraîches.

La parole

À la différence de bien des fondateurs, Nanak laissa une œuvre abondante et bien transmise : quelque 974 compositions — hymnes (shabad), strophes (salok) et longs poèmes — en pendjabi et dans une langue composite du nord de l'Inde, ordonnées selon les modes musicaux (raga) sur lesquels elles devaient être chantées. Ses successeurs les conservèrent dans des cahiers, et le cinquième gourou, Arjan, les réunit en 1604 dans l'Adi Granth avec celles d'autres gourous et de saints comme Kabir, Ravidas ou Farid ; en 1708, Gobind Singh proclama ce livre gourou éternel des sikhs. De là proviennent le Japji, l'Asa di Var, le Sidh Gosht ou le Barah Maha. Les janamsakhis, en revanche, sont des recueils hagiographiques composés à partir de la fin du XVIe siècle : le portrait qu'elles donnent de Nanak est celui de la mémoire de ses disciples, que l'histoire critique doit lire avec prudence. Son centre est clair : un Dieu unique, sans forme, que l'on n'atteint que par sa grâce, par la discipline du Nom et par une vie honnête au milieu du monde.

Sources: McLeod, W. H. Gurū Nānak and the Sikh Religion. Oxford: Clarendon Press, 1968. ISBN 9780198265214 (ed. india, Delhi: Oxford University Press, 1976, ISBN 9780195608069). · Macauliffe, Max Arthur. The Sikh Religion: Its Gurus, Sacred Writings and Authors. 6 vols. Oxford: Clarendon Press, 1909. Vol. 1 en Wikisource. · Srī Gurū Granth Sāhib (Ādi Granth). Compilado por Guru Arjan en 1604; recensión de Damdama, 1706. Edición estándar de 1.430 páginas (ang). Trad. inglesa de Manmohan Singh, 8 vols. Amritsar: Shiromani Gurdwara Parbandhak Committee, 1962-1969. · McLeod, W. H. Early Sikh Tradition: A Study of the Janam-sākhīs. Oxford: Clarendon Press, 1980. · Grewal, J. S. The Sikhs of the Punjab. The New Cambridge History of India II.3. Cambridge: Cambridge University Press, 1990 (ed. rev. 1998).

Chronologie

La vie, année après année

Chaque point est un événement documenté. Cliquez pour le lire, avec sa source et son degré de certitude.

  1. 15 avril 1469 · 0 ans

    Birth

    Born in Vaisakh 1469 according to most janamsakhis; the Bala janamsakhi places it in Kattak (November), the date on which the Gurpurab is celebrated today.

    Probable

  2. v. 1487 · 18 ans

    Marriage to Sulakhani

    Marries Sulakhani, daughter of Mul Chand; they will have two sons, Sri Chand (1494) and Lakhmi Das (1496 or 1497).

    Probable

  3. v. 1495

    In Daulat Khan Lodi's service

    Through his brother-in-law Jai Ram he manages the governor's granary at Sultanpur. The exact chronology is uncertain.

    Probable

  4. v. 1499 · 30 ans

    The Bein river experience

    Disappears for three days in the river and reappears saying "There is no Hindu, there is no Muslim". Traditional date; some authors propose 1496 or 1507.

    Tradition

  5. v. 1500 – 1520 · 31 ans

    The journeys (udasis)

    With the musician Mardana he travels to Hindu and Muslim pilgrimage centres. Scholarship accepts extensive travels, not the detailed itineraries.

    Tradition

  6. v. 1520 · 51 ans

    Babur's sack of Saidpur

    A witness of the sack, he composes the Babarvani hymns. His imprisonment and meeting with Babur belong to legend.

    Probable

  7. v. 1522 – 1539 · 53 ans

    Settlement at Kartarpur

    Settles as a householder and farmer in the village he has founded; organises the first Sikh community with daily singing and a common kitchen.

    Probable

  8. 1539 · 70 ans

    Lehna, successor under the name Angad

    Appoints his disciple Lehna, whom he calls Angad, as successor, rather than his sons. The transmission is attested by Satta and Balvand's var in the scripture.

    Documenté

  9. 22 septembre 1539 · 70 ans

    Death

    Dies on the tenth day of Asauj, 1596 of the Bikrami era (22 September 1539), according to Sikh records.

    Probable

  10. 1604

    The Adi Granth

    Guru Arjan gathers the compositions of Nanak, of the following gurus and of Hindu and Muslim saints into the Sikh scripture.

    Documenté

  11. 1708

    The book as eternal guru

    Before dying, Guru Gobind Singh declares that the Granth will be the guru of the Sikhs: Nanak's word becomes their living authority.

    Documenté

  12. 1968

    McLeod's critique

    Guru Nanak and the Sikh Religion applies historical criticism to the janamsakhis and separates the few secure facts from hagiography; it opens a lasting debate in Sikh studies.

    Documenté

  13. 9 novembre 2019

    The Kartarpur Corridor

    On the 550th anniversary of his birth, India and Pakistan open a corridor allowing pilgrims to cross the border to the Kartarpur gurdwara.

    Documenté

Œuvres

Œuvres essentielles

Les œuvres sans lesquelles on ne comprend pas son héritage.

Japji (Japu) — Guru Nanak

Œuvre écrite

Japji (Japu)

ਜਪੁ

It opens the Guru Granth Sahib with the Mul Mantar, the definition of God in one line, followed by thirty-eight stanzas (pauris) and a final salok. It traverses the impossibility of reaching God through ritual purity, silence or learning; obedience to the divine will (hukam); the power of hearing and accepting the Name; the immensity of creation, and the five realms of spiritual ascent up to the "realm of truth". Sikhs recite it every morning. The final salok recurs almost identically in a var by Guru Angad, so some attribute it to the second guru.

7 éditions · amazon.fr

Œuvre écrite

Asa di Var (Ballad in raga Asa)

ਆਸਾ ਦੀ ਵਾਰ

A var or heroic ballad in twenty-four stanzas by Nanak, interspersed with saloks by him and by Guru Angad, sung every dawn in gurdwaras. It criticises the religious hypocrisy of brahmins and qadis, the sacred thread, the notion of impurity and the arrogance of power; in one of its saloks it defends the dignity of woman, from whom kings are born. It is one of the central pieces of Sikh liturgy.

4 éditions · amazon.com

Œuvre écrite

Sidh Gosht (Dialogue with the Siddhas)

ਸਿਧ ਗੋਸਟਿ

A poem of seventy-three stanzas in raga Ramkali, in the form of a dialogue between Nanak and the Nath yogis, whom tradition places at Achal Batala or on Mount Sumeru. The yogis ask who he is, where he comes from, why he does not renounce the world; Nanak replies that true yoga is to live in the world without being stained, through the guru's Word (shabad) and remembrance of the Name. It sets out the Sikh critique of asceticism.

2 éditions · amazon.de

Hymns and stanzas in the Guru Granth Sahib (the complete corpus) — Guru Nanak

Compilation postérieure · 1604

Hymns and stanzas in the Guru Granth Sahib (the complete corpus)

ਸਬਦ ਅਤੇ ਸਲੋਕ (ਮਹਲਾ ੧)

The whole body of some 974 compositions by Nanak —shabads, ashtapadis, chhants, saloks and vars— spread across nineteen ragas: Sri, Majh, Gauri, Asa, Gujri, Vadhans, Sorath, Dhanasari, Tilang, Suhi, Bilaval, Ramkali, Maru, Tukhari, Bhairo, Basant, Sarang, Malar and Prabhati. The pieces with their own titles are recorded separately; the rest are short hymns exploring the Name, grace, the ego, truth and the critique of ritual religion.

6 éditions · amazon.com

Toute son œuvre (27)

Citations

Citations localisées dans une œuvre précise. Chacune porte sa provenance et son degré de fiabilité.

One God. Truth is his name. Creator, without fear, without enmity, of timeless form, unborn, self-existent; attained by the guru's grace.

ੴ ਸਤਿ ਨਾਮੁ ਕਰਤਾ ਪੁਰਖੁ ਨਿਰਭਉ ਨਿਰਵੈਰੁ ਅਕਾਲ ਮੂਰਤਿ ਅਜੂਨੀ ਸੈਭੰ ਗੁਰ ਪ੍ਰਸਾਦਿ ॥

VérifiéeMul Mantar, Guru Granth Sahib, ang 1. Traducción propia.

1 / 10
Citations apocryphes ou d'attribution contestée (1)
  • «"Nam japo, kirat karo, vand chhako" ("remember the Name, work honestly, share"), quoted as a literal saying of Nanak.»

    It faithfully sums up Nanak's ethics and the Kartarpur life described by Bhai Gurdas, but it does not appear in that form in his compositions in the Guru Granth Sahib: it is a later formula of the Sikh tradition.

Dernières paroles

Attribution traditionnelle

«(Paraphrase) Let the Hindus place flowers on my right and the Muslims on my left: those whose flowers are still fresh in the morning shall dispose of the body.»

There is no direct testimony. The Puratan janamsakhi (B40 manuscript, copied in 1733) relates that, faced with the dispute between Hindus and Muslims over his funeral rites, Nanak gave this instruction in indirect speech, covered himself with a sheet and died; in the morning only the flowers remained, all fresh. It is a hagiographic account and the wording is not fixed.

Source: McLeod, W. H. (trad.). The B40 Janam-sākhī. Amritsar: Guru Nanak Dev University, 1980 (traducción del manuscrito Panjabi B40 de la British Library, copiado en 1733).

Interroger

Ce que répond son œuvre

Douze grandes questions de l'humanité et ce que ses textes permettent d'y répondre, références à l'appui. Nous ne lui prêtons jamais de paroles.

  • Qu'est-ce que l'Absolu ? Dieu existe-t-il ?

    One creator God, whose name is Truth, reached through grace

    Un Dieu personnelIl le dit expressément

    The Mul Mantar that opens the Japji sums up Guru Nanak’s theology: one God, whose name is Truth, creator, without fear or enmity, timeless in form, unborn, self-existent, reached through the grace of the guru. This God creates, orders the world through his hukam (will or command), grants his gracious glance (nadar) and receives the love of those who remember him. Nanak calls him formless (nirankar) and rejects incarnation or confinement in images, but he does not conceive him as a cold principle: the soul seeks him as the bride seeks the bridegroom. The divine is both transcendent and present in the whole creation, which Nanak describes as a great cosmic worship in which the sun and moon are the lamps.

    Comparer cette question avec d'autres maîtres
  • Qui suis-je ? Existe-t-il un vrai soi ?

    The soul is light of the Light, led astray by ego (haumai)

    Une âme créée et immortelleIl le dit expressément

    Guru Nanak sees in every being a light (jot) that proceeds from the divine Light: in his Arti he sings that one and the same light shines in all, and that it is God’s. What darkens that light is haumai, the ‘I-I’, the ego that thinks itself separate and appropriates what it receives; living from it is to live as a manmukh, turned towards one’s own mind. Whoever follows the guru’s word becomes gurmukh and recognises the divine order (hukam) in all things. In the Barah Maha the soul appears as a bride who, month after month, yearns for her husband and longs for union. The true self is therefore not the ego, but neither does it simply dissolve: it is a soul seeking to merge with its source, like water into water.

    Comparer cette question avec d'autres maîtres
  • Pourquoi souffrons-nous ?

    Ego separates from God; pain can be a medicine

    La séparation d'avec DieuIl le dit expressément

    For Guru Nanak the root of suffering is haumai, the ego that thinks itself self-sufficient and forgets the Name. Whoever lives this way, as a manmukh, is caught in lust, anger, greed, attachment and pride, and turns on the wheel of births and deaths. The Asa di Var contains a characteristic reversal: suffering can be the medicine and pleasure the disease, because in comfort human beings forget God. Pain, then, is not only punishment: it can break the ego’s self-sufficiency and return the soul to the divine order (hukam). The way out is not to flee the world but to remember the Name and accept God’s will within ordinary life.

    Comparer cette question avec d'autres maîtres
  • Que se passe-t-il après la mort ?

    Karma gives the body; grace opens the door of liberation

    Renaissance selon le karmaIl le dit expressément

    Guru Nanak accepts the Indian framework of rebirth: the soul passes from one body to another according to its actions, and ego keeps it bound to the wheel of births and deaths. In the fourth stanza of the Japji he states his decisive nuance: through karma one obtains the garment, that is, the body; through the glance of grace, the door of liberation. Leaving the cycle is not earned by merit or ritual but received from God, and whoever remembers the Name merges with Him. In his funeral hymns (Alahanian) he recalls that death is universal and comes by divine order, and warns that it should not be called an evil if one knew how to die: dying to the ego and living in the remembrance of God.

    Comparer cette question avec d'autres maîtres
  • Comment atteint-on la libération ou le salut ?

    By the grace of God and guru, through remembering the Name

    Par la grâce et l'amourIl le dit expressément

    The Mul Mantar ends by saying that God is reached through the grace of the guru (gur prasad), and the Japji specifies that karma gives the body, but the door of liberation opens through the glance of grace (nadar). Guru Nanak does not deny effort: he asks for remembrance of the Name (nam simran), truthful living and submission to the divine order (hukam). But he rejects the idea that rites, ablutions or forced silence suffice; one of the first verses of the Japji says that washing a hundred thousand times does not make one pure. Liberation (mukti) is not escape from the world but merging with God already in this life, as a gurmukh. Grace precedes and crowns the path.

    Comparer cette question avec d'autres maîtres
  • Faut-il un maître ?

    Without the guru there is no path, but the guru is the Word

    IndispensableIl le dit expressément

    For Guru Nanak the guru is indispensable: the Mul Mantar ends by saying that God is reached through the guru’s grace, and his hymns repeat that without the guru no one crosses the ocean of the world. But the guru is not, first and foremost, a person. In the Sidh Gosht, his dialogue with the yogis, Nanak replies that his guru is the Word (shabad) and the consciousness that listens to it, its disciple. The true guru is God’s voice made audible in the hymn; a human teacher is guru insofar as he transmits it. This conception explains why, after the tenth guru, authority passed to the scripture, the Guru Granth Sahib, and to the assembled community (sangat).

    Comparer cette question avec d'autres maîtres
  • Le monde est-il réel ?

    True are your worlds: creation is real and God’s work

    Une création bonne et réelleIl le dit expressément

    Guru Nanak strongly affirms the reality of creation. In the Asa di Var he sings that God’s worlds and universes are true, true his forms and works; the world is not an appearance but the dwelling of the True One, who sustains it through his order (hukam). In his Arti he describes the whole cosmos as a ceremony of worship: the sky is the tray, the sun and moon are the lamps and the stars the pearls. What is false is not the world but attachment to it and forgetting its Creator. Hence he rejects the yogis’ renunciation and proposes living in the world as in a sacred place, fulfilling its duties truthfully.

    Comparer cette question avec d'autres maîtres
  • Qu'est-ce que l'amour ?

    The soul-bride who, month after month, yearns for her Lord

    Le désir ardent et l'unionIl le dit expressément

    Guru Nanak expresses love of God through the image of the bride longing for her husband. In the Barah Maha, composed in raga Tukhari, he goes through the twelve months of the year via the feelings of the separated soul: rain, heat or cold intensify her yearning, until union comes through the Lord’s grace. That love (bhau, prem) is cultivated by remembering the Name and shows itself in conduct: Nanak asks for humility, truthfulness and service. The institutions born of his teaching, the assembled community (sangat) and the common kitchen open to all (langar), translate that love of God into practical equality between castes and sexes. Love seeks union and proves itself in shared life.

    Comparer cette question avec d'autres maîtres
  • Sommes-nous libres ou tout est-il déterminé ?

    All lies within the divine order, and each reaps what they sow

    Le destin et la responsabilitéIl le dit expressément

    Guru Nanak sets out two claims that seem opposed. The first is hukam, the divine order or will: in the second stanza of the Japji he says that by it forms are created, greatness or lowliness, pain or joy are received, and no one stands outside it. The second is responsibility: in stanza twenty he states that each one sows and each one eats what was sown. Human beings cannot leave the hukam, but they can recognise it or resist it; whoever understands it, the Japji says, stops speaking from ego. Freedom consists in walking according to the order that is written with us, as one of his recorded verses says.

    Comparer cette question avec d'autres maîtres
  • Pourquoi méditer ou prier ?

    Remember the Name with every breath, in daily life

    L'amitié avec DieuIl le dit expressément

    The practice Guru Nanak proposes is remembrance of God’s Name (nam simran), repeated and sung, both alone and in the assembled community. It is not a technique for reaching extraordinary states but a way of keeping the Beloved present amid daily life. In the first stanza of the Japji he warns that neither repeated washing purifies nor forced silence gives inner silence; what transforms is a living relationship with God. In the Sidh Gosht he argues with yogis who practise austerities and bodily techniques and sets the Word (shabad) against them as the means. For Nanak to pray is to be in love with the Lord and live according to his order, remembering him with every breath.

    Comparer cette question avec d'autres maîtres
  • La raison peut-elle connaître l'ultime ?

    Thinking a hundred thousand times does not think Him: He is known by grace

    L'ultime est au-delà du mentalIl le dit expressément

    The first stanza of the Japji sets out the mind’s limit through a series of negations: by thinking He is not reached, though one think a hundred thousand times; by keeping silent silence is not attained; by sating oneself hunger is not stilled; and a thousand clevernesses go with no one at the end. For Guru Nanak the True One lies beyond calculation and speculation and is revealed only through the divine order and grace. This does not lead him to despise understanding: his hymns are reflective, argue with yogis, Brahmins and mullahs, and ask one to understand (bujh) the hukam. But decisive knowledge is not a reasoning but recognition of the Word the guru transmits.

    Comparer cette question avec d'autres maîtres
  • Se retirer du monde ou le transformer ?

    Pure amid impurity: honest work, sharing and community

    S'engager dans le mondeIl le dit expressément

    Guru Nanak rejects the yogis’ renunciation: in one of his hymns he says that yoga lies not in the patched cloak, the staff or the ashes, but in remaining pure amid impurity. He himself, after his travels, settled at Kartarpur as a farmer and founded a community. Sikh tradition sums up his teaching in three precepts: remember the Name, earn one’s living honestly and share with others. His engagement with the world also had a critical dimension: in the Asa di Var he defends the dignity of woman, from whom kings are born, and in the hymns of Babur he denounces the violence of the Mughal invasion and asks God whether he felt no pain.

    Comparer cette question avec d'autres maîtres

Anecdotes et récits

Anecdotes et récits

Récit hagiographiquec. 1485

The true bargain (Sacha Sauda)

Worried by his son's lack of ambition, Kalu gave him twenty rupees to go to town and strike a good bargain. On the way Nanak met a group of hungry ascetics and spent all the money feeding them. He came back empty-handed and explained to his furious father that there was no truer bargain than feeding the hungry. The place where tradition locates the episode, near Chuharkana in Pakistan, is today called Gurdwara Sacha Sauda. The story is regarded as a forerunner of the langar, the Sikh common kitchen.

Origine du récit: It comes from the later janamsakhi tradition (in particular the Bala line); it is not in the oldest core of the Puratan.

Source: McLeod, W. H. Early Sikh Tradition: A Study of the Janam-sākhīs. Oxford: Clarendon Press, 1980.

Récit hagiographiquec. 1499

Three days in the Bein river

At Sultanpur, Nanak bathed every dawn in the Bein river before going to work at the governor's granary. One morning he went into the water and did not come out. His servants found his clothes on the bank; the governor had the river dragged; the family mourned him. On the third day he reappeared, said nothing for a while and then uttered the phrase that would become a programme: "There is no Hindu, there is no Muslim." The Puratan janamsakhi explains that during those days he was taken into God's presence, given a cup of nectar to drink and charged with repeating and teaching the Name. He left his post, gave away his possessions and began his travels.

Origine du récit: Puratan janamsakhi (B40 manuscript) and related traditions; McLeod regards it as a vocation story built on a probable but unverifiable experience.

Source: McLeod, W. H. (trad.). The B40 Janam-sākhī. Amritsar: Guru Nanak Dev University, 1980 (traducción del manuscrito Panjabi B40 de la British Library, copiado en 1733).

Récit hagiographiquec. 1518

Feet towards the Kaaba

In Mecca, tired from the journey, Nanak lay down to sleep with his feet towards the Kaaba. An attendant woke him indignantly: how dared he point his feet at the house of God? Nanak asked him to turn his feet towards where God was not. The attendant moved them and, in the most widespread version, the Kaaba turned with them. Bhai Gurdas records the episode in his first var, in the early decades of the seventeenth century; the janamsakhis develop it. Historians doubt that Nanak reached Mecca, but the story expresses his central idea with great clarity: God is everywhere.

Origine du récit: Bhai Gurdas, Var 1, and the Puratan and Bala janamsakhis. No external source; the visit to Mecca is disputed.

Source: Bhāī Gurdās. Vārāṁ Bhāī Gurdās, Vār 1 (primeras décadas del siglo XVII). Texto y trad. en J. S. Grewal y otros; ed. de la SGPC, Amritsar.

Récit hagiographiquec. 1520

Lalo's bread and Malik Bhago's

At Saidpur, Nanak lodged with Lalo, a poor carpenter, rather than with the rich official Malik Bhago, who had organised a great feast for holy men. Offended, Malik Bhago summoned him. Nanak asked for a piece of bread from each house: when he squeezed Lalo's, milk came out; when he squeezed Malik Bhago's, blood, because it was kneaded with the exploitation of the poor. The story, very popular, condenses Nanak's ethics: honest work is worth more than ostentatious piety. Lalo is named in an authentic hymn by Nanak about Babur, which makes his existence plausible; the miracle belongs to legend.

Origine du récit: Later janamsakhis; Lalo's name appears in the Tilang hymn of the Babarvani ("Jaisi mai avai khasam ki bani").

Source: McLeod, W. H. Early Sikh Tradition: A Study of the Janam-sākhīs. Oxford: Clarendon Press, 1980.

Récit hagiographiquec. 1520

Babur and the millstones

During the sack of Saidpur, the janamsakhis say, Nanak and Mardana were seized with the rest of the population and put to work. Nanak was set to grind grain; the stone turned by itself while he sang. The marvel reached Babur's ears; he came to see him, listened to his words on the cruelty of power and the transience of kingdoms, offered him gifts which Nanak refused, and ended by releasing the captives. All that can be affirmed is that Nanak knew that violence at close range: his Babarvani hymns describe it with a detail only a witness provides.

Origine du récit: Puratan janamsakhi; Gurdwara Chakki Sahib at Eminabad keeps a millstone as a relic. The meeting with Babur is not recorded in his memoirs (Baburnama).

Source: McLeod, W. H. (trad.). The B40 Janam-sākhī. Amritsar: Guru Nanak Dev University, 1980 (traducción del manuscrito Panjabi B40 de la British Library, copiado en 1733).

Récit hagiographique1539

Lehna, the one who obeyed

The janamsakhis tell that Nanak tested his sons and disciples to choose a successor. He asked them to fetch a bowl from a muddy pond, to carry wet grass, to climb a tree to bring fruit in midwinter or to eat from a corpse covered with a sheet. His sons refused or raised objections; Lehna obeyed every time, and under the sheet he found consecrated food. Nanak laid his hand on his head, called him Angad, "part of my body", and bowed before him. The tests are hagiographic; the choice of a disciple over his sons, by contrast, is attested by Satta and Balvand's poem in the scripture and was decisive: it made the guru's authority a matter of discipleship, not of blood.

Origine du récit: The tests come from janamsakhis and later traditions; the succession is documented in Satta and Balvand's var (Ramkali), in the Guru Granth Sahib.

Source: Srī Gurū Granth Sāhib (Ādi Granth). Compilado por Guru Arjan en 1604; recensión de Damdama, 1706. Edición estándar de 1.430 páginas (ang). Trad. inglesa de Manmohan Singh, 8 vols. Amritsar: Shiromani Gurdwara Parbandhak Committee, 1962-1969.

Récit hagiographique1539

The flowers under the sheet

When it became known at Kartarpur that the master was about to die, Hindus and Muslims began to argue: the former wanted to cremate him, the latter to bury him. Nanak asked them to lay flowers on both sides of the bed, the Hindus on the right and the Muslims on the left, and said the body should go to those whose flowers were still fresh the next morning. He covered himself with a sheet. At dawn they lifted the cloth: the body had vanished and all the flowers were fresh. The Hindus took their half of the sheet and cremated it; the Muslims buried theirs. At Kartarpur, to this day, both a samadhi and a grave are preserved.

Origine du récit: Puratan janamsakhi (B40) and later tradition; the motif of the dispute over the body is also told of Kabir.

Source: McLeod, W. H. (trad.). The B40 Janam-sākhī. Amritsar: Guru Nanak Dev University, 1980 (traducción del manuscrito Panjabi B40 de la British Library, copiado en 1733).

Enseignements

Enseignements

Les notions qui structurent sa pensée, expliquées dans leur contexte.

Ik Onkar: one Godik-onkar
The Sikh scripture opens with a sign, the numeral "one" joined to the syllable Onkar, which Nanak made the emblem of his theology: there is a single God, at once transcendent, without form (nirgun), and present throughout creation (sargun). He does not incarnate, has no image, belongs to no religious community; he is named with Hindu and Muslim epithets alike —Hari, Ram, Allah, Khuda— because none exhausts him. The Mul Mantar unfolds the sign in a series of attributes: truth, creator, without fear, without enmity, timeless, unborn, self-existent, accessible through grace. This affirmation of divine unity underlies Nanak's critique of religious divisions.

The Sant tradition of northern India (nirgun bhakti); comparable to Islamic monotheism, but with an immanent God.

Source: McLeod, W. H. Gurū Nānak and the Sikh Religion. Oxford: Clarendon Press, 1968. ISBN 9780198265214 (ed. india, Delhi: Oxford University Press, 1976, ISBN 9780195608069).

Hukam: the divine orderhukam
A word of Arabic origin which in Nanak designates God's will and order governing all things: by hukam forms are created, joy and pain are allotted, some receive grace and others wander from birth to birth. The first stanza of the Japji gives the key: truth is not reached through ritual purity, silence or satiety, but by walking in accordance with hukam. Understanding it dissolves the ego, for whoever understands it, Nanak says, stops saying "I". It is not fatalism: accepting the divine order is the condition for living rightly and serving.

Japji, stanzas 1-2; Sikh theology of grace (nadar) and will (raza).

Source: McLeod, W. H. Gurū Nānak and the Sikh Religion. Oxford: Clarendon Press, 1968. ISBN 9780198265214 (ed. india, Delhi: Oxford University Press, 1976, ISBN 9780195608069).

Haumai: the egohaumai
Literally "I-I", haumai is for Nanak the fundamental sickness of the human being: the sense of a separate self that asserts itself, accumulates, compares and believes itself the author of its acts. From it spring the five evils —lust, anger, greed, attachment and pride— and the chain of rebirths. Nanak describes it as a grave illness that carries its own medicine within it: the very impulse that shuts us in the self can turn towards God through the guru's Word. The discipline of the Name, service and community life are the means of dissolving it.

Asa di Var and other hymns; the term is shared with the yogic and Sant traditions.

Source: McLeod, W. H. Gurū Nānak and the Sikh Religion. Oxford: Clarendon Press, 1968. ISBN 9780198265214 (ed. india, Delhi: Oxford University Press, 1976, ISBN 9780195608069).

Nam: the Namenam
In Nanak, the Name is not a particular word or a magic formula but God's manifestation in creation and in the guru's Word: "all that he has created is his Name". Remembering it (nam simran, nam japna) is the central discipline: repeating it, singing it in company and meditating on it until it pervades one's whole life. The Japji describes a progression: hearing, accepting, and advancing through the realms of duty, knowledge, effort and grace up to the realm of truth. Unlike the ritual recitation he criticises, the Name demands moral transformation: it is completed by honest work and sharing.

A reinterpreted Sant and Vaishnava heritage; the basis of the Sikh practice of kirtan and nitnem.

Source: McLeod, W. H. Gurū Nānak and the Sikh Religion. Oxford: Clarendon Press, 1968. ISBN 9780198265214 (ed. india, Delhi: Oxford University Press, 1976, ISBN 9780195608069).

Sach achar: truthful livingsach-achar
"Truth is above everything, but higher still is truthful living." With this line from Sri Rag Nanak shifts the centre of religion from doctrine and rite to conduct. He criticises the sacred thread, purifying baths, the renunciation of yogis and the formal observance of qadis and brahmins when unaccompanied by honesty, compassion and self-control. His alternative is the life of the householder who works (kirat), shares (vand) and remembers the Name, as organised at Kartarpur. It is the foundation of the Sikh rejection of asceticism and esteem for work.

Asa di Var, Sidh Gosht, Sri Rag; the Kartarpur community according to Bhai Gurdas.

Source: McLeod, W. H. Gurū Nānak and the Sikh Religion. Oxford: Clarendon Press, 1968. ISBN 9780198265214 (ed. india, Delhi: Oxford University Press, 1976, ISBN 9780195608069).

Sangat and langar: the community and the common tablesangat-langar
The religious practice Nanak organised at Kartarpur was not solitary: the disciples formed a congregation (sangat) that sang the hymns together morning and evening, and shared a meal prepared in a common kitchen (langar), at which all sat on the floor without distinction of caste. Under his successors, especially with Mata Khivi, Angad's wife, the langar became an institution and today exists in every gurdwara in the world. For historians, sangat and langar are the social translation of Nanak's theology: if God is one and is in all, no one is impure.

Bhai Gurdas, Var 1; Satta and Balvand's var on Khivi's langar; Grewal.

Source: Grewal, J. S. The Sikhs of the Punjab. The New Cambridge History of India II.3. Cambridge: Cambridge University Press, 1990 (ed. rev. 1998).

Vidéos

Vidéos

Enregistrements, entretiens et documentaires. Les vidéos sont lues depuis YouTube ; elles ne sont pas hébergées ici.

  • Guru Nanak Dev | Jeevan Darshan | 550th Birth Anniversary of Guru Nanak Dev

    Documentaire· HI· 25 min

    Prasar Bharati ArchivesChaîne officielle

  • Ritu Raag | Documentary | Birth Anniversary celebration of Guru Nanak Dev

    Documentaire· HI· 32 min

    Prasar Bharati ArchivesChaîne officielle

  • Ekas Ke Ham Barik | Sri Guru Nanak Dev Ji | Serial | Episode 1 (Part 1)

    Enregistrement de tiers· HI· 28 min

    Prasar Bharati ArchivesChaîne officielle

  • Bharat Ek Khoj | Episode-27 | Synthesis

    Documentaire· HI· 1988· 59 min

    Prasar Bharati ArchivesChaîne officielle

  • What is Sikhism?

    Analyse· EN· 38 min

    Let's Talk Religion

  • Pashaura Singh, April 12, 2018 (Power Play in the Formation of the Sikh Canon)

    Conférence· EN· 2018· 44 min

    Center for South Asia at UW-MadisonChaîne officielle

  • Guru Nanak - Introduction (English)

    Documentaire· EN· 2025· 52 min

    Oneness In DiversityChaîne officielle

  • Episode 1 (English) - Allegory, A Tapestry of Guru Nanak's Travels

    Documentaire· EN· 44 min

    Oneness In DiversityChaîne officielle

  • Guru Nanak Dev ਨਾਲ ਜੁੜੇ ਅਸਥਾਨਾਂ ਬਾਰੇ ਜਾਣੋ

    Documentaire· PA· 6 min

    BBC News PunjabiChaîne officielle

  • Guru Nanak Jayanti: सिख धर्म के संस्थापक गुरु नानक के बारे में ये बातें जानते हैं आप? (BBC Hindi)

    Analyse· HI· 3 min

    BBC News HindiChaîne officielle

  • Japji Sahib | Bhai Harbans Singh | Nitnem

    Enregistrement de tiers· PA· 17 min

    Shabad Gurbani

  • Nanak Shah Fakir | Full HD Movie

    Enregistrement de tiers· PA· 2015· 137 min

    Gurbani MediaChaîne officielle

  • Wo Kon Tha - Baba Guru Nanak Biography Founder of Sikhism | Complete Documentary by Faisal Warraich

    Documentaire· UR· 51 min

    Dekho Suno Jano

  • Quién fue Gurú Nanak (Dubbed in Spanish)

    Analyse· ES· 6 min

    Basics of Sikhi

  • Mensaje de Guru Nanak para la Humanidad (En Español)

    Conférence· ES· 56 min

    Bulandpuri Spiritual Light House

Galerie

Galerie

Images dont la licence a été vérifiée. Chacune conserve son auteur et son attribution.

Relations

Relations

Influences, filiations et affinités. On distingue la relation documentée de la similitude identifiée par analyse.

  • Idées proches de

    Kabir

    Both belong to the Sant tradition of the formless God, criticise brahmins and qadis and make the Name the centre of practice. Guru Arjan included Kabir's poems in the Adi Granth; that Nanak knew them is plausible but unproven.

    Similitude identifiée par analyse

  • Contemporain de

    Chaitanya Mahaprabhu

    Contemporaries. The janamsakhis take Nanak to Puri, Chaitanya's city, but no meeting is recorded.

    Similitude identifiée par analyse

  • Contemporain de

    Mirabai

    Contemporaries. A Mira pada appears in the Bhai Banno recension of the Adi Granth, excluded from the canon.

    Similitude identifiée par analyse

  • Idées proches de

    Rumi

    An analogy between Nanak's sung poetry and the Sufi tradition of divine love; the Sikh scripture includes a Sufi, Farid, and the stories show Nanak conversing with pirs. No direct historical connection.

    Similitude identifiée par analyse

Sources

Sources

Bibliographie et catalogues consultés pour cette fiche.

  1. McLeod, W. H. Gurū Nānak and the Sikh Religion. Oxford: Clarendon Press, 1968. ISBN 9780198265214 (ed. india, Delhi: Oxford University Press, 1976, ISBN 9780195608069).
  2. Macauliffe, Max Arthur. The Sikh Religion: Its Gurus, Sacred Writings and Authors. 6 vols. Oxford: Clarendon Press, 1909. Vol. 1 en Wikisource.
  3. Srī Gurū Granth Sāhib (Ādi Granth). Compilado por Guru Arjan en 1604; recensión de Damdama, 1706. Edición estándar de 1.430 páginas (ang). Trad. inglesa de Manmohan Singh, 8 vols. Amritsar: Shiromani Gurdwara Parbandhak Committee, 1962-1969.
  4. McLeod, W. H. Early Sikh Tradition: A Study of the Janam-sākhīs. Oxford: Clarendon Press, 1980.
  5. Grewal, J. S. The Sikhs of the Punjab. The New Cambridge History of India II.3. Cambridge: Cambridge University Press, 1990 (ed. rev. 1998).
  6. Singh, Harbans. Guru Nanak and Origins of the Sikh Faith. Bombay: Asia Publishing House, 1969.
  7. Mandair, Arvind-Pal Singh. Sikhism: A Guide for the Perplexed. Londres: Bloomsbury, 2013.
  8. Singh, Nikky-Guninder Kaur (trad.). The Name of My Beloved: Verses of the Sikh Gurus. San Francisco: HarperSanFrancisco, 1995. ISBN 9780060670498.
  9. Wikidata, «Guru Nanak» (Q83322).
  10. Bhāī Gurdās. Vārāṁ Bhāī Gurdās, Vār 1 (primeras décadas del siglo XVII). Texto y trad. en J. S. Grewal y otros; ed. de la SGPC, Amritsar.
  11. Trumpp, Ernst. The Ādi Granth, or the Holy Scriptures of the Sikhs, Translated from the Original Gurmukhī. Londres: W. H. Allen / India Office, 1877.
  12. McLeod, W. H. (trad.). The B40 Janam-sākhī. Amritsar: Guru Nanak Dev University, 1980 (traducción del manuscrito Panjabi B40 de la British Library, copiado en 1733).
  13. Singh, Pashaura, y Louis E. Fenech (eds.). The Oxford Handbook of Sikh Studies. Oxford: Oxford University Press, 2014.
  14. Singh, Harbans (ed.). The Encyclopaedia of Sikhism. 4 vols. Patiala: Punjabi University, 1992-1998.
  15. BaniDB. Base de datos del texto gurmukhi del Guru Granth Sahib por página (ang), consultada mediante su API.
  16. Akashvani News (All India Radio). «Kartarpur Sahib Corridor between India and Pakistan completes 5 years». Noviembre de 2024.
  17. «ਜਪੁ» (Japu), texto gurmukhi con glosas. Wikisource en panyabí.
Ayant droit
Las composiciones de Guru Nanak son de dominio público. El texto impreso oficial del Guru Granth Sahib lo edita la Shiromani Gurdwara Parbandhak Committee (SGPC); las traducciones modernas tienen titulares propios.
Site officiel
sgpc.net/

En attente de confirmation

Ce que cette fiche n'a pas encore pu établir. Nous préférons le dire plutôt que de combler.

  • No se localizó ninguna traducción española del Japji ni del Guru Granth Sahib con ISBN; solo el libro divulgativo de Premka Kaur Khalsa (Diana, 2004).
  • Completar ediciones con ISBN del Sidh Gosht, el Barah Maha y el Onkar en inglés y panyabí, y de las janamsakhis de Bala y Miharban.
  • Fichar en manuscripts[] los cuadernos de Goindval (Goindval pothis) y el manuscrito B40 de la British Library con sus signaturas.
  • Verificar la fecha y la lectura de la inscripción del santuario de Baba Nanak en Bagdad.
  • La página gurmukhi del Japji en Wikisource lleva glosas modernas sin autor: buscar un texto limpio en dominio público.

Recherche effectuée le 2026-10-25