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Alan Watts

1915 – 1973Historically documented person

British-born American philosopher and populariser (1915–1973) who made Zen Buddhism, Taoism and Vedanta accessible to Western readers. Briefly an Episcopal priest, then a teacher in San Francisco and a voice of KPFA radio and public television, he wrote The Way of Zen, The Wisdom of Insecurity, Psychotherapy East and West and The Book. His recorded lectures continue to circulate widely.

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Alan Watts en la Universidad de Vermont (1958)

Alan Watts en la Universidad de Vermont (1958) · Public domain

In their words

«If you get the message, hang up the phone.»

The Joyous Cosmology, ed. Vintage 1970, p. 26 (sobre los psicodélicos como instrumentos)

Their central idea

The feeling of being an isolated self inside the body, facing an alien world, is not a datum of experience but a learned social convention; organism and environment form a single field.

Biography

5 min read

A Kentish boy enthralled by the East

Alan Wilson Watts was born on 6 January 1915 in Chislehurst, Kent, the only child of Laurence Wilson Watts, a representative of the Michelin tyre company in London, and Emily Mary Buchan, a missionary's daughter. He grew up in a modest country cottage, learning the names of wild flowers and butterflies, surrounded by embroideries and paintings that missionaries returning from China had given his mother. Decades later he recalled being captivated by "a certain clarity, transparency, and spaciousness" he could not find in English art.

A boarder from the age of seven, first at St Hugh's preparatory school and then at The King's School, Canterbury, he received an Anglican education he remembered as grim. On holidays he travelled in France with Francis Croshaw, a cultivated epicurean with a taste for Buddhism, and in his library found the texts that would set his course. At sixteen he was secretary of the Buddhist Lodge in London, run by the barrister Christmas Humphreys. An examination essay written with more daring than prudence cost him a scholarship to Oxford, and the young man educated himself: at the Lodge, in libraries and in the company of the eccentric Serbian thinker Dimitrije Mitrinović. His biographer Monica Furlong describes him, above all, as an autodidact.

The young interpreter of Zen

In 1936, aged twenty-one, he attended the World Congress of Faiths in London and met D. T. Suzuki, whose work he had popularised that same year in The Spirit of Zen. The Legacy of Asia and Western Man followed in 1937. Two decades later he would judge his first book unscholarly and in many respects misleading; but the vocation was settled: to make Zen Buddhism, Taoism and Vedanta intelligible to the West.

At the Lodge he met Eleanor Everett, daughter of Ruth Fuller Everett, the American who later, as Ruth Fuller Sasaki, would hold a singular place in Kyoto Zen. They married in April 1938 and settled in New York, where Watts frequented the Zen teacher Sokei-an Sasaki without committing to formal training under him. He published The Meaning of Happiness in 1940 and became a United States citizen in 1943.

Episcopal priest

Looking for a professional outlet for his calling, he entered Seabury-Western Theological Seminary in Evanston, Illinois, and was ordained in the mid-1940s: his autobiography gives 1945, while the letters collected by his daughters point to 1944. He served as Episcopal chaplain at Northwestern University, translated the Mystical Theology of Pseudo-Dionysius (1944) and sought to reconcile mystical Christianity with Asian philosophy in Behold the Spirit (1947). The marriage did not survive his disinclination to monogamy: Eleanor obtained an annulment and in 1950 Watts resigned from the priesthood. That same year he married Dorothy DeWitt.

San Francisco: academy, radio and television

In 1951 he moved to California to teach at the American Academy of Asian Studies in San Francisco, which he also administered, alongside Frederic Spiegelberg, Haridas Chaudhuri and the painter Saburo Hasegawa, with whom he practised Chinese calligraphy. From 1953 he hosted an unpaid weekly programme on KPFA radio in Berkeley that won him a loyal audience. In 1951 he had published The Wisdom of Insecurity, a meditation on modern anxiety; in 1957 came The Way of Zen, the historical and philosophical account that established his reputation and has never gone out of print.

In 1958 the University of Vermont awarded him an honorary doctorate in divinity, and that summer he toured Europe with his father, visiting Carl Gustav Jung and Karlfried Graf Dürckheim. In 1959 and 1960 he recorded the series Eastern Wisdom and Modern Life for San Francisco public television station KQED. Psychotherapy East and West (1961) proposed reading Buddhism, Taoism and Vedanta as "ways of liberation" akin to psychotherapy rather than as religions or philosophies in the Western sense.

Psychedelics, counterculture and critics

From the late 1950s he took part in sessions with mescaline and LSD supervised by Californian researchers; they gave rise to The Joyous Cosmology (1962), in which he warned that such substances are instruments, like a microscope or a telephone, and that once you get the message you should hang up. He held a Harvard fellowship from 1962 to 1964, separated from Dorothy and married Mary Jane Yates King. With her he divided his life between the beached ferryboat Vallejo in Sausalito and a cabin at Druid Heights, the bohemian community founded by the poet Elsa Gidlow on the slopes of Mount Tamalpais.

Those years produced Beyond Theology (1964) and The Book: On the Taboo Against Knowing Who You Are (1966), his most personal synthesis: the universe as a cosmic game of hide-and-seek in which the separate self, encapsulated in a bag of skin, turns out to be a hallucination. Watts did not consider himself an academic. Objections also came from within Zen: Philip Kapleau accused him of dismissing seated practice, and Robert Aitken recorded D. T. Suzuki's verdict that Watts had not understood a certain classic story. Shunryu Suzuki, founder of the San Francisco Zen Center, by contrast defended him as "a great bodhisattva".

The last years

In 1971 he filmed A Conversation with Myself at Druid Heights for educational television, and in 1972 published his autobiography, In My Own Way, dedicated to Elsa Gidlow. Those were also years of worsening alcoholism that worried friends and family. In October 1973 he returned from a lecture tour in Europe, and on 16 November he died in his sleep at his home in Druid Heights, aged fifty-eight. His ashes were divided between Druid Heights and the Green Gulch Zen centre. The book he had been preparing with the tai chi master Al Chung-liang Huang, Tao: The Watercourse Way, appeared in 1975 with an afterword by Huang on his final months.

A legacy of voice

Watts left more than twenty-five books and hundreds of hours of recorded lectures, which his son Mark Watts has preserved and turned into posthumous books from transcripts. That voice, with its English diction and wry humour, has reached generations who never read his books: series, films, songs and videos reuse it endlessly, often out of context. Critics agree that he was neither a Buddhist scholar nor a lineage teacher but an exceptional populariser, whose achievement was to build bridges between East and West, between religion and psychology, and between culture and nature.

Sources: Watts, Alan. In My Own Way: An Autobiography, 1915–1965. Nueva York: Pantheon Books, 1972 (reed. New World Library, 2007, ISBN 9781577315841). · Furlong, Monica. Zen Effects: The Life of Alan Watts. Boston: Houghton Mifflin, 1986 (publicado en Reino Unido como Genuine Fake, Heinemann, 1986; reed. SkyLight Paths, 2001, ISBN 9781893361324). · Columbus, Peter J. y Rice, Donadrian L. (eds.). Alan Watts—Here and Now: Contributions to Psychology, Philosophy, and Religion. Albany: State University of New York Press, 2012 (ISBN 9781438441993). · Watts, Joan y Watts, Anne (eds.). The Collected Letters of Alan Watts. Novato: New World Library, 2017 (ISBN 9781608684151). · Chadwick, David. Crooked Cucumber: The Life and Zen Teaching of Shunryu Suzuki. Nueva York: Broadway Books, 1999.

Timeline

A life, year by year

Each point is a documented event. Click to read it, with its source and degree of certainty.

  1. January 6, 1915 · age 0

    Born in Chislehurst

    Born on 6 January in Chislehurst, Kent, the only child of Laurence Wilson Watts and Emily Mary Buchan.

    Documented

  2. 1922 · age 7

    Boarder at St Hugh's

    Aged seven he is sent as a boarder to St Hugh's preparatory school; he will later attend The King's School, Canterbury.

    Documented

  3. 1931 · age 16

    Secretary of the Buddhist Lodge

    At sixteen he becomes secretary of the Buddhist Lodge in London, run by Christmas Humphreys.

    Documented

  4. 1936 · age 21

    The Spirit of Zen and D. T. Suzuki

    Publishes The Spirit of Zen and meets D. T. Suzuki at the World Congress of Faiths in London.

    Documented

  5. April 1938 · age 23

    Marriage and emigration

    In April he marries Eleanor Everett and the couple settle in New York.

    Documented

  6. 1943 · age 28

    US citizenship

    Becomes a United States citizen.

    Documented

  7. 1945 · age 30

    Ordination

    Ordained an Episcopal priest after studying at Seabury-Western seminary. His autobiography gives 1945; his published letters suggest 1944.

    Disputed

  8. 1947 · age 32

    Behold the Spirit

    Publishes Behold the Spirit, an attempt to unite mystical Christianity and Eastern philosophy.

    Documented

  9. August 1950 · age 35

    Leaves the priesthood

    After the annulment of his marriage he resigns from the priesthood in August; he marries Dorothy DeWitt.

    Documented

  10. 1951 · age 36

    American Academy of Asian Studies

    Moves to San Francisco to teach at the American Academy of Asian Studies; publishes The Wisdom of Insecurity.

    Documented

  11. 1953 – 1962 · age 38

    KPFA programme

    Begins a weekly programme on KPFA radio in Berkeley, which he will keep until 1962.

    Documented

  12. 1957 · age 42

    The Way of Zen

    Publishes The Way of Zen, his most influential book on Zen Buddhism.

    Documented

  13. June 15, 1958 · age 43

    Honorary doctorate and visit to Jung

    On 15 June he receives an honorary Doctor of Divinity from the University of Vermont; that summer he visits Carl Jung in Switzerland.

    Documented

  14. 1959 – 1960 · age 44

    Eastern Wisdom and Modern Life

    Records the television series Eastern Wisdom and Modern Life for KQED (two seasons, 1959–1960).

    Documented

  15. 1961 · age 46

    Psychotherapy East and West

    Publishes Psychotherapy East and West.

    Documented

  16. 1962 – 1964 · age 47

    The Joyous Cosmology and Harvard

    Publishes The Joyous Cosmology; holds a Harvard fellowship until 1964.

    Documented

  17. 1966 · age 51

    The Book

    Publishes The Book: On the Taboo Against Knowing Who You Are.

    Documented

  18. 1971 · age 56

    A Conversation with Myself

    Films A Conversation with Myself at Druid Heights for educational television.

    Documented

  19. 1972 · age 57

    In My Own Way

    Publishes his autobiography, In My Own Way, dedicated to Elsa Gidlow.

    Documented

  20. November 16, 1973 · age 58

    Death at Druid Heights

    Dies in his sleep on 16 November at his home in Druid Heights, after returning from a European tour.

    Documented

  21. 1975

    Tao: The Watercourse Way

    Tao: The Watercourse Way appears posthumously, completed by Al Chung-liang Huang.

    Documented

Works

Essential works

The works without which their legacy cannot be understood.

The Wisdom of Insecurity — Alan Watts

Written work · 1951

The Wisdom of Insecurity

The Wisdom of Insecurity: A Message for an Age of Anxiety

Short treatise written after he left the priesthood and one of his most widely read books. It argues that modern anxiety springs from seeking security in a future that does not exist and from splitting the observing 'I' off from experience; the way out is not another belief but full attention to the present and acceptance of change. Without technical vocabulary it distils what Watts had learned from Zen, Taoism and Christian mysticism.

11 editions · amazon.com

The Way of Zen — Alan Watts

Written work · 1957

The Way of Zen

His standard work and the book that made him internationally known. Part one reconstructs Zen's background — Indian thought, Taoism and Mahayana Buddhism — and its formation in China; part two sets out its principles and practice: zazen, koans and Zen's expression in the arts. Watts draws on general semantics and cybernetics to explain non-dual experience. In print continuously since 1957 and translated into many languages.

9 editions · amazon.com

Psychotherapy East and West — Alan Watts

Written work · 1961

Psychotherapy East and West

Proposes that Buddhism, Vedanta, Taoism and Zen are better understood as 'ways of liberation' — disciplines for undoing the social conditioning that produces the feeling of an isolated self — than as religions or philosophies. From there he engages Freud, Jung, existential psychology and Gregory Bateson's double-bind theory, suggesting that the Western therapist and the Eastern teacher perform similar functions. It is one of his most cited books in psychology.

7 editions · amazon.com

The Book — Alan Watts

Written work · 1966

The Book

The Book: On the Taboo Against Knowing Who You Are

His most personal and accessible statement. Written as the book a parent might give a child on entering adult life, it argues that the sense of being an ego enclosed in a bag of skin is a social hallucination and that the universe is a single process playing hide-and-seek with itself. It blends Vedanta, Taoism, ecology and cybernetics in a lively, humorous style and became an emblematic book of the counterculture.

6 editions · amazon.com

Quotations

Quotations located in a specific work. Each carries its provenance and its level of confidence.

If you get the message, hang up the phone.

VerifiedThe Joyous Cosmology, ed. Vintage 1970, p. 26 (sobre los psicodélicos como instrumentos)

1 / 8

Essential ideas (editorial summary)

Out of respect for copyright, these ideas are summarised in our own words and are not presented as literal quotations.

  • The feeling of being an isolated self inside the body, facing an alien world, is not a datum of experience but a learned social convention; organism and environment form a single field.
  • Seeking psychological security in the future produces the very anxiety one wishes to escape; only acceptance of change and attention to the present dissolve it.
  • Asian traditions such as Buddhism, Vedanta and Taoism resemble psychotherapy more than religion: their aim is to free one from conditioning, not to impose beliefs.
  • The universe can be understood as a game in which a single reality hides from itself by taking every form, and enlightenment is the moment the player recognises itself.
  • The West is not too materialistic but not materialistic enough: it confuses money and symbols with real things and therefore mistreats matter, the body and nature.
  • Meditation is not a means of reaching a future state but a purposeless game, like music or dance, whose meaning lies in the act itself.
  • Opposites — pleasure and pain, life and death, good and evil — are inseparable poles of one process, and wanting to keep only one of them is the root of frustration.
Apocryphal quotes or disputed attributions (2)
  • «Trying to define yourself is like trying to bite your own teeth.»

    Widely circulated online under Watts's name. It expresses an image he used in lectures (the eye that cannot see itself, teeth that cannot bite themselves), but it has not been located in this wording in any of his published books; it may paraphrase a talk.

  • «You are an aperture through which the universe is looking at and exploring itself.»

    Spread as a Watts quotation on posters and videos with no indication of work. The idea is consistent with his thought, but the sentence has not been found in his books; if it comes from a recorded lecture, the exact source remains to be identified.

Last words

There are no verifiable records of their last words.

There is no reliable record of any last words. He died in his sleep at Druid Heights on the night of 15–16 November 1973. The phrase 'the secret of life is knowing when to stop', which his widow Mary Jane Watts attributed to him and Monica Furlong records, is presented not as his last words but as something he had told her.

Source: Furlong, Monica. Zen Effects: The Life of Alan Watts. Boston: Houghton Mifflin, 1986 (publicado en Reino Unido como Genuine Fake, Heinemann, 1986; reed. SkyLight Paths, 2001, ISBN 9781893361324).

Ask

What their work answers

Twelve great human questions and what their texts allow us to answer, with references. We never put words in their mouth.

  • What is the Absolute? Does God exist?

    God is no separate monarch: he is the whole playing at being each one

    An impersonal AbsoluteStated explicitly

    Alan Watts, an Episcopal priest until 1950 and afterwards a popular expositor of Asian traditions, rejected the image of God as a monarch separate from his work. In The Book he contrasts the ceramic model of the world, made by an outside craftsman, and the mechanical model with a dramatic model drawn from his reading of Vedānta: the ultimate hides from and finds itself in all beings, as in a game of hide-and-seek. Beyond Theology carries the idea into Christianity and reproaches it for having made God a jealous king. Already in The Supreme Identity, under the influence of Coomaraswamy and Guénon, he had presented the identity of the human ground with the Absolute as the common core of the great traditions.

    Compare this question with other teachers
  • Who am I? Is there a true self?

    The skin-encapsulated ego is a hallucination: what you are is the whole

    The Self is the AbsoluteStated explicitly

    The Book, Watts's most personal work, is subtitled on the taboo against knowing who you are, and answers bluntly: the prevalent sensation of oneself as a separate ego enclosed in a bag of skin is a hallucination. For him that ego is a social convention, reinforced by language and upbringing. What one really is, is the whole process of the universe, which manifests as this person just as a wave is the ocean at one point. Watts takes this thesis from his reading of Vedānta, the identity of ātman and brahman, which he had already set out in The Supreme Identity, and combines it with Buddhism and Western psychology; in Psychotherapy East and West he presents those traditions as ways of undoing the feeling of an isolated self.

    Compare this question with other teachers
  • Why do we suffer?

    Anxiety comes from seeking security in a future that does not exist

    Thought and psychological timeStated explicitly

    The Wisdom of Insecurity, one of Watts's most widely read books, states the problem clearly: modern man suffers because he seeks security in a world that is essentially changing, and seeks it in a future that exists only as an idea. Living for a tomorrow that never comes, he misses the only real moment. To this is added an inner split: the self that observes and tries to control experience separates itself from experience itself, and the harder it strives to secure itself the more anxious it becomes; Watts calls this the law of reversed effort. The only way to make sense out of change, he writes, is to plunge into it, move with it and join the dance. It is his own synthesis of Buddhism, Taoism and psychology.

    Compare this question with other teachers
  • What happens after death?

    The ego dies, not what we are: the universe wakes up again as others

    What I am is never born and never diesInferred from their doctrine

    Watts did not uphold personal survival or a judgement after death. But, consistently with his reading of Vedānta, he held that what we really are is not the ego that dies. In The Book and in his lectures he proposes imagining death as the end of one waking and the beginning of another: if the ego is a function of the universe, when one dies the universe goes on waking up as every new being that is born, and each of them says «I» as we did. Death for him is the other side of life, as the valley is of the mountain. In Cloud-Hidden, Whereabouts Unknown, his last book, written shortly before he died, he meditates on it with the same serenity.

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  • How is liberation or salvation attained?

    Wanting liberation is the trap: there is nothing to get, only something to see

    No method: total attentionInferred from their doctrine

    Watts held that seeking liberation as an achievement prevents it. In The Wisdom of Insecurity he calls this the law of reversed effort: the more one tries to secure oneself or to stop thinking, the more the striving self is reinforced. In Psychotherapy East and West he presents Buddhism, Vedānta and Taoism not as religions but as ways of liberation that undo the double binds by which society convinces us we are a separate self, and notes that Zen masters often use tricks to show the disciple there is nothing to attain. On psychedelics he wrote: if you get the message, hang up the phone. Liberation is sudden understanding, not the accumulation of merit.

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  • Is a teacher necessary?

    A philosophical entertainer, not a guru: there is nothing to transmit

    No spiritual authorityInferred from their doctrine

    Watts declined to present himself as a spiritual teacher; he preferred to describe himself as a philosopher and popular expositor, and in his memoir, In My Own Way, he portrays himself ironically as an intellectual, a mystic and a disreputable epicurean. He was not a formal disciple of any lineage, though he acknowledged his debt to D. T. Suzuki and to the texts. On the teacher's role, his thesis, set out in Psychotherapy East and West and in many lectures, is that the authentic teacher transmits nothing: with paradoxes and tricks he leads the disciple to discover that what he sought was not lacking, and then the disciple no longer needs him. He distrusted dependence on gurus and on religious organisations as a substitute for understanding.

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  • Is the world real?

    The world is a game in which the One hides and finds itself

    Manifestation of the divineStated explicitly

    For Watts, the world is not a machine nor a work made from outside, but a game. From his reading of Hinduism he takes the idea of līlā, divine play, and develops it in The Book and in his lectures: the ultimate hides from itself in the multitude of beings and finds itself again in them, with no purpose but play, just as music does not exist to reach the end of the piece. With the Buddhist image of Indra's net, which he sets out in The Diamond Web, he adds that each thing reflects all the others. Hence his critique of the Western contempt for matter in Does It Matter?: the concrete world is not something to overcome, but the place where the game is played.

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  • What is love?

    Love cannot be commanded: it springs up when the self stops watching itself

    What appears when the self ceasesInferred from their doctrine

    Watts applied his analysis of the double bind to love: the command to love, whether religious or social, demands something that cannot be produced at will, and generates a feigned and guilty love. Authentic love is spontaneous, like everything alive, and appears when the person stops seeing himself as a separate ego that calculates and watches itself. In Nature, Man and Woman he carries this idea into love between the sexes: against the Christian distrust of the body he proposes, drawing on Taoism and tantra, a relationship in which sexual love is a form of contemplation and neither a conquest nor an obligation. For Watts, love is not a virtue to be acquired but what flows when it is not forced.

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  • Are we free, or is everything determined?

    Neither free will nor determinism: both assume a separate self that does not exist

    There is no doerStated explicitly

    Watts considered the dilemma badly framed. Both free will and determinism assume a self separate from the world: one that controls it or one the world pushes around. If, as he holds in The Book, that skin-encapsulated self is a hallucination, the question loses its basis: what one is is not an agent facing the universe, but the universe acting here. That is why the distinction between voluntary and involuntary, as between the heart beating and the hand moving, is for him conventional. In his expositions of Taoism, from The Way of Zen to Tao: The Watercourse Way, he finds the same idea in wu wei, action that does not force and springs up spontaneously.

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  • Why meditate or pray?

    Meditating is attending to what is without purpose, like listening to music

    Being presentStated explicitly

    Watts understood meditation as purposeless attention to the present. In The Art of Contemplation, published in facsimile of his own handwriting, and in the lectures collected in Still the Mind, he describes it as ceasing to talk inwardly and listening to what is happening, the sounds, the breath, thoughts themselves as if they were noises, without trying to control anything. Meditating to obtain something, enlightenment or calm, would repeat the trap of goal-directed effort; true meditation has no goal, just as music is not played to reach the end. In The Wisdom of Insecurity he had already put it: the only real moment is this one, and full awareness of it dissolves anxiety.

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  • Can reason know the ultimate?

    The word is not the thing: reality slips through the net of concepts

    The ultimate lies beyond the mindStated explicitly

    Watts was a brilliant intellectual who devoted much of his work to explaining that what is essential is not grasped by the intellect. In The Way of Zen he shows how conventional thought divides the world into useful things and categories, but confuses that net of concepts with the reality it tries to catch; Zen, in his reading, seeks to return to direct experience, prior to words. In The Wisdom of Insecurity he insists that thinking about life is not living it, and in his lectures he repeated the image that the menu is not the meal. He does not reject reason, which he uses with relish, but its claim to encompass everything.

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  • Withdraw from the world or transform it?

    Neither flee nor reform from the ego: live the everyday without standing apart

    Contemplation in actionInferred from their doctrine

    Watts distrusted both ascetic flight and the reformism that springs from a separate self. He was drawn to the Zen and Taoist ideal of one who returns to the marketplace after awakening and lives the everyday without pose: in Beat Zen, Square Zen, and Zen he criticised both the use of Zen as an alibi for rebellion and its conversion into a rigid discipline. At the same time he took an interest in the problems of his time: in Does It Matter? he argued that the West is not too materialistic but not materialistic enough, because it despises the matter it consumes, and he wrote about money, technology and ecology. His proposal is not to withdraw, but to live in the world without feeling a stranger in it, and to care for it from there.

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Anecdotes and stories

Anecdotes and stories

Testimony1936

The lecture in a diving suit

In the summer of 1936, in London, the young Watts wanted to illustrate before an audience an idea that obsessed him: that mystical experience consists in diving into the depths of the mind. To make it visible he turned up to give his talk dressed in a brass-helmeted diving suit. The joke nearly ended badly: inside the helmet he could barely be heard, began to run short of air and could not take it off by himself, so he had to be freed with tools while the audience thought it was all part of the act. Watts told the scene with humour in his autobiography, and it has become an emblem of his way of teaching: theatrical, playful and willing to look ridiculous so that an idea would be understood.

Origin of the story: It comes from Watts's own account in In My Own Way (1972) and is recorded by Monica Furlong in her biography. Later versions differ in details — who helped him remove the helmet and at exactly which event it occurred; it is usually placed in the context of the 1936 World Congress of Faiths.

Source: Watts, Alan. In My Own Way: An Autobiography, 1915–1965. Nueva York: Pantheon Books, 1972 (reed. New World Library, 2007, ISBN 9781577315841).

Testimonydécada de 1960

'He is a great bodhisattva'

At the San Francisco Zen Center in the 1960s it was not unusual for Shunryu Suzuki's students to look down on Watts: he spoke brilliantly about Zen but did not sit zazen with the discipline they practised every dawn. According to Suzuki's biographer David Chadwick, a student once remarked that they had thought Watts profound until they found 'the real thing'. The Japanese teacher, usually mild, reacted with unexpected intensity: he told them they had missed the point and asked them to notice what Watts had done, because he was 'a great bodhisattva'. For Suzuki, the populariser had opened the door through which many of them had come to Zen.

Origin of the story: Recorded by David Chadwick in Crooked Cucumber (1999), from testimony by students of the San Francisco Zen Center.

Source: Chadwick, David. Crooked Cucumber: The Life and Zen Teaching of Shunryu Suzuki. Nueva York: Broadway Books, 1999.

Testimony1960s–1990s

Half a koan

One of the most repeated criticisms of Watts came from the Zen world itself. In The Three Pillars of Zen, Philip Kapleau argued that Watts had dismissed seated practice on the strength of only half of a famous story: the master who, seeing his disciple meditate in order to become a buddha, begins polishing a tile to turn it into a mirror. Watts read the story as a mockery of meditative effort; Kapleau recalled that it ends with the disciple instructed to continue practising. Years later Robert Aitken added that D. T. Suzuki had told him, regretfully, that Watts had not understood that story. The anecdote sums up the debate that followed Watts all his life: the brilliant populariser against the demands of practice.

Origin of the story: Kapleau, The Three Pillars of Zen (1967 ed.), pp. 21–22; D. T. Suzuki's remark is reported by Robert Aitken in Original Dwelling Place (1997). The Zen story in question is the dialogue of Mazu and Nanyue about the polished tile.

Source: Kapleau, Philip. The Three Pillars of Zen. Boston: Beacon Press, 1967 (ed. citada), pp. 21–22.

Testimony1958

A visit to Küsnacht

In the summer of 1958, freshly awarded an honorary doctorate by the University of Vermont, Watts travelled in Europe with his father, Laurence. The itinerary included a visit to Carl Gustav Jung in Switzerland and another to the German psychotherapist Karlfried Graf Dürckheim, who had lived in Japan and knew Zen. Watts had admired Jung since his youth, having drawn on his psychology in The Meaning of Happiness, and in his autobiography he recorded that meeting with the elderly psychiatrist. The trip came as he was preparing Psychotherapy East and West, the book in which he would build the bridge between Western psychotherapy and the Eastern ways of liberation.

Origin of the story: Watts's own account in In My Own Way (1972), p. 321.

Source: Watts, Alan. In My Own Way: An Autobiography, 1915–1965. Nueva York: Pantheon Books, 1972 (reed. New World Library, 2007, ISBN 9781577315841).

Documented1958–1970

Hanging up the phone

In the late 1950s Watts agreed to take part in LSD sessions organised by Californian researchers, among them Keith Ditman, Sterling Bunnell and Michael Agron, having already tried mescaline through the psychiatrist Oscar Janiger. Those experiences produced The Joyous Cosmology, with a foreword by Timothy Leary and Richard Alpert. But Watts, unlike other apostles of psychedelia, soon drew a line: the substances, he wrote, are instruments like the microscope, the telescope or the telephone; the biologist does not live with his eye glued to the microscope but steps away and works on what he has seen. His advice was summed up in a famous phrase: if you get the message, hang up.

Origin of the story: The phrase comes from the Vintage edition of The Joyous Cosmology (1970), p. 26; the researchers' identities are recorded in the biographical literature drawing on In My Own Way.

Source: Watts, Alan. The Joyous Cosmology: Adventures in the Chemistry of Consciousness. Nueva York: Vintage Books, 1970 (1.ª ed. Pantheon, 1962).

Documented1960s–1973

Between a beached ferry and a cabin in the woods

In the 1960s Watts lived between two places that became part of his legend. One was the Vallejo, an old ferryboat beached in Sausalito harbour that he shared with the painter Jean Varda and that served as studio, salon and party venue for Bay Area bohemia. The other was a cabin at Druid Heights, the community founded by the poet Elsa Gidlow among the redwoods of Mount Tamalpais, where writers, craftsmen and musicians shared a chosen poverty. He dedicated The Joyous Cosmology to his Druid Heights neighbours and his autobiography to Gidlow, whom he called sister. There he wrote his last journal and there he died in 1973; part of his ashes rest beside the library built in the community.

Origin of the story: In My Own Way (1972), pp. 300–304, and the dedications of The Joyous Cosmology and the autobiography; Elsa Gidlow's memoir, Elsa: I Come with My Songs (1986), completes the picture of Druid Heights.

Source: Watts, Alan. In My Own Way: An Autobiography, 1915–1965. Nueva York: Pantheon Books, 1972 (reed. New World Library, 2007, ISBN 9781577315841).

Teachings

Teachings

The notions that structure their thought, explained in context.

The skin-encapsulated egoego-encerrado-en-la-piel
Watts's phrase for the identity Western culture teaches people to feel: an isolated centre of consciousness lodged behind the eyes and bounded by the skin, facing an alien outer world. For Watts this feeling is not an immediate datum of experience but the result of linguistic and social conventions — subject-object grammar, education, the morality of effort — that artificially divide organism and environment. Biology and ecology, he argues, show the organism to be inseparable from its milieu, and the traditions of Vedanta and Buddhism reach the same conclusion through introspection. Recognising the illusion does not annihilate the person but lets one feel oneself the expression of a larger process, which in his view would also change humanity's relation to nature and technology.

Developed above all in The Book (1966) and his 1960s lectures, under the influence of Vedanta, cybernetics and general semantics.

Source: Watts, Alan. The Book: On the Taboo Against Knowing Who You Are. Nueva York: Pantheon Books, 1966.

The cosmic game of hide-and-seekjuego-cosmico
Central image of Watts's cosmology, inspired by the Hindu notions of lila (divine play) and maya. Ultimate reality — call it Brahman, God or simply 'it' — plays hide-and-seek with itself: it forgets itself and hides in every form, human beings included, for the pleasure of finding itself again. Each person would be, at bottom, the whole disguised as a part, in the Upanishadic formula tat tvam asi ('you are that'). Watts offers this vision as an alternative to the Western image of a monarch-God who manufactures the world from outside; his universe is more like a drama or a dance than an artefact. The idea is not offered as a metaphysical proof but as a myth better suited to mystical experience and systems science.

The Book (1966) and Beyond Theology (1964); drawn from Vedanta and devotional Hinduism, freely reinterpreted.

Source: Watts, Alan. The Book: On the Taboo Against Knowing Who You Are. Nueva York: Pantheon Books, 1966.

The law of reversed effortley-del-esfuerzo-invertido
Watts observes that certain states — security, happiness, sleep, spontaneity, enlightenment — recede the more they are pursued: whoever forces sleep stays awake, whoever seeks psychological security multiplies anxiety. He calls this paradox the law of reversed effort, an expression current in the psychology of his time, and relates it to Taoist wu wei and to the Zen critique of striving for awakening. He does not preach passivity: what he proposes is giving up the pretension of controlling experience from a separate self and acting in harmony with the course of things, like a swimmer who goes with the current instead of struggling against it.

The Wisdom of Insecurity (1951) and later lectures; connected with the Taoism of Laozi and Zhuangzi.

Source: Watts, Alan. The Wisdom of Insecurity: A Message for an Age of Anxiety. Nueva York: Pantheon Books, 1951.

Ways of liberationvias-de-liberacion
In Psychotherapy East and West Watts proposes ceasing to classify Buddhism, Vedanta, Yoga or Taoism as religions or philosophies in the Western sense and regarding them as 'ways of liberation': practical disciplines for undoing the knots that socialisation ties in the mind, especially identification with a separate self and with social roles. From this perspective the Zen master and the psychotherapist share a task: helping someone see that the problem tormenting them stems from conventions they have taken for realities. Watts engages Freud, Jung, existential psychology and Gregory Bateson while noting differences: Western psychotherapy tends to readjust the person to society, whereas the Eastern ways free one from identification with it.

Psychotherapy East and West (1961); a forerunner of transpersonal psychology.

Source: Watts, Alan. Psychotherapy East and West. Nueva York: Pantheon Books, 1961.

The social double binddoble-vinculo
Drawing on Gregory Bateson's double-bind theory, Watts describes the contradictory position in which society places the individual: he is required to be spontaneous, to love, to feel free and responsible, yet ordered to do so, so that the demand itself prevents what it asks. 'Be spontaneous' is the impossible command par excellence. For Watts much Western anxiety springs from this trap, and Zen masters use it deliberately in reverse: the koan sets the disciple a double bind that is resolved only when he abandons the standpoint of the self trying to solve it. Liberation does not mean winning the game but realising that the game is rigged.

Psychotherapy East and West (1961) and The Book (1966).

Source: Watts, Alan. Psychotherapy East and West. Nueva York: Pantheon Books, 1961.

Beat Zen and square Zenzen-beat-y-zen-cuadrado
Distinction Watts drew in 1958 to criticise two distortions of Zen in the West. 'Beat Zen' was that of Jack Kerouac and the Beat Generation, which took Zen freedom as an alibi for rebellion, disorder or whim without noticing it remained bound to what it rebelled against. 'Square Zen' was that of those who made Zen a hierarchical, ritual discipline in search of the right experience and a teacher's seal. For Watts genuine Zen needs to justify itself neither against society nor through the institution: it is the naturalness of one who no longer seeks anything. The essay fixed his position in the American Zen boom.

Essay published in Chicago Review (1958) and as a City Lights pamphlet (1959).

Source: «Alan Watts» y «Alan Watts bibliography», Wikipedia en inglés (consultadas para cotejar hechos y bibliografía; texto propio).

Videos

Videos

Recordings, interviews and documentaries. Videos play from YouTube; they are not hosted here.

  • Alan Watts: A Conversation with Myself - Part 1

    Original recording· EN· 1971· 28 min

    Mark WattsOfficial channel

  • Alan Watts: A Conversation with Myself - Part 2

    Original recording· EN· 1971· 28 min

    Mark WattsOfficial channel

  • Eastern Wisdom & Modern Life (1959) with Alan Watts - Program 1: Man & Nature (Recolored)

    Original recording· EN· 1959· 29 min

    HermesTrismegistus

  • Eastern Wisdom and Modern Life - Alan Watts: The Silent Mind, program five (1959)

    Original recording· EN· 1959· 28 min

    Torridstream12

  • Eastern Wisdom and Modern Life - Alan Watts: Death, program six (1959)

    Original recording· EN· 1959· 27 min

    Torridstream12

  • Alan Watts - Myth of Myself Full Lecture Part 1

    Lecture· EN· 37 min

    Official Alan Watts OrgOfficial channel

  • Alan Watts - Individual and the World Pt 1 Full Lecture

    Lecture· EN· 47 min

    Official Alan Watts OrgOfficial channel

  • Alan Watts - Taoist Way Full Lecture

    Lecture· EN· 27 min

    Official Alan Watts OrgOfficial channel

  • Alan Watts - What Is Reality?

    Lecture· EN· 53 min

    Official Alan Watts OrgOfficial channel

  • Alan Watts In Conversation With Elliot Mintz

    Interview· EN· 1972· 48 min

    Elliot MintzOfficial channel

  • Alan Watts Interview in Dallas - March 1970

    Interview· EN· 1970· 2 min

    SMU Jones FilmOfficial channel

  • First Wednesday: Following Alan Watts with Mark Watts

    Lecture· EN· 106 min

    MillValleyLibraryOfficial channel

  • Alan Watts en español - Conferencia - El mito del yo

    Lecture· ES· 35 min

    fer.de.erratas

Gallery

Gallery

Images with verified licences. Each keeps its authorship and attribution.

Connections

Connections

Influences, discipleships and affinities. Documented relations are distinguished from similarities identified by analysis.

  • Influenced by

    D. T. Suzuki

    Watts met him in 1936 and his first book popularised Suzuki's work.

    Documented relation

  • Met

    Shunryu Suzuki

    Founder of the San Francisco Zen Center; defended Watts as 'a great bodhisattva'.

    Documented relation

  • Met

    Carl Gustav Jung

    Watts visited him in Switzerland in 1958; his psychology influenced The Meaning of Happiness.

    Documented relation

  • Ideas akin to

    Jiddu Krishnamurti

    Both question the separate self and spiritual authority; Watts discussed Krishnamurti in his 1968 radio interview with Laura Huxley.

    Similarity identified by analysis

  • Disciple of

    Christmas Humphreys

    Watts was secretary of the London Buddhist Lodge, which Humphreys led, and was formed there.

    Documented relation

  • Family of

    Ruth Fuller Sasaki

    His mother-in-law during his first marriage and a key figure of American Zen.

    Documented relation

  • Met

    Sokei-an Sasaki

    New York Zen teacher with whom Watts kept in contact without entering formal training.

    Documented relation

  • Corresponded with

    Al Chung-liang Huang

    Collaborator on Tao: The Watercourse Way, which he completed after Watts's death.

    Documented relation

  • Met

    Elsa Gidlow

    Poet who founded Druid Heights, neighbour and friend; Watts dedicated his autobiography to her.

    Documented relation

  • Influenced by

    Laozi

    His last book expounds the Taoism of Laozi and Zhuangzi.

    Documented relation

  • Influenced by

    Zhuangzi

    A constant source of his lectures on Taoism and wu wei.

    Documented relation

  • Ideas akin to

    Adi Shankara

    The identity of self and ultimate ground, central to Watts, comes from the Advaita Vedanta systematised by Shankara.

    Similarity identified by analysis

  • Ideas akin to

    Eckhart Tolle

    Both popularise attention to the present and the critique of identification with thought for a wide audience.

    Similarity identified by analysis

  • Contemporary of

    Osho

    Contemporaries who spread Zen, Tantra and Taoism in the West in a free and provocative style; there is no record that they met.

    Similarity identified by analysis

  • Ideas akin to

    Thomas Merton

    Both explored the dialogue between contemplative Christianity and Zen in the 1950s and 1960s.

    Similarity identified by analysis

Sources

Sources

Bibliography and catalogues consulted for this profile.

  1. Wikidata, «Alan Watts» (Q354867).
  2. Watts, Alan. In My Own Way: An Autobiography, 1915–1965. Nueva York: Pantheon Books, 1972 (reed. New World Library, 2007, ISBN 9781577315841).
  3. Furlong, Monica. Zen Effects: The Life of Alan Watts. Boston: Houghton Mifflin, 1986 (publicado en Reino Unido como Genuine Fake, Heinemann, 1986; reed. SkyLight Paths, 2001, ISBN 9781893361324).
  4. Columbus, Peter J. y Rice, Donadrian L. (eds.). Alan Watts—Here and Now: Contributions to Psychology, Philosophy, and Religion. Albany: State University of New York Press, 2012 (ISBN 9781438441993).
  5. Watts, Joan y Watts, Anne (eds.). The Collected Letters of Alan Watts. Novato: New World Library, 2017 (ISBN 9781608684151).
  6. «Alan Watts» y «Alan Watts bibliography», Wikipedia en inglés (consultadas para cotejar hechos y bibliografía; texto propio).
  7. Open Library: obras y ediciones de Alan Watts (autor OL…; búsqueda por autor y por título, ediciones con ISBN).
  8. Chadwick, David. Crooked Cucumber: The Life and Zen Teaching of Shunryu Suzuki. Nueva York: Broadway Books, 1999.
  9. Aitken, Robert. Original Dwelling Place: Zen Buddhist Essays. Washington D. C.: Counterpoint, 1997 (ISBN 1887178414).
  10. Kapleau, Philip. The Three Pillars of Zen. Boston: Beacon Press, 1967 (ed. citada), pp. 21–22.
  11. Alan Watts Organization (archivo de grabaciones gestionado por la familia Watts) y Alan Watts Official Store.
  12. Watts, Alan. The Joyous Cosmology: Adventures in the Chemistry of Consciousness. Nueva York: Vintage Books, 1970 (1.ª ed. Pantheon, 1962).
  13. Watts, Alan. The Book: On the Taboo Against Knowing Who You Are. Nueva York: Pantheon Books, 1966.
  14. Watts, Alan. The Wisdom of Insecurity: A Message for an Age of Anxiety. Nueva York: Pantheon Books, 1951.
  15. Watts, Alan. The Way of Zen. Nueva York: Pantheon Books, 1957.
  16. Stirling, Isabel. Zen Pioneer: The Life and Works of Ruth Fuller Sasaki. Emeryville: Shoemaker & Hoard, 2006 (ISBN 9781593761103).
  17. University of Vermont, programa de la 154.ª ceremonia de graduación (15 de junio de 1958) y UVM Alumni Magazine, vol. 39, n.º 1, p. 22 (UVM Digital Collections; reproducido en Wikimedia Commons).
  18. Indiana University Libraries Moving Image Archive, exposición «Eastern Wisdom and Modern Life» (KQED, San Francisco, 1959–1960).
  19. Watts, Alan. Psychotherapy East and West. Nueva York: Pantheon Books, 1961.
  20. Gidlow, Elsa. Elsa: I Come with My Songs. San Francisco: Bootlegger Press y Druid Heights Books, 1986.
  21. Watts, Alan y Huang, Al Chung-liang. Tao: The Watercourse Way. Nueva York: Pantheon Books, 1975 (prólogo y epílogo de Al Chung-liang Huang).
  22. Open Culture, «Alan Watts Brings Eastern Wisdom to American TV Viewers in 1959» (2012).
Rights holder
Herederos de Alan Watts (gestión de grabaciones: Alan Watts Organization / Electronic University, Mark Watts); derechos de los libros según cada editorial
Official site
alanwatts.org

Pending confirmation

What this profile has not yet been able to settle. We would rather say so than fill it in.

  • Localizar página exacta de las citas marcadas como «probable» (The Book, cap. 1; The Wisdom of Insecurity, cap. 3) en una edición impresa.
  • Ediciones con ISBN no verificadas en catálogo: The Book (Vintage, 1989), Tao for Now (2023), Taoism: Way Beyond Seeking (Tuttle, 1997), The Way of Liberation (Weatherhill, 1983), Om: Creative Meditations (1979) y The Essential Alan Watts (1976).
  • Identificar la obra inglesa de la que procede «Qué es la realidad» (Kairós, 1995, ISBN 9788472453630), registrada en Open Library sin correspondencia clara.
  • Ediciones en español sin ISBN verificado de In My Own Way, The Joyous Cosmology, Does It Matter?, Cloud-Hidden y Tao: The Watercourse Way (Kairós).
  • Fecha exacta de la ordenación (1944 según las cartas, 1945 según la autobiografía) y del matrimonio con Mary Jane Yates King.
  • Detalles del episodio de la escafandra (acto exacto y quién le ayudó) en la edición impresa de In My Own Way.
  • Catálogo de grabaciones: la obra oral (cientos de conferencias en alanwatts.org y alanwatts.com) no se registra pieza a pieza; se incluyen las series de televisión y la antología Out of Your Mind.
  • Vídeos: no hay en YouTube conferencias oficiales de Watts en español; el único vídeo en castellano registrado es una versión preparada por un tercero.

Researched on 2026-10-25