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Induismo · Bhakti

Chaitanya Mahaprabhu

শ্রীচৈতন্য মহাপ্রভু · चैतन्य महाप्रभु

1486 – ca. 1533Persona storicamente documentata

Riformatore religioso bengalese (1486-1533/34), ritenuto dai suoi seguaci incarnazione congiunta di Radha e Krishna e considerato il fondatore del vishnuismo gaudiya. Grammatico divenuto estatico dopo l'iniziazione a Gaya, rese popolare il canto collettivo dei nomi divini, visse i suoi ultimi diciotto anni a Puri e lasciò per iscritto, secondo la critica, soltanto le otto strofe dello Shikshashtaka. La sua vita è nota unicamente attraverso agiografie posteriori, in particolare il Chaitanya Bhagavata e il Chaitanya Charitamrita.

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Chaitanya danza entre sus seguidores

Chaitanya danza entre sus seguidores · Public domain

Con le sue parole

«Victory to the congregational chanting of Krishna, which cleanses the mirror of the mind and puts out the great forest fire of existence; which sheds moonlight on the white lotus of the good and is the life of the bride that is knowledge; which swells the ocean of bliss, gives at every step a taste of the full nectar and bathes the whole self.»

Shikshashtaka, estrofa 1 (Chaitanya Charitamrita, Antya-lila 20.12). Traducción propia.

La sua idea centrale

Congregational chanting of the name (nama-sankirtana): For Chaitanya and his school, Krishna's name is not a sign pointing to God but God himself present in sound, endowed with all his power, as the second stanza of the Shikshashtaka states.

Biografia

5 min di lettura

Traduzione assistita dall'originale spagnolo, in attesa di revisione da parte di un traduttore madrelingua.

Il ragazzo di Navadvipa

Vishvambhara Mishra nacque a Navadvipa, la città dei pandit sulle rive della Bhagirathi, in un Bengala allora governato dai sultani. La tradizione fissa la sua nascita nel plenilunio del mese di Phalguna del 1486 – il 18 febbraio, secondo la conversione più ripetuta –, una notte di eclissi in cui, raccontano i biografi, l'intera città cantava i nomi divini. Il padre, Jagannatha Mishra, era un brahmano giunto da Sylhet; la madre, Shachi, figlia dell'erudito Nilambara Chakravarti. Dei figli della coppia ne sopravvissero soltanto due: Vishvarupa, che lasciò la casa per farsi rinunciante, e il minore, che chiamarono Nimai e, per la carnagione chiara, Gaura. Conviene dirlo fin dall'inizio: tutto ciò che sappiamo di lui proviene da agiografie scritte da devoti che lo ritenevano Krishna in persona, e nessuna fonte estranea alla sua comunità lo menziona mentre era in vita.

Un grammatico orgoglioso

Le biografie degli anni Quaranta e Cinquanta del Cinquecento ritraggono un giovane d'intelligenza folgorante e di lingua tagliente. Studiò la grammatica sanscrita e la nuova logica (navya-nyaya) che rendeva celebre Navadvipa, aprì una scuola propria e si guadagnò fama di polemista temibile: Vrindavana Dasa gli attribuisce una vittoria sull'erudito kashmiro Keshava. Alla morte del padre si trovò a capo della casa. Sposò Lakshmipriya, che morì per il morso di un serpente mentre lui insegnava nel Bengala orientale, e poi, per volere della madre, Vishnupriya, figlia di un pandit di corte. Nulla in questo ritratto annuncia ancora il santo; ed è proprio sul contrasto che gli agiografi insistono.

Gaya: la svolta

Verso il 1508 si recò a Gaya per celebrare i riti funebri del padre. Lì conobbe Ishvara Puri, discepolo dell'asceta vishnuita Madhavendra Puri, e ricevette da lui l'iniziazione a un mantra di Krishna. Tornò trasformato: piangeva udendo il nome di Krishna, cadeva in trance, perdeva coscienza di ciò che lo circondava. Chiuse la scuola. Nel cortile del vicino Shrivasa prese a radunare di notte una cerchia sempre più numerosa per cantare i nomi divini con tamburi e cembali. Gli si unirono Nityananda, un avadhuta errante che sarebbe stato il suo compagno inseparabile; Advaita Acharya, un anziano brahmano di Shantipur; Haridasa, un convertito di origine musulmana; e il medico Murari Gupta, i cui appunti in sanscrito passano per la testimonianza più antica di quegli anni, benché parte della critica ritenga che la loro forma attuale sia posteriore alla morte del maestro.

Il canto scende in strada

Il kirtan traboccò presto dalle case. Vrindavana Dasa narra che il qadi di Navadvipa proibì il canto e che Vishvambhara rispose guidando una processione notturna di migliaia di persone fino alla porta del magistrato, che finì per cedere; narra anche la conversione di Jagai e Madhai, due fratelli violenti. Sono episodi agiografici, ma dicono qualcosa di vero sul movimento: un canto aperto a ogni casta, praticato in pubblico e non nel tempio. All'inizio del 1510, a ventiquattro anni, prese i voti di rinunciante a Katwa per mano di Keshava Bharati, che gli diede il nome di Krishna Chaitanya. La madre gli chiese di non allontanarsi troppo, ed egli scelse Puri, la città di Jagannatha, in Orissa.

Puri e le vie del Sud

A Puri conquistò alla sua causa Vasudeva Sarvabhauma, il grande maestro di logica e di vedanta della corte. Tra il 1510 e il 1512 percorse l'India meridionale; sulle rive della Godavari ebbe con Ramananda Raya, governatore al servizio del re d'Orissa, il dialogo che Krishnadasa Kaviraja avrebbe trasformato nell'esposizione più ambiziosa della teologia dell'amore, e durante il viaggio si procurò copie della Brahma-samhita e del Krishnakarnamrita. Nel 1514 passò per Ramakeli, vicino alla capitale del sultano del Bengala, dove conobbe due fratelli che servivano come alti funzionari di Husain Shah: Rupa e Sanatana. L'anno seguente giunse finalmente a Vrindavan; al ritorno istruì Rupa a Prayag e Sanatana a Benares, e affidò loro il compito di riscoprire i luoghi sacri di Krishna e di scrivere. Da quell'incarico sarebbe nata la teologia dei Gosvami.

La Gambhira

Trascorse a Puri i suoi ultimi diciotto anni. Il re Prataparudra, che in un primo tempo si era rifiutato di ricevere in quanto uomo di mondo, finì per conquistarne il favore quando lo vide spazzare, come un servo, il percorso del carro di Jagannatha. Ogni estate danzava davanti a quel carro con i pellegrini giunti dal Bengala. Ma le agiografie descrivono soprattutto un'interiorità sempre più ardente: chiuso in una stanza angusta della casa di Kashi Mishra, la Gambhira, in compagnia del segretario Svarupa Damodara e di Ramananda Raya, che gli leggevano Jayadeva e Chandidasa, viveva stati di separazione da Krishna che Krishnadasa chiama «follia divina». Batteva il volto contro le pareti, perdeva i sensi, spariva di notte. Secondo Krishnadasa, in quelle notti recitava le otto strofe che la tradizione conosce come Shikshashtaka.

Una fine senza testimoni

Morì a Puri nel 1533 o nel 1534, a circa quarantotto anni, ma nessuno sa come. Krishnadasa Kaviraja, il biografo canonico, tace. Jayananda racconta che si ferì un piede con un mattone danzando durante la festa del carro e che morì di febbre pochi giorni dopo; Lochana Dasa, che entrò nel tempio e si fuse con l'immagine di Jagannatha; tradizioni oriya lo fanno scomparire nell'immagine di Tota Gopinatha. Le ipotesi moderne di un assassinio per mano dei sacerdoti del tempio circolano molto e non poggiano su alcun documento. Quel silenzio fa parte della sua figura: la tradizione preferì la scomparsa al cadavere.

Otto strofe e una scuola

Chaitanya non scrisse trattati. La critica gli attribuisce con sicurezza soltanto lo Shikshashtaka, le cui strofe furono raccolte dapprima da Rupa Gosvamin nella sua antologia Padyavali e poi riunite da Krishnadasa alla fine della sua opera. La dottrina che porta il suo nome la formularono altri: Rupa nel Bhaktirasamritasindhu, Sanatana e soprattutto Jiva Gosvamin, che elaborò la formula della «differenza e non-differenza inconcepibili» (achintya-bhedabheda). Le grandi biografie vennero dopo: il Chaitanya Bhagavata di Vrindavana Dasa, verso il 1540-1550, e il Chaitanya Charitamrita di Krishnadasa, concluso secondo la datazione più accolta verso il 1612-1615, che Tony K. Stewart definisce «l'ultima parola» della tradizione. Nell'Ottocento Bhaktivinoda Thakura rinnovò il movimento; suo figlio Bhaktisiddhanta fondò la Gaudiya Math, e un discepolo di quest'ultimo, A. C. Bhaktivedanta Swami, creò a New York nel 1966 l'Associazione Internazionale per la Coscienza di Krishna, che portò il canto del mantra Hare Krishna nelle strade del mondo.

Fonti: Kṛṣṇadāsa Kavirāja. Caitanya Caritāmṛta of Kṛṣṇadāsa Kavirāja: A Translation and Commentary. Trad. de Edward C. Dimock Jr.; introd. de Edward C. Dimock Jr. y Tony K. Stewart; ed. de Tony K. Stewart. Harvard Oriental Series 56. Cambridge (Mass.): Dept. of Sanskrit and Indian Studies, Harvard University, 1999. ISBN 9780674002852. · Vṛndāvana Dāsa. Śrī Caitanya-bhāgavata (bengalí, c. 1540-1550). Trad. inglesa de Bhūmipati Dāsa, ed. de Puṇḍarīka Vidyānidhi Dāsa. Vṛndāvana: Vrajraj Press, 2000-2005 (varios volúmenes). · Stewart, Tony K. The Final Word: The Caitanya Caritāmṛta and the Grammar of Religious Tradition. Nueva York: Oxford University Press, 2010. ISBN 9780195392722. · Kennedy, Melville T. The Chaitanya Movement: A Study of the Vaishnavism of Bengal. Calcuta: Association Press; Londres: Oxford University Press, 1925. · Sen, Dinesh Chandra. Chaitanya and His Age. Calcuta: University of Calcutta, 1922.

Cronologia

La vita, anno per anno

Ogni punto è un evento documentato. Fai clic per leggerlo, con la sua fonte e il suo grado di certezza.

  1. 18 febbraio 1486 · 0 anni

    Birth of Vishvambhara

    Born on the full moon of Phalguna, during a lunar eclipse, according to the hagiographies. 18 February is the most repeated conversion; some sources give the 27th.

    Tradizione

  2. ca. 1500

    Grammar teacher and first marriage

    After studying grammar and logic he opens his own school and marries Lakshmipriya, who will die of a snakebite; he then marries Vishnupriya.

    Tradizione

  3. ca. 1508 · 22 anni

    Initiation by Ishvara Puri

    On the journey for his father's funeral rites he is initiated by Ishvara Puri and returns to Navadvipa in a state of ecstatic devotion.

    Probabile

  4. ca. 1509 · 23 anni

    The kirtan at Shrivasa's house

    He closes his school and leads nightly congregational chanting with Nityananda, Advaita, Haridasa and Murari Gupta. The hagiographies place the challenge to the qadi here.

    Tradizione

  5. ca. 1510 · 24 anni

    Vows of renunciation

    Receives sannyasa from Keshava Bharati and the name Krishna Chaitanya; at his mother's wish he settles in Puri.

    Probabile

  6. 1510 · 24 anni

    Vasudeva Sarvabhauma

    Wins over to devotion the Vedanta master of the Orissan court, a central episode of the Chaitanya Charitamrita.

    Tradizione

  7. ca. 1510 – 1512 · 24 anni

    Southern pilgrimage and dialogue with Ramananda Raya

    Two years of travel in the south; conversation with Ramananda Raya on the degrees of love for Krishna, and discovery of the Brahma-samhita and the Krishnakarnamrita.

    Probabile

  8. ca. 1514 · 28 anni

    Meeting with Rupa and Sanatana

    Meets two high officials of Sultan Husain Shah who, renouncing their posts, will become the first Gosvamis of Vrindavan.

    Probabile

  9. ca. 1515 · 29 anni

    Vrindavan and the teachings to Rupa and Sanatana

    Visits Krishna's land and, on the way back, instructs Rupa at Prayag and Sanatana at Benares: the seed of Gaudiya theology.

    Probabile

  10. ca. 1516 – 1533 · 30 anni

    The Gambhira years

    Lives in Puri until his death; dances before Jagannatha's chariot and, according to Krishnadasa, passes through states of 'divine madness' in separation from Krishna.

    Probabile

  11. ca. 1533 · 47 anni

    Death or disappearance

    Dies in 1533 or 1534; the sources disagree on the circumstances (injury and fever, merging with Jagannatha or with Tota Gopinatha) and the canonical biographer is silent.

    Discusso

  12. anni 1540

    The Chaitanya Bhagavata

    Vrindavana Dasa composes in Bengali the first great biography, centred on the Navadvipa years.

    Probabile

  13. ca. 1612

    The Chaitanya Charitamrita

    Krishnadasa Kaviraja completes the theological biography that will become the canonical version; the date is debated (others propose 1581).

    Discusso

  14. luglio 1966

    Founding of ISKCON

    A. C. Bhaktivedanta Swami, of Bhaktisiddhanta Sarasvati's line, founds the International Society for Krishna Consciousness.

    Documentato

Opere

Opere essenziali

Le opere senza le quali non si comprende la sua eredità.

Shikshashtaka (Eight Stanzas of Instruction) — Chaitanya Mahaprabhu

Opera scritta

Shikshashtaka (Eight Stanzas of Instruction)

शिक्षाष्टकम्

Eight Sanskrit stanzas summing up Chaitanya's path. The first celebrates the congregational chanting of Krishna's name as the cleansing of the mirror of the mind; the second laments one's own lack of attachment despite the grace of the name; the third sets the singer's attitude, humbler than grass and more patient than a tree; the fourth asks for motiveless devotion; the last four shift to the voice of the separated lover, up to the final stanza, in which Radha accepts whatever the beloved chooses to do with her. It is the most recited prayer of Gaudiya Vaishnavism.

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5 edizioni

Chaitanya Charitamrita (Krishnadasa Kaviraja) — Chaitanya Mahaprabhu

Raccolta posteriore · ca. 1612

Chaitanya Charitamrita (Krishnadasa Kaviraja)

শ্রীচৈতন্যচরিতামৃত

In three parts —Adi, Madhya and Antya— it narrates childhood and the Navadvipa years summarily and dwells on the Puri period, the journeys and the final "divine madness". It integrates the theology of the Gosvamis: Chaitanya as Radha and Krishna in one body, the doctrine of divine energy, the degrees of love. Tony K. Stewart has shown how it fixed a canonical version that absorbed and displaced earlier biographies. It is the work any reader looks for when approaching Chaitanya.

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4 edizioni

Raccolta posteriore · anni 1540

Chaitanya Bhagavata (Vrindavana Dasa)

শ্রীচৈতন্যভাগবত

It vividly narrates childhood, studies, the Gaya conversion, the kirtan at Shrivasa's house, the challenge to the qadi, the conversion of Jagai and Madhai and the first period after renunciation. It presents Chaitanya as Krishna descended with his companions to teach the chanting of the name, and gives great prominence to Nityananda. It remained incomplete regarding the Puri years, which Krishnadasa would cover.

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2 edizioni

Citazioni

Citazioni localizzate in un'opera precisa. Ciascuna porta con sé la sua provenienza e il suo grado di affidabilità.

Victory to the congregational chanting of Krishna, which cleanses the mirror of the mind and puts out the great forest fire of existence; which sheds moonlight on the white lotus of the good and is the life of the bride that is knowledge; which swells the ocean of bliss, gives at every step a taste of the full nectar and bathes the whole self.

चेतोदर्पणमार्जनं भवमहादावाग्निनिर्वापणम् श्रेयः कैरवचन्द्रिकावितरणं विद्यावधू जीवनम् । आनंदाम्बुधिवर्धनं प्रतिपदं पूर्णामृतास्वादनम् सर्वात्मस्नपनं परं विजयते श्रीकृष्ण संकीर्तनम् ॥१॥

ProbabileShikshashtaka, estrofa 1 (Chaitanya Charitamrita, Antya-lila 20.12). Traducción propia.

1 / 7
Citazioni apocrife o di attribuzione discussa (1)
  • «"The moment you say you love God, all human beings will be your brethren: there will be no Brahmin, no Sudra."»

    It circulates in English as a quotation from Chaitanya on the basis of Dinesh Chandra Sen's synthesis (Chaitanya and His Age, 1922). It is a modern paraphrase of the tradition's spirit; it has not been located in that form in the Chaitanya Bhagavata or the Chaitanya Charitamrita.

Ultime parole

Non esistono testimonianze verificabili delle sue ultime parole.

No last words are recorded. The Chaitanya Charitamrita ends with the master reciting the Shikshashtaka stanzas at night but does not narrate his death; Jayananda (injury and fever), Lochana Dasa (merging with Jagannatha) and Oriya traditions (disappearance into Tota Gopinatha) give incompatible versions and none records a final utterance.

Fonte: Kennedy, Melville T. The Chaitanya Movement: A Study of the Vaishnavism of Bengal. Calcuta: Association Press; Londres: Oxford University Press, 1925.

Chiedi

Ciò a cui risponde la sua opera

Dodici grandi domande dell'umanità e ciò che i suoi testi permettono di rispondere, con riferimenti. Non gli mettiamo mai parole in bocca.

  • Che cos'è l'Assoluto? Dio esiste?

    Krishna is God in person; formless Brahman is his radiance

    Un Dio personaleLo dice espressamente

    Chaitanya wrote almost nothing; his theology reaches us through his biographers, above all Krishnadasa Kaviraja’s Chaitanya Charitamrita, which puts long teachings to Rupa and Sanatana Gosvami in his mouth. According to that text the Absolute Truth is known in three ways: as impersonal Brahman, as Paramatma in the heart and as Bhagavan, the personal Lord, its fullest aspect. That Lord is Krishna, and formless Brahman is only the radiance of his body. The relation between God, his energies and souls is formulated as inconceivable oneness and difference (achintya-bhedabheda). Chaitanya argues with Shankara’s followers and rejects the idea that the personal is an appearance: the ultimate is someone to be loved and served.

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  • Chi sono io? Esiste un vero sé?

    The soul is Krishna’s eternal servant, one with and distinct from Him

    Un'anima creata e immortaleLo dice espressamente

    According to the Chaitanya Charitamrita, Chaitanya taught Sanatana Gosvami that the constitutional nature of the living being is to be Krishna’s eternal servant. The soul (jiva) is a minute part of God’s energy, the so-called marginal energy, situated between the spiritual and the material: it can turn towards Krishna or towards illusion. It is eternal and was not created in time, but it never becomes identical with God: the relation between them is one of inconceivable oneness and difference. The ego that thinks itself lord of the world is an identity lent by maya; the true self is discovered in the relation of love and service. His own self-description as servant of the servant of Krishna’s servants sums up this idea of the self.

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  • Perché soffriamo?

    The soul forgot Krishna, and maya gives it the world’s pain

    La separazione da DioLo dice espressamente

    According to the Chaitanya Charitamrita, Chaitanya explained to Sanatana Gosvami that the soul, having turned away from Krishna since beginningless time, falls under the sway of maya, which imposes on it the suffering of material existence. Pain therefore comes not from a specific sin but from forgetting one’s own relation to God. Yet Chaitanya’s tradition also knows another pain, that of loving separation (vipralambha), which it considers the highest form of love: in the Shikshashtaka a blink of the eye becomes an age and the whole world is empty in Govinda’s absence. The first suffering takes one away from God; the second is the most intense way of being united with Him.

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  • Che cosa accade dopo la morte?

    The devotee does not merge into God: he serves Him forever in His abode

    Vita eterna e resurrezioneLo dice espressamente

    Chaitanya’s tradition accepts rebirth for the soul still forgetful of Krishna, but its attention is on another goal. According to the Chaitanya Charitamrita, liberation understood as impersonal merging with Brahman is undesirable for the devotee, who regards it as inferior to love. The ultimate end (prayojana) is prema, pure love of Krishna, and the soul that attains it lives eternally in the spiritual world, in the transcendent Vrindavan, serving Radha and Krishna in a personal relationship. In the Shikshashtaka Chaitanya asks not for liberation but for unmotivated devotion in every one of his lives. Eternal life here is not bodily resurrection but endless loving service.

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  • Come si raggiunge la liberazione o la salvezza?

    Chanting Krishna’s Name, with the humility of grass

    Con la devozione e l'abbandonoLo dice espressamente

    Chaitanya’s central teaching, condensed in the Shikshashtaka, is the collective chanting of Krishna’s Name (nama-sankirtana): it cleans the mirror of the mind and puts out the fire of existence, as the first stanza says. The third stanza sets the attitude: humbler than grass, more patient than a tree, seeking no honour and honouring others. The goal is not liberation in the Advaita sense but prema, pure love of Krishna, which the devotee prefers to any other reward. The Chaitanya Charitamrita presents this path as the one suited to the present age (kali yuga), open to all regardless of caste. The grace of Krishna and his devotees accompanies every step.

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  • Serve un maestro?

    The guru is Krishna’s mercy in person

    IndispensabileLo dice espressamente

    Chaitanya received initiation from Ishvara Puri in Gaya, and his life changed after that meeting, as his biographers recount. The Chaitanya Charitamrita teaches that the soul wandering in the cycle of births receives the seed of devotion through the grace of Krishna and the guru; the guru is a manifestation of Krishna’s mercy and must be honoured as such. To that figure is added the company of devotees (sadhu-sanga), which the text regards as the root of bhakti. Chaitanya, however, presented himself as servant of the servants, and the Shikshashtaka’s demand for humility reaches the teacher too: no one owns devotion; it is received.

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  • Il mondo è reale?

    The world is Krishna’s real energy, not an appearance

    Manifestazione del divinoLo dice espressamente

    In the debate with the Advaita scholar Sarvabhauma Bhattacharya, narrated in the Chaitanya Charitamrita, Chaitanya rejects Shankara’s reading whereby the world is an appearance superimposed on Brahman. For him the world is a real transformation of Krishna’s energy: not false, though temporary. Material energy (maya) is one of God’s potencies, distinct from the spiritual energy and from souls, and with all of them it holds a relation of inconceivable oneness and difference. What deceives is not the world’s existence but the belief that it exists by itself or for one’s own enjoyment. Seen as Krishna’s energy, the world can be used in his service.

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  • Che cos'è l'amore?

    Prema: pure love of Krishna, whose summit is separation

    Anelito e unioneLo dice espressamente

    Chaitanya’s tradition makes love of Krishna (prema) the supreme goal of life, above even liberation. In the Shikshashtaka he asks for unmotivated devotion seeking neither wealth, followers nor beauty, and in the last stanza the lover declares that whether he embraces her or tramples her, Krishna will remain the lord of her life. The Gosvamis classified that love into relationships or flavours (rasas): servitude, friendship, parental affection and conjugal love, the last the highest, embodied in Radha. For his devotees Chaitanya was Radha and Krishna in one body, and his life in Puri, consumed by the pain of separation, showed the summit of that love.

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  • Siamo liberi o è tutto determinato?

    He does not theorise freedom: the soul turned to maya and can return

    Non si è pronunciato

    The teachings the Chaitanya Charitamrita attributes to Chaitanya do not expressly address the problem of freedom and fate. They explain that the soul, forgetful of Krishna since beginningless time, is subject to maya and karma, and that through Krishna’s grace and a meeting with a devotee it may receive the seed of devotion. This narrative presupposes that the soul turns away and can return, but does not clarify how the soul’s initiative and divine grace are shared out. The doctrine of the soul’s ‘minute independence’, which answers this, is an elaboration of later, largely modern, Gaudiya theology. Attributing it to Chaitanya would be anachronistic.

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  • Perché meditare o pregare?

    Chanting the Name cleans the mirror of the mind

    Amicizia con DioLo dice espressamente

    The prayer Chaitanya made popular is not silent: it is the collective chanting of Krishna’s Name, with drums and cymbals, through the streets of Navadvip and Puri. The first stanza of the Shikshashtaka sums up its effects: it cleans the mirror of the mind, puts out the fire of existence and swells the ocean of bliss. The second adds that Krishna has placed all his powers in his names and set no rules of time for remembering them. To pray this way is not to ask for favours but to cultivate a personal relationship with Krishna, which tradition describes in flavours: servant, friend, parent or lover. The aim of chanting is love, not liberation.

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  • Può la ragione conoscere l'ultimo?

    The Bhagavata is the authority; reason interprets it, but God is inconceivable

    Scrittura e ragionamentoLo dice espressamente

    According to the Chaitanya Charitamrita, Chaitanya was a brilliant scholar in his youth, a teacher of grammar in Navadvip, and never gave up reasoned argument: the text narrates his debates with the Vedantin Sarvabhauma Bhattacharya in Puri and with Prakashananda Sarasvati in Benares. In them he holds that revealed scripture, and in particular the Bhagavata Purana, which he considers the natural commentary on the Vedanta Sutras, is the source of knowledge about God, and that reason must interpret it without forcing it. But the central principle of his theology, inconceivable (achintya) oneness and difference, marks the limit: there are truths about God that reason cannot reconcile, accepted only through scripture and lived in love.

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  • Ritirarsi dal mondo o trasformarlo?

    He renounced, but asked others for inner devotion without display

    Contemplazione nell'azioneLo dice espressamente

    Chaitanya took renunciant vows at twenty-four and spent the rest of his life in Puri, devoted to chanting and devotional ecstasy. Yet the Chaitanya Charitamrita relates that when the young Raghunatha Dasa wished to leave his wealthy family to follow him, he advised him to go home, make no show of renunciation and keep devotion within while living as an ordinary man. His movement of collective chanting, open to all castes, was moreover a public phenomenon that filled the streets of Bengal. The Gaudiya tradition has since combined renunciants and householders, and holds that love of Krishna can be lived in any state of life.

    Confronta questa domanda con altri maestri

Aneddoti e racconti

Aneddoti e racconti

Racconto agiograficoc. 1509

Jagai and Madhai

Jagai and Madhai were two brahmin brothers of Navadvipa who, the story goes, had become drunken thugs terrorising the neighbourhood. Chaitanya had sent Nityananda and Haridasa from house to house inviting people to chant Krishna's name. When they met the brothers, Madhai hurled a piece of a clay pot at Nityananda and split his forehead. Chaitanya rushed there in fury and invoked, the biographers say, his divine discus; Nityananda asked him to forgive them, for he had come to save the fallen, not to destroy them. The two brothers fell at his feet, promised to give up their vices and became devotees; Madhai, it is said, built a bathing ghat on the Ganges with his own hands as penance. The episode became the emblem of the unconditional mercy tradition attributes to Nityananda and of the movement's reach beyond the respectable.

Origine del racconto: Narrated by Vrindavana Dasa in the Chaitanya Bhagavata (Madhya-khanda) and taken up by Krishnadasa; no external source.

Fonte: Vṛndāvana Dāsa. Śrī Caitanya-bhāgavata (bengalí, c. 1540-1550). Trad. inglesa de Bhūmipati Dāsa, ed. de Puṇḍarīka Vidyānidhi Dāsa. Vṛndāvana: Vrajraj Press, 2000-2005 (varios volúmenes).

Racconto agiograficoc. 1509

The procession against the qadi

According to the Chaitanya Bhagavata, the qadi of Navadvipa, the sultan's magistrate, received complaints from brahmins annoyed by the noise of the nightly chanting, burst into one of the gatherings, broke a drum and banned the kirtan. Chaitanya responded by calling the whole city out the next night: thousands of people with torches, drums and cymbals marched through the streets singing to the magistrate's house. The qadi, the biographer says, first hid and then came out to parley; after a conversation in which the magistrate, who by the symbolic kinship between neighbours of one village regarded himself as his uncle, ended up calling him nephew, he undertook never again to prevent the chanting. The Gaudiya tradition celebrates it as the first peaceful civil disobedience in Indian history; historians read it as a story expressing the tension between the devotional community and the Muslim administration of Bengal.

Origine del racconto: Chaitanya Bhagavata, Madhya-khanda 23, and Chaitanya Charitamrita, Adi-lila 17. Local tradition identifies his tomb in Mayapur.

Fonte: Vṛndāvana Dāsa. Śrī Caitanya-bhāgavata (bengalí, c. 1540-1550). Trad. inglesa de Bhūmipati Dāsa, ed. de Puṇḍarīka Vidyānidhi Dāsa. Vṛndāvana: Vrajraj Press, 2000-2005 (varios volúmenes).

Racconto agiografico1510

Vasudeva Sarvabhauma

Newly arrived in Puri, the young renunciant fainted with emotion before the image of Jagannatha and was carried to the house of Vasudeva Sarvabhauma, the court's most respected scholar, whose father had been a fellow student of his maternal grandfather. Sarvabhauma, a master of logic and non-dualist Vedanta, wished to instruct the young man and for seven days expounded the Brahma-sutras according to Shankara; Chaitanya listened in silence. On the eighth day, Krishnadasa relates, he objected that the commentary obscured the literal sense of the sutras, which speak of a personal God, and explained a stanza of the Bhagavata Purana in dozens of different ways. The old pandit surrendered and became his devotee; the biographers add that Chaitanya revealed his divine form to him. In the work the episode functions as devotion's victory over monism and as the movement's charter of intellectual legitimacy before the brahmin elite of Orissa.

Origine del racconto: Chaitanya Charitamrita, Madhya-lila 6; also in Kavi Karnapura. Sarvabhauma's existence as a scholar at Prataparudra's court is plausible; the details of the debate are a theological construction.

Fonte: Kṛṣṇadāsa Kavirāja. Caitanya Caritāmṛta of Kṛṣṇadāsa Kavirāja: A Translation and Commentary. Trad. de Edward C. Dimock Jr.; introd. de Edward C. Dimock Jr. y Tony K. Stewart; ed. de Tony K. Stewart. Harvard Oriental Series 56. Cambridge (Mass.): Dept. of Sanskrit and Indian Studies, Harvard University, 1999. ISBN 9780674002852.

Racconto agiograficoc. 1511

"That is external; go further"

At Vidyanagara, on the banks of the Godavari, Chaitanya met Ramananda Raya, a governor in the service of the king of Orissa and a poet. According to Krishnadasa, he asked him to explain the goal of life and listened to his answers rising like a ladder: fulfilling the duties of one's station, offering God the fruit of one's acts, renouncing them, knowledge joined to devotion, pure devotion. At each step Chaitanya replied with the same phrase: "that is external, go further". Ramananda then moved on to the affections of devotion —servitude, friendship, parental tenderness, conjugal love— and, at the very top, to Radha's love. In the end, the biographer says, Chaitanya covered his mouth so he would go no further. The dialogue, probably Krishnadasa's literary elaboration of a historical meeting, is the most condensed exposition of the Gaudiya theology of love.

Origine del racconto: Chaitanya Charitamrita, Madhya-lila 8 (the "Ramananda-samvada"). Kavi Karnapura mentions the meeting; the doctrinal development is Krishnadasa's.

Fonte: Kṛṣṇadāsa Kavirāja. Caitanya Caritāmṛta of Kṛṣṇadāsa Kavirāja: A Translation and Commentary. Trad. de Edward C. Dimock Jr.; introd. de Edward C. Dimock Jr. y Tony K. Stewart; ed. de Tony K. Stewart. Harvard Oriental Series 56. Cambridge (Mass.): Dept. of Sanskrit and Indian Studies, Harvard University, 1999. ISBN 9780674002852.

Racconto agiograficoc. 1512-1513

The king who swept the road

Prataparudra, the Gajapati king of Orissa, wished to meet the Bengali renunciant, but Chaitanya refused: a monk should not deal with kings or money. During Jagannatha's chariot festival the king performed the ritual office of sweeping with a gold-handled broom the road the chariot would take and sprinkling it with sandalwood water. Chaitanya, dancing before the chariot with the Bengali devotees, was moved by the sovereign's humility. Later, in a garden where he was resting, the king approached disguised as an ordinary devotee and recited to him verses from the Bhagavata Purana about the cowherd women; Chaitanya embraced him before knowing who he was. The story condenses an idea dear to the tradition: humble service opens doors power cannot.

Origine del racconto: Chaitanya Charitamrita, Madhya-lila 11-14. The king's ritual sweeping of the road (chhera pahanra) is a documented practice of the Puri festival that is still performed.

Fonte: Kṛṣṇadāsa Kavirāja. Caitanya Caritāmṛta of Kṛṣṇadāsa Kavirāja: A Translation and Commentary. Trad. de Edward C. Dimock Jr.; introd. de Edward C. Dimock Jr. y Tony K. Stewart; ed. de Tony K. Stewart. Harvard Oriental Series 56. Cambridge (Mass.): Dept. of Sanskrit and Indian Studies, Harvard University, 1999. ISBN 9780674002852.

Non verificabilec. 1500

The commentary thrown into the river

A story of Nimai's youth is widely told: he supposedly wrote a commentary on logic so brilliant that his friend Raghunatha Shiromani, the future great master of Navadvipa's new logic, burst into tears on reading it, because it would eclipse his own work. Nimai, moved, is said to have thrown his manuscript into the Ganges so the glory would be his friend's. The anecdote fits the image of the brilliant grammarian turned humble, but it does not appear in the Chaitanya Bhagavata or the Chaitanya Charitamrita, the sources that dwell most on his student years, and the identification of Raghunatha as a fellow student is problematic.

Origine del racconto: It is repeated in modern devotional and popular biographies without citing an early source; it has not been located in the sixteenth-century hagiographies.

Fonte: Sen, Dinesh Chandra. Chaitanya and His Age. Calcuta: University of Calcutta, 1922.

Insegnamenti

Insegnamenti

Le nozioni che articolano il suo pensiero, spiegate nel loro contesto.

Congregational chanting of the name (nama-sankirtana)nama-sankirtana
For Chaitanya and his school, Krishna's name is not a sign pointing to God but God himself present in sound, endowed with all his power, as the second stanza of the Shikshashtaka states. Hence its utterance, above all in a group, with music and dance, is the most effective means of liberation in the present age (kali-yuga). The chant requires no prior conditions of caste, ritual purity or learning; it does require an attitude, that of the third stanza: humility, patience and respect for others. Alongside the congregational practice, the tradition developed individual recitation with a rosary (japa), in particular of the so-called Hare Krishna mahamantra, which comes from the Kali-santarana Upanishad and which the school associates with Chaitanya. The public practice of kirtan, in streets and squares, was the most visible feature of the movement from its beginnings in Navadvipa.

It inherits the theology of the name from the Bhagavata tradition and earlier Vaishnavas; Jiva and Rupa Gosvamin systematised it.

Fonte: Bryant, Edwin F. (ed.). Krishna: A Sourcebook. Nueva York: Oxford University Press, 2007. ISBN 9780195148916 (en especial N. Delmonico, «Chaitanya Vaishnavism and the Holy Names», y S. Dasa, «The Six Sandarbhas of Jiva Gosvami»).

Divine love (prema) as the supreme goalprema-bhakti
Indian tradition recognised four human goals: duty, prosperity, pleasure and liberation. Chaitanya's school places above them all a fifth, prema, pure love for Krishna, which seeks nothing for itself, not even liberation. Rupa Gosvamin, whom Chaitanya instructed at Prayag, analysed it with the categories of Sanskrit aesthetics: devotion is a rasa, a savourable emotional experience, declined in five fundamental relationships with God —serene contemplation, servitude, friendship, parental tenderness and lovers' love—, the last being the most intense. The dialogue with Ramananda Raya in the Chaitanya Charitamrita traverses precisely that scale up to Radha's love. The fourth stanza of the Shikshashtaka, which asks for a "motiveless" devotion, expresses the ideal in the first person.

Developed by Rupa Gosvamin in the Bhaktirasamrtasindhu and the Ujjvalanilamani.

Fonte: Kṛṣṇadāsa Kavirāja. Caitanya Caritāmṛta of Kṛṣṇadāsa Kavirāja: A Translation and Commentary. Trad. de Edward C. Dimock Jr.; introd. de Edward C. Dimock Jr. y Tony K. Stewart; ed. de Tony K. Stewart. Harvard Oriental Series 56. Cambridge (Mass.): Dept. of Sanskrit and Indian Studies, Harvard University, 1999. ISBN 9780674002852.

Inconceivable difference and non-difference (achintya-bhedabheda)achintya-bhedabheda
It is the Gaudiya school's metaphysical position on Vedanta's great question: the relation between God, souls and the world. Against Shankara's non-dualism, for which diversity is illusory, and against strict dualisms, the school holds that souls and the world are energies (shakti) of God, at once identical with and distinct from him, like heat and fire, and that this simultaneity is inconceivable to reason yet accessible through revelation. The formula does not appear in the Shikshashtaka: it was elaborated by Jiva Gosvamin, nephew of Rupa and Sanatana, in the Sat-sandarbhas and his commentary Sarva-samvadini, and tradition retrospectively attributes it to Chaitanya's teaching, as the Chaitanya Charitamrita does in the dialogues with Sarvabhauma and Sanatana.

Gaudiya Vedanta school; Jiva Gosvamin (sixteenth century); Baladeva Vidyabhushana wrote the Gaudiya commentary on the Brahma-sutras in the eighteenth century.

Fonte: Bryant, Edwin F. (ed.). Krishna: A Sourcebook. Nueva York: Oxford University Press, 2007. ISBN 9780195148916 (en especial N. Delmonico, «Chaitanya Vaishnavism and the Holy Names», y S. Dasa, «The Six Sandarbhas of Jiva Gosvami»).

Radha and Krishna in one bodyradha-krishna-en-un-cuerpo
Gaudiya theology sees in Chaitanya not merely a saint or another incarnation but Krishna himself, who descends clothed in Radha's feeling and golden colour in order to taste from within the love she has for him. A stanza attributed to his secretary Svarupa Damodara, quoted at the opening of the Chaitanya Charitamrita, puts it thus: what in Krishna's world are two —the beloved and the lover— have become one in Chaitanya. The doctrine explains at once the colour of his skin (Gaura, "the golden one"), his ecstatic devotion and the states of separation of his last years: in Chaitanya, Krishna experiences Radha's longing. It is a theological interpretation by the disciples, not a teaching that can be documented from Chaitanya's own mouth.

Chaitanya Charitamrita, Adi-lila 1 and 4; theology of the Gosvamis and the Navadvipa devotees.

Fonte: Stewart, Tony K. The Final Word: The Caitanya Caritāmṛta and the Grammar of Religious Tradition. Nueva York: Oxford University Press, 2010. ISBN 9780195392722.

Love in separation (vipralambha)vipralambha
Sanskrit poetics distinguishes love in union (sambhoga) and love in separation (vipralambha). Chaitanya's tradition considers the latter the more intense and fruitful: in absence, the beloved is everywhere. The last stanzas of the Shikshashtaka speak in the voice of the separated lover —the instant that lasts an age, the eyes that rain, the empty world— and the Chaitanya Charitamrita describes the Gambhira years as an immersion in that state, fed by readings of Jayadeva's Gita Govinda and the poems of Chandidasa and Vidyapati. Beyond its biographical dimension, the idea turned longing into a spiritual path: the absence of God felt intensely is already a form of his presence.

Rasa poetics; Bengali Vaishnava lyric (padavali); Rupa Gosvamin, Ujjvalanilamani.

Fonte: Kṛṣṇadāsa Kavirāja. Caitanya Caritāmṛta of Kṛṣṇadāsa Kavirāja: A Translation and Commentary. Trad. de Edward C. Dimock Jr.; introd. de Edward C. Dimock Jr. y Tony K. Stewart; ed. de Tony K. Stewart. Harvard Oriental Series 56. Cambridge (Mass.): Dept. of Sanskrit and Indian Studies, Harvard University, 1999. ISBN 9780674002852.

Video

Video

Registrazioni, interviste e documentari. I video vengono riprodotti da YouTube; non sono ospitati qui.

  • Sri Chaitanya - In Love with God | Swami Sarvapriyananda

    Conferenza· EN· 78 min

    Vedanta Society of New YorkCanale ufficiale

  • Śikṣāṣṭakam and Q&A Session - Edwin Bryant

    Conferenza· EN· 122 min

    Edwin Bryant OfficialCanale ufficiale

  • Lord Chaitanya Mahaprabhu the Golden Avatar - (ENGLISH)

    Documentario· EN· 1986· 29 min

    Hare Krishna Film Classics

  • The Gift of Śrī Caitanya Mahāprabhu – Full Feature Film

    Documentario· EN· 2022· 109 min

    The Gift of Śrī Caitanya MahāprabhuCanale ufficiale

  • Sri Chaitanya Mahaprabhu | CC Adi Lila 1.4 | Mayapur, India | Srila Prabhupada

    Registrazione originale· EN· 18 min

    The Acharya

  • Nilachaley Mahprabhu, 1957, Full Length Film, With English Subtitles

    Registrazione di terzi· BN· 1957· 133 min

    Krishna Chandra Dasa

  • চৈতন্যদের এবং প্রেম সংকীর্তন || নৃসিংহপ্রসাদ ভাদুড়ী

    Conferenza· BN· 68 min

    Nrisingha Prasad BhaduriCanale ufficiale

  • Chaitanyer Jagannath || History of Rathayatra || Nrisingha Prasad Bhaduri

    Conferenza· BN· 12 min

    Nrisingha Prasad BhaduriCanale ufficiale

  • Chaitanya Mahaprabhu Biography - चैतन्य महाप्रभु का जीवन

    Analisi· HI· 19 min

    StudyIQ IAS

  • Sri Shikshashtakam - written by Chaitanya Mahaprabhu

    Registrazione di terzi· SA· 5 min

    Vedic Vigyan

  • Breve biografía de Sri Caitanya Mahaprabhu, el avatar dorado (1)

    Conferenza· ES· 57 min

    Gastón Castro 108

Galleria

Galleria

Immagini con licenza verificata. Ciascuna conserva la sua paternità e la sua attribuzione.

Relazioni

Relazioni

Influenze, discepolati e affinità. Si distingue la relazione documentata dalla somiglianza individuata per analisi.

  • Influenzò

    Ramakrishna

    Ramakrishna venerated Chaitanya as a divine incarnation and practised Vaishnava devotion; his biographer Saradananda reports a vision of Gauranga's kirtan.

    Relazione documentata

  • Idee affini a

    Mirabai

    Contemporaries and devotees of Krishna; both embody the bhakti of the separated lover. No meeting is recorded; the legend of Mira in Vrindavan links her with Jiva Gosvamin, not with Chaitanya.

    Somiglianza individuata per analisi

  • Contemporaneo di

    Guru Nanak

    Contemporaries (Nanak, 1469-1539). The janamsakhis take Nanak to Puri, but no meeting with Chaitanya is recorded.

    Somiglianza individuata per analisi

  • Idee affini a

    Kabir

    Both placed the divine name at the centre of practice and relativised caste, although Kabir rejected the images and the personal Krishna Chaitanya worshipped.

    Somiglianza individuata per analisi

  • Idee affini a

    Rumi

    A frequent analogy: a mysticism of love, music and ecstatic dance as a way to God. No historical connection.

    Somiglianza individuata per analisi

  • Idee affini a

    John of the Cross

    Both traditions read the relationship with God in the language of lovers and value the night of absence. No historical connection.

    Somiglianza individuata per analisi

Fonti

Fonti

Bibliografia e cataloghi consultati per questa scheda.

  1. Kṛṣṇadāsa Kavirāja. Caitanya Caritāmṛta of Kṛṣṇadāsa Kavirāja: A Translation and Commentary. Trad. de Edward C. Dimock Jr.; introd. de Edward C. Dimock Jr. y Tony K. Stewart; ed. de Tony K. Stewart. Harvard Oriental Series 56. Cambridge (Mass.): Dept. of Sanskrit and Indian Studies, Harvard University, 1999. ISBN 9780674002852.
  2. Vṛndāvana Dāsa. Śrī Caitanya-bhāgavata (bengalí, c. 1540-1550). Trad. inglesa de Bhūmipati Dāsa, ed. de Puṇḍarīka Vidyānidhi Dāsa. Vṛndāvana: Vrajraj Press, 2000-2005 (varios volúmenes).
  3. Stewart, Tony K. The Final Word: The Caitanya Caritāmṛta and the Grammar of Religious Tradition. Nueva York: Oxford University Press, 2010. ISBN 9780195392722.
  4. Stewart, Tony K. «Chaitanya, Sri». En Banglapedia: The National Encyclopedia of Bangladesh, ed. en línea. Dhaka: Asiatic Society of Bangladesh, 2012.
  5. Kennedy, Melville T. The Chaitanya Movement: A Study of the Vaishnavism of Bengal. Calcuta: Association Press; Londres: Oxford University Press, 1925.
  6. Sen, Dinesh Chandra. Chaitanya and His Age. Calcuta: University of Calcutta, 1922.
  7. De, Sushil Kumar. Early History of the Vaishnava Faith and Movement in Bengal, from Sanskrit and Bengali Sources. Calcuta: General Printers and Publishers, 1942 (2.ª ed., Calcuta: Firma K. L. Mukhopadhyay, 1961).
  8. Sarkar, Jadunath (trad.). Chaitanya's Life and Teachings, from His Contemporary Bengali Biography the Chaitanya-charit-amrita. 2.ª ed. Calcuta: M. C. Sarkar & Sons, 1922 (1.ª ed. con el título Chaitanya's Pilgrimages and Teachings, 1913). Edición digital: Project Gutenberg, n.º 38016.
  9. Wikidata, «Chaitanya Mahaprabhu» (Q870262).
  10. Rūpa Gosvāmin. The Padyāvalī: An Anthology of Vaiṣṇava Verses in Sanskrit. Ed. crítica de Sushil Kumar De. Dacca: University of Dacca, 1934.
  11. Valpey, Kenneth. «Caitanya». En Knut A. Jacobsen et al. (eds.), Brill's Encyclopedia of Hinduism Online. Leiden: Brill, 2018.
  12. Murāri Gupta. Śrī Caitanya-carita-mahākāvya (Śrīkṛṣṇacaitanyacaritāmṛtam). Trad. de Swami Bhakti Vedanta Bhagavata Maharaja, ed. de Pūrṇaprajña Dāsa. Vṛndāvana: Rasbihari Lal & Sons, 2006. ISBN 9788184030068.
  13. Majumdar, A. K. Caitanya: His Life and Doctrine. A Study in Vaiṣṇavism. Bombay: Bharatiya Vidya Bhavan, 1969.
  14. Bhaktivedanta Swami, A. C. (trad. y coment.). Śrī Caitanya-caritāmṛta of Kṛṣṇadāsa Kavirāja Gosvāmī. 17 vols. Nueva York / Los Ángeles: Bhaktivedanta Book Trust, 1973-1975. ISBN del primer volumen 9780912776507.
  15. Bryant, Edwin F. (ed.). Krishna: A Sourcebook. Nueva York: Oxford University Press, 2007. ISBN 9780195148916 (en especial N. Delmonico, «Chaitanya Vaishnavism and the Holy Names», y S. Dasa, «The Six Sandarbhas of Jiva Gosvami»).
  16. «शिक्षाष्टकम्» (Śikṣāṣṭakam), texto sánscrito. Wikisource en sánscrito.
  17. Saradananda, Swami. Sri Ramakrishna, the Great Master. Trad. de Swami Jagadananda. Madrás: Sri Ramakrishna Math, 1952 (orig. bengalí Śrīśrīrāmakṛṣṇalīlāprasaṅga, 1909-1919).
Titolare dei diritti
Las estrofas de Chaitanya y las hagiografías de los siglos XVI-XVII son de dominio público. Las traducciones modernas tienen titulares propios: la de Dimock y Stewart, la Harvard Oriental Series; la de A. C. Bhaktivedanta Swami, el Bhaktivedanta Book Trust.

In attesa di conferma

Ciò che questa scheda non ha ancora potuto chiarire. Preferiamo dirlo piuttosto che riempirlo.

  • No se localizó una edición española independiente del Shikshashtaka con ISBN; solo dentro de la edición española del Chaitanya Charitamrita (BBT).
  • Faltan ediciones bengalíes críticas con ISBN del Chaitanya Charitamrita y del Chaitanya Bhagavata (p. ej., la de Radhagovinda Nath) y traducciones de Lochana Dasa, Jayananda y Kavi Karnapura.
  • Confirmar la editorial y el año de la edición del Chaitanya Bhagavata con ISBN 9788187216117 (la ficha de Open Library no los consigna) y el año de las ediciones españolas del BBT Argentina.
  • La fecha de muerte (1533 o 1534) y sus circunstancias no pueden cerrarse con las fuentes disponibles.
  • La traducción de Sarkar queda con cautela hasta 2039 (derechos en España).

Ricerca effettuata il 2026-10-25