TABLE VIII. JĀTAKAS ILLUSTRATED IN BAS-RELIEF ON THE ANCIENT MONUMENTS.

Arranged from General Cunningham’s ‘Stūpa of Bharhut.’

ciii

There are numerous other scenes without titles, and not yet identified in the Jātaka Book, but which are almost certainly illustrative of Jātaka Stories; and several scenes with titles illustrative of passages in the Nidāna Kathā of the Jātaka Book. So, for instance, Pl. xvi. fig. 1 is the worship in heaven of the Buddha’s Head-dress, whose reception into heaven is described below, p. 86; and the heavenly mansion, the Palace of Glory, is inscribed Vejayanto Pāsādo, the origin of which name is explained below, p. 287. Plate xxviii. has a scene entitled ‘Bhagavato Okkanti’ (The Descent of the Blessed One),117 in illustration of Māyā Devi’s Dream (below, pp. 62, 63); and Plate lvii. is a representation of the Presentation of the Jetavana Monastery (below, pp. 130-133). The identifications of Nos. 12 and 13 in the above list are very doubtful.

Besides the above, Mr. Fergusson, in his ‘Tree and Serpent Worship,’ has identified bas-reliefs on the Sanchi Tope in illustration of the Sama and Asadisa Jātakas (Pl. xxxvi p. 181) and of the Vessantara Jātaka (Pl. xxiv. p. 125); and there are other Jātaka scenes on the Sanchi Tope not yet identified.

Mr. Simpson also has been kind enough to show me drawings of bas-reliefs he discovered in Afghanistān, two of which I have been able to identify as illustrations of the Sumedha Jātaka (below, p. 11-13), and another as illustrative of the scene described below on pp. 125, 126.