CHAPTER IX. · 5

“We owe to Eckstein the brilliant romance of ‘Quintus Claudius,’ which Clara Bell has done well to translate for us, for it is worthy of place beside the Emperor of Ebers and the Aspasia of Hamerling. It is a story of Rome in the reign of Domitian, and the most noted characters of the time figure in its pages, which are a series of picturesque descriptions of Roman life and manners in the imperial city, and in those luxurious retreats at Baiae and elsewhere to which the wealthy Romans used to retreat from the heats of summer. It is full of stirring scenes in the streets, in the palaces, in the temples, and in the amphitheatre, and the actors therein represent every phase of Roman character, from the treacherous and cowardly Domitian and the vile Domitia down to the secret gatherings of the new sect and their exit from life in the blood-soaked sands of the arena, where they were torn in pieces by the beasts of the desert. The life and the manners of all classes at this period were never painted with a bolder pencil than by Eckstein in this masterly romance, which displays as much scholarship as invention.”—Mail and Express, N. Y.

“These neat volumes contain a story first published in German. It is written in that style which Ebers has cultivated so successfully. The place is Rome; the time, that of Domitian at the end of the first century. The very careful study of historical data, is evident from the notes at the foot of nearly every page. The author attempted the difficult task of presenting in a single story the whole life of Rome, the intrigues of that day which compassed the overthrow of Domitian, and the deep fervor and terrible trials of the Christians in the last of the general persecutions. The court, the army, the amphitheatre, the catacombs, the evil and the good of Roman manhood and womanhood—all are here. And the work is done with power and success. It is a book for every Christian and for every student, a book of lasting value, bringing more than one nation under obligation to its author.”—New Jerusalem Magazine, Boston, Mass.

“A new Romance of Ancient Times! The success of Ernst Eckstein’s new novel, ‘Quintus Claudius,’ which recently appeared in Vienna, may fairly be called phenomenal, critics and the public unite in praising the work.”—Grazer Morgenpost.

“‘Quintus Claudius’ is a finished work of art, capable of bearing any analysis, a literary production teeming with instruction and interest, full of plastic forms, and rich in the most dramatic changes of mood.”—Pester Lloyd.

William S. Gottsberger, Publisher, New York.

PRUSIAS.—A Romance of Ancient Rome under the Republic, by Ernst Eckstein, from the German by Clara Bell. Authorized edition. In two vols. Paper, $1.00. Cloth, $1.75.

“The date of ‘Prusias’ is the latter half of the first century B. C. Rome is waging her tedious war with Mithridates. There are also risings in Spain, and the home army is badly depleted. Prusias comes to Capua as a learned Armenian, the tutor of a noble pupil in one of the aristocratic households. Each member of this circle is distinct. Some of the most splendid traits of human nature develop among these grand statesmen and their dignified wives, mothers, and daughters. The ideal Roman maiden is Psyche; but she has a trace of Greek blood and of the native gentleness. Of a more interesting type is Fannia, who might, minus her slaves and stola, pass for a modern and saucy New York beauty. Her wit, spirit, selfishness, and impulsive magnanimity might easily have been a nineteenth-century evolution. In the family to which Prusias comes are two sons, one of military leanings, the other a student. Into the ear of the latter Prusias whispers the real purpose of his coming to Italy. He is an Armenian and in league with Mithridates for the reduction of Roman rule. The unity which the Senate has tried to extend to the freshly-conquered provinces of Italy is a thing of slow growth. Prusias by his strategy and helped by Mithridates’s gold, hopes to organize slaves and disaffected provincials into a force which will oblige weakened Rome to make terms, one of which shall be complete emancipation and equality of every man before the law. His harangues are in lofty strain, and, save that he never takes the coarse, belligerent tone of our contemporaries, these speeches might have been made by one of our own Abolitionists. The one point that Prusias never forgets is personal dignity and a regal consideration for his friends. But after all, this son of the gods is befooled by a woman, a sinuous and transcendently ambitious Roman belle, the second wife of the dull and trustful prefect of Capua; for this tiny woman had all men in her net whom she found it useful to have there.

“The daughter of the prefect—hard, homely-featured, and hating the supple stepmother with an unspeakable hate, tearing her beauty at last like a tigress and so causing her death—is a repulsive but very strong figure. The two brothers who range themselves on opposite sides in the servile war make another unforgettable picture; and the beautiful slave Brenna, who follows her noble lover into camp, is a spark of light against the lurid background. The servile movement is combined with the bold plans of the Thracian Spartacus. He is a good figure and perpetually surprises us with his keen foresight and disciplinary power.

“The book is stirring, realistic in the even German way, and full of the fibre and breath of its century.” Boston Ev’g Transcript.

THE WILL.—A novel, by Ernst Eckstein, from the German by Clara Bell, in two vols. Paper, $1.00 Cloth, $1.75 per set.

“Since the appearance of ‘Debit and Credit’ we have not seen a German novel that can rank, in the line struck out by that famous work, with ‘The Will,’ by Ernst Eckstein. It is a vivid picture of German city life, and the characters, whether quaint, commonplace, tragical, or a mixture of all three, are admirably drawn. All the German carefulness is in Eckstein’s work, but there is besides a sparkle and verve entirely French—and French of the best kind.”—Catholic Mirror, Baltimore.

“The chief value of the book is in its well-drawn and strong pictures of life in both German cities and villages, and Clara Bell, has, as usual, proved herself a mistress of the German Tongue.”—Sunday Star, Providence.

“Ernst Eckstein, hitherto known as a writer of classical romance, now tries his hand upon a genre story of German life. To our mind, it is his most successful work.”—Bulletin, San Francisco, Cal.

“The present work is entitled ‘The Will,’ and is written by Ernst Eckstein, the author of the striking historical novel, Quintus Claudius. The name of Clara Bell as the translator from the German is assurance enough of the excellence of its rendering into English. The plot of the story is not a novel one, but it is skillfully executed, and the whole tale is developed with much dramatic power.”—Boston Zion’s Herald.

“‘The Will,’ by Eckstein, is the latest and best work of its author. The scene, the people, the events of the story are new, the plot is ingenious, and the action rapid and exciting enough to please the most jaded novel reader. The character of schoolmaster Heinzius would alone make the reputation of a new writer, and there are other sketches from life none the less masterly. Ernst Eckstein excels in heroines, of whom there are several in the book—all clearly defined—contending for the sympathy of the reader.”—The Journal of Commerce, New York.

William S. Gottsberger, Publisher, New York.

THE ELEVENTH COMMANDMENT.—A Romance by Anton Giulio Barrili, from the Italian by Clara Bell, in one vol. Paper, 50 cts. Cloth, 90 cts.

“If Italian literature includes any more such unique and charming stories as this one, it is to be hoped that translators will not fail to discover them to the American public. The ‘Eleventh Commandment’ deals with a variety of topics—the social intrigues necessary to bring about preferment in political life, a communal order, an adventurous unconventional heiress, and her acquiescent, good-natured uncle, and most cleverly are the various elements combined, the whole forming an excellent and diverting little story. The advent of a modern Eve in the masculine paradise (?) established at the Convent of San Bruno is fraught with weighty consequences, not only to the individual members of the brotherhood, but to the well-being of the community itself. The narrative of M’lle Adela’s adventures is blithely told, and the moral deducible therefrom for men is that, on occasion, flight is the surest method of combating temptation.”—Art Interchange, New York.

“Very entertaining is the story of ‘The Eleventh Commandment,’ ingeniously conceived and very cleverly executed.”—The Critic, New York.

A WHIMSICAL WOOING.—By Anton Giulio Barrili, from the Italian by Clara Bell, in one vol. Paper, 25 cts. Cloth, 50 cts.

“If ‘The Eleventh Commandment,’ the previous work of Barrili, was a good three-act play, ‘A Whimsical Wooing’ is a sparkling comedietta. It is one situation, a single catastrophe, yet, like a bit of impressionist painting of the finer sort, it reveals in a flash all the possibilities of the scene. The hero, Roberto Fenoglio, a man of wealth, position, and accomplishments, finds himself at the end of his resources for entertainment or interest. Hopelessly bored, he abandons himself to the drift of chance, and finds himself, in no longer space of time than from midnight to daylight—where and how, the reader will thank us for not forestalling his pleasure in finding out for himself.”—The Nation, New York.

“‘A Whimsical Wooing’ is the richly-expressive title under which ‘Clara Bell’ introduces a cleverly-narrated episode by Anton Giulio Barrili to American readers. It is a sketch of Italian life, at once rich and strong, but nevertheless discreet in sentiment and graceful in diction. It is the old story of the fallacy of trusting to a proxy in love matters.”—Boston Post.

William S. Gottsberger, Publisher, New York.

ERNESTINE.—A Novel, by Wilhelmine von Hillern, from the German by S. Baring-Gould, in two vols. Paper, 80 cts. Cloth, $1.50.

“‘Ernestine’ is a work of positive genius. An English critic has likened the conception of the heroine in her childhood to George Eliot’s Maggie Tulliver, and truly there is a certain resemblance; but there is in the piece a much stronger suggestion of George Eliot’s calm mastery of the secret springs of human action, and George Eliot’s gift of laying bare the life of a human soul, than of likeness between particular characters or situations here and those with which we are familiar in George Eliot’s works.”—New York Evening Post.

THE HOUR WILL COME.—A Tale of an Alpine Cloister, by Wilhelmine von Hillern, from the German by Clara Bell, in one vol. Paper, 40 cts. Cloth, 75 cts.

“‘The Hour Will Come’ is the title of a translation by Clara Bell from the German original of Wilhelmine von Hillern, author of that beautiful romance ‘Geier-Wally.’ ‘The Hour Will Come’ is hardly less interesting, its plot being one of the strongest and most pathetic that could well be imagined. The time is the Middle Ages, and Frau von Hillern has achieved a remarkable success in reproducing the rudeness, the picturesqueness and the sombre coloring of those days. Those who take up ‘The Hour Will Come’ will not care to lay it down again until they have read it through.”—Baltimore Gazette.

HIGHER THAN THE CHURCH.—An Art Legend of Ancient Times, by Wilhelmine von Hillern, from the German by Mary J. Safford, in one vol. Paper, 25 cts. Cloth, 50 cts.

“Mary J. Safford translates acceptably a very charming short story from the German of Wilhelmine von Hillern. If it was not told by the sacristan of Breisach, it deserves to have been. It has the full flavor of old German and English love tales, such as have been crystallized in the old ballads. The Emperor, the gifted boy, his struggles with the stupidity of his townsmen, his apparently hopeless love above him; these form the old delightful scene, set in a Düreresque border. There are touches here and there which refer to the present. The sixteenth century tale has a political moral that will appeal to Germans who believe that Alsatia, once German in heart as well as in tongue, ought to be held by force to the Fatherland till she forgets her beloved France.”—N. Y. Times.

William S. Gottsberger, Publisher, New York.